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## Action

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## Hotspot

### Tooltip
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HotspotPanoramaOverlayArea_683F70AF_4FAD_BEA4_41AD_DC9464093705.toolTip = "OK" the Pause that Refreshes
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HotspotPanoramaOverlayArea_BE517309_FB8E_95A6_41B4_DBCDFEF214A3.toolTip = 'OK' the Pause that Refreshes
HotspotPanoramaOverlayArea_BBE5F9A5_FB86_94E9_41E6_213F5FF4F2FB.toolTip = 'Ok' The Pause the Refreshes
HotspotPanoramaOverlayArea_BF5D045B_FB9A_BC59_41E2_791CE801C98E.toolTip = 'Ok' the Pause that Refreshes
HotspotPanoramaOverlayArea_6DF61690_46DC_4CA8_41CB_F6A54231088D.toolTip = 1932 Baby New Year Charting
HotspotPanoramaOverlayArea_9FAFE8EF_9F03_CACF_41CC_B0230E8D1D76.toolTip = 1943 Stamp Cover - Four Freedoms
HotspotPanoramaOverlayArea_9FD6E0EF_9F05_FAE0_41C5_6A8F41D049F2.toolTip = 1943 Stamp Cover: The Four Freedoms
HotspotPanoramaOverlayArea_A001BE12_A0FC_4908_41B9_D9461C462C39.toolTip = 5 Cent Stamps: FDR and Four Freedoms
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HotspotPanoramaOverlayArea_DDF8BE31_8A0B_202A_41CF_517560F03093.toolTip = AN UNCERTAIN FUTURE - Chris Hopkins
HotspotPanoramaOverlayArea_B096E091_88CB_E5EB_4163_F8999ABE6C06.toolTip = AN UNCERTAIN FUTURE - Chris Hopkins
HotspotPanoramaOverlayArea_EFAEDD63_8948_BF2F_41CC_076AA0A582E3.toolTip = AN UNCERTAIN FUTURE - Chris Hopkins
HotspotPanoramaOverlayArea_ABA8D347_8A17_2076_41B6_166948891CAD.toolTip = AN UNCERTAIN FUTURE - Chris Hopkins
HotspotPanoramaOverlayArea_A76756E4_8A09_E02A_41DC_9256D2EF63BB.toolTip = AN UNCERTAIN FUTURE - Chris Hopkins
HotspotPanoramaOverlayArea_BBCD99C2_88DF_E769_41E0_586D08D2664F.toolTip = AN UNCERTAIN FUTURE - Chris Hopkins
HotspotPanoramaOverlayArea_1D398012_88C8_E4E9_41D9_81E5C3FB547D.toolTip = AN UNCERTAIN FUTURE - Chris Hopkins
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HotspotPanoramaOverlayArea_51B42C81_4F9C_A55D_41BF_896276CDEEA4.toolTip = Al Parker - Mother Daughter
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HotspotPanoramaOverlayArea_575D5433_4F97_65BD_41B4_678E3E0FFCD5.toolTip = Al Parker - Mother Daughter
HotspotPanoramaOverlayArea_51B49C81_4F9C_A55D_41C2_808810EE792B.toolTip = Al Parker - Mother Daughter
HotspotPanoramaOverlayArea_51B4FC81_4F9C_A55D_41B2_57132A271ED0.toolTip = Al Parker - Mother Daughter
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HotspotPanoramaOverlayArea_59D47FFB_4F93_62AD_41C4_DB8F0960EDA6.toolTip = Al Parker" Mother Daughter
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HotspotMapOverlayArea_DC723339_AC4A_8D5D_41E0_15A45FB84332.toolTip = American life before World War II - Barbershop Quartet
HotspotMapOverlayArea_DC49CC6A_AC4A_9BFF_41E0_D987B3F10119.toolTip = American life before World War II - Denys Wortman
HotspotMapOverlayArea_DC7317A3_AC4B_956C_41E1_4CF048DFFC10.toolTip = American life before World War II - Mother /Daughter
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HotspotMapOverlayArea_DC75A46A_AC4A_8BFC_41DF_4456EBCC5178.toolTip = American life before World War II - The Taste That Refreshes
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HotspotPanoramaOverlayArea_88E35953_92CB_AB15_41D1_C5E5AF78CD2F.toolTip = Anita Kunz - Every Vote Counts
HotspotPanoramaOverlayArea_09A686A2_0935_868A_4191_9CEDE54ACC59.toolTip = Anita Kunz - Every Vote Counts
HotspotPanoramaOverlayArea_8F6547A7_8ECA_4B89_41C1_7C3B1C9A8A31.toolTip = Anita Kunz - Every Vote Counts
HotspotPanoramaOverlayArea_ADDABE4D_93CC_690D_41DC_2DEB7F6779A2.toolTip = Anita Kunz - Every Vote Counts
HotspotPanoramaOverlayArea_A50E0829_93BC_A935_41C4_08882869DFDE.toolTip = Anita Kunz - Every Vote Counts
HotspotPanoramaOverlayArea_8F7394FA_8ECE_CD78_41A3_931913704E60.toolTip = Anita Kunz - Every Vote Counts
HotspotPanoramaOverlayArea_8F79275A_8EBB_CCBB_41AD_5B3898D2FA8D.toolTip = Anita Kunz - Every Vote Counts
HotspotPanoramaOverlayArea_8F6CF640_8EDA_4C88_41D4_BCDA312547DC.toolTip = Anita Kunz - Every Vote Counts
HotspotPanoramaOverlayArea_89A179F5_93ED_6B2B_41D0_82D6C0E91B6B.toolTip = Ansel Adams: Tom Kobayashi
HotspotPanoramaOverlayArea_BC8C95D1_85F3_02DE_41DC_580B0CB8FC3A.toolTip = Ansel Adams: Tom Kobayashi
HotspotPanoramaOverlayArea_924CC435_85B1_014C_41B9_ECB23856FEE5.toolTip = Armchair General
HotspotPanoramaOverlayArea_9FFF0EC3_9F04_490F_4195_1E0877EC9670.toolTip = Armchair General
HotspotPanoramaOverlayArea_5CC00BEC_9F3C_CEF2_41D7_F9EA7F7407E4.toolTip = Armchair General
HotspotPanoramaOverlayArea_B3ECF5D9_85F1_02CF_41DC_8A5DD7A95199.toolTip = Armchair General
HotspotPanoramaOverlayArea_8F9C9ABD_93EF_291A_4191_C0A73E1D2EA3.toolTip = Armchair General
HotspotPanoramaOverlayArea_CC217648_811E_B374_41D0_C0C41E8CDB10.toolTip = Armchair General
HotspotPanoramaOverlayArea_D4E92BB9_9F1D_CEAD_41BF_6B4427073ABC.toolTip = Armchair General
HotspotPanoramaOverlayArea_9FCC9847_9F04_492C_41C2_376C6C861F5C.toolTip = Armchair General
HotspotPanoramaOverlayArea_F5D5DA50_8958_E569_41DC_50D740C26326.toolTip = Arrested - Daisy Rockwell
HotspotPanoramaOverlayArea_010B94C3_8939_ED6F_41DA_F68141B216B7.toolTip = Arrested - Daisy Rockwell
HotspotPanoramaOverlayArea_AE4C12E2_8A39_602E_41D5_5FA042E15CC3.toolTip = Arrested - Daisy Rockwell
HotspotPanoramaOverlayArea_B1AF0F5E_8A09_6016_4164_69755BFECF46.toolTip = Arrested - Daisy Rockwell
HotspotPanoramaOverlayArea_DED28071_89C8_E52B_41E0_E8A2DBAFF9A3.toolTip = Arrested - Daisy Rockwell
HotspotPanoramaOverlayArea_F95D118D_8978_E7FB_41CB_7165F075837D.toolTip = Arrested - Daisy Rockwell
HotspotPanoramaOverlayArea_2890A775_88C8_6B2B_4192_E681BF0F54CE.toolTip = Arrested - Daisy Rockwell
HotspotPanoramaOverlayArea_C6354885_8A0F_60EA_41D7_E7DD2008E0DA.toolTip = Arrested - Daisy Rockwell
HotspotPanoramaOverlayArea_EB4FF972_8958_A729_41D0_D125DF04A40D.toolTip = Arrested - Daisy Rockwell
HotspotPanoramaOverlayArea_C314C951_A9EC_9045_41E3_DC2ADA738BBB.toolTip = Arsenal of Demacracy II
HotspotPanoramaOverlayArea_CFB5FD6F_A91C_705D_41E0_CF9B1D64FBA6.toolTip = Arsenal of Democracy II
HotspotPanoramaOverlayArea_38B32DBB_A92C_90C5_419A_A98E86684DD5.toolTip = Arsenal of Democracy II
HotspotPanoramaOverlayArea_93B39637_F114_B8B2_41EB_650BC39E67F5.toolTip = Arthur Rothstein - Evicted Sharecroppers
HotspotPanoramaOverlayArea_B720986C_EEF4_E8D6_41EC_B58CDB193227.toolTip = Arthur Rothstein - Evicted Sharecroppers
HotspotPanoramaOverlayArea_BD704724_EF17_F856_41C3_601D6D1F9E4F.toolTip = Arthur Rothstein - Evicted Sharecroppers
HotspotPanoramaOverlayArea_D53BF76D_EF7B_98D6_41EA_9295627D4B54.toolTip = Arthur Rothstein - Evicted Sharecroppers
HotspotPanoramaOverlayArea_AEFF2EA3_EF1C_A852_41DD_62D61687C176.toolTip = Arthur Rothstein - Evicted Sharecroppers
HotspotPanoramaOverlayArea_B0478FBF_EEEB_67B2_41DD_3F7AFF321437.toolTip = Arthur Rothstein - Evicted Sharecroppers
HotspotPanoramaOverlayArea_B47D10E1_EEFC_99CE_419A_40D9151A6827.toolTip = Arthur Rothstein - Evicted Sharecroppers
HotspotPanoramaOverlayArea_6D1BDE56_A924_B04F_41B1_7937081A9DD2.toolTip = Arthur Szyk
HotspotPanoramaOverlayArea_45293B7E_A8E4_B03F_41DF_D1D3550D666A.toolTip = Arthur Szyk
HotspotPanoramaOverlayArea_A9F703A0_A8E5_90C3_41B7_15B03BBF57C2.toolTip = Arthur Szyk
HotspotPanoramaOverlayArea_0D15DC5F_A96C_B07D_41C6_0ADA6CA98D58.toolTip = Arthur Szyk
HotspotPanoramaOverlayArea_06B9C817_A967_FFCD_41C3_43768F38EC44.toolTip = Arthur Szyk
HotspotPanoramaOverlayArea_5B9E91AF_A92C_B0DD_41D7_01B35E3C66FC.toolTip = Arthur Szyk
HotspotPanoramaOverlayArea_AA026F42_AB1F_9047_41A6_D10B0BAD8F77.toolTip = Arthur Szyk
HotspotPanoramaOverlayArea_56C0E4F0_A8ED_B043_41DB_535531B0C320.toolTip = Arthur Szyk
HotspotPanoramaOverlayArea_6AE626B3_A924_B0C4_4198_EF9C4513182F.toolTip = Arthur Szyk
HotspotPanoramaOverlayArea_13BD3B6D_1345_F4D3_419B_8C1422E47E82.toolTip = Artistic Response - In Print
HotspotPanoramaOverlayArea_13BDB9CE_1344_F7D1_41A8_BB04EF9E1145.toolTip = Artistic Response - In Print
HotspotMapOverlayArea_DC4CAB08_AC4E_FD3C_41C9_862B3B0C0FAE.toolTip = Artists support the war effort
HotspotMapOverlayArea_DC7F2C08_AC49_9B3B_41D9_85ACB94FE348.toolTip = Artists support the war effort - Axis Propaganda
HotspotMapOverlayArea_DC79BA81_AC49_9F2D_41C2_B614969F10AC.toolTip = Artists support the war effort - Langston Hughes
HotspotMapOverlayArea_238AF3BE_231B_2D51_41B2_3BE59C6B5EE7.toolTip = Artists support the war effort - Overview
HotspotMapOverlayArea_DC746403_AC4E_8B2C_41BF_48EB2329DF6B.toolTip = Artists support the war effort - Returning GI
HotspotMapOverlayArea_DC7B1569_AC4A_F5FD_41C6_2847715571BE.toolTip = Artists support the war effort - This is Nazi Brutality
HotspotMapOverlayArea_DC7D05D8_AC49_94DB_41E0_FD57C70ED554.toolTip = Artists support the war effort - Thousand Yard Stare
HotspotMapOverlayArea_DC7D1A55_AC4A_9FD5_41D2_AD0284D3C63E.toolTip = Artists support the war effort - United China Relief
HotspotMapOverlayArea_DC79B583_AC4A_B52C_41E3_B43D1FD90419.toolTip = Artists support the war effort - Witches Sabbath
HotspotPanoramaOverlayArea_C4327AEE_86F3_0111_41DE_9E2F4609AE7D.toolTip = Atlantic Charter
HotspotPanoramaOverlayArea_9FD2C731_9F1D_C762_41C5_596092229EF8.toolTip = Atlantic Charter Cigarette Box
HotspotPanoramaOverlayArea_4AA877A5_9F0F_C773_41D9_1CF8285CECE8.toolTip = Atlantic Charter Medalion
HotspotPanoramaOverlayArea_9FDBD6E5_9F03_C6E5_41A7_B2A43C3A5397.toolTip = Atlantic Charter Medallion
HotspotPanoramaOverlayArea_0F57DE00_0F0D_06F1_4180_DA26FF7FD980.toolTip = Atlantic Charter and Four Freedoms Ashtray
HotspotPanoramaOverlayArea_B6D2C746_EAC6_00B0_41EA_9E213B45D124.toolTip = Atlantic Charter and Four Freedoms Ashtray
HotspotPanoramaOverlayArea_AA5E439D_AB27_90FD_41D1_AAB0CD072092.toolTip = Attention Spies- Beware of Conversations!
HotspotPanoramaOverlayArea_AA7291AC_ABFC_B0DC_41D8_0CEB55047418.toolTip = Axis Propaganda
HotspotPanoramaOverlayArea_AA68D8E2_ABEC_B044_41E4_ED6E1A54DF69.toolTip = Axis Propaganda
HotspotPanoramaOverlayArea_AA6E17C0_ABE7_B043_41D4_DA24229F5599.toolTip = Axis Propaganda
HotspotPanoramaOverlayArea_AA76A1EE_ABE4_905F_41E1_B5A22612425B.toolTip = Axis Propaganda
HotspotPanoramaOverlayArea_AA546775_AB3B_904D_41A1_4E666CE885C6.toolTip = Axis Propaganda
HotspotPanoramaOverlayArea_AA5A528A_AB2F_B0C4_41E3_0CC6B4AA6A98.toolTip = Axis Propaganda
HotspotPanoramaOverlayArea_AA4C03A1_AB2B_90C4_41C2_908465F70F45.toolTip = Axis Propaganda
HotspotPanoramaOverlayArea_AA7F2573_ABE5_9044_41E4_B34C2C3A1E23.toolTip = Axis Propaganda
HotspotPanoramaOverlayArea_AA7BA40D_ABEC_97DD_41D4_179DBBBA5BA9.toolTip = Axis Propaganda
HotspotPanoramaOverlayArea_AA64D906_ABE4_B1CF_41E0_A3C46AEEA6DC.toolTip = Axis Propaganda
HotspotPanoramaOverlayArea_C465BBC2_8DB6_5B8B_41C3_F2EE4A6CBB0B.toolTip = BREAKING FREE THROUGH SCRIPT (SCRIPT FROM WITHIN) - Marcia Haffmans
HotspotPanoramaOverlayArea_B71FC3C2_8DDE_4B8B_41DF_A4D51B58A350.toolTip = BREAKING FREE THROUGH SCRIPT (SCRIPT FROM WITHIN) - Marcia Haffmans
HotspotPanoramaOverlayArea_096976DC_093C_86BD_417A_6241B4727C72.toolTip = BREAKING FREE THROUGH SCRIPT (SCRIPT FROM WITHIN) - Marcia Haffmans 1
HotspotPanoramaOverlayArea_512A8C7F_4F9C_A5A5_41CC_6E18311F9F23.toolTip = Baby New Year
HotspotPanoramaOverlayArea_58768C1F_7F44_68A6_41B4_6B1CCF9A7DA4.toolTip = Baby New Year
HotspotPanoramaOverlayArea_512A9C7F_4F9C_A5A5_41C8_A3DC4A647A10.toolTip = Baby New Year
HotspotPanoramaOverlayArea_5C281773_4F6C_A3BC_41D2_7EF0466ED75E.toolTip = Baby New Year
HotspotPanoramaOverlayArea_592B4CEB_4F6C_A6AD_41C5_57DA8667DDAF.toolTip = Baby New Year
HotspotPanoramaOverlayArea_58C5BA32_7F44_68FF_41C7_4BCDE5E90713.toolTip = Baby New Year
HotspotPanoramaOverlayArea_1A95A925_A964_71CD_41D5_2D40CECBB908.toolTip = Back to Civvies
HotspotPanoramaOverlayArea_458393D4_A8E4_F043_41D8_00B64EC4EF7B.toolTip = Back to Civvies
HotspotPanoramaOverlayArea_C4D5680D_A91D_9FDD_41D4_99B5A2A3B085.toolTip = Back to Civvies
HotspotPanoramaOverlayArea_23CBADAE_A92C_F0DF_41DE_FA2A5D638843.toolTip = Back to Civvies
HotspotPanoramaOverlayArea_DDE64B97_1347_947F_41AC_07CE5CC7EF59.toolTip = Back to Civvies
HotspotPanoramaOverlayArea_C350A78D_A91C_B0DC_41E3_154FD0A5D7FD.toolTip = Back to Civvies
HotspotPanoramaOverlayArea_6F3767C5_A924_704C_41E0_4210C927109C.toolTip = Back to Civvies
HotspotPanoramaOverlayArea_A9F0A360_A8FC_9043_41C5_19ED925ADD1A.toolTip = Back to Civvies
HotspotPanoramaOverlayArea_AA06ED61_AB24_9045_41C1_E67A096C758E.toolTip = Back to Civvies
HotspotPanoramaOverlayArea_A9F9E35F_A8EC_907D_41A9_D7E7E16B989F.toolTip = Back to Civvies
HotspotPanoramaOverlayArea_A9EF2DAF_A8E5_90DD_41E3_AFD5E6ACDADE.toolTip = Back to Civvies
HotspotPanoramaOverlayArea_351E1C69_A965_9045_41C7_D76B399245C5.toolTip = Back to Civvies
HotspotPanoramaOverlayArea_4A060CA8_A924_B0C3_41E0_25825221D7B5.toolTip = Back to Civvies
HotspotPanoramaOverlayArea_CC28789D_A91F_90FD_41DC_6581594848AB.toolTip = Back to Civvies
HotspotPanoramaOverlayArea_6872D4DA_4FB7_66EF_419D_331BA2FE5404.toolTip = Barbershop Quartet
HotspotPanoramaOverlayArea_813A79A4_A770_DF2B_41DD_590EDED1641C.toolTip = Barbershop Quartet
HotspotPanoramaOverlayArea_81F37F3A_A771_D31C_41C4_4446C8E23457.toolTip = Barbershop Quartet
HotspotPanoramaOverlayArea_81D95436_A773_F514_41D5_DE8A61305A3C.toolTip = Barbershop Quartet
HotspotPanoramaOverlayArea_73873E59_36DF_C14E_41AB_4AF5AD43CC9C.toolTip = Barbershop Quartet
HotspotPanoramaOverlayArea_83074008_A771_6CFB_41D0_8612AC812172.toolTip = Barbershop Quartet
HotspotPanoramaOverlayArea_653CF385_4FBD_A365_41D2_FE0570C1AB3D.toolTip = Barbershop Quartet
HotspotPanoramaOverlayArea_820B9DD5_A77F_5715_41CA_AEB74DA73FD2.toolTip = Barbershop Quartet
HotspotPanoramaOverlayArea_82208191_A771_6FEC_41D1_C0AACE6B2860.toolTip = Barbershop Quartet
HotspotPanoramaOverlayArea_66027B1D_4FB3_A365_41D3_B309AA767791.toolTip = Barbershop Quartet
HotspotPanoramaOverlayArea_5CC70253_4F6D_DDFC_41C1_405548C7B110.toolTip = Barbershop Quartet
HotspotPanoramaOverlayArea_530B8657_4F9D_65E5_41D3_8C06BD927276.toolTip = Barbershop Quartet
HotspotPanoramaOverlayArea_81771664_A773_552B_41DC_8FB12EC51570.toolTip = Barbershop Quartet
HotspotPanoramaOverlayArea_58C46A36_7F44_68E7_41C1_7B70D834A32A.toolTip = Barbershop Quartet
HotspotPanoramaOverlayArea_653DD384_4FBD_A35B_41B9_D618F56E2C37.toolTip = Barbershop Quartet
HotspotPanoramaOverlayArea_83B07829_A777_3D3C_4194_0CE348BAC76D.toolTip = Barbershop Quartet
HotspotPanoramaOverlayArea_58771C26_7F44_68E6_41DE_0A7CF4C64E6A.toolTip = Barbershop Quartet
HotspotPanoramaOverlayArea_81092DC7_A771_5775_41DB_117D2F427AE1.toolTip = Barbershop Quartet
HotspotPanoramaOverlayArea_653CB385_4FBD_A365_413A_4A40FDE4F58E.toolTip = Barbershop Quartet
HotspotPanoramaOverlayArea_67FB5EE4_4FB3_62A4_41C2_7B1D59364169.toolTip = Barbershop Quartet
HotspotPanoramaOverlayArea_58C57A33_7F44_68FD_41D0_3B0B2BE6C348.toolTip = Barbershop Quartet
HotspotPanoramaOverlayArea_FDA9DAEB_DFFF_5685_41DE_B7F3DE1A51B7.toolTip = Barbershop Quartet
HotspotPanoramaOverlayArea_58769C24_7F44_689A_41DD_42CC4AFE3627.toolTip = Barbershop Quartet
HotspotPanoramaOverlayArea_56E5DB74_4F94_E3BB_41B5_AE20C05EBFC8.toolTip = Barbershop Quartet
HotspotPanoramaOverlayArea_815879D8_A770_DF1C_41D9_FF40A1F31852.toolTip = Barbershop Quartet
HotspotPanoramaOverlayArea_36A0DDDF_B569_78B7_41B4_4B6846AD805C.toolTip = Because Somebody Talked
HotspotPanoramaOverlayArea_3309C8B7_B57F_58F7_41D6_B2BA4B6FF791.toolTip = Because Somebody Talked
HotspotPanoramaOverlayArea_C785F0D4_B52A_E889_41DC_C0E659B62263.toolTip = Because Somebody Talked
HotspotPanoramaOverlayArea_8AE6CD88_B53A_D899_41C3_E73A4332F71E.toolTip = Because Somebody Talked
HotspotPanoramaOverlayArea_2D9D938C_B5C9_8A63_41E1_9D5AC14FF4F4.toolTip = Because Somebody Talked
HotspotPanoramaOverlayArea_3229AF8C_B519_7899_41D7_55FAF99C2776.toolTip = Because Somebody Talked
HotspotPanoramaOverlayArea_9B5027F0_B529_E889_41DD_5B2C7E475175.toolTip = Because Somebody Talked
HotspotPanoramaOverlayArea_DD50EE4A_B5FF_BAFB_41D7_25E2105B7F37.toolTip = Because Somebody Talked
HotspotPanoramaOverlayArea_F664E18A_B52B_6899_41CC_F45911798FAB.toolTip = Because Somebody Talked
HotspotPanoramaOverlayArea_360F096A_B56A_D999_41B4_63B2689FC5ED.toolTip = Because Somebody Talked
HotspotPanoramaOverlayArea_E44E4F78_B526_D879_41C9_00BCF8785374.toolTip = Because Somebody Talked
HotspotPanoramaOverlayArea_ADBB0C1F_B51F_5FB7_41C1_B4921F9FCEA2.toolTip = Because somebody talked
HotspotPanoramaOverlayArea_D0D51299_817D_931F_41CC_FC3E2F5EA5E8.toolTip = Bill of Rights
HotspotPanoramaOverlayArea_BB3EE8DD_9F04_CA95_41DA_8DEF8E174C7A.toolTip = Bill of Rights
HotspotPanoramaOverlayArea_19E687CA_9F05_C6DC_41D2_586BD560426F.toolTip = Bill of Rights
HotspotPanoramaOverlayArea_9FBEEA2F_9F05_C977_41DD_FC6220E12ACC.toolTip = Bill of Rights
HotspotPanoramaOverlayArea_A9A8086D_995D_C81B_41B9_C707ADE39EA7.toolTip = Bill of Rights
HotspotPanoramaOverlayArea_9FEAAEF4_9F0C_46FE_4170_8B4226C34592.toolTip = Bill of Rights
HotspotPanoramaOverlayArea_A00CAB12_A104_4F05_41CE_979CE19D03A4.toolTip = Bill of Rights
HotspotPanoramaOverlayArea_A777B15A_9F7C_3BE3_4180_1E7369E86093.toolTip = Bill of Rights
HotspotPanoramaOverlayArea_B1109742_85EF_0F3C_41C5_1E9D1A932633.toolTip = Bill or Rights
HotspotPanoramaOverlayArea_23CA6BFF_9F1C_CEC5_41AF_003CF59C7DEB.toolTip = Bill or Rights
HotspotPanoramaOverlayArea_5B591C19_6FB7_775D_41CD_B6F274C7857F.toolTip = Blood Brothers - Study - Men
HotspotPanoramaOverlayArea_543F87F0_6FBE_B0EB_41D9_0DA0447BF5AE.toolTip = Blood Brothers - Study - Men
HotspotPanoramaOverlayArea_5AB254BA_6FB7_775F_41CF_EC39031781AD.toolTip = Blood Brothers - Study - Men
HotspotPanoramaOverlayArea_5B71D925_6FD5_7175_41B1_CDDBCE898414.toolTip = Blood Brothers - Study - Men
HotspotPanoramaOverlayArea_5EF1CBB2_6F5B_B16F_41D8_09D1BED97DAF.toolTip = Blood Brothers - Study - Men
HotspotPanoramaOverlayArea_5EDF3373_6FAD_91ED_41D7_E1A17D28271A.toolTip = Blood Brothers - Study - Men
HotspotPanoramaOverlayArea_5D5B6202_6F5B_932F_41CC_8DDA095E537C.toolTip = Blood Brothers - Study - Men
HotspotPanoramaOverlayArea_5FF40A56_6FAB_73D7_41D4_C84E0DAF1D88.toolTip = Blood Brothers - Study - Soldiers
HotspotPanoramaOverlayArea_5B4BE107_6FAB_7135_41C7_C78C703A7F4E.toolTip = Blood Brothers - Study - Soldiers
HotspotPanoramaOverlayArea_40E6F1D5_6F55_F0D4_41D5_26A108941287.toolTip = Blood Brothers - Study - Soldiers
HotspotPanoramaOverlayArea_59914CCA_6FBD_773F_41D8_04C556D15CF7.toolTip = Blood Brothers - Study - Soldiers
HotspotPanoramaOverlayArea_5B75139E_6F5D_F157_41C3_67AE9EB37B4A.toolTip = Blood Brothers - Study - Soldiers
HotspotPanoramaOverlayArea_5EC8046D_6FB5_97F5_41C0_1A0B1FC5934C.toolTip = Blood Brothers - Study - Soldiers
HotspotPanoramaOverlayArea_5FD7FA4A_6FB5_733F_41CC_CCEBD19FEAF9.toolTip = Blood Brothers - Study - Soliders
HotspotPanoramaOverlayArea_D4E3B636_FF9B_F404_41D9_D7033CE0540A.toolTip = Bombs Rain from Air
HotspotPanoramaOverlayArea_394A871D_B5CB_8A9C_41E4_D52C0DA62CE1.toolTip = Boris Artzybasheff
HotspotPanoramaOverlayArea_A9F80B79_A8EB_9045_41BF_C2E6D71ED77D.toolTip = Boris Artzybasheff
HotspotPanoramaOverlayArea_AA0004FB_AB1B_9044_41DF_6E4F4ED14BE7.toolTip = Boris Artzybasheff
HotspotPanoramaOverlayArea_6EFC13EE_A92C_905C_41E3_249A394A4F73.toolTip = Boris Artzybasheff
HotspotPanoramaOverlayArea_30B5A229_A925_F3C4_41D1_FC128E37ADEA.toolTip = Boris Artzybasheff
HotspotPanoramaOverlayArea_CD6D518B_A9FF_90C5_41E3_BB296513817C.toolTip = Boris Artzybasheff
HotspotPanoramaOverlayArea_6F5EC769_A91C_F045_41D6_FE6E78C4A0B1.toolTip = Boris Artzybasheff
HotspotPanoramaOverlayArea_574921E0_A8EB_B043_41D2_BEAE66F22DA0.toolTip = Boris Artzybasheff
HotspotPanoramaOverlayArea_332F1D1B_A91B_B1C4_41CC_C9F06E8C3DAE.toolTip = Boris Artzybasheff
HotspotPanoramaOverlayArea_45D5A6EE_A91C_905F_41D0_9A179966D558.toolTip = Boris Artzybasheff
HotspotPanoramaOverlayArea_06F0B86E_A965_905F_41C0_297BC080B2DE.toolTip = Boris Artzybasheff
HotspotPanoramaOverlayArea_79349780_36FD_4FBE_41C3_07F6F14467E0.toolTip = Brass Merchant
HotspotPanoramaOverlayArea_7D4BD540_3647_C0BE_41C7_2A78A2D2BEFB.toolTip = Brass Merchant
HotspotPanoramaOverlayArea_7C07759E_363F_43C2_4162_BCA84264A57E.toolTip = Brass Merchant
HotspotPanoramaOverlayArea_7D0CC871_36CD_C15E_41AB_494A4EAE6794.toolTip = Brass Merchant
HotspotPanoramaOverlayArea_7D7768BE_36CF_41C2_41C0_9654A0D50BBE.toolTip = Brass Merchant
HotspotPanoramaOverlayArea_724348CA_36FB_4142_41B2_5E5B077B8333.toolTip = Brass Merchant
HotspotPanoramaOverlayArea_7E2BBF7C_36C7_FF46_41B2_54A2FE96D220.toolTip = Brass Merchant
HotspotPanoramaOverlayArea_587DCC28_7F44_68EA_41C6_8AFF6CDE6013.toolTip = Brass Merchant
HotspotPanoramaOverlayArea_72FDB817_36C4_C0C2_41B8_67FF46BB8C43.toolTip = Brass Merchant
HotspotPanoramaOverlayArea_724F7479_36CC_C14E_41C5_5EB87CF1A674.toolTip = Brass Merchant
HotspotPanoramaOverlayArea_71F20859_36C4_C14E_41C2_843DA09F2042.toolTip = Brass Merchant
HotspotPanoramaOverlayArea_71B0D2F5_36CB_C146_418F_BAE7765AA0EA.toolTip = Brass Merchant
HotspotPanoramaOverlayArea_58C51A37_7F44_68E5_41DD_37001F36A184.toolTip = Brass Merchant
HotspotPanoramaOverlayArea_71CEE00D_36C5_C0C6_41CA_AA67B15679F4.toolTip = Brass Merchant
HotspotPanoramaOverlayArea_7DC3E710_36DD_40DE_4171_EB48084D27E0.toolTip = Brass Merchant
HotspotPanoramaOverlayArea_08440681_12CF_9C50_41AB_8C9361E5B55D.toolTip = Briquebec, Normandy
HotspotPanoramaOverlayArea_E125CD7F_8117_B11C_41D4_6A43BB9BC2F3.toolTip = Briquebec, Normandy
HotspotPanoramaOverlayArea_DC084394_9F04_7F7B_41D2_628594D1E6B6.toolTip = Briquebec, Normandy
HotspotPanoramaOverlayArea_9FC844E2_9F0C_3AE5_41DB_4A2591E7EFE0.toolTip = Briquebec, Normandy
HotspotPanoramaOverlayArea_A0156A0F_A104_C91D_41C5_596C931E9F41.toolTip = Briquebec, Normandy
HotspotPanoramaOverlayArea_A1321C16_85D3_0143_41B6_FD95A1A71AF3.toolTip = Briquebec, Normandy
HotspotPanoramaOverlayArea_0E9BFF37_9F3C_47BD_41D2_B2D214BFA021.toolTip = Briquebec, Normandy
HotspotPanoramaOverlayArea_8155EE2B_9F04_49B2_41DC_EA2DCDD9D17F.toolTip = Briquebec, Normandy
HotspotPanoramaOverlayArea_A6D8B4E9_9972_7818_41B6_E3C214FA648F.toolTip = Briquebec, Normandy
HotspotPanoramaOverlayArea_A4DBDBA2_9973_C808_41D8_90D9238C38E4.toolTip = Briquebec, Normandy
HotspotPanoramaOverlayArea_9FF144D7_9F1C_393D_41E1_32DD1D534B62.toolTip = Briquebec, Normandy
HotspotPanoramaOverlayArea_7605E9DF_4754_4459_41B1_AD8031E273F1.toolTip = Bubley - Bus Driver and Family Eating Sunday Dinner
HotspotPanoramaOverlayArea_07370A35_477C_47E9_41BB_1536B150F2C8.toolTip = Bubley - Bus Driver and Family Eating Sunder Dinner
HotspotPanoramaOverlayArea_587CAC2B_7F44_68EE_41C0_44E2494EDB18.toolTip = Bubley - Bus Driver and Family Having Sunday Dinner
HotspotPanoramaOverlayArea_58C43A3B_7F44_68ED_41D8_2A24C7872C92.toolTip = Bubley - Bus Driver and Family Having Sunday Dinner
HotspotPanoramaOverlayArea_013401FB_4754_445F_41BF_EF7B2614D7F2.toolTip = Bubley - Bus Driver and Family Having Sunday Dinner
HotspotPanoramaOverlayArea_A0048183_A104_3B09_41DD_0B575F8FDFEB.toolTip = Bust of FDR
HotspotPanoramaOverlayArea_45C3E39D_A92C_70FD_41BD_1090BE708263.toolTip = By his deeds...measure yours
HotspotPanoramaOverlayArea_195042C3_A96B_9045_41CC_8822FF339BEA.toolTip = By his deeds...measure yours
HotspotPanoramaOverlayArea_35C8FC4A_A96C_9047_41D0_A10A13D6AD01.toolTip = By his deeds...measure yours
HotspotPanoramaOverlayArea_21C43797_A92D_B0CD_41CA_D10A6E742B46.toolTip = By his deeds...measure yours
HotspotPanoramaOverlayArea_605533F7_A93C_904C_41D0_CF51A3768BB8.toolTip = By his deeds...measure yours
HotspotPanoramaOverlayArea_5A9B04D7_A8E4_904D_419D_08EE6DC2E0ED.toolTip = By his deeds...measure yours
HotspotPanoramaOverlayArea_C4FFD4BA_A91C_70C4_41DB_D11DB89276B7.toolTip = By his deeds...measure yours
HotspotPanoramaOverlayArea_A9FB0E98_A8ED_90C3_41D3_D0F78741E8F0.toolTip = By his deeds...measure yours
HotspotPanoramaOverlayArea_CF8BCEF7_A9EC_904C_41E5_0F0196EDDE66.toolTip = By his deeds...measure yours
HotspotPanoramaOverlayArea_A9F0586A_A8FB_B047_4117_591165B03800.toolTip = By hus deeds...measure yours
HotspotPanoramaOverlayArea_56F59F56_617C_D8E5_41D0_BED9E553A43A.toolTip = CASE - FDR Four Freedoms Park
HotspotPanoramaOverlayArea_5A273777_614B_E8A3_41CB_C45F471CF5DE.toolTip = CASE - FDR Four Freedoms Park
HotspotPanoramaOverlayArea_5CCF860C_61B4_2865_41D1_66CF335FFE21.toolTip = CASE - FDR Four Freedoms Park
HotspotPanoramaOverlayArea_21E5E828_61B4_D8AD_41CF_3EFA04DA1BA6.toolTip = CASE - FDR Four Freedoms Park
HotspotPanoramaOverlayArea_56EDC923_6177_D8A3_41D6_DB4D45B74DE7.toolTip = CASE - FDR Four Freedoms Park
HotspotPanoramaOverlayArea_57BA2A0B_614B_D862_41B6_DBF45FA57802.toolTip = CASE - FDR Four Freedoms Park
HotspotPanoramaOverlayArea_5A72511D_6154_6866_41CF_2CA3833B808D.toolTip = CASE - FDR Four Freedoms Park
HotspotPanoramaOverlayArea_3F6BBF52_A924_B047_41DF_A0C7004B59A3.toolTip = CASE: Artisitc Response In Print
HotspotPanoramaOverlayArea_C11DF0FA_A9E4_9044_41D6_0099EB5AB3D5.toolTip = CASE: Artisitc Response in Print
HotspotPanoramaOverlayArea_6C916324_A924_91C3_41B0_159223E4C5AB.toolTip = CASE: Artistic Response - Fashion
HotspotPanoramaOverlayArea_A9F2B5C4_A8FC_F04C_41E0_856BAD6B83F6.toolTip = CASE: Artistic Response - Fashion
HotspotPanoramaOverlayArea_70801F5D_A924_907C_41AB_53E75F18DFA9.toolTip = CASE: Artistic Response - Fashion
HotspotPanoramaOverlayArea_1BD7626B_A97F_F044_41CF_089FB6B5151F.toolTip = CASE: Artistic Response - Fashion
HotspotPanoramaOverlayArea_6ADD262F_A91C_93DC_41CF_E74F112AF0D4.toolTip = CASE: Artistic Response - Fashion
HotspotPanoramaOverlayArea_343F63A2_A964_B0C7_41E3_7BCE47403B32.toolTip = CASE: Artistic Response - Fashion
HotspotPanoramaOverlayArea_42970060_A91C_B043_41BA_2F458C7132C4.toolTip = CASE: Artistic Response - Fashion
HotspotPanoramaOverlayArea_A9F61975_A8E7_B04C_41C1_21859842CE79.toolTip = CASE: Artistic Response in Print
HotspotPanoramaOverlayArea_062CC320_A97C_B1C3_41E2_5BDEDBC5A1F9.toolTip = CASE: Artistic Response in Print
HotspotPanoramaOverlayArea_4719DF17_A91C_F1CC_41C1_849034B09008.toolTip = CASE: Artistic Response in Print
HotspotPanoramaOverlayArea_7556287C_A92C_7043_41C3_B2D02E6B3948.toolTip = CASE: Artistic Response in Print
HotspotPanoramaOverlayArea_32B74F93_A964_90C5_41C8_6F8856567214.toolTip = CASE: Artistic Response in Print
HotspotPanoramaOverlayArea_AA016CA7_AB1D_90CD_417C_607E9F6E5D68.toolTip = CASE: Artistic Response in Print
HotspotPanoramaOverlayArea_6C4B9711_A924_B1C5_41D6_38CC177F5DCD.toolTip = CASE: Artistic Response in Print
HotspotPanoramaOverlayArea_6B0405B8_A91C_B0C3_41C7_CF0661A26B10.toolTip = CASE: Artistic Response in Print
HotspotPanoramaOverlayArea_4CABF867_3D79_9169_41C5_50DECFD5AEA9.toolTip = CASE: Fred Eng
HotspotPanoramaOverlayArea_5363F209_3D58_90B9_41BD_69281DB60704.toolTip = CASE: Fred Eng
HotspotPanoramaOverlayArea_5392A29D_3D59_91D9_41B2_898220A5F0E1.toolTip = CASE: Fred Eng
HotspotPanoramaOverlayArea_53A14F41_3D48_B0A9_41AA_6B528468AAA5.toolTip = CASE: Fred Eng
HotspotPanoramaOverlayArea_492DC36F_3D58_9779_41BD_1701B27AA0E3.toolTip = CASE: Fred Eng
HotspotPanoramaOverlayArea_49D6AC88_3D58_F1A7_41C6_980E3F1F8B67.toolTip = CASE: Fred Eng
HotspotPanoramaOverlayArea_489A5BFD_3D78_B759_41C8_C0EC6B1384D5.toolTip = CASE: Fred Eng
HotspotPanoramaOverlayArea_587D7C28_7F44_68EA_41D0_F5BFD6F61036.toolTip = CASE: Fred Eng
HotspotPanoramaOverlayArea_5BDCD17D_4F6F_BFA5_41A4_C935E27B52CF.toolTip = CASE: Fred Eng
HotspotPanoramaOverlayArea_49B27B45_3D48_90A9_41C1_2FA9A4508C33.toolTip = CASE: Fred Eng
HotspotPanoramaOverlayArea_4F17BF14_3DB8_B0AF_41C0_22909711A2F5.toolTip = CASE: Fred Eng
HotspotPanoramaOverlayArea_52FE64E7_3D48_9169_41B3_08501F5A104D.toolTip = CASE: Fred Eng
HotspotPanoramaOverlayArea_58C4DA38_7F44_68EB_41B4_7DDAE66508D3.toolTip = CASE: Fred Eng
HotspotPanoramaOverlayArea_511A7F01_3D49_B0A9_41BA_EB57406237FC.toolTip = CASE: Fred Eng
HotspotPanoramaOverlayArea_8E7C2989_B755_789C_41C3_134021CE6A97.toolTip = CASE: Murder in Mississippi (Left)
HotspotPanoramaOverlayArea_E1960D31_B7D3_198F_41C5_98BF4B88267C.toolTip = CASE: Murder in Mississippi (Left)
HotspotPanoramaOverlayArea_C7B0399C_B7F3_38B5_41E2_8ED243BBBA5E.toolTip = CASE: Murder in Mississippi (Left)
HotspotPanoramaOverlayArea_FF932190_B733_088C_41D6_DAA5DB0A2F67.toolTip = CASE: Murder in Mississippi (Left)
HotspotPanoramaOverlayArea_8EDE2E8F_B74F_3894_41E1_CC4E4517598D.toolTip = CASE: Murder in Mississippi (Left)
HotspotPanoramaOverlayArea_D58B51C6_B7D3_0894_41E4_D1FF4EAD8F32.toolTip = CASE: Murder in Mississippi (Left)
HotspotPanoramaOverlayArea_FA5DF72B_B737_099C_41D6_629DF942D3B6.toolTip = CASE: Murder in Mississippi (Right)
HotspotPanoramaOverlayArea_8FBADAAC_B757_1895_41C0_2233F77877D6.toolTip = CASE: Murder in Mississippi (Right)
HotspotPanoramaOverlayArea_D1C3D63D_B7D7_0BF7_41DE_849B128C7822.toolTip = CASE: Murder in Mississippi (Right)
HotspotPanoramaOverlayArea_8C5C9729_B773_099F_41DF_E12B567B05D5.toolTip = CASE: Murder in Mississippi (Right)
HotspotPanoramaOverlayArea_CD455ECE_B7D5_1894_41E3_9FCC986C7BB8.toolTip = CASE: Murder in Mississippi (Right)
HotspotPanoramaOverlayArea_ED5112F8_B7D7_087C_41E2_5A5423173864.toolTip = CASE: Murder in Mississippi (Right)
HotspotPanoramaOverlayArea_BEBD049B_88C8_6D1F_41DE_B291D5418973.toolTip = CASE: PEACEFUL DEMONSTRATION HELMET (WATER PROTECTION) - James Berson
HotspotPanoramaOverlayArea_58C75A3E_7F44_68E7_41DA_CAD81DC2C15F.toolTip = CASE: WWII Kids Novelties
HotspotPanoramaOverlayArea_70926459_3CD8_F159_41CC_E966F247F59E.toolTip = CASE: WWII Kids Novelties
HotspotPanoramaOverlayArea_6CFE55D4_3CD8_93AF_41C8_0EF06E1103FA.toolTip = CASE: WWII Kids Novelties
HotspotPanoramaOverlayArea_68622EBE_4FB4_A2A7_41BB_80F08C7C0662.toolTip = CASE: WWII Kids Novelties
HotspotPanoramaOverlayArea_712CC4F6_3CDF_B16B_41B3_DFC175FDB0F7.toolTip = CASE: WWII Kids Novelties
HotspotPanoramaOverlayArea_7239D35E_3CD8_F75B_41CD_ECA3009C5297.toolTip = CASE: WWII Kids Novelties
HotspotPanoramaOverlayArea_54A0D79E_4F93_A367_41A0_488BFE111968.toolTip = CASE: WWII Kids Novelties
HotspotPanoramaOverlayArea_77752800_3CD9_90A7_41B4_DE4E953B7500.toolTip = CASE: WWII Kids Novelties
HotspotPanoramaOverlayArea_77B2F83D_3CC9_90D9_41C1_71846C679DAE.toolTip = CASE: WWII Kids Novelties
HotspotPanoramaOverlayArea_587F1C2E_7F44_68E6_4193_46D614E48D8F.toolTip = CASE: WWII Kids Novelties
HotspotPanoramaOverlayArea_58778C26_7F44_68E6_4186_E457439F9D5F.toolTip = CASE: WWII Kids Novelties
HotspotPanoramaOverlayArea_72282A13_3CC7_F0A9_41B7_1D33B14B24B6.toolTip = CASE: WWII Kids Novelties
HotspotPanoramaOverlayArea_58C4AA35_7F44_68E5_41C0_763F3638B7BD.toolTip = CASE: WWII Kids Novelties
HotspotPanoramaOverlayArea_041B302B_5BE3_49D9_41D1_D99F8E5090D3.toolTip = CASE: WWII Kids Novelties
HotspotPanoramaOverlayArea_775DCCA6_3CC8_91EB_41C1_3EE1C5692232.toolTip = CASE: WWII Kids Novelties 
HotspotPanoramaOverlayArea_76BB1D22_3CCF_70EB_41BC_CDD0B68324AE.toolTip = CASE: WWII Kids Novelties 
HotspotPanoramaOverlayArea_F945110B_8EBA_C498_41D9_8AF3F20A0BD2.toolTip = CIVIL DISCORD - James Billeaudeau
HotspotPanoramaOverlayArea_D0AFF275_8E5A_C489_41D6_B40C588A1B88.toolTip = CIVIL DISCORD - James Billeaudeau
HotspotPanoramaOverlayArea_BE206282_88F9_E5E9_41C7_0BA64ED2C2EB.toolTip = COLORED/WHITE - Robert Selby
HotspotPanoramaOverlayArea_FF91F4E8_8978_6D39_41C0_43EAAC92DD25.toolTip = COLORED/WHITE - Robert Selby
HotspotPanoramaOverlayArea_B666A212_8A0F_23EE_41D8_B738A4C8F539.toolTip = COLORED/WHITE - Robert Selby
HotspotPanoramaOverlayArea_C5EEFDFD_8A09_E01A_41D2_6CD216777335.toolTip = COLORED/WHITE - Robert Selby
HotspotPanoramaOverlayArea_D29915C4_89C8_AF69_41DE_FEA73C2EBF89.toolTip = COLORED/WHITE - Robert Selby
HotspotPanoramaOverlayArea_AC596344_8A37_206A_41D8_FC3228D7F9E1.toolTip = COLORED/WHITE - Robert Selby
HotspotPanoramaOverlayArea_A7E1C8B3_8A1A_E02E_41D9_A317CA2CBAE4.toolTip = COLORED/WHITE - Robert Selby
HotspotPanoramaOverlayArea_044974EC_893B_AD39_41E0_7C663705AF44.toolTip = COLORED/WHITE - Robert Selby
HotspotPanoramaOverlayArea_EC6545E7_8959_EF37_41CF_71018CD15C92.toolTip = COLORED/WHITE - Robert Selby
HotspotPanoramaOverlayArea_085B5D77_8958_9F17_41E1_0EB8B8D91A83.toolTip = COLORED/WHITE - Robert Selby
HotspotPanoramaOverlayArea_097E3399_0914_9E87_4193_7B19AE971724.toolTip = Capture the Flag
HotspotPanoramaOverlayArea_380A559C_18F3_3497_419E_CF09F61FB49E.toolTip = Chamberlain Meets Hitler
HotspotPanoramaOverlayArea_4A5E9830_C6B8_C928_41E7_12B5883DE956.toolTip = Charges these nine men—and Deputy Price—were named as members of the lynch mob
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HotspotPanoramaOverlayArea_9FC488B4_9F04_496E_41DA_5D1AE0F06A98.toolTip = Child Survivors of Auschwitz
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HotspotPanoramaOverlayArea_D39B44D7_9F0C_DAE4_41CB_BEE8BCCD366D.toolTip = Child survivors of Auschwitz
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HotspotPanoramaOverlayArea_548AAA9E_4F95_6D67_41CF_2C1FD043F61A.toolTip = Childrens Crusade for Children
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HotspotPanoramaOverlayArea_5337127E_19F1_2F93_41B0_7AF193F3C4F8.toolTip = Childrens Crusade for Children
HotspotPanoramaOverlayArea_550CDAA0_4F95_6D5B_41C9_4F677E59CFB3.toolTip = Childrens Crusade for Children
HotspotPanoramaOverlayArea_59F5EB4A_4F6D_A3EC_41C2_CD470E421DAE.toolTip = Childrens Crusade for Children
HotspotPanoramaOverlayArea_550C3AA0_4F95_6D5B_41C4_1CC77FAEC215.toolTip = Childrens Crusade for Children
HotspotPanoramaOverlayArea_550CAA9F_4F95_6D65_41A2_6EBE009C96CC.toolTip = Childrens Crusade for Children
HotspotPanoramaOverlayArea_720FF58F_1873_1571_418E_5F93D634CADC.toolTip = Childrens Crusade for Children - Photo
HotspotPanoramaOverlayArea_7E1574AD_19B3_34B1_41AB_A828CC19EDD8.toolTip = Childrens Crusade for Children Photo
HotspotPanoramaOverlayArea_778BF02E_1853_EBB3_41B3_89B5CCF0420F.toolTip = Childrens Crusade for Children Photo
HotspotPanoramaOverlayArea_7E0A618F_19B7_6D71_41B5_4EACAF3B472E.toolTip = Childrens Crusade for Children Photo
HotspotPanoramaOverlayArea_7B699682_19B1_1773_4198_6B4D33825ADB.toolTip = Childrens Crusade for Children Photo
HotspotPanoramaOverlayArea_7DF6CBCF_1850_FCF1_41A9_F01646C9C2F5.toolTip = Childrens Crusade for Children Photo
HotspotPanoramaOverlayArea_475C7AFB_19B1_3C91_4180_B8A54B7D0E65.toolTip = Childrens Crusade for Children Photo
HotspotPanoramaOverlayArea_71299124_1851_2DB7_41A8_97FD82A70D02.toolTip = Childrens Crusade for Children Photo
HotspotPanoramaOverlayArea_79B2D1E3_19B1_ECB1_41A2_FF0C7CEC6C63.toolTip = Childrens Crusade for Children Photo
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HotspotPanoramaOverlayArea_7D7E4BCF_19B1_1CF1_4191_449D998DF8A3.toolTip = Childrens Crusade for Children Poster
HotspotPanoramaOverlayArea_6DE912C8_1871_2CFF_41AA_77349D4674B4.toolTip = Childrens Crusade for Children Poster
HotspotPanoramaOverlayArea_728CFD2D_19B3_15B1_41AA_D7BEF475138A.toolTip = Childrens Crusade for Children Poster
HotspotPanoramaOverlayArea_79BEA98A_19B3_3D70_41B3_03859A84D98E.toolTip = Childrens Crusade for Children Poster
HotspotPanoramaOverlayArea_7C3531DB_1853_2C91_41AF_4BF7DE57EE80.toolTip = Childrens Crusade for Children Poster
HotspotPanoramaOverlayArea_70DC26D1_1851_7491_41B6_F379501CD984.toolTip = Childrens Crusade for Children Poster
HotspotPanoramaOverlayArea_7C96F332_19B1_2D93_41A8_F4C9498E86C9.toolTip = Childrens Crusade for Children Poster
HotspotPanoramaOverlayArea_4725C968_19B3_1DB0_41B6_D5AD2BE28F63.toolTip = Childrens Crusade for Children Poster
HotspotPanoramaOverlayArea_0D0C983C_6BCE_B385_41D2_69FDA0471B1A.toolTip = Christmas Eve in Bethlehem
HotspotPanoramaOverlayArea_02DDCF97_6BD1_8C83_41D3_8891268EF88E.toolTip = Christmas Eve in Bethlehem
HotspotPanoramaOverlayArea_03A60653_6BD1_9F83_4189_049A50BB5086.toolTip = Christmas Eve in Bethlehem
HotspotPanoramaOverlayArea_02A6BDE0_6BD2_8CBD_41C1_9A666F5A1D87.toolTip = Christmas Eve in Bethlehem
HotspotPanoramaOverlayArea_0DC5ABED_6BB1_9487_4187_9BA387F1671E.toolTip = Christmas Eve in Bethlehem
HotspotPanoramaOverlayArea_03216CFE_6BF1_8C85_41C9_4866E6017042.toolTip = Christmas Eve in Bethlehem
HotspotPanoramaOverlayArea_0D956564_6BB2_9D85_41D1_D81A5FE9D397.toolTip = Christmas Eve in Bethlehem
HotspotPanoramaOverlayArea_0390A4A2_6BD2_9CBD_41CF_402328B9CC55.toolTip = Christmas Eve in Bethlehem
HotspotPanoramaOverlayArea_333D6269_6BB1_F78C_41D8_BFDD34FB348F.toolTip = Christmas Eve in Bethlehem
HotspotPanoramaOverlayArea_9FD43DB9_9F04_4B62_41DB_4A0B76E360BB.toolTip = Churchill Ashtray
HotspotPanoramaOverlayArea_A00106DF_A0FC_3938_41D9_DCC9172F329F.toolTip = Cigarette Holder
HotspotPanoramaOverlayArea_B47D1DE6_85FF_02C5_41B8_3E8201D3FB48.toolTip = Civilian Evacuation Order 5
HotspotPanoramaOverlayArea_07F8A97D_18B3_1D91_41A4_6E0B2FE32659.toolTip = Civilian Type Gas Mask
HotspotPanoramaOverlayArea_DA851CE8_EF6B_A9DE_41D0_E4A2C410AA19.toolTip = Cnetral Park Hooverville
HotspotMapOverlayArea_DC63AC17_AC77_9B55_41E1_4DF7F46DE6A1.toolTip = Contemporary Artists on Freedom
HotspotMapOverlayArea_DC778B47_AC7B_9D35_4182_1D23AB40A9A3.toolTip = Contemporary Artists on Freedom (2)
HotspotMapOverlayArea_DC6125AE_AC7A_B577_41E4_E08E3657530B.toolTip = Contemporary Artists on Freedom (2)
HotspotMapOverlayArea_DC74FC74_AC7A_9BEB_41DF_ACE9CEE730DE.toolTip = Contemporary Artists on Freedom (2) - Capture the Flag
HotspotMapOverlayArea_DC6C231A_AC79_8D5F_41D3_910240B12DCC.toolTip = Contemporary Artists on Freedom (2) - Refuge
HotspotMapOverlayArea_DC6AA4D7_AC7E_94D5_41E2_0019E035E5F9.toolTip = Contemporary Artists on Freedom (2) - Video
HotspotMapOverlayArea_DC4819C5_AC76_7D35_41D2_2F0DAEE2EFE8.toolTip = Contemporary Artists on Freedom - Daisy Rockwell
HotspotMapOverlayArea_239027B4_2307_3551_41C1_5EF87F4C2572.toolTip = Contemporary Artists on Freedom - Overview
HotspotMapOverlayArea_2393859B_2309_F557_41BE_EF207E85FD15.toolTip = Contemporary Artists on Freedom - Overview
HotspotMapOverlayArea_DC77F6D8_AC77_94DC_41B7_36B81E72B1B4.toolTip = Contemporary Artists on Freedom - To Have and To Hold
HotspotMapOverlayArea_DC78F293_AC77_8F2D_41D8_DB8AB7F32512.toolTip = Contemporary Artists on Freedom - Who Are We The People?
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HotspotPanoramaOverlayArea_A17002B0_567D_018C_41C7_D571DE56B815.toolTip = Correspondence to Norman Rockwell
HotspotPanoramaOverlayArea_CA540922_56AB_008C_41B6_441769DF425A.toolTip = Correspondence to Norman Rockwell
HotspotPanoramaOverlayArea_B8B0E8D3_567F_018C_41BC_49D946DEA083.toolTip = Correspondence to Norman Rockwell
HotspotPanoramaOverlayArea_584557DB_59AF_0FBC_41AC_47752CC5C846.toolTip = Correspondence to Norman Rockwell
HotspotPanoramaOverlayArea_B50720E1_567B_018C_41C6_C2BF09458B71.toolTip = Correspondence to Norman Rockwell
HotspotPanoramaOverlayArea_58422DAB_59A5_039C_41C6_A656AFA89400.toolTip = Correspondence to Norman Rockwell
HotspotPanoramaOverlayArea_B28375AA_567B_039C_41CE_83A471A737A5.toolTip = Correspondence to Norman Rockwell
HotspotPanoramaOverlayArea_1621A9F5_7F14_0DA8_41C4_24582921635B.toolTip = Cotton Dress
HotspotPanoramaOverlayArea_21B4F884_7F1C_0A68_41D9_51B912DE5880.toolTip = Cotton Dress
HotspotPanoramaOverlayArea_1EA52B39_7F34_0E98_41DC_0D73D91B01DD.toolTip = Cotton Dress
HotspotPanoramaOverlayArea_1EE70636_7F3C_06A9_41C6_F07E933ED30C.toolTip = Cotton Dress
HotspotPanoramaOverlayArea_5C4B0512_4F75_677F_41B7_55D3E7C42C03.toolTip = Denys Wortman
HotspotPanoramaOverlayArea_5C4BD513_4F75_677D_41CF_DE85402FBBBC.toolTip = Denys Wortman
HotspotPanoramaOverlayArea_5C4B4512_4F75_677F_41B9_4431D928A667.toolTip = Denys Wortman
HotspotPanoramaOverlayArea_5C4BE513_4F75_677D_41B0_5420DD559244.toolTip = Denys Wortman
HotspotPanoramaOverlayArea_5C54E512_4F75_677F_41D3_8F35BB5278E9.toolTip = Denys Wortman
HotspotPanoramaOverlayArea_7DAC860D_19B3_3771_41A0_C249D86CF113.toolTip = Denys Wortman & WWII Trading Cards
HotspotPanoramaOverlayArea_7C4FC7F0_19B1_F4AF_41A2_24688B6D5534.toolTip = Denys Wortman & WWII Trading Cards
HotspotPanoramaOverlayArea_44B20401_19D1_2B71_41B2_97AAFF1C67F0.toolTip = Denys Wortman & WWII Trading Cards
HotspotPanoramaOverlayArea_47EA0FBF_19BF_3491_418D_D21799A1B128.toolTip = Denys Wortman & WWII Trading Cards
HotspotPanoramaOverlayArea_7E1F8998_1857_1C90_419C_3BF1DF5238B8.toolTip = Denys Wortman & WWII Trading Cards
HotspotPanoramaOverlayArea_7E769DD6_1871_149C_41A1_02F138E25F82.toolTip = Denys Wortman & WWII Trading Cards
HotspotPanoramaOverlayArea_7E152FEC_1851_14B0_4194_E21AFF2A8920.toolTip = Denys Wortman & WWII Trading Cards
HotspotPanoramaOverlayArea_45C30ABC_19DF_FC97_41B4_79686412ECC3.toolTip = Denys Wortman & WWII Trading Cards
HotspotPanoramaOverlayArea_463D2F50_19B7_15EF_4191_67F60849A322.toolTip = Denys Wortman & WWII Trading Cards
HotspotPanoramaOverlayArea_7F30875B_1850_F591_41B5_6C63F91E7081.toolTip = Denys Wortman & WWII Trading Cards
HotspotPanoramaOverlayArea_441C78EA_19D1_1CB3_4190_8E58EBD63750.toolTip = Denys Wortman & WWII Trading Cards
HotspotPanoramaOverlayArea_46E617BB_19D3_3491_4179_750CCD87416E.toolTip = Denys Wortman & WWII Trading Cars
HotspotPanoramaOverlayArea_B64CFD36_566F_00F4_41CE_C1057EDD35AA.toolTip = Detroit Riot Photo
HotspotPanoramaOverlayArea_57FD49D6_565F_03B4_41D0_5D0DBB13E271.toolTip = Detroit Riots
HotspotPanoramaOverlayArea_58478ED8_59AB_01BC_41C1_E0C19A6C5B3D.toolTip = Detroit Riots
HotspotPanoramaOverlayArea_B6C70FF4_567A_FF74_41D4_E2F640EE2AC2.toolTip = Detroit Riots
HotspotPanoramaOverlayArea_584130E3_59A7_018C_41A8_1CD46DDBBF71.toolTip = Detroit Riots
HotspotPanoramaOverlayArea_A51EB8A2_566D_018C_41C4_88B07FAA0340.toolTip = Detroit Riots
HotspotPanoramaOverlayArea_583A5816_59E5_00B4_41B8_9F816AF87DEF.toolTip = Disney Correspondence to Norman Rockwell
HotspotPanoramaOverlayArea_BD301983_567D_038C_41B6_4738083A757A.toolTip = Disney Correspondence to Norman Rockwell
HotspotPanoramaOverlayArea_57F6B9CE_566D_0394_41D3_635885BD353C.toolTip = Disney Correspondence to Norman Rockwell
HotspotPanoramaOverlayArea_536550F0_4F9F_7EBB_41CD_178621893EED.toolTip = Dorothea Lange
HotspotPanoramaOverlayArea_5C4B5512_4F75_677F_41C4_D3BFDC552A66.toolTip = Dorothea Lange
HotspotPanoramaOverlayArea_5870EC1D_7F44_68AA_41CC_41C6A7633FCA.toolTip = Dorothea Lange
HotspotPanoramaOverlayArea_5C4B3512_4F75_677F_41C8_CFB892C38477.toolTip = Dorothea Lange
HotspotPanoramaOverlayArea_5C4BF513_4F75_677D_41C3_07818C0F2F10.toolTip = Dorothea Lange
HotspotPanoramaOverlayArea_5C4B9513_4F75_677D_41D3_1B4315DEB456.toolTip = Dorothea Lange
HotspotPanoramaOverlayArea_5C4BC513_4F75_677D_41CB_7336D036F555.toolTip = Dorothea Lange
HotspotPanoramaOverlayArea_5C4B7513_4F75_677D_41D1_A998DE66FD01.toolTip = Dorothea Lange
HotspotPanoramaOverlayArea_58C24A32_7F44_68FF_41DA_D702D7BADC07.toolTip = Dorothea Lange
HotspotPanoramaOverlayArea_5C4ABD9B_4F74_A76D_41C4_D4B48E700BEC.toolTip = Dorothea Lange
HotspotPanoramaOverlayArea_94F59774_F114_B8B6_41C1_E0E562902FF1.toolTip = Dorothea Lange - Mississippi Delta Negro Children
HotspotPanoramaOverlayArea_8A0032D9_EEF5_99FE_41ED_F80AC1CCF5F8.toolTip = Dorothea Lange - Mississippi Delta Negro Children
HotspotPanoramaOverlayArea_B556A96B_EEFC_E8D2_41E8_744C6E66649B.toolTip = Dorothea Lange - Mississippi Delta Negro Children
HotspotPanoramaOverlayArea_AD993B10_EF1C_A84E_41EA_A5BE8568868E.toolTip = Dorothea Lange - Mississippi Delta Negro Children
HotspotPanoramaOverlayArea_BB1EAB7E_EEEC_A8B2_41E4_5E6E14A133CC.toolTip = Dorothea Lange - Mississippi Delta Negro Children
HotspotPanoramaOverlayArea_BF9C8956_EF14_A8F2_4199_53BBC264F18E.toolTip = Dorothea Lange - Mississippi Delta Negro Children
HotspotPanoramaOverlayArea_D8687174_EF74_98B6_41B0_E4F800B2F52B.toolTip = Dorothea Lange - Mississippi Delta Negro Children
HotspotPanoramaOverlayArea_9DB8E35B_F114_F8F5_41B5_C559ACB85A05.toolTip = Dorothea Lange - Mother of Seven Children
HotspotPanoramaOverlayArea_B320F8F0_EEF4_A9CE_41EA_756793CFC14C.toolTip = Dorothea Lange - Mother of Seven Children
HotspotPanoramaOverlayArea_BBDF6099_EEEC_987E_41D5_9249ED6193A5.toolTip = Dorothea Lange - Mother of Seven Children
HotspotPanoramaOverlayArea_86E75493_EEEC_F872_41E4_656C95E9922A.toolTip = Dorothea Lange - Mother of Seven Children
HotspotPanoramaOverlayArea_BDAD3D3F_EF3C_E8B2_4180_DDCBCF631072.toolTip = Dorothea Lange - Mother of Seven Children
HotspotPanoramaOverlayArea_D80ED52C_EF6C_9856_41D4_F1E9CCD886DF.toolTip = Dorothea Lange - Mother of Seven Children
HotspotPanoramaOverlayArea_AE2D413D_EF14_F8B6_41EC_DBC3A5F5736D.toolTip = Dorothea Lange - Mother of Seven Children
HotspotPanoramaOverlayArea_B0526699_EEFB_987E_41ED_D497E8ED4F8D.toolTip = Dorothea Lange - Mother of Seven Children
HotspotPanoramaOverlayArea_B8176D3D_9417_2B1A_41E0_36E0D88B9428.toolTip = Dorothea Lange: Civilian Exclusion Order 5 \

HotspotPanoramaOverlayArea_A2218547_941D_5B77_41DE_FCE045F05781.toolTip = Dorothea Lange: I am an American
HotspotPanoramaOverlayArea_9FEF6546_9F04_FB1C_41C1_0A3D1D79B0A2.toolTip = Elderly Jews Awaiting Train to Death Camp
HotspotPanoramaOverlayArea_9FC5CE26_9F07_C96D_41AD_93B521D17E09.toolTip = Elderly Jews Awaiting Train to Death Camp
HotspotPanoramaOverlayArea_2EE7FB89_9F04_4F4A_41BE_DE93C49B8D2D.toolTip = Elderly Jews Awaiting Train to Death Camp
HotspotPanoramaOverlayArea_19D29A33_9F3C_49B5_41C7_5B4BE0F2B3D4.toolTip = Elderly Jews Awaiting Train to Death Camp
HotspotPanoramaOverlayArea_CFCB6E40_9F04_C9DC_41D0_FDDC8989FCC6.toolTip = Elderly Jews awaiting train to death camp
HotspotPanoramaOverlayArea_305BD7D1_6792_87C1_41B5_F3F8D4C92F48.toolTip = Eleanor Roosevelt and the United Nations Declaration of Human Rights, Lake Success, New York
HotspotPanoramaOverlayArea_3D12D8FB_6792_89C1_41C5_CA66A714B464.toolTip = Eleanor Roosevelt and the United Nations Declaration of Human Rights, Lake Success, New York
HotspotPanoramaOverlayArea_5B2223CC_64F2_BFC7_41A8_EC6F3EDBADA9.toolTip = Eleanor Roosevelt and the United Nations Declaration of Human Rights, Lake Success, New York
HotspotPanoramaOverlayArea_30782953_6793_88C1_41AD_168849BC65A4.toolTip = Eleanor Roosevelt and the United Nations Declaration of Human Rights, Lake Success, New York
HotspotPanoramaOverlayArea_2BA32824_646D_8847_41BA_39505711171C.toolTip = Eleanor Roosevelt and the United Nations Declaration of Human Rights, Lake Success, New York
HotspotPanoramaOverlayArea_2BB5536C_646E_78C7_41D0_AB61E64AC0A6.toolTip = Eleanor Roosevelt and the United Nations Declaration of Human Rights, Lake Success, New York
HotspotPanoramaOverlayArea_280DBEE7_6797_89C1_41CE_2D7B8F6C2349.toolTip = Eleanor Roosevelt and the United Nations Declaration of Human Rights, Lake Success, New York
HotspotPanoramaOverlayArea_30ABEC68_6796_88CF_41D2_07DC211152AC.toolTip = Eleanor Roosevelt and the United Nations Declaration of Human Rights, Lake Success, New York
HotspotPanoramaOverlayArea_287A6E17_6796_8841_41AF_4A7E40D8379E.toolTip = Eleanor Roosevelt and the United Nations Declaration of Human Rights, Lake Success, New York
HotspotPanoramaOverlayArea_BA3BF774_85FF_0FC5_41E0_081ED5E5A06F.toolTip = Eleanor Roosevelt at Gila River
HotspotPanoramaOverlayArea_A2A04741_9415_276B_41D7_DAFC3F4E9F20.toolTip = Eleanor Roosevelt: Gila Relocation Center
HotspotPanoramaOverlayArea_C9F29081_B519_A88B_41C3_8455476E3923.toolTip = Emperor Hirohito
HotspotPanoramaOverlayArea_CAF4584B_B51E_A79F_41D6_E93C49CB50CB.toolTip = Emperor Hirohito
HotspotPanoramaOverlayArea_CCC11AEB_B51A_D89F_418E_9BECB18639BE.toolTip = Emperor Hirohito
HotspotPanoramaOverlayArea_5164D372_3D49_F76B_41C6_1800A39FDADB.toolTip = Eng - A Street in Meliah, Marrakech
HotspotPanoramaOverlayArea_579834F1_3D5F_9169_41A0_531D23161DFC.toolTip = Eng - A Street in Meliah, Marrakech, French Morocco
HotspotPanoramaOverlayArea_5177A512_3D4B_B0AB_41A7_0B2015154935.toolTip = Eng - Entrance to Native Section, French Morocco
HotspotPanoramaOverlayArea_52D3063C_3D59_90DF_41A8_E5DB246A8974.toolTip = Eng - Entrance to Native Section, French Morocco
HotspotPanoramaOverlayArea_55E9D619_3D49_B0D9_41AD_EB5917404195.toolTip = Eng - Loading the Wounded on Plane
HotspotPanoramaOverlayArea_55708D23_3D49_90E9_41CC_A2E5A4C6B032.toolTip = Eng - Loading the Wounded on Plane
HotspotPanoramaOverlayArea_5AAD9635_3D4F_90E9_419B_27D44AC8EDBD.toolTip = Eng - Soldier Entering Building Ruins
HotspotPanoramaOverlayArea_55AA5CEE_3D4B_F17B_4165_5C7F4F738BC1.toolTip = Eng - Soldier Entering Building Ruins
HotspotPanoramaOverlayArea_4D62DF31_3D59_B0E8_41CA_9565AACA22AD.toolTip = Eng - Soldiers Looking at German Tank
HotspotPanoramaOverlayArea_5A795414_3D49_90AF_41A1_02E30209FE60.toolTip = Eng - Soldiers Looking at German Tank
HotspotPanoramaOverlayArea_4D340A86_3D47_91AB_41CA_CA1846392AFB.toolTip = Eng - Street Scene in French Morocco
HotspotPanoramaOverlayArea_7C4D8260_476C_4467_41CF_179ADDB3E56A.toolTip = Even a Little Bit Can Help - NOW
HotspotPanoramaOverlayArea_7B5CAD38_41EF_302F_41CB_7B29FB749CAE.toolTip = Event a little can help a lot- NOW
HotspotPanoramaOverlayArea_4DE7DC63_9F0C_49F6_41D5_38A4676379FF.toolTip = FDR Ashtray
HotspotPanoramaOverlayArea_9FD224B1_9F1C_7962_41A2_1A0D7656F2F8.toolTip = FDR Ashtray
HotspotPanoramaOverlayArea_9FDCEBF2_9F05_CEFE_41D5_68B096B04454.toolTip = FDR Campaign Sticker
HotspotPanoramaOverlayArea_9FAE432E_9F04_3F71_41C6_8B5B80AF352B.toolTip = FDR Campaign Sticker
HotspotPanoramaOverlayArea_343A9BA4_5DF6_6F72_41C9_A674E3228BBD.toolTip = FDR Comic Book
HotspotPanoramaOverlayArea_0595F6FD_5DF6_66D2_41BA_3F936D43556D.toolTip = FDR Comic Book
HotspotPanoramaOverlayArea_1CE30F1D_9F07_C774_41C2_F8B02C5022C7.toolTip = FDR Favors Old Age Pensions
HotspotPanoramaOverlayArea_9FBE0706_9F04_4729_41D9_381FACD3E3BB.toolTip = FDR Favors Old Age Pensions
HotspotPanoramaOverlayArea_BA29BBB4_9415_6F2A_41DD_72259D0924D0.toolTip = FDR Favors Old Age Pensions
HotspotPanoramaOverlayArea_A7C46AC6_9417_2976_41DE_B2E5DA19B272.toolTip = FDR Favors Old Age Pensions
HotspotPanoramaOverlayArea_B7E9474F_85EF_0FC4_41DB_2CF361CC18AB.toolTip = FDR Favors Old Age Pensions
HotspotPanoramaOverlayArea_BD831DED_9F04_CAB5_41E0_34941CF6AEC8.toolTip = FDR Favors Old Age Pensions
HotspotPanoramaOverlayArea_A5735F5F_9952_4838_41D2_CC525B92737E.toolTip = FDR Favors Old Age Pensions
HotspotPanoramaOverlayArea_9FE9E122_9F0F_FB15_41D6_7618DEAE16DE.toolTip = FDR Favors Old Age Pensions
HotspotPanoramaOverlayArea_268A8B03_9F1C_4F3D_41C7_0AFF5AD9E36D.toolTip = FDR Favors Old Age Pensions
HotspotPanoramaOverlayArea_A00C0A47_A104_490B_41E2_8A0D6190EA90.toolTip = FDR Favors Old Age Pensions
HotspotPanoramaOverlayArea_AA1322E5_9F7C_7EA0_41D2_2F4EDC4F36E0.toolTip = FDR Favors Old Age Pensions
HotspotPanoramaOverlayArea_CC11D77A_8176_B11D_4191_856ED90C194C.toolTip = FDR Four Freedoms Drafts
HotspotPanoramaOverlayArea_9FDA8A95_9F0C_4924_41E0_14177333B539.toolTip = FDR Four Freedoms Medal
HotspotPanoramaOverlayArea_28C2B6B9_6795_9841_41D5_1602DD4BD2A3.toolTip = FDR Four Freedoms Park
HotspotPanoramaOverlayArea_3C0B5BE8_6795_8FCF_41C9_3C9A94284891.toolTip = FDR Four Freedoms Park
HotspotPanoramaOverlayArea_3CE0B29D_6792_F841_41BD_8E9AF3C2F6E4.toolTip = FDR Four Freedoms Park
HotspotPanoramaOverlayArea_3396FF65_679E_88C1_41B5_02044D8DF90E.toolTip = FDR Four Freedoms Park
HotspotPanoramaOverlayArea_25B1952D_64F6_9841_41B4_EE2C03136F0F.toolTip = FDR Four Freedoms Park
HotspotPanoramaOverlayArea_342427E8_6792_87CF_41B4_9F64699788E0.toolTip = FDR Four Freedoms Park
HotspotPanoramaOverlayArea_37D2A071_6792_98C1_41D2_C094366AD0A0.toolTip = FDR Four Freedoms Park
HotspotPanoramaOverlayArea_CB35870F_8116_B103_41DA_DF9097EBFE62.toolTip = FDR Freedoms
HotspotPanoramaOverlayArea_CF5427CD_810A_9171_41AD_6E38CC18C44B.toolTip = FDR Freedoms - Case 1
HotspotPanoramaOverlayArea_CFD6345F_8176_9712_41DF_4C49218A3FBB.toolTip = FDR Freedoms - Case 2
HotspotPanoramaOverlayArea_BB377D29_85F7_034F_41BF_FF75D6D0A9A8.toolTip = FDR Freedoms: Case 1
HotspotPanoramaOverlayArea_B78C10B4_85F1_0145_41A7_5D7EA3C21D5A.toolTip = FDR Freedoms: Case 2
HotspotPanoramaOverlayArea_E1DE0CC9_810D_B766_41DB_8A6EF50750CD.toolTip = FDR and Churchill Meet
HotspotPanoramaOverlayArea_DF1F8452_810E_B76B_41CA_C2971E4CB6E7.toolTip = FDR and Churchill Meet
HotspotPanoramaOverlayArea_9ACAC78A_85AF_0F40_41DB_7904C5757A58.toolTip = FDR and Churchill: Atlantic Charter
HotspotPanoramaOverlayArea_CF1A6BAB_86F1_0717_41D8_CDE86CD9975F.toolTip = FDR and Churchill: Atlantic Charter
HotspotPanoramaOverlayArea_D6308D61_9F0C_CBDF_41D0_ED6FC5F510E1.toolTip = FDR and Churchill: The Atlantic Charter
HotspotPanoramaOverlayArea_AA7F5F78_9952_C8F8_41E1_2A3EC618C83A.toolTip = FDR and Churchill: The Atlantic Charter
HotspotPanoramaOverlayArea_9FC2F878_9F7D_C9E7_41AA_C5A57062C7CA.toolTip = FDR and Churchill: The Atlantic Charter
HotspotPanoramaOverlayArea_9FEDF4BD_9F07_D96C_41CF_0E78FB412714.toolTip = FDR and Churchill: The Atlantic Charter
HotspotPanoramaOverlayArea_36270658_9F04_39CA_4181_71C2A20106FF.toolTip = FDR and Churchill: The Atlantic Charter
HotspotPanoramaOverlayArea_837F46F5_9936_580B_41D2_65D8B18960B0.toolTip = FDR and Churchill: The Atlantic Charter
HotspotPanoramaOverlayArea_9FC535A6_9F04_5B6A_41E0_CD666142B5FE.toolTip = FDR and Churchill: The Atlantic Charter
HotspotPanoramaOverlayArea_C1F080EC_9F0C_5AA9_41DC_41A37BEAF7E0.toolTip = FDR and Churchill: The Atlantic Charter
HotspotMapOverlayArea_DC777776_AC49_B5D4_41D6_6E663358B4FA.toolTip = FDR's Four Freedoms
HotspotMapOverlayArea_DC4FA348_AC49_8D3B_41BB_BD3661F0EA2E.toolTip = FDR's Four Freedoms - Armchair General
HotspotMapOverlayArea_DC4E7024_AC4F_8B74_41E5_072C0F5BB0C1.toolTip = FDR's Four Freedoms - Atlantic Charter
HotspotMapOverlayArea_DC779E6C_AC4E_77FB_41C4_1C788B08EF54.toolTip = FDR's Four Freedoms - Four Freedoms Speech
HotspotMapOverlayArea_DC7143AE_AC49_8D77_4188_2997A7164A80.toolTip = FDR's Four Freedoms - Japanese Internment
HotspotMapOverlayArea_2389C4B0_2319_6B50_4196_35A0427C2BDC.toolTip = FDR's Four Freedoms - Overview
HotspotMapOverlayArea_DC72AAFC_AC4F_FCDB_41C3_595AF291C6B2.toolTip = FDR's Four Freedoms - Video
HotspotMapOverlayArea_DC4974F7_AC4E_94D5_41D5_37D7ED3D4217.toolTip = FDR's Four Freedoms - Willie Gillis
HotspotPanoramaOverlayArea_A4BF1515_85B1_0342_41DB_F417DB5CB398.toolTip = FDRs Four Freedoms: Case 1
HotspotPanoramaOverlayArea_9EA6333D_85B3_0742_41D0_5FCD518823DB.toolTip = FDRs Four Freedoms: Case 2
HotspotPanoramaOverlayArea_866433D3_9F04_FE95_41D6_D0B62C0DF8B9.toolTip = FDRs Freedoms - Case 2
HotspotPanoramaOverlayArea_89C9A893_9F3C_4A95_41CB_BCF9DCB6A1E0.toolTip = FDRs Freedoms - Case 2
HotspotPanoramaOverlayArea_B0879B9A_9F04_4F64_41CA_2D474F40160F.toolTip = FDRs Freedoms Case 1
HotspotPanoramaOverlayArea_AF848B75_9F0C_4FAF_41D2_EE965DCC16A2.toolTip = FDRs Freedoms Case 2
HotspotPanoramaOverlayArea_B78F8B23_9953_C808_41DA_305D689B939E.toolTip = FDRs Freedoms Case 2
HotspotPanoramaOverlayArea_100B19A6_9F0C_4B53_41DB_20E8AA0DD531.toolTip = FDRs Freedoms: Case 1
HotspotPanoramaOverlayArea_1B2AB402_9F0D_F952_41DB_842C185C22FA.toolTip = FDRs Freedoms: Case 1
HotspotPanoramaOverlayArea_9FB9DFB9_9F0F_C75C_41E3_BCCF797E33F3.toolTip = FDRs Freedoms: Case 1
HotspotPanoramaOverlayArea_B600A9FE_992E_4BF8_41DA_D0C26663DCA2.toolTip = FDRs Freedoms: Case 1
HotspotPanoramaOverlayArea_9FDE066B_9F04_39EE_41C3_02F491B8E16E.toolTip = FDRs Freedoms: Case 1
HotspotPanoramaOverlayArea_A5EC8B75_9413_EF2A_41DA_BE41409750D4.toolTip = FDRs Freedoms: Case 1
HotspotPanoramaOverlayArea_80A4C4D0_993E_3809_41D0_F2EB8DAF78E7.toolTip = FDRs Freedoms: Case 2
HotspotPanoramaOverlayArea_357B9519_9F05_FB7A_41E0_437A301C41C2.toolTip = FDRs Freedoms: Case 2
HotspotPanoramaOverlayArea_A0106587_A11C_FB0C_41D7_4754B2878F89.toolTip = FDRs Freedoms: Case 2
HotspotPanoramaOverlayArea_C3A559E2_8E5F_C788_41D8_47C0AAD12F2F.toolTip = FOUR FREEDOMS (MARRIAGE EQUALITY, AGENT ORANGE, LETTUCE PICKER, STALIN) - Stephanie Angelo
HotspotPanoramaOverlayArea_B12F7B4A_8DCF_C49B_41B5_00D5EAE34909.toolTip = FOUR FREEDOMS (MARRIAGE EQUALITY, AGENT ORANGE, LETTUCE PICKER, STALIN) - Stephanie Angelo
HotspotPanoramaOverlayArea_C961CA97_8DBE_4588_41D4_C1F3CAA8B59E.toolTip = FOUR FREEDOMS (MARRIAGE EQUALITY, AGENT ORANGE, LETTUCE PICKER, STALIN) - Stephanie Angelo
HotspotPanoramaOverlayArea_DCED94D2_8E4A_4D88_41D2_7197AE984D72.toolTip = FOUR FREEDOMS - Curt Belshe
HotspotPanoramaOverlayArea_E0152F15_8EBA_7C88_41B7_50999A994DA7.toolTip = FOUR FREEDOMS - Curt Belshe
HotspotPanoramaOverlayArea_D4002088_8E5E_C587_41DC_46C8B6E24468.toolTip = FOUR FREEDOMS - Curt Belshe
HotspotPanoramaOverlayArea_1EBB8148_8948_6779_41DC_1E88C9E7BD35.toolTip = FREEDOM FROM WANT - Chris Hopkins
HotspotPanoramaOverlayArea_C82ED309_89C9_A4FA_41D3_90EEFD8543BF.toolTip = FREEDOM FROM WANT - Chris Hopkins
HotspotPanoramaOverlayArea_A560A41F_8A09_2016_41C7_A65FA69FDBCF.toolTip = FREEDOM FROM WANT - Chris Hopkins
HotspotPanoramaOverlayArea_06F12564_88D8_AF29_41A6_CBE49819F0DA.toolTip = FREEDOM FROM WANT - Chris Hopkins
HotspotPanoramaOverlayArea_E66A7B3A_8948_FB19_41DC_872492ACE073.toolTip = FREEDOM FROM WANT - Chris Hopkins
HotspotPanoramaOverlayArea_C4F82A1B_89C9_A51F_41D7_106913121FBD.toolTip = FREEDOM FROM WANT - Chris Hopkins
HotspotPanoramaOverlayArea_AE3D5C89_8A09_20FA_41D0_5A7A1C01E2FB.toolTip = FREEDOM FROM WANT - Chris Hopkins
HotspotPanoramaOverlayArea_EF4D4520_8949_EF29_41D4_52CA0FE8459E.toolTip = FREEDOM FROM WANT - Chris Hopkins
HotspotPanoramaOverlayArea_03280647_8948_6D77_41D3_9450E7F98FFC.toolTip = FREEDOM OF RELIGION RE-IMAGINED - Jane Feldman
HotspotPanoramaOverlayArea_BAFD5617_88CB_AD17_41E0_3CD5798DDCD4.toolTip = FREEDOM OF RELIGION RE-IMAGINED - Jane Feldman
HotspotPanoramaOverlayArea_D740F7BE_8A09_6016_41B3_657544C276DA.toolTip = FREEDOM OF RELIGION RE-IMAGINED - Jane Feldman
HotspotPanoramaOverlayArea_1B6630FE_88C8_A519_41E0_C517D8DB90FA.toolTip = FREEDOM OF RELIGION RE-IMAGINED - Jane Feldman
HotspotPanoramaOverlayArea_A79E5403_8A19_E7EE_41E0_3E4EEF30E82B.toolTip = FREEDOM OF RELIGION RE-IMAGINED - Jane Feldman
HotspotPanoramaOverlayArea_C9EA663E_89D8_ED19_41AC_2991C192C638.toolTip = FREEDOM OF RELIGION RE-IMAGINED - Jane Feldman
HotspotPanoramaOverlayArea_1FA35B14_88C8_A4E8_41B5_2DCF9A53C6CC.toolTip = FREEDOM OF RELIGION RE-IMAGINED - Jane Feldman
HotspotPanoramaOverlayArea_B6BEB26C_8A0F_203A_41DB_E7819255E954.toolTip = FREEDOM OF RELIGION RE-IMAGINED - Jane Feldman
HotspotPanoramaOverlayArea_A9FC0866_8A09_2036_41B3_E109183E0657.toolTip = FREEDOM OF RELIGION RE-IMAGINED - Jane Feldman
HotspotPanoramaOverlayArea_EA6EA4A3_8958_AD2F_41BB_C7621570664B.toolTip = FREEDOM OF RELIGION RE-IMAGINED -Jane Feldman
HotspotPanoramaOverlayArea_BCEE05E8_88C8_EF38_41D3_1FBD6129E866.toolTip = FREEDOM OF RELIGION, FREEDOM TO BELIEVE \
Daniela Edstrom
HotspotPanoramaOverlayArea_B11B03AF_8A79_2036_41E0_6633885B451B.toolTip = FREEDOM OF RELIGION, FREEDOM TO BELIEVE - Daniela Edstrom
HotspotPanoramaOverlayArea_D57FDC4B_89D9_9D7F_41C4_723EE70798F9.toolTip = FREEDOM OF RELIGION, FREEDOM TO BELIEVE - Daniela Edstrom
HotspotPanoramaOverlayArea_E0BB5A47_8958_A577_41DC_34FB6EDC17BC.toolTip = FREEDOM OF RELIGION, FREEDOM TO BELIEVE - Daniela Edstrom
HotspotPanoramaOverlayArea_E6BD80FC_8948_6519_41DD_78A008F9B8BD.toolTip = FREEDOM OF RELIGION, FREEDOM TO BELIEVE - Daniela Edstrom
HotspotPanoramaOverlayArea_BA784B9F_8A0B_2016_41B8_E22CE4802F29.toolTip = FREEDOM OF RELIGION, FREEDOM TO BELIEVE - Daniela Edstrom
HotspotPanoramaOverlayArea_10B83128_88D8_E739_4155_6D3F079D2058.toolTip = FREEDOM OF RELIGION, FREEDOM TO BELIEVE - Daniela Edstrom
HotspotPanoramaOverlayArea_DF508312_8A09_21EE_41DB_AC28D8356797.toolTip = FREEDOM OF RELIGION, FREEDOM TO BELIEVE - Daniela Edstrom
HotspotPanoramaOverlayArea_CF020C78_89D8_FD19_41D0_7BCD0AA4CBEE.toolTip = FREEDOM OF RELIGION, FREEDOM TO BELIEVE - Daniela Edstrom
HotspotPanoramaOverlayArea_B210A7BA_8DCE_CBF8_41D1_55AD1191C312.toolTip = FREEDOM OF SPEECH \
Peter Zierlein
HotspotPanoramaOverlayArea_DE678CFE_8E5E_3D78_41C9_D8C7CE2CF919.toolTip = FREEDOM OF SPEECH - Peter Zierlein
HotspotPanoramaOverlayArea_C6473527_8DBE_4C88_41DB_0D95CB80BFF0.toolTip = FREEDOM OF SPEECH - Peter Zierlein
HotspotPanoramaOverlayArea_CCFB629C_89C9_E519_41CE_0E22BC7B393D.toolTip = FREEDOM OF SPEECH—FAKE NEWS \
Kenneth Laird
HotspotPanoramaOverlayArea_F7503B01_8959_A4EB_41DD_CB41A0B89A0D.toolTip = FREEDOM OF SPEECH—FAKE NEWS - Kenneth Laird
HotspotPanoramaOverlayArea_ACE7E670_8A3A_E02B_41CB_2FAEEBC85EBF.toolTip = FREEDOM OF SPEECH—FAKE NEWS - Kenneth Laird
HotspotPanoramaOverlayArea_10842A84_88C8_E5E9_41D8_8689A20D1134.toolTip = FREEDOM OF SPEECH—FAKE NEWS - Kenneth Laird
HotspotPanoramaOverlayArea_DCAC31CB_8A09_607E_41DE_66D8B3B2D5F1.toolTip = FREEDOM OF SPEECH—FAKE NEWS - Kenneth Laird
HotspotPanoramaOverlayArea_13455466_88D9_AD29_41C6_2E0B87D6C382.toolTip = FREEDOM OF SPEECH—FAKE NEWS - Kenneth Laird
HotspotPanoramaOverlayArea_A41133CF_8A1F_2076_4198_A5C4D7ED3BFC.toolTip = FREEDOM OF SPEECH—FAKE NEWS - Kenneth Laird
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HotspotPanoramaOverlayArea_6721DFA3_36CC_DFC2_41B9_6FA84F6E6F69.toolTip = Family Home from Vacation
HotspotPanoramaOverlayArea_72F774FC_36C5_4146_41BC_5B8FA0BE6784.toolTip = Family Home from Vacation
HotspotPanoramaOverlayArea_664EC40E_363C_C0C3_41C7_340557275ED4.toolTip = Family Home from Vacation
HotspotPanoramaOverlayArea_720A4D92_36C7_43C2_41C2_BA0F080DABC4.toolTip = Family Home from Vacation
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HotspotPanoramaOverlayArea_384B4CFE_18F1_1493_41AD_45154D5CE60E.toolTip = Farmers of Famine
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HotspotPanoramaOverlayArea_C228BFE3_56AD_1F8C_41B9_E23C5EE1D44A.toolTip = Four Freedoms Commemorative Cover
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HotspotPanoramaOverlayArea_A00D6CB3_A104_C90B_41C1_B726631F7E06.toolTip = Four Freedoms Drafts
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HotspotPanoramaOverlayArea_9F82A7AF_85B1_0F5F_41D3_529BA69FD82D.toolTip = Four Freedoms Drafts
HotspotPanoramaOverlayArea_9FBFD7C6_9F03_C729_41C2_277B8A6823A4.toolTip = Four Freedoms Drafts
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HotspotPanoramaOverlayArea_A4DB5D69_942F_6B3B_41C5_A3AD711F9C8A.toolTip = Four Freedoms Drafts
HotspotPanoramaOverlayArea_05F018F4_420F_6657_41CC_D19AC1A0A4F2.toolTip = Four Freedoms Essay
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HotspotPanoramaOverlayArea_046B31F4_421D_6657_41CB_03103ED4A7E5.toolTip = Four Freedoms Essays
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HotspotPanoramaOverlayArea_457729A8_CA6F_69B5_41B4_7670B4839796.toolTip = Four Freedoms Interpretations
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HotspotPanoramaOverlayArea_ACA2F25B_995E_F838_41E2_A59A96295106.toolTip = Four Freedoms Sixth Draft
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HotspotPanoramaOverlayArea_6939A92E_4815_3FD5_4196_A2772106A6BB.toolTip = Four Freedoms War Bonds Tour Case
HotspotPanoramaOverlayArea_57952627_480F_15D3_419B_C7D55A2AF5F2.toolTip = Four Freedoms War Bonds Tour Case
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HotspotPanoramaOverlayArea_57AFE2A8_4812_F2DD_41A1_1E977B885C89.toolTip = Four Freedoms War Bonds Tour Case 
HotspotPanoramaOverlayArea_562D8AAC_CA17_EB8D_41E5_010C9C32E320.toolTip = Four Freedoms and Arsenal of Democracy Posters
HotspotPanoramaOverlayArea_D5C6B446_348D_D262_41B0_57516AF6D120.toolTip = Freedom from Fear
HotspotPanoramaOverlayArea_EECD2313_338D_F7E2_41B2_5AAA03227494.toolTip = Freedom from Fear
HotspotPanoramaOverlayArea_FDB4BD90_3385_D2FE_4177_3821F42563A2.toolTip = Freedom from Fear
HotspotPanoramaOverlayArea_D12B449E_3487_D2E2_41C8_432B8642D862.toolTip = Freedom from Fear
HotspotPanoramaOverlayArea_E2024BF5_347B_D626_41B5_4FF8C57C0AA5.toolTip = Freedom from Fear
HotspotMapOverlayArea_DC623D7A_AC76_95DC_41C5_E479A0ADBA3F.toolTip = Freedom from Fear
HotspotPanoramaOverlayArea_6D344C09_3BFC_048E_41CB_71056E2FFBD7.toolTip = Freedom from Fear Essay
HotspotPanoramaOverlayArea_56F8C025_4832_EDD7_41AF_444AE1053024.toolTip = Freedom from Fear War Bonds Poster
HotspotPanoramaOverlayArea_519D8254_4817_3275_41CF_5A974ACE37FB.toolTip = Freedom from Fear War Bonds Poster
HotspotPanoramaOverlayArea_5F077D1F_4813_17F3_41C8_F1B0D6F849DB.toolTip = Freedom from Fear War Bonds Poster
HotspotPanoramaOverlayArea_A3F3464C_423D_2DB7_41B1_622D286B72FE.toolTip = Freedom from Fear War Bonds Poster
HotspotPanoramaOverlayArea_6DA68A21_483D_1DCF_41B2_151BFCB26D43.toolTip = Freedom from Fear War Bonds Poster
HotspotPanoramaOverlayArea_EB995E8E_3486_4EE2_4199_577189D35CAD.toolTip = Freedom from Want
HotspotPanoramaOverlayArea_EA64E4B1_338E_723E_41C8_549DCA47D225.toolTip = Freedom from Want
HotspotPanoramaOverlayArea_70033353_0934_FF89_4193_6EC887276C6C.toolTip = Freedom from Want
HotspotMapOverlayArea_DC63148D_AC76_8B35_41CD_B41D3E2248E3.toolTip = Freedom from Want
HotspotPanoramaOverlayArea_D16CF29E_347E_56E2_41C6_7B66946E87AC.toolTip = Freedom from Want
HotspotPanoramaOverlayArea_EFEC81E8_348B_D22E_41C7_5FD0AE7830B2.toolTip = Freedom from Want
HotspotPanoramaOverlayArea_615A3AB8_3BFC_0D8D_41CA_4CFAD8ECC634.toolTip = Freedom from Want Essay
HotspotPanoramaOverlayArea_57ED2BAE_481D_12D5_418F_25B67B0813C7.toolTip = Freedom from Want War Bonds Poster
HotspotPanoramaOverlayArea_A6B971E8_4205_667F_4188_0C184129F3A2.toolTip = Freedom from Want War Bonds Poster
HotspotPanoramaOverlayArea_9D8A7CDB_423D_DE52_41B0_D62113D18AAA.toolTip = Freedom from Want War Bonds Poster
HotspotPanoramaOverlayArea_5076247C_4817_3635_41D1_7EED1E730347.toolTip = Freedom from Want War Bonds Poster
HotspotPanoramaOverlayArea_69DCE8BE_4833_FE35_41CA_F565207A64E2.toolTip = Freedom from Want War Bonds Poster
HotspotPanoramaOverlayArea_50F58162_4813_2E52_41C6_E17FC2CEF6C7.toolTip = Freedom from Want War Bonds Poster
HotspotPanoramaOverlayArea_5596765F_480D_F273_41C6_C2FA4B191CF0.toolTip = Freedom from Want War Bonds Poster
HotspotPanoramaOverlayArea_697958AB_4815_3ED3_418A_0690DB7730AB.toolTip = Freedom from Want War Bonds Poster
HotspotPanoramaOverlayArea_AF43C84D_4205_25B1_41CA_343C89B12677.toolTip = Freedom from Want War Bonds Poster
HotspotPanoramaOverlayArea_7862F607_8E49_CC89_41D8_051584A3E481.toolTip = Freedom from What? (I Can’t Breathe)
HotspotPanoramaOverlayArea_57A8B21A_8FFF_C4BB_41C2_B8A1966C431E.toolTip = Freedom from What? (I Can’t Breathe)
HotspotPanoramaOverlayArea_50D4597A_8FD6_4778_41BD_B1455DEC8BD7.toolTip = Freedom from What? (I Can’t Breathe)
HotspotPanoramaOverlayArea_7F8DA6E4_8FB6_4D88_41D7_8F020B6D8572.toolTip = Freedom from What? (I Can’t Breathe)
HotspotPanoramaOverlayArea_33BB337C_8FB6_4B7F_41E1_BFB6E0E55FCB.toolTip = Freedom from What? (I Can’t Breathe)
HotspotPanoramaOverlayArea_C7910015_93C5_B912_41E2_107FDA07FC07.toolTip = Freedom from What? (I Can’t Breathe)
HotspotPanoramaOverlayArea_224F0FB9_8E5E_7BF9_41C9_16640DE6AD5F.toolTip = Freedom from What? (I Can’t Breathe)
HotspotPanoramaOverlayArea_D058D949_93C4_AB75_41C0_16594598E033.toolTip = Freedom from What? (I Can’t Breathe)
HotspotPanoramaOverlayArea_52434BB3_CA16_E99B_41E1_9CA6B5559B12.toolTip = Freedom of Choice
HotspotPanoramaOverlayArea_58F1B891_CA29_9796_41D5_2794DCC7E4D5.toolTip = Freedom of Choice
HotspotPanoramaOverlayArea_8F00B676_8E4A_CC88_41A4_2A253F87B497.toolTip = Freedom of Faith (All Faiths Equal One Faith
HotspotPanoramaOverlayArea_6508C297_8FD6_4588_41C3_8F4A457D6BA6.toolTip = Freedom of Faith (All Faiths Equal One Faith)
HotspotPanoramaOverlayArea_72DD6BD7_8FCA_5B88_41AD_00CAE006E817.toolTip = Freedom of Faith (All Faiths Equal One Faith)
HotspotPanoramaOverlayArea_6B924DD6_8FFA_3F88_41D1_BC75059CA6A6.toolTip = Freedom of Faith (All Faiths Equal One Faith)
HotspotPanoramaOverlayArea_460952E3_8FCA_4589_41C0_80BB0EF1FE94.toolTip = Freedom of Faith (All Faiths Equal One Faith)
HotspotPanoramaOverlayArea_2FCECD68_8E5A_5C98_41CA_F417A85997A0.toolTip = Freedom of Faith (All Faiths Equal One Faith)
HotspotPanoramaOverlayArea_CB3E3E34_93C4_A913_41B6_AD2FD42D1D8B.toolTip = Freedom of Faith (All Faiths Equal One Faith)
HotspotPanoramaOverlayArea_D72C2819_93DB_E912_41C7_0F71711F0C34.toolTip = Freedom of Faith (All Faiths Equal One Faith)
HotspotPanoramaOverlayArea_E1D59656_347A_FE62_41A7_134F692F8F3F.toolTip = Freedom of Speech
HotspotPanoramaOverlayArea_FFE2B694_338A_3EE6_41C7_8D56B4A21F02.toolTip = Freedom of Speech
HotspotPanoramaOverlayArea_EF6FF95D_347E_5266_41B5_EACE756479EF.toolTip = Freedom of Speech
HotspotMapOverlayArea_DC6381EB_AC76_8CFC_41BE_A8D270F133E7.toolTip = Freedom of Speech
HotspotPanoramaOverlayArea_E1CBFA9A_3386_76E2_41AC_2BEFF6249002.toolTip = Freedom of Speech
HotspotPanoramaOverlayArea_E2A576B7_348F_DE22_41C1_0106A2843FB3.toolTip = Freedom of Speech
HotspotPanoramaOverlayArea_42FE8685_0B32_0CD5_417B_7910C586FCA9.toolTip = Freedom of Speech - Jacket
HotspotPanoramaOverlayArea_43D1682B_0B4E_03DD_4195_49388A055DE5.toolTip = Freedom of Speech - Jacket
HotspotPanoramaOverlayArea_42651D21_0B4E_1DCD_418E_DB3EC856BAB0.toolTip = Freedom of Speech - Jacket
HotspotPanoramaOverlayArea_4291B4EE_0B52_0C57_419D_A70F6CEE7A91.toolTip = Freedom of Speech - Jacket
HotspotPanoramaOverlayArea_68FFD96C_3BFC_0C86_41B4_193D6C3318FA.toolTip = Freedom of Speech Essay
HotspotPanoramaOverlayArea_39CAAC96_0915_8A8D_41A2_2F2287EF1942.toolTip = Freedom of Speech Jacket
HotspotPanoramaOverlayArea_D17BFA75_420D_3A51_41C6_858CC43290CE.toolTip = Freedom of Speech Study
HotspotPanoramaOverlayArea_DAC737DB_421D_2A51_41B1_100B54292D0F.toolTip = Freedom of Speech Study
HotspotPanoramaOverlayArea_D49FF0D3_4205_2651_41CA_0CE740054EA3.toolTip = Freedom of Speech Study
HotspotPanoramaOverlayArea_D3736979_4205_2651_41A4_4BA8F9A96A9A.toolTip = Freedom of Speech Study
HotspotPanoramaOverlayArea_DBCCADC0_421D_3EB0_41BB_CB872C2E4648.toolTip = Freedom of Speech Study
HotspotPanoramaOverlayArea_D7BD3A3B_4203_25D1_41D0_A3CF1BCEB144.toolTip = Freedom of Speech Study
HotspotPanoramaOverlayArea_D672A992_4203_26D3_419F_0CEF768C0A0F.toolTip = Freedom of Speech Study
HotspotPanoramaOverlayArea_5E6AC9B9_481D_3E3F_418F_27F8E14B6F4C.toolTip = Freedom of Speech War Bonds Poster
HotspotPanoramaOverlayArea_A0E86B25_4203_FBFC_41BC_5C045DD51F07.toolTip = Freedom of Speech War Bonds Poster
HotspotPanoramaOverlayArea_5F017730_480D_33CD_41C2_D817021867F0.toolTip = Freedom of Speech War Bonds Poster
HotspotPanoramaOverlayArea_5F4A32B3_4837_3233_41C3_6A9D88B00A9B.toolTip = Freedom of Speech War Bonds Poster
HotspotPanoramaOverlayArea_5CE71F0D_4812_F3D7_41BF_8B7BA275BF8B.toolTip = Freedom of Speech War Bonds Poster
HotspotPanoramaOverlayArea_9848F767_423C_EA71_41C0_7B2BD0771A87.toolTip = Freedom of Speech War Bonds Poster
HotspotPanoramaOverlayArea_5EF8C697_4815_F2F3_41C7_367721DDBCC7.toolTip = Freedom of Speech War Bonds Poster
HotspotPanoramaOverlayArea_516FD026_4815_6DD5_41CB_D62009A8F0C9.toolTip = Freedom of Speech War Bonds Poster
HotspotMapOverlayArea_DC633E7F_AC76_77D4_41E0_ADA8ED978C17.toolTip = Freedom of Worship
HotspotPanoramaOverlayArea_E191FECB_338E_4E62_4175_7B2CCBE517F0.toolTip = Freedom of Worship
HotspotPanoramaOverlayArea_E4639C59_3386_F26E_41C1_6BA067DBD2D4.toolTip = Freedom of Worship
HotspotPanoramaOverlayArea_EBA1BCE0_347E_325E_4194_B02B3B2F127E.toolTip = Freedom of Worship
HotspotPanoramaOverlayArea_EF729A55_347A_3666_419A_49646374C808.toolTip = Freedom of Worship
HotspotPanoramaOverlayArea_E1E41A67_3486_5622_41AF_B052DCC14DCE.toolTip = Freedom of Worship
HotspotPanoramaOverlayArea_6DBB0238_3BFC_7C8D_41C0_0E57AA1C002F.toolTip = Freedom of Worship Essay
HotspotPanoramaOverlayArea_D14C6E4B_89CB_BD7F_41C9_FD7E3DBC46AE.toolTip = Freedom of Worship Reimagined and Why?
HotspotPanoramaOverlayArea_5F8F42A5_480D_32D7_41B4_91E549D776F9.toolTip = Freedom of Worship War Bonds Poster
HotspotPanoramaOverlayArea_95A82E9B_4205_7AD1_41C3_6DD85CEB9E51.toolTip = Freedom of Worship War Bonds Poster
HotspotPanoramaOverlayArea_503397F7_4837_F233_41CE_35312B3FE167.toolTip = Freedom of Worship War Bonds Poster
HotspotPanoramaOverlayArea_51286118_481F_2FFD_41B1_A7A26EAE031B.toolTip = Freedom of Worship War Bonds Poster
HotspotPanoramaOverlayArea_5F95B8F8_4815_1E3E_41BF_AC570DDA9FB8.toolTip = Freedom of Worship War Bonds Poster
HotspotPanoramaOverlayArea_9FD9F16F_423D_6671_41AD_523F33DA2D58.toolTip = Freedom of Worship War Bonds Poster
HotspotPanoramaOverlayArea_2534DF8B_9F03_C748_41D7_70C1B663213D.toolTip = Funeral Oration for Poland
HotspotPanoramaOverlayArea_9FF1DB8A_9F1F_CF17_41E3_AAD686EF9083.toolTip = Funeral Oration for Poland
HotspotPanoramaOverlayArea_A0162053_A104_7905_4182_48ADD00E2A91.toolTip = Funeral Oration for Poland
HotspotPanoramaOverlayArea_DCB637B2_8116_B125_41AD_DD0DCAEF13C8.toolTip = Funeral Oration for Poland
HotspotPanoramaOverlayArea_A5512328_85D1_074F_41CE_E31004B5DAC5.toolTip = Funeral Oration for Poland
HotspotPanoramaOverlayArea_DADC3486_9F05_F964_41CA_BF5BDB0656E5.toolTip = Funeral Oration for Poland
HotspotPanoramaOverlayArea_BF9FB720_9F04_C7AE_41DF_7F16C0362E26.toolTip = Funeral Oration for Poland
HotspotPanoramaOverlayArea_A7905B02_9976_4808_416E_DAF25A6BDFA7.toolTip = Funeral Oration for Poland
HotspotPanoramaOverlayArea_1135D09B_9F3D_D975_41DB_3C18AA098BE0.toolTip = Funeral Oration for Poland
HotspotPanoramaOverlayArea_C3C64581_8E5A_4F88_41D7_FE61FB76FAEE.toolTip = GRASSROOTS \
Kathryn Scott
HotspotPanoramaOverlayArea_D219B1BF_8E4A_47F8_41CB_25636DD5A862.toolTip = GRASSROOTS - Kathryn Scott
HotspotPanoramaOverlayArea_B36BA6E3_8DD9_CD88_41B5_2160BFE03397.toolTip = GRASSROOTS - Kathryn Scott
HotspotPanoramaOverlayArea_C846DBDB_8DB6_FBB9_41DC_DF60A7E48302.toolTip = GRASSROOTS - Kathryn Scott
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HotspotPanoramaOverlayArea_46487166_2306_DDF8_41B0_E75D6D252F53.toolTip = Gallery Overview: FDR's Four Freedoms
HotspotPanoramaOverlayArea_236A66AE_231B_3771_41C1_A659B825ED71.toolTip = Gallery Overview: Freedom Re-Imagined
HotspotPanoramaOverlayArea_236965AD_2319_3573_41C1_9897ACAB197C.toolTip = Gallery Overview: Freedom Re-Imagined
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HotspotPanoramaOverlayArea_D297DAA9_2339_1F73_41B9_67DD27BBAB9A.toolTip = Gallery Overview: Rockwell as Social Critic
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HotspotPanoramaOverlayArea_4E15F521_231B_2578_41BB_38E4810B2696.toolTip = Gallery Overview: Rockwell's Four Freedoms
HotspotPanoramaOverlayArea_4F6A4A3F_231F_2F49_4195_B91D543FD9F3.toolTip = Gallery Overview: Rockwell's Four Freedoms on Tour
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HotspotPanoramaOverlayArea_41DA3C4B_2309_EBC9_41BF_C63C7381DE4F.toolTip = Gallery Overview: The War Generation
HotspotPanoramaOverlayArea_98C1158D_85D1_0341_41DB_0A3D8010A944.toolTip = German Invasion of Poland
HotspotPanoramaOverlayArea_29E22C55_9F04_C9DD_4166_44C934B9FE11.toolTip = Germans Invade Poland
HotspotPanoramaOverlayArea_DD67CFBC_9F1C_46AB_41DB_DDF775B3A411.toolTip = Germans Invade Poland
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HotspotPanoramaOverlayArea_9FF32D0A_9F1C_4B17_4159_5D952FA7DC5D.toolTip = Germans Invade Poland
HotspotPanoramaOverlayArea_AA5EFF58_AB24_7043_41B6_68B658BEB864.toolTip = Germany is truly your friend
HotspotPanoramaOverlayArea_E66BCC4B_B52A_BF9F_41E4_60AE3F5B6C78.toolTip = Give Em The Stuff to Fight With
HotspotPanoramaOverlayArea_250AF16E_B57A_A999_41D3_FF5CBDE80A79.toolTip = Give Em the Stuff to Fight With
HotspotPanoramaOverlayArea_C8649CA0_B527_B889_41C7_ADBFE50C76D9.toolTip = Give Em the Stuff to Fight With
HotspotPanoramaOverlayArea_247621AE_B57A_E899_41AA_54EC36C32F8C.toolTip = Give Em the Stuff to Fight With
HotspotPanoramaOverlayArea_243F8116_B569_6989_41D1_9E172F55D862.toolTip = Give Em the Stuff to Fight With
HotspotPanoramaOverlayArea_253432D7_B566_E8B7_41D4_137E029DCF3E.toolTip = Give Em the Stuff to Fight With
HotspotPanoramaOverlayArea_FC853114_B526_A989_41D2_C80E74BCF258.toolTip = Give em the stuff to fight with
HotspotPanoramaOverlayArea_DE166FC6_B5FB_99ED_41B2_A2E0379084C3.toolTip = Give em the stuff to fight with
HotspotPanoramaOverlayArea_F9328402_B53A_AF89_41E4_33249D498181.toolTip = Give em the stuff to fight with
HotspotPanoramaOverlayArea_12441C6E_B5D7_FEBE_41E4_C32FE90C56AB.toolTip = Give em the stuff to fight with
HotspotPanoramaOverlayArea_AA4DE2D5_B526_E88B_41E5_67FC58AF6ACD.toolTip = Give em the stuff to fight with
HotspotPanoramaOverlayArea_8173982C_B52E_A799_41D7_4088C74410A7.toolTip = Give em the stuff to fight with
HotspotPanoramaOverlayArea_0308E8B6_6BF2_9485_41D4_1964BA9AF76A.toolTip = Goldel Rule
HotspotPanoramaOverlayArea_0D5B4655_6BD1_BF87_41D0_266503516E0D.toolTip = Golden Rule
HotspotPanoramaOverlayArea_0C95E3D1_6BD7_949C_41D1_D46B9F4C869B.toolTip = Golden Rule
HotspotPanoramaOverlayArea_0DCA79CE_6BB6_B484_41D2_912A42916BF9.toolTip = Golden Rule
HotspotPanoramaOverlayArea_02D5D11D_6BB6_9587_41C7_6731506C351A.toolTip = Golden Rule
HotspotPanoramaOverlayArea_022CAD11_6BD1_8D9C_41D2_E9AFB6A8C190.toolTip = Golden Rule
HotspotPanoramaOverlayArea_587C2C2E_7F44_68E6_41D2_592507595A8B.toolTip = Great Depression Photographers
HotspotPanoramaOverlayArea_58C78A3D_7F44_68E5_41DC_AC8A1EC88659.toolTip = Great Depression Photographers
HotspotPanoramaOverlayArea_6846DBAB_5B3C_DED9_41B8_A0E7160A5121.toolTip = Great Depression Photographers
HotspotPanoramaOverlayArea_6BCE1E33_5B23_59C9_41D5_FADC5ED07BC1.toolTip = Great Depression Photographers
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HotspotPanoramaOverlayArea_53CDEE80_CA1F_AA75_41C0_175C1E82D1E8.toolTip = His deeds...measure yours (magazine)
HotspotPanoramaOverlayArea_3AEB6296_18F1_6C93_41B3_19D2F2C14128.toolTip = Hitler Threatens Force
HotspotPanoramaOverlayArea_D9DC86EA_FF97_B40F_41E0_A7AA021CC7C7.toolTip = Horror Camps in Naziland
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HotspotPanoramaOverlayArea_AF1FED2B_9F04_CBA6_41E3_03122A07CCE0.toolTip = I am an American
HotspotPanoramaOverlayArea_B9C8D6D3_85F1_0EDC_41E0_460636C54B45.toolTip = I am an American
HotspotPanoramaOverlayArea_9CED5DE9_85B3_02C5_41B4_EAD8DAA283F8.toolTip = I am an American
HotspotPanoramaOverlayArea_A0088512_A10C_3B05_41D6_99B57675A6D2.toolTip = I am an American
HotspotPanoramaOverlayArea_1D4E33F4_9F0C_5EB5_41E0_27B7F9448D66.toolTip = I am an American
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HotspotPanoramaOverlayArea_B0D65AE3_85F3_06C3_41B5_0BA438115CBA.toolTip = I am an American
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HotspotPanoramaOverlayArea_E61AD796_8978_6BE9_41DE_904582376F81.toolTip = IRAN, WOMEN, HIJAB \
Fazilat Soukhakian
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HotspotPanoramaOverlayArea_B79C48A6_8A09_2036_41DC_B246863A8279.toolTip = IRAN, WOMEN, HIJAB - Fazilat Soukhakian
HotspotPanoramaOverlayArea_CDA75A0D_89C9_A4FB_41AC_73A4CF18C5A0.toolTip = IRAN, WOMEN, HIJAB - Fazilat Soukhakian
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HotspotPanoramaOverlayArea_1662E5E7_88D8_AF37_41B6_C060B39292F8.toolTip = IRAN, WOMEN, HIJAB - Fazilat Soukhakian
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HotspotPanoramaOverlayArea_9FF0B258_9F1C_5934_41CF_A9180980966C.toolTip = Immigrant Family Dinner
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HotspotPanoramaOverlayArea_17CA4633_9F3C_59B4_41DA_51856BD790CA.toolTip = Immigrant Family Dinner
HotspotPanoramaOverlayArea_E70B4E18_811A_92E4_41D7_B8A912B10D46.toolTip = Immigrant Family Dinner
HotspotPanoramaOverlayArea_A014D235_A105_D90D_41E1_E5E892C3FFDB.toolTip = Immigrant Family Dinner
HotspotPanoramaOverlayArea_2B29CB9F_9F04_4F48_41BF_89C160563D1A.toolTip = Immigrant Family Dinner
HotspotPanoramaOverlayArea_80FBF835_9932_C80B_4195_EA9C33869172.toolTip = Immigrant Family Dinner
HotspotPanoramaOverlayArea_D3F71659_9972_383B_41CB_9B2E47A99CED.toolTip = Immigrant Family Dinner
HotspotPanoramaOverlayArea_9FC69280_9F04_5926_41E0_3CCCD1B47A64.toolTip = Immigrant Family Dinner
HotspotPanoramaOverlayArea_A99C6C7A_85D1_01C2_41DB_C4C4DC89C18B.toolTip = Immigrant Family Dinner
HotspotPanoramaOverlayArea_AA26DE45_566B_0094_41D2_960E6D0BABCB.toolTip = Interracial Correspondence to Norman Rockwell
HotspotPanoramaOverlayArea_583B26EE_59DB_0194_41D4_3FB497AC5298.toolTip = Interracial Correspondence to Norman Rockwell
HotspotPanoramaOverlayArea_9FB52870_9F04_49D0_41A8_7722B83D5C0C.toolTip = It Can Be Done  Mug
HotspotPanoramaOverlayArea_9FD55C6F_9F04_C9FF_41C5_5BF17BE7D88A.toolTip = It Will Be Done Mug
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HotspotPanoramaOverlayArea_5E25FC3B_6FB5_B75C_41DB_C280AE954A4C.toolTip = JFK’s Legacy: The Peace Corps
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HotspotPanoramaOverlayArea_5CA20FBF_6FBE_9155_41AA_9C51DE2D26C7.toolTip = JFK’s Legacy: The Peace Corps, 1966 
HotspotPanoramaOverlayArea_5F48B0F6_6FAF_90D7_41B4_B1C32D1F2A9B.toolTip = JFK’s Legacy: The Peace Corps, 1966 
HotspotPanoramaOverlayArea_40C2E4C2_6FAD_972F_41D1_CA57B52C4893.toolTip = JFK’s Legacy: The Peace Corps, 1966 
HotspotPanoramaOverlayArea_5FFB98ED_6F55_90F5_41D3_6FA6933C77CA.toolTip = JFK’s Legacy: The Peace Corps, 1966 
HotspotPanoramaOverlayArea_C5DD1215_8A39_E3EA_41DB_2A1A925D0B09.toolTip = JIYU (FREEDOM) \
Sarah Fukami
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HotspotPanoramaOverlayArea_CD1BE1CE_89C8_E778_41D0_7ECD926F1AE6.toolTip = JIYU (FREEDOM) - Sarah Fukami
HotspotPanoramaOverlayArea_BBA46534_8A1A_E02A_41CE_147E416A69AE.toolTip = JIYU (FREEDOM) - Sarah Fukami
HotspotPanoramaOverlayArea_A39047BD_8A19_201A_41C7_91599E8BC988.toolTip = JIYU (FREEDOM) - Sarah Fukami
HotspotPanoramaOverlayArea_DF983226_89C9_A529_41DA_EABDF3109164.toolTip = JIYU (FREEDOM) - Sarah Fukami
HotspotPanoramaOverlayArea_F123D75A_8978_AB19_419F_AA159E886544.toolTip = JIYU (FREEDOM) - Sarah Fukami
HotspotPanoramaOverlayArea_235A31CF_88CF_A777_41DB_4D9A756C86E6.toolTip = JIYU (FREEDOM) - Sarah Fukami
HotspotPanoramaOverlayArea_B055CB3F_8A79_2016_41A7_7362F8AC7E49.toolTip = JIYU (FREEDOM) - Sarah Fukami
HotspotPanoramaOverlayArea_C3131BBD_8E4E_3BF8_41D8_5AF8805C3FAF.toolTip = JUMPIN JIMTOWN - Sarah Hoskins
HotspotPanoramaOverlayArea_CD9F10B9_8E4A_C5F8_41DB_984E69324594.toolTip = JUMPIN JIMTOWN - Sarah Hoskins
HotspotPanoramaOverlayArea_C89B1B1A_8DDB_C4B8_41D6_83871CEF97F2.toolTip = JUMPIN JIMTOWN - Sarah Hoskins
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HotspotPanoramaOverlayArea_B0868E7E_9F04_C99F_41DE_035059BB2757.toolTip = Japanese Internment
HotspotPanoramaOverlayArea_86E71526_9F04_DBBE_41D6_E6AED03F3E59.toolTip = Japanese Internment
HotspotPanoramaOverlayArea_9FDFB6BB_9F04_596E_41DB_1968D24D00BF.toolTip = Japanese Internment
HotspotPanoramaOverlayArea_B630B808_9936_4818_41D7_4560D5BDAA58.toolTip = Japanese Internment
HotspotPanoramaOverlayArea_99909A4A_85B1_01C4_41C8_314E7BB49119.toolTip = Japanese Internment
HotspotPanoramaOverlayArea_CA3E454A_8116_9177_41C9_36FEF58A6ECA.toolTip = Japanese Internment
HotspotPanoramaOverlayArea_7587CAC5_B8D5_1897_41C1_7C69EA397922.toolTip = Jarvis Rockwell poses as Michael Schwerner; Oliver McCary poses as James Chaney
HotspotPanoramaOverlayArea_FA8977CF_C788_C778_41C0_9C1B340B6D2D.toolTip = Jarvis Rockwell poses as Michael Schwerner; Oliver McCary poses as James Chaney
HotspotPanoramaOverlayArea_6BF40E8F_B8CD_3893_41E2_DA1ECF178BA7.toolTip = Jarvis Rockwell poses as Michael Schwerner; Oliver McCary poses as James Chaney
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HotspotPanoramaOverlayArea_9591700A_C787_58F8_41B5_08C0A5DEAECC.toolTip = Jarvis Rockwell poses as Michael Schwerner; Oliver McCary poses as James Chaney
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HotspotPanoramaOverlayArea_F9054100_C787_58E7_41D4_8598C890968A.toolTip = Jarvis Rockwell poses as Michael Schwerner; Oliver McCary poses as James Chaney - Close Up
HotspotPanoramaOverlayArea_82D223CD_C679_FF78_41CC_67C46F74AFB3.toolTip = Jarvis Rockwell poses as Michael Schwerner; Oliver McCary poses as James Chaney - Close Up
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HotspotPanoramaOverlayArea_85416A73_C787_4928_41E5_95B9B3D70280.toolTip = Jarvis Rockwell poses as Michael Schwerner; Oliver McCary poses as James Chaney - Close Up
HotspotPanoramaOverlayArea_82060F0D_C789_C8F9_41D8_FFB36063EA18.toolTip = Jarvis Rockwell poses as Michael Schwerner; Oliver McCary poses as James Chaney - Close Up
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HotspotPanoramaOverlayArea_E8A00003_C678_F8E8_41AE_501B7B3090BE.toolTip = Kittridge (Kit) Hudson poses as Andrew Goodman
HotspotPanoramaOverlayArea_98444C32_C78F_C928_41B8_F0DDF5CAAEB4.toolTip = Kittridge (Kit) Hudson poses as Andrew Goodman - Close Up
HotspotPanoramaOverlayArea_A72DC012_C787_58E8_41B6_343BEDF4F458.toolTip = Kittridge (Kit) Hudson poses as Andrew Goodman - Close Up
HotspotPanoramaOverlayArea_A45D2A02_C799_48EB_41E6_6C325FFF05A8.toolTip = Kittridge (Kit) Hudson poses as Andrew Goodman - Close Up
HotspotPanoramaOverlayArea_A64033AD_C799_7F39_41E5_C2868F83FFFB.toolTip = Kittridge (Kit) Hudson poses as Andrew Goodman - Close Up
HotspotPanoramaOverlayArea_9E2D45E4_A7D3_3734_41DA_17DAEF845CFF.toolTip = Know Your War Planes
HotspotPanoramaOverlayArea_9B27D51F_A7D1_3715_41D0_4313C821696D.toolTip = Know Your War Planes
HotspotPanoramaOverlayArea_C5916C4E_89F8_FD79_41DB_EFBF5FE77CED.toolTip = LE MARCHÉ - Leslie Sills
HotspotPanoramaOverlayArea_EB00C552_894F_AF68_419F_8CE7DBA5DA25.toolTip = LE MARCHÉ - Leslie Sills
HotspotPanoramaOverlayArea_DF4D882B_8A09_203E_41D2_7EBEF17BC6E6.toolTip = LE MARCHÉ - Leslie Sills
HotspotPanoramaOverlayArea_BB30461B_88D8_6D1F_41D9_09B88D6E83B9.toolTip = LE MARCHÉ - Leslie Sills
HotspotPanoramaOverlayArea_B1CF64D3_88C9_AD6F_41BE_CF8486941D24.toolTip = LE MARCHÉ - Leslie Sills
HotspotPanoramaOverlayArea_CC8A05B4_8DD9_CF88_41D6_A561C18DC145.toolTip = LIBERTY CONSTRUCT #1 - Jarrett Christian
HotspotPanoramaOverlayArea_DF863E6B_8E57_FC98_41D0_99C552A85D5D.toolTip = LIBERTY CONSTRUCT #1 - Jarrett Christian
HotspotPanoramaOverlayArea_C9072DAC_8E4A_3F98_41D1_B67D2932B429.toolTip = LIBERTY CONSTRUCT #1 - Jarrett Christian
HotspotPanoramaOverlayArea_AA6A3525_ABEF_F1CD_41D1_525A6869DDCD.toolTip = Langston Hughes
HotspotPanoramaOverlayArea_AA58ADF4_AB2C_904C_41B9_F3763A144761.toolTip = Langston Hughes
HotspotPanoramaOverlayArea_AA621C79_AB1F_B044_41DB_8FED3D19B93F.toolTip = Langston Hughes
HotspotPanoramaOverlayArea_AA6FEFEB_ABE4_9045_41D9_3A5AFE00BDE1.toolTip = Langston Hughes
HotspotPanoramaOverlayArea_AA85186E_AB25_B05C_41D2_B39810B12078.toolTip = Langston Hughes
HotspotPanoramaOverlayArea_AA5B9199_AB2C_B0C4_41DA_03D55F5B0515.toolTip = Langston Hughes
HotspotPanoramaOverlayArea_AA80C307_AB1C_91CD_41E1_85760785963E.toolTip = Langston Hughes
HotspotPanoramaOverlayArea_AA78342D_ABEB_F7DD_413E_17C781A73E68.toolTip = Langston Hughes
HotspotPanoramaOverlayArea_B69A48DC_AE53_64DF_41A6_948A06DE66D7.toolTip = Langston Hughes
HotspotPanoramaOverlayArea_AA7CC74C_ABE4_905C_41E2_254A5A8CB408.toolTip = Langston Hughes
HotspotPanoramaOverlayArea_AA741A38_ABFB_B3C3_41E3_C1C61AEA5B80.toolTip = Langston Hughes
HotspotPanoramaOverlayArea_3947482B_18FF_3BB1_41B4_4B7208AD05C4.toolTip = Last Bowl of Rice
HotspotPanoramaOverlayArea_086FBD43_4203_3FB1_41C6_E95E0DB8204F.toolTip = Let's Give Him Enough and On Time
HotspotPanoramaOverlayArea_0A016ADE_427C_FA53_41A2_CB1D9F0A019F.toolTip = Let's Give Him Enough and On Time
HotspotPanoramaOverlayArea_07988A92_4207_3AD3_41B8_5A54FAF38DD2.toolTip = Let's Give Him Enough and On Time
HotspotPanoramaOverlayArea_08741341_4203_2BB1_41C9_F6839CE29E8C.toolTip = Let's Give Him Enough and On Time
HotspotPanoramaOverlayArea_0BBCC65F_4205_2A51_41B1_F29A4A813085.toolTip = Let's Give Him Enough and On Time
HotspotPanoramaOverlayArea_0548A920_4203_27EF_41CB_1116D555DE07.toolTip = Let's Give Him Enought and On Time
HotspotPanoramaOverlayArea_0F87800A_4205_25B2_41AC_4005C22B5191.toolTip = Lets Give Him Enough and On Time 
HotspotPanoramaOverlayArea_483A94AC_C689_593F_41E5_C57DA9F81767.toolTip = Letter from Look Art Director - Allen Hurlburt
HotspotPanoramaOverlayArea_475E5516_C6B9_58EB_41E4_676F4FE4D319.toolTip = Letter from the NAACP - Roy Wilkins
HotspotPanoramaOverlayArea_40EF0FA2_C6B9_C72B_41E5_9A42F9743E94.toolTip = Letter to Norman Rockwell regarding the “Committee of 100” 
HotspotPanoramaOverlayArea_664D4EAE_C688_C93B_41D6_35222595CD73.toolTip = Letters to Look Editor Regarding Murder in Mississippi - George Stanley
HotspotPanoramaOverlayArea_59A6726F_C68B_7939_41E0_B8828BC31B65.toolTip = Letters to Look Editor Regarding Murder in Mississippi - Mary Allison \

HotspotPanoramaOverlayArea_79992401_4774_43A8_41BB_8DED3484C8B4.toolTip = Leyendecker - 1933 Baby New Year Charting
HotspotPanoramaOverlayArea_587A1C2A_7F44_68EE_41B4_422E204B01DB.toolTip = Leyendecker - 1933 Baby New Year Charting the Market
HotspotPanoramaOverlayArea_0D4F78B7_475C_44E9_41D1_0FD050E971F2.toolTip = Leyendecker - 1933 Baby New Year Charting the Market
HotspotPanoramaOverlayArea_58C7AA39_7F44_68ED_41C4_C7A446DD9465.toolTip = Leyendecker - 1933 Baby New Year Charting the Market
HotspotPanoramaOverlayArea_0E766B8A_475C_44BB_41B9_FC5B1A1302D4.toolTip = Leyendecker - 1935 Baby New Year Balances the Budget
HotspotPanoramaOverlayArea_58C53A39_7F44_68ED_41CA_161585C8DFE8.toolTip = Leyendecker - 1935 Baby New Year Balances the Budget
HotspotPanoramaOverlayArea_7A0F3D6C_4774_3C7F_41BE_44624F7D06E2.toolTip = Leyendecker - 1935 Baby New Year Balances the Budget
HotspotPanoramaOverlayArea_587DAC2A_7F44_68EE_41CD_21F979150809.toolTip = Leyendecker - 1935 Baby New Year Balances the Budget
HotspotPanoramaOverlayArea_045B09D0_4775_C4A8_41C9_E144725716FD.toolTip = Leyendecker - 1940 Baby New Year Ready for Wa
HotspotPanoramaOverlayArea_587D6C2A_7F44_68EE_41D1_CFAFADB00E02.toolTip = Leyendecker - 1940 Baby New Year Ready for War
HotspotPanoramaOverlayArea_6309AC9C_46F4_3CDF_41CF_CB75C3A46D99.toolTip = Leyendecker - 1940 Baby New Year Ready for War
HotspotPanoramaOverlayArea_0F2F43A8_475D_C4E7_41BA_690BB2D5B2FB.toolTip = Leyendecker - 1940 Baby New Year Ready for War
HotspotPanoramaOverlayArea_6DED7CC0_46D4_3CA8_41C9_FFAF260F34BF.toolTip = Leyendecker - 1940 Baby New Year Ready for War
HotspotPanoramaOverlayArea_58C4FA3A_7F44_68EF_41CA_AB44D23E24C0.toolTip = Leyendecker - 1940 Baby New Year Ready for War
HotspotPanoramaOverlayArea_7AF689BF_477C_44D8_41C0_45D39ACE7B1A.toolTip = Leyendecker - 1941 New Year’s Baby Warring Fist
HotspotPanoramaOverlayArea_587D9C2A_7F44_68EE_41D0_E5BAF79F0031.toolTip = Leyendecker - 1941 New Year’s Baby Warring Fist
HotspotPanoramaOverlayArea_736B07BE_475C_4CD8_41A8_6518CEE1ACBA.toolTip = Leyendecker - 1941 New Year’s Baby Warring Fist
HotspotPanoramaOverlayArea_0295AB4B_475C_45B9_41CE_154F5B5A7E93.toolTip = Leyendecker - 1941 New Year’s Baby Warring Fist
HotspotPanoramaOverlayArea_58C4CA3A_7F44_68EF_419F_DE59B9CEA5BA.toolTip = Leyendecker - 1941 New Year’s Baby Warring Fist
HotspotPanoramaOverlayArea_58C48A3A_7F44_68EF_41B1_FE5301B386C1.toolTip = Leyendecker - 1943 Baby New Year at War
HotspotPanoramaOverlayArea_587D1C2B_7F44_68EE_41A2_81084E9C012D.toolTip = Leyendecker - 1943 Baby New Year at War
HotspotPanoramaOverlayArea_00BFF8E4_4754_4468_4197_13C8930E99C8.toolTip = Leyendecker - 1943 Baby New Year at War
HotspotPanoramaOverlayArea_73A22B69_475F_C478_41A3_E0EA609F7CE8.toolTip = Leyendecker - 1943 Baby New Year at War
HotspotPanoramaOverlayArea_7A067C65_4774_5C68_41C4_2F39C5066DE9.toolTip = Leyendecker - 1943 Baby New Year at War
HotspotPanoramaOverlayArea_0C23468E_4754_CCBB_41C2_FC557D8E7CB0.toolTip = Leyendecker - No Trespassing
HotspotPanoramaOverlayArea_77C3A17A_475C_4458_41C6_94B6178113CB.toolTip = Leyendecker - No Trespassing
HotspotPanoramaOverlayArea_787FFFC8_477D_FCA7_41B3_EBF485576A6A.toolTip = Leyendecker - No Trespassing
HotspotPanoramaOverlayArea_587D5C2A_7F44_68EE_41CA_555A72D00B2C.toolTip = Leyendecker - No Trespassing
HotspotPanoramaOverlayArea_58C47A3A_7F44_68EF_41CF_F18579591803.toolTip = Leyendecker - No Trespassing
HotspotPanoramaOverlayArea_714EF64D_36FF_C146_4188_F6C09A9A9E79.toolTip = Liberty Girl
HotspotPanoramaOverlayArea_7018AAE9_36C4_C14E_41A8_3B1809C283D4.toolTip = Liberty Girl
HotspotPanoramaOverlayArea_7F7000A0_36DB_41FE_41CB_320E10087ED8.toolTip = Liberty Girl
HotspotPanoramaOverlayArea_726B367A_36C4_C142_41C9_D31AE037DCD1.toolTip = Liberty Girl
HotspotPanoramaOverlayArea_0C1C0CD1_37C5_415E_419D_C4A669FD3F14.toolTip = Liberty Girl
HotspotPanoramaOverlayArea_7BB2BF0E_36CD_40C2_41C5_57FC9D273148.toolTip = Liberty Girl
HotspotPanoramaOverlayArea_7271613B_36CF_40C2_41C5_BC9F564FB1EB.toolTip = Liberty Girl
HotspotPanoramaOverlayArea_7CD96A7C_36C7_C146_41BB_42D6890FF256.toolTip = Liberty Girl
HotspotPanoramaOverlayArea_7C316749_36C7_4F4E_4166_C18937B30526.toolTip = Liberty Girl
HotspotPanoramaOverlayArea_7CCBA505_36C4_C0C6_41AF_A7F11969A718.toolTip = Liberty Girl
HotspotPanoramaOverlayArea_58C57A37_7F44_68E5_41C6_6C021A5904C1.toolTip = Liberty Girl
HotspotPanoramaOverlayArea_67F1F3FB_4AF5_2E72_41CA_64E36D8F440F.toolTip = Liberty Girl
HotspotPanoramaOverlayArea_587A1C27_7F44_68E6_41BB_F6A588FC9A82.toolTip = Liberty Girl
HotspotPanoramaOverlayArea_702863BE_36CB_47C2_41BA_5DC0CF2F5043.toolTip = Liberty Girl
HotspotPanoramaOverlayArea_384A11A0_18F7_2CAF_41A1_2E97F811EA90.toolTip = Lighting Supervision
HotspotPanoramaOverlayArea_5095316E_4F93_5FA7_41D1_D3AB5203F6AF.toolTip = Living Room
HotspotPanoramaOverlayArea_672FA3F5_4FB5_62A5_41A0_590E7917E607.toolTip = Living Room
HotspotPanoramaOverlayArea_675F767A_4FAD_A5AF_41D0_BE4F504D0848.toolTip = Living Room
HotspotPanoramaOverlayArea_5879EC25_7F44_689A_41D5_0C0F1A7867F8.toolTip = Living Room
HotspotPanoramaOverlayArea_5A36D856_4F6D_6DE7_41C8_87C511104594.toolTip = Living Room
HotspotPanoramaOverlayArea_679F1C0C_4FB4_E56B_41A0_8EE1FE74E5F7.toolTip = Living Room
HotspotPanoramaOverlayArea_554EA802_4F93_AD5F_41B8_14625BAF0225.toolTip = Living Room
HotspotPanoramaOverlayArea_5879F56E_4F95_A7A7_41C0_5F9895BEC786.toolTip = Living Room
HotspotPanoramaOverlayArea_6883A28F_4FAF_5D65_41A4_C5E256CC98E8.toolTip = Living Room
HotspotPanoramaOverlayArea_670D3BCB_4FAC_A2ED_41C6_44F433AD4E8D.toolTip = Living Room
HotspotPanoramaOverlayArea_58C4EA35_7F44_68E5_41C2_6FEFDC01AD1D.toolTip = Living Room
HotspotPanoramaOverlayArea_6DC1D2BF_478D_2C89_41AE_693AEEE3265E.toolTip = Look at other side of case
HotspotPanoramaOverlayArea_1CFE4274_7F14_7EA8_41C8_22FAE5A23A1F.toolTip = Lynda Gunn Reference Photo
HotspotPanoramaOverlayArea_1EF1C67C_7F2C_0698_41D5_9F839F13BD99.toolTip = Lynda Gunn Reference Photo
HotspotPanoramaOverlayArea_1E421E7E_7F34_0698_41D1_E06B7AF51F0B.toolTip = Lynda Gunn Reference Photo
HotspotPanoramaOverlayArea_1D30AA91_7F1C_0E68_41DD_3419F2A0CF2E.toolTip = Lynda Gunn Reference Photo
HotspotPanoramaOverlayArea_21E9D776_7F2C_06A9_41D3_EB999AE7EB60.toolTip = Lynda Gunn Reference Photos
HotspotPanoramaOverlayArea_219E274A_7F34_06F8_4184_9DDBCFB3B8FC.toolTip = Lynda Gunn Reference Photos
HotspotPanoramaOverlayArea_18E8EBC4_7F1C_0DE8_41DD_52A9D3D95483.toolTip = Lynda Gunn Reference Photos
HotspotPanoramaOverlayArea_2239D67B_7F14_0698_41DD_31555B26C3CF.toolTip = Lynda Gunn Reference Photos
HotspotPanoramaOverlayArea_202264E0_7F34_3BA8_41CA_44DFCFF2A45A.toolTip = Lynda Gunn Studies
HotspotPanoramaOverlayArea_1AF6FD02_7F14_0A68_41D5_A94034B841BB.toolTip = Lynda Gunn Studies
HotspotPanoramaOverlayArea_212E3475_7F34_1AAB_41CB_C52DDAC7D207.toolTip = Lynda Gunn Studies
HotspotPanoramaOverlayArea_1F58B14F_7F1C_1AF8_41D8_55E6C718E0B1.toolTip = Lynda Gunn Studies
HotspotPanoramaOverlayArea_1A00F17C_7F3C_1A99_41D8_AB56D01AA918.toolTip = Lynda Gunn Study
HotspotPanoramaOverlayArea_23E10098_7F1C_3B98_41BF_CA240910EA99.toolTip = Lynda Gunn Study
HotspotPanoramaOverlayArea_1E84124E_7F14_3EF8_41D5_F852497CC56C.toolTip = Lynda Gunn Study
HotspotPanoramaOverlayArea_19FFE848_7F3C_0AF8_41D7_174D72C4A843.toolTip = Lynda Gunn and Father Reference Photo
HotspotPanoramaOverlayArea_19814C22_7F2C_0AA8_41BD_487D937E7069.toolTip = Lynda Gunn with Father - Reference Photo
HotspotPanoramaOverlayArea_19B3451D_7F14_1A98_4194_91C878611CA5.toolTip = Lynda Gunn with Father - Reference Photo
HotspotPanoramaOverlayArea_1BCF9ECA_7F1C_07F9_41CC_049F8E48140F.toolTip = Lynda Gunn with Father Reference Photo
HotspotPanoramaOverlayArea_A8B0D10D_8A0B_21FA_41A0_EF65C66462BB.toolTip = MARGARETE, HELEN, AND PABLITA \
Erin Currier
HotspotPanoramaOverlayArea_09F34D9F_8948_7F17_4191_7AF582D0640A.toolTip = MARGARETE, HELEN, AND PABLITA \
Erin Currier
HotspotPanoramaOverlayArea_B6838BC8_8A09_607A_41DF_A2A65E41667E.toolTip = MARGARETE, HELEN, AND PABLITA \
Erin Currier
HotspotPanoramaOverlayArea_E441C220_8949_A529_41D7_CF4BCBEBC4FF.toolTip = MARGARETE, HELEN, AND PABLITA - Erin Currier
HotspotPanoramaOverlayArea_1D3DD026_88CB_A528_41D4_8DA4D2195B16.toolTip = MARGARETE, HELEN, AND PABLITA - Erin Currier
HotspotPanoramaOverlayArea_C9682319_8A19_E01A_419C_90CC31D032AC.toolTip = MARGARETE, HELEN, AND PABLITA - Erin Currier
HotspotPanoramaOverlayArea_06E286CA_88D9_AD79_41D1_6DC889673196.toolTip = MARGARETE, HELEN, AND PABLITA - Erin Currier
HotspotPanoramaOverlayArea_EFDE4E9E_8959_BD18_41D4_C0523F1624B9.toolTip = MARGARETE, HELEN, AND PABLITA - Erin Currier
HotspotPanoramaOverlayArea_D28CC564_89D8_AF29_41D6_F43BACDC90D1.toolTip = MARGARETE, HELEN, AND PABLITA - Erin Currier
HotspotPanoramaOverlayArea_BD712B41_88C8_BB6B_41D4_807523ABC068.toolTip = MARGARETE, HELEN, AND PABLITA - Erin Currier
HotspotPanoramaOverlayArea_CF3E191D_89D9_A71B_41A4_042021E2CA82.toolTip = MARGARETE, HELEN, AND PABLITA - Erin Currier
HotspotPanoramaOverlayArea_1505C1B5_88DF_A72B_41A5_529523DED136.toolTip = MOTHER AND DAUGHTER, WOMEN’S MARCH \
Andréanna Seymore
HotspotPanoramaOverlayArea_E6DE2635_8978_6D2B_41D2_EEE5A2C87D6D.toolTip = MOTHER AND DAUGHTER, WOMEN’S MARCH - Andréanna Seymore
HotspotPanoramaOverlayArea_053C1652_88C8_6D69_41DE_41C0A90C112E.toolTip = MOTHER AND DAUGHTER, WOMEN’S MARCH - Andréanna Seymore
HotspotPanoramaOverlayArea_A8ECCB3A_8A1B_201E_41C2_488F35908340.toolTip = MOTHER AND DAUGHTER, WOMEN’S MARCH - Andréanna Seymore
HotspotPanoramaOverlayArea_A46DFE98_8A19_201A_41C7_9A4839723306.toolTip = MOTHER AND DAUGHTER, WOMEN’S MARCH - Andréanna Seymore
HotspotPanoramaOverlayArea_D35DDEF3_89C7_BD2F_41DC_C19C85D535E7.toolTip = MOTHER AND DAUGHTER, WOMEN’S MARCH - Andréanna Seymore
HotspotPanoramaOverlayArea_D8B5E39F_8A3B_2016_41DA_40E8604E0A8D.toolTip = MOTHER AND DAUGHTER, WOMEN’S MARCH - Andréanna Seymore
HotspotPanoramaOverlayArea_C836F2F3_89C8_E52F_41DF_A89391883CC6.toolTip = MOTHER AND DAUGHTER, WOMEN’S MARCH - Andréanna Seymore
HotspotPanoramaOverlayArea_B71C9BE5_8A7B_202A_41D8_D9F5A441E354.toolTip = MOTHER AND DAUGHTER, WOMEN’S MARCH - Andréanna Seymore
HotspotPanoramaOverlayArea_8F6FD9A3_8ED6_4788_41C6_FE8D841511DC.toolTip = Mai Ly Degnan - Defend Democracy
HotspotPanoramaOverlayArea_AA4F5365_93C7_BF32_41E1_FAD264AFA3AE.toolTip = Mai Ly Degnan - Defend Democracy
HotspotPanoramaOverlayArea_8F68E8E1_8EDA_4589_41E1_7FC93EFF098F.toolTip = Mai Ly Degnan - Defend Democracy
HotspotPanoramaOverlayArea_BDA50D8B_9344_ABF6_41B9_5AE3EA365E3B.toolTip = Mai Ly Degnan - Defend Democracy
HotspotPanoramaOverlayArea_B6023544_92CD_BB73_41B5_634EA7C0E731.toolTip = Mai Ly Degnan - Defend Democracy
HotspotPanoramaOverlayArea_8F61234F_8ECB_C498_41D3_38D933CA15D4.toolTip = Mai Ly Degnan - Defend Democracy
HotspotPanoramaOverlayArea_84569FCB_92C5_A775_41B3_154299E4F82A.toolTip = Mai Ly Degnan - Defend Democracy
HotspotPanoramaOverlayArea_8F758DBA_8ECA_DFF8_41BA_71674DAA3108.toolTip = Mai Ly Degnan - Defend Democracy
HotspotPanoramaOverlayArea_33C12F01_18B3_F571_4191_2E0FC9DA9498.toolTip = Man Without a Country
HotspotPanoramaOverlayArea_6A198C5F_4FAC_A5E5_41C0_EE2B363EACA5.toolTip = Marble Champion
HotspotPanoramaOverlayArea_7D7EBB01_36CD_40BE_41B7_D6259A6981E5.toolTip = Marbles Champ
HotspotPanoramaOverlayArea_7F6D2D38_36C4_C0CE_41B1_235C97A5F3D2.toolTip = Marbles Champ
HotspotPanoramaOverlayArea_6F4A06A6_4F93_62A7_41BB_4B9937E48195.toolTip = Marbles Champion
HotspotPanoramaOverlayArea_587DCC27_7F44_68E6_41D1_5EEDDB24083E.toolTip = Marbles Champion
HotspotPanoramaOverlayArea_58C54A37_7F44_68E5_41DF_CEEEE51F161F.toolTip = Marbles Champion
HotspotPanoramaOverlayArea_716DE772_363D_CF42_41CA_99361DA15541.toolTip = Marbles Champion
HotspotPanoramaOverlayArea_7127A89A_36C4_C1C2_41C1_50E428A048E8.toolTip = Marbles Champion
HotspotPanoramaOverlayArea_7BC71FF9_36C5_DF41_41B2_D6EFC6A9BB1A.toolTip = Marbles Champion
HotspotPanoramaOverlayArea_7B922F1A_36FD_C0C2_41C1_B43E6E44A324.toolTip = Marbles Champion
HotspotPanoramaOverlayArea_591B4873_4F93_ADBD_41B7_80A141AF771C.toolTip = Marbles Champion
HotspotPanoramaOverlayArea_67D3076D_3644_CF46_41AD_B069FFB12E09.toolTip = Marbles Champion
HotspotPanoramaOverlayArea_6EB7D6A4_4F93_655B_41D2_F2BBAD470880.toolTip = Marbles Champion
HotspotPanoramaOverlayArea_71AFBE17_36CD_C0C2_41BE_2D5B3FC9F954.toolTip = Marbles Champion
HotspotPanoramaOverlayArea_6F49E6A6_4F93_62A7_41BA_4059B3183016.toolTip = Marbles Champion
HotspotPanoramaOverlayArea_703A0E27_36C4_C0C2_41C7_B7265636B788.toolTip = Marbles Champion
HotspotPanoramaOverlayArea_6F49A6A6_4F93_62A7_41D0_0A7B584F811B.toolTip = Marbles Champion
HotspotPanoramaOverlayArea_7D76022E_36DB_40C2_41B6_EF1EE9CBC187.toolTip = Marbles Champion
HotspotPanoramaOverlayArea_56A7B36A_4F97_E3AF_41D0_D1A5A737357C.toolTip = Marbles Champion
HotspotPanoramaOverlayArea_5C03023C_4F6D_5DAB_41C9_BEC93CF56E29.toolTip = Marbles Champion
HotspotPanoramaOverlayArea_7DD3D505_36FB_40C6_41B9_ADA938B16678.toolTip = Marbles Champion
HotspotPanoramaOverlayArea_71EB0607_36C5_40C2_41C2_7E2BD78B567C.toolTip = Marbles Champion
HotspotPanoramaOverlayArea_6F49D6A6_4F93_62A7_415B_01CB63A85E99.toolTip = Marbles Champion
HotspotPanoramaOverlayArea_6F4A16A6_4F93_62A7_41BA_1050A87D0316.toolTip = Marbles Champion
HotspotPanoramaOverlayArea_72CFEAFA_36C4_C142_41AA_ABD799DA7FF4.toolTip = Marbles Champion
HotspotPanoramaOverlayArea_6F49F6A6_4F93_62A7_41C2_7BD0F22DE0AC.toolTip = Marbles Champion
HotspotPanoramaOverlayArea_58765C1F_7F44_68A1_418D_AC6FBF4F08F8.toolTip = Marbles Champion
HotspotPanoramaOverlayArea_71235161_36CB_437E_41B4_338C6BC11A0D.toolTip = Marbles Champion
HotspotPanoramaOverlayArea_58C5BA33_7F44_68FD_41DE_0B712D35ADB1.toolTip = Marbles Champion
HotspotPanoramaOverlayArea_56D7C8FB_4F97_6EAD_41C7_EEC84171BCCF.toolTip = Marbles Champion
HotspotPanoramaOverlayArea_744A1F02_5B2C_D7CB_41C4_75178C5A2F79.toolTip = Mary Ann Johnson Riveting the Skin onto a Boeing Bomber
HotspotPanoramaOverlayArea_6F8F8462_5B1D_4A4B_41BE_6844AB098664.toolTip = Mary Ann Johnson Riveting the Skin onto a Boeing Bomber
HotspotPanoramaOverlayArea_7038AE60_5B63_7647_41CD_D374C51043C5.toolTip = Mary Ann Johnson Riveting the Skin onto a Boeing Bomber
HotspotPanoramaOverlayArea_6BC9D0BB_5B2C_CA39_41AD_8AC016B9EE42.toolTip = Mary Ann Johnson Riveting the Skin onto a Boeing Bomber
HotspotPanoramaOverlayArea_6D662DA4_5BE3_5ACF_41C9_F4656DAC1C01.toolTip = Mary Ann Johnson Riveting the Skin onto a Boeing Bomber
HotspotPanoramaOverlayArea_6CECAF96_5BE5_B6CB_41CF_8096E41B1307.toolTip = Mary Ann Johnson Riveting the Skin onto a Boeing Bomber
HotspotPanoramaOverlayArea_6C1C8DDF_5BEC_BA79_41D0_096F9C897385.toolTip = Mary Ann Johnson Riveting the Skin onto a Boeing Bomber
HotspotPanoramaOverlayArea_7574550B_5B3C_CBD9_419F_965EFDF40D03.toolTip = Mary Ann Johnson Riveting the Skin onto a Boeing Bomber
HotspotPanoramaOverlayArea_58C7CA3D_7F44_68E5_41B8_BE0E87E2FCFA.toolTip = Mary Ann Johnson Riveting the Skin onto a Boeing Bomber
HotspotPanoramaOverlayArea_1C340117_5BE5_4BC9_41B1_7DEB814C06D9.toolTip = Mary Ann Johnson Riveting the Skin onto a Boeing Bomber
HotspotPanoramaOverlayArea_1C0B4488_5BE4_CAC7_41D3_25BF6676A1E7.toolTip = Mary Ann Johnson Riveting the Skin onto a Boeing Bomber
HotspotPanoramaOverlayArea_587C5C2D_7F44_68EA_41C9_E21D4F2C567A.toolTip = Mary Ann Johnson Riveting the Skin onto a Boeing Bomber
HotspotPanoramaOverlayArea_1B2FB083_5BFC_CAC9_41C3_139F91E8E869.toolTip = Mary Ann Johnson Riveting the Skin onto a Boeing Bomber
HotspotPanoramaOverlayArea_709B82A5_476C_44E8_41CB_D3357B0BC592.toolTip = Mary Ruth Berry Working on Boeing Aircraft
HotspotPanoramaOverlayArea_58C42A39_7F44_68ED_41A0_DBB645C42D96.toolTip = Mary Ruth Berry Working on Boeing Aircraft
HotspotPanoramaOverlayArea_587CAC29_7F44_68EA_41A1_801C5E980431.toolTip = Mary Ruth Berry Working on Boeing Aircraft
HotspotPanoramaOverlayArea_0118C8C0_4754_44A7_41B3_A9358B4A38BA.toolTip = Mary Ruth Berry Working on Boeing Aircraft
HotspotPanoramaOverlayArea_7A62B8D5_41E1_F061_41C1_35BEB0B20CF4.toolTip = Mary Ruth Berry Working on Boeing Aircraft
HotspotPanoramaOverlayArea_AA6F2794_ABE5_90C3_41E3_B2BC80853EAA.toolTip = Medical Corps
HotspotPanoramaOverlayArea_AA7781F5_ABE4_904D_41DB_BBCD5CE30A36.toolTip = Medical Corps
HotspotPanoramaOverlayArea_AA5AF402_AB2C_77C7_41E4_839219895A10.toolTip = Medical Corps
HotspotPanoramaOverlayArea_AA5624C2_AB27_9047_41C8_7B8D5BD8284C.toolTip = Medical Corps
HotspotPanoramaOverlayArea_AA658372_ABE4_9047_41D2_5E05AB3E3AD8.toolTip = Medical Corps
HotspotPanoramaOverlayArea_AA7334E5_ABFD_F04C_4168_AA84EB09D32E.toolTip = Medical Corps
HotspotPanoramaOverlayArea_AA801919_AB1B_B1C5_41D1_2DEBB745BA1B.toolTip = Medical Corps
HotspotPanoramaOverlayArea_AA7C3A08_ABEB_F3C4_41E5_48DCD2548359.toolTip = Medical Corps
HotspotPanoramaOverlayArea_AA615312_AB1D_B1C7_41D3_5CA8F06FAB1C.toolTip = Medical Corps
HotspotPanoramaOverlayArea_AA8484F7_AB24_904C_41D4_1861789D5EBF.toolTip = Medical Corps
HotspotPanoramaOverlayArea_AA697736_ABEC_71CC_41E3_DA8D70D48E66.toolTip = Medical Corps
HotspotPanoramaOverlayArea_2E6B1990_43A1_10FF_41B5_7ED6D25DE580.toolTip = Miller - It's a Tradition With Us Mister!
HotspotPanoramaOverlayArea_69429A56_4ABD_39B2_41A8_FBE53F397819.toolTip = Miller - It's a tradition with us Mister!
HotspotPanoramaOverlayArea_668709C4_4ACF_3A96_41B3_E529959996FE.toolTip = Miller - It's a tradition with us Mister!
HotspotPanoramaOverlayArea_7C7D0A42_4774_47AB_41BD_1654BC11084B.toolTip = Miller - It's a tradition with us Mister!
HotspotPanoramaOverlayArea_69525DC4_4AD5_DA96_4186_CFA4EB7D3B72.toolTip = Miller - It's a tradition with us Mister!
HotspotPanoramaOverlayArea_7B657C77_4AF5_5A72_41D2_AB46A6CD17E6.toolTip = Miller - It's a tradition with us Mister!
HotspotPanoramaOverlayArea_69E87519_4ADF_2BBE_41D2_3CD442F9341B.toolTip = Miller - Its a tradition with us Mister!
HotspotPanoramaOverlayArea_587C4C2B_7F44_68EE_4190_55008D32C68E.toolTip = Miller - It’s a Tradition with Us, Mister! 
HotspotPanoramaOverlayArea_58C7CA3B_7F44_68ED_41D4_44EAFA252181.toolTip = Miller - It’s a Tradition with Us, Mister! 
HotspotPanoramaOverlayArea_10D6C9FD_472C_4459_41C7_23C7293AF774.toolTip = Miller - It’s a Tradition with Us, Mister! 
HotspotPanoramaOverlayArea_68E41932_4ABF_5BF2_41C4_4EEAFF69719E.toolTip = Miller - We Can Do It!
HotspotPanoramaOverlayArea_587C9C2B_7F44_68EE_41D7_99F72A8D7CF6.toolTip = Miller - We Can Do It!
HotspotPanoramaOverlayArea_166B5F1B_472C_DDD8_41CC_171B549D10EF.toolTip = Miller - We Can Do It!
HotspotPanoramaOverlayArea_58C7BA3B_7F44_68ED_41B6_9B5065963E7D.toolTip = Miller - We Can Do It!
HotspotPanoramaOverlayArea_7060AD2B_4775_DDF8_41B3_DD455ABD1155.toolTip = Miller - We Can Do It!
HotspotPanoramaOverlayArea_2DEE2847_43A1_1062_41CF_BB6D3A2AED0D.toolTip = Miller - We Can Do It!
HotspotPanoramaOverlayArea_6E186CD6_4ADD_DAB2_41C1_46591AC9F245.toolTip = Miller - We can do it!
HotspotPanoramaOverlayArea_6E5A838A_4AD7_6E92_41D0_3E7793EC02BF.toolTip = Miller - We can do it!
HotspotPanoramaOverlayArea_67D0C69E_4AFB_D6B2_41C6_815D8FBEEB12.toolTip = Miller - We can do it!
HotspotPanoramaOverlayArea_6582FB14_4ACD_3FB6_41D0_A8E02AB88895.toolTip = Miller - We can do it!
HotspotPanoramaOverlayArea_688F3D2F_5B2C_BBD8_41A7_378F2BCBA7FE.toolTip = Mine America's Coal
HotspotPanoramaOverlayArea_B8D93C9E_AC6E_A31B_41E0_4D8A1E1A4EE8.toolTip = Mining America's Coal
HotspotPanoramaOverlayArea_B9D51BE7_AC6E_A529_41E4_E8544B9346C2.toolTip = Mining America's Coal
HotspotPanoramaOverlayArea_B9239FF8_AC56_BD27_4191_5113A6AA3504.toolTip = Mining America's Coal
HotspotPanoramaOverlayArea_B9436076_AC52_A328_41E2_93997C82F39A.toolTip = Mining America's Coal
HotspotPanoramaOverlayArea_B9EC23E8_AC6D_E527_41C1_D4439F4FF49D.toolTip = Mining America's Coal
HotspotPanoramaOverlayArea_B9A117E2_AC6D_AD2B_41D1_C5F578463393.toolTip = Mining America's Coal
HotspotPanoramaOverlayArea_13A72B6F_1345_94AF_4179_B6DEF6B4DADF.toolTip = More Production USA
HotspotPanoramaOverlayArea_583C8FC7_59DD_1F94_41D3_4F522AFE9921.toolTip = Morrison Correspondence to Norman Rockwell
HotspotPanoramaOverlayArea_57F96DE8_5667_039C_41D5_8A16E9DABBF4.toolTip = Morrison Correspondence to Norman Rockwell 
HotspotPanoramaOverlayArea_6394444F_5BE4_CA59_41CA_A2FFDAD49901.toolTip = Mother amd Daughter
HotspotPanoramaOverlayArea_6C5D65CB_5B1D_4A59_41D2_A7D5B65AA909.toolTip = Mother and Daighter
HotspotPanoramaOverlayArea_66699B97_5BEC_DEC9_41BF_08AE6A4FDD22.toolTip = Mother and Daughter
HotspotPanoramaOverlayArea_6662778D_5BE3_56D9_4161_8825D0C6C17D.toolTip = Mother and Daughter
HotspotPanoramaOverlayArea_6890C39D_5B24_CEF8_419E_0B0C907E4EA3.toolTip = Mother and Daughter
HotspotPanoramaOverlayArea_6ED61952_5B25_BA48_41D0_0E263DC26BDD.toolTip = Mother and Daughter
HotspotPanoramaOverlayArea_629637EB_5B1F_7658_41D1_7AE1E53E421C.toolTip = Mother and Daughter
HotspotPanoramaOverlayArea_6E85688D_5B24_FAD9_41C3_1CF1E04866A9.toolTip = Mother and Daughter
HotspotPanoramaOverlayArea_755672C3_5B2F_4E49_41BB_256B4647E399.toolTip = Mother and Daughter
HotspotPanoramaOverlayArea_74C1BE39_5B2D_D639_41BF_7EB8BF5E915C.toolTip = Mother and Daughter Swimmers
HotspotPanoramaOverlayArea_7615325A_5B24_CE7B_41B6_D73BBFCEF534.toolTip = Mother and Daughter and Son
HotspotPanoramaOverlayArea_74E6FB82_5B3C_BECB_41B7_7BD2344F6DD0.toolTip = Mother and Daughter: Changing Tire
HotspotPanoramaOverlayArea_58C40A3D_7F44_68E5_41D1_5E77557F257C.toolTip = Mother and Daughter: Changing Tire
HotspotPanoramaOverlayArea_76F48A0C_5B23_59DF_41C8_D92CAE502D39.toolTip = Mother and Daughter: Changing Tire
HotspotPanoramaOverlayArea_587CFC2D_7F44_68EA_41D5_B4A4918ACEB7.toolTip = Mother and Daughter: Changing Tire
HotspotPanoramaOverlayArea_587C6C2D_7F44_68EA_41CC_ECEA26FA32BF.toolTip = Mother and Daughter: Changing Tire
HotspotPanoramaOverlayArea_58C6AA3C_7F44_68EB_41D5_A9AC6A96B654.toolTip = Mother and Daughter: Changing Tire
HotspotPanoramaOverlayArea_58C71A3C_7F44_68EB_41CB_3FA0F68958D6.toolTip = Mother and Daughter: Ice Skating
HotspotPanoramaOverlayArea_69067A82_5B27_BECB_41D6_3991B7BCD34C.toolTip = Mother and Daughter: Ice Skating
HotspotPanoramaOverlayArea_587D2C2C_7F44_68EA_41DE_0C6DA11FE7FB.toolTip = Mother and Daughter: Ice Skating
HotspotPanoramaOverlayArea_587CEC2D_7F44_68EA_41DC_13CBC025A1EE.toolTip = Mother and Daughter: Solider's Homecoming
HotspotPanoramaOverlayArea_58C6EA3C_7F44_68EB_41A7_1F6066A800F0.toolTip = Mother and Daughter: Solider's Homecoming
HotspotPanoramaOverlayArea_75947986_5B24_BACB_417C_6F3B1BAABEA5.toolTip = Mother and Daughter: Solider's Homecoming
HotspotPanoramaOverlayArea_76CB9981_5B25_5AC9_41BC_293FADCCD0CA.toolTip = Mother and Daughter: Swimmers
HotspotPanoramaOverlayArea_D54AB3EC_B7CD_0894_41D8_461CA42E6243.toolTip = Murder in Mississippi
HotspotPanoramaOverlayArea_806B8F83_B755_388C_41CE_DCB1047F3581.toolTip = Murder in Mississippi
HotspotPanoramaOverlayArea_D951D2ED_B7CD_0897_41E1_DDC672746EAE.toolTip = Murder in Mississippi
HotspotPanoramaOverlayArea_CCAAD493_B7D7_08B3_41E0_94893E6294FE.toolTip = Murder in Mississippi
HotspotPanoramaOverlayArea_FF3D66F5_B7CD_0874_41C4_FC42BFD6A3B4.toolTip = Murder in Mississippi
HotspotPanoramaOverlayArea_E24E1E0C_B7DD_3B95_41E6_47E5EE39C3E2.toolTip = Murder in Mississippi
HotspotMapOverlayArea_DC60A325_AC76_8D75_41DF_21585D5AA58E.toolTip = Murder in Mississippi
HotspotPanoramaOverlayArea_E84C8CEB_B356_CE80_41DE_B20DC586ED32.toolTip = Murder in Mississippi
HotspotMapOverlayArea_DC64A2E5_AC76_8CF5_41B2_C9FE415F57BA.toolTip = Murder in Mississippi - Bloody Hand Reference Photo
HotspotPanoramaOverlayArea_E814CBDF_B356_CA80_41C9_DA0856788154.toolTip = Murder in Mississippi - Color Study \

HotspotPanoramaOverlayArea_D729FDC5_B3AA_CE80_41E1_7BC8712DE293.toolTip = Murder in Mississippi - Commentary by Louis Henry Mitchell
HotspotPanoramaOverlayArea_F8A4BD38_C787_4B18_41DB_1F661E10F023.toolTip = Murder in Mississippi - Handwritten Notes
HotspotPanoramaOverlayArea_FE12A19B_C78B_DB19_4195_5980AA2AD16D.toolTip = Murder in Mississippi - Handwritten Notes
HotspotPanoramaOverlayArea_FC8CB940_C798_CB67_41AD_BF7FA9E20729.toolTip = Murder in Mississippi - Handwritten Notes
HotspotPanoramaOverlayArea_EAC0E897_C679_49E9_41E0_E2388CD19F32.toolTip = Murder in Mississippi - Handwritten Notes
HotspotMapOverlayArea_DC66EC5F_AC49_9BD5_41E0_3B4527319FE3.toolTip = Murder in Mississippi - Kit Hudson poses as Andrew Goodman
HotspotPanoramaOverlayArea_D329FCC2_B7F3_388C_41D8_4642192D298C.toolTip = Murder in Mississippi - Louis Mitchell
HotspotPanoramaOverlayArea_CFAEEFFC_B7CD_3875_41D9_662EDA406D40.toolTip = Murder in Mississippi - Pencil Tracing
HotspotPanoramaOverlayArea_F942C113_B7CF_098C_41CB_B657A34CEBFD.toolTip = Murder in Mississippi - Pencil Tracing
HotspotPanoramaOverlayArea_EA8DE563_B7DF_0993_41D7_F3655830A14C.toolTip = Murder in Mississippi - Pencil Tracing
HotspotPanoramaOverlayArea_DA9E6473_B7CD_0F8C_41DB_B8A420AE7BEC.toolTip = Murder in Mississippi - Pencil Tracing
HotspotPanoramaOverlayArea_EC990C10_B3AB_4D80_41C8_3573654AF52E.toolTip = Murder in Mississippi - Pencil Tracing
HotspotPanoramaOverlayArea_8BF8783D_B75D_07F7_41BF_EE0E97B23B58.toolTip = Murder in Mississippi - Pencil Tracing
HotspotPanoramaOverlayArea_35F03D41_B7D3_198F_41CA_A911039B481F.toolTip = Murder in Mississippi - Pencil Tracing
HotspotPanoramaOverlayArea_F644C0F8_C687_5918_41D8_1FBA344C91B7.toolTip = Murder in Mississippi - Preliminary Drawing
HotspotPanoramaOverlayArea_8C99341F_C67B_7919_41D4_D97EDF1ACED7.toolTip = Murder in Mississippi - Preliminary Drawing
HotspotPanoramaOverlayArea_6351BD7C_B8CD_1875_41E4_6BF7915FA7F2.toolTip = Murder in Mississippi - Preliminary Drawing
HotspotPanoramaOverlayArea_8D95818B_C78B_5BF9_41E6_21084DD6C164.toolTip = Murder in Mississippi - Preliminary Drawing
HotspotPanoramaOverlayArea_810D6FBE_C78F_471B_41DE_75E52B0071CD.toolTip = Murder in Mississippi - Preliminary Drawing
HotspotPanoramaOverlayArea_4495DB20_B973_398C_41D2_DFF0072CCA16.toolTip = Murder in Mississippi - Preliminary Drawing
HotspotPanoramaOverlayArea_81712361_C79B_3F29_41E1_933062024FE0.toolTip = Murder in Mississippi - Preliminary Drawing
HotspotMapOverlayArea_DC668018_AC76_8B5B_417F_A93A2A5A77F9.toolTip = Murder in Mississippi - Research
HotspotPanoramaOverlayArea_C5093A77_B7CF_3873_41E2_0077D5E3714F.toolTip = Murder in Mississippi - Study
HotspotPanoramaOverlayArea_FC12DFB2_B7CD_188C_41AD_B973D08709EE.toolTip = Murder in Mississippi - Study
HotspotPanoramaOverlayArea_8FA96EE8_B753_189D_41E3_593B9B9BB1BB.toolTip = Murder in Mississippi - Study
HotspotPanoramaOverlayArea_C9E02728_B7D5_099D_41E4_BE50AD2E7BEB.toolTip = Murder in Mississippi - Study
HotspotPanoramaOverlayArea_D10ED331_B7CF_098F_41D5_BCFE235C6266.toolTip = Murder in Mississippi - Study
HotspotPanoramaOverlayArea_EFF5D4ED_B7DD_0897_417D_2891A892A344.toolTip = Murder in Mississippi - Study
HotspotPanoramaOverlayArea_9A5BD59F_C798_DB19_41D2_176F7C5A7E1E.toolTip = Murder in Mississippi - Wall Vinyl
HotspotPanoramaOverlayArea_A70A5D71_C79B_CB28_41E2_99B72FBC80B3.toolTip = Murder in Mississippi - Wall Vinyl
HotspotPanoramaOverlayArea_9CB563C0_C789_5F68_41E3_DB21EA2B846A.toolTip = Murder in Mississippi - Wall Vinyl
HotspotPanoramaOverlayArea_9A65E305_C788_F8E8_41D8_3806FA87B82C.toolTip = Murder in Mississippi - Wall Vinyl
HotspotPanoramaOverlayArea_9BAFB0E7_C799_D929_41E5_61809B0EE2EA.toolTip = Murder in Mississippi - Wall Vinyl
HotspotPanoramaOverlayArea_D299B011_421F_25AE_41D0_2FDB4051E229.toolTip = My Studio Burns
HotspotPanoramaOverlayArea_D73159E0_4203_2670_41B1_C974F7BECE20.toolTip = My Studio Burns
HotspotPanoramaOverlayArea_CC53B50D_4205_2FB1_41B0_D044D512F6EE.toolTip = My Studio Burns
HotspotPanoramaOverlayArea_D8C09B37_420C_FBD1_41C4_5CC75DE8C161.toolTip = My Studio Burns
HotspotPanoramaOverlayArea_D26C5AA7_4203_DAF2_41AD_915363ABFDC0.toolTip = My Studio Burns
HotspotPanoramaOverlayArea_D9EED596_4205_EED3_41B7_11DDB54C8051.toolTip = My Studio Burns
HotspotPanoramaOverlayArea_EF4A0027_EBC6_00F0_41BF_E7816F6A15B2.toolTip = My Studio Burns Illustration
HotspotPanoramaOverlayArea_AB3A75E0_EF1B_BBCE_41D1_2A6CAAC09164.toolTip = NY Daily News - Central Park Hooverville
HotspotPanoramaOverlayArea_B398EFA4_EEEC_E855_41B5_B7ED85CAE6AE.toolTip = NY Daily News - Hooverville in Central Park
HotspotPanoramaOverlayArea_99B2A915_F114_E876_41D7_F0DC8E067371.toolTip = NY Daily News - Hooverville in Central Park
HotspotPanoramaOverlayArea_8A7CBB3A_EEF4_A8B2_41D3_2E59B5862842.toolTip = NY Daily News - Hooverville in Central Park
HotspotPanoramaOverlayArea_96FD877B_F114_98B2_41E6_B1CC5254827A.toolTip = NY Daily News - Hooverville in Central Park
HotspotPanoramaOverlayArea_BFC29977_EF1C_A8B2_41E1_833DDCA39FA9.toolTip = NY Daily News - Hooverville in Central Park
HotspotPanoramaOverlayArea_B2BF3EAE_EEFC_A852_41D8_50BE9625D92A.toolTip = NY Daily News - Hooverville in Central Park
HotspotPanoramaOverlayArea_AA6B5325_ABED_B1CD_41C9_DD68E7BDF8E7.toolTip = Naval Lookout
HotspotPanoramaOverlayArea_AA799131_ABEC_B1C5_41DF_D0EBCD4ABC12.toolTip = Naval Lookout
HotspotPanoramaOverlayArea_AA638685_AB1C_90CD_41E1_7A7FD061BCEB.toolTip = Naval Lookout
HotspotPanoramaOverlayArea_AA7DCFAD_ABE4_90DD_41D9_60575A7E1BBF.toolTip = Naval Lookout
HotspotPanoramaOverlayArea_AA81DB91_AB1C_B0C4_41B9_1E1BBD60AB7E.toolTip = Naval Lookout
HotspotPanoramaOverlayArea_AA75485E_ABE5_907F_41E4_C52DC40570C9.toolTip = Naval Lookout
HotspotPanoramaOverlayArea_AA865CBA_AB27_B0C7_41BC_9BEF6074D432.toolTip = Naval Lookout
HotspotPanoramaOverlayArea_AA5C4D32_AB2B_91C7_41E2_90B25DA8966D.toolTip = Naval Lookout
HotspotPanoramaOverlayArea_AA678556_ABE4_904F_41D1_5A462AC4401A.toolTip = Naval Lookout
HotspotPanoramaOverlayArea_AA70FFDD_ABFC_707D_41D0_264D12556555.toolTip = Naval Lookout
HotspotPanoramaOverlayArea_AA57A8A1_AB24_90C5_41D8_FADC54824209.toolTip = Naval Lookout
HotspotPanoramaOverlayArea_13F8E7CD_71FB_7135_41D6_5A36D4070FFF.toolTip = New Kids in the Neighborhood
HotspotPanoramaOverlayArea_2F916846_71FA_9F37_41C6_9C2573D58C6C.toolTip = New Kids in the Neighborhood
HotspotPanoramaOverlayArea_101EF0AC_71F6_AF7B_4173_2B1C0DD25141.toolTip = New Kids in the Neighborhood
HotspotPanoramaOverlayArea_2FC8C8F7_71FE_B0D4_41D5_BE04F3903855.toolTip = New Kids in the Neighborhood
HotspotPanoramaOverlayArea_10E9FB22_71EB_916F_41DB_C2E967812419.toolTip = New Kids in the Neighborhood
HotspotPanoramaOverlayArea_10E63283_71EA_932D_41D9_D25AD53E014D.toolTip = New Kids in the Neighborhood
HotspotPanoramaOverlayArea_2FAF1255_71F6_93D5_41C1_9EB4A7147CBB.toolTip = New Kids in the Neighborhood
HotspotPanoramaOverlayArea_115D26FB_71F5_B0DD_41DB_182712E13077.toolTip = New Kids in the Neighborhood
HotspotPanoramaOverlayArea_8961E5CE_93F5_3B79_41DC_A31A1F5252F1.toolTip = Norman Rockwell Visits a Ration Board
HotspotPanoramaOverlayArea_C18176FC_86F3_0EF2_41D9_591F972A5DBE.toolTip = Norman Rockwell Visits a Ration Board
HotspotPanoramaOverlayArea_840B42A4_93F7_7929_41E2_5FEBB2787FC0.toolTip = Norman Rockwell Visits a Ration Board
HotspotPanoramaOverlayArea_CD3887AC_86F3_0F12_41DC_DB0D8BD8AC34.toolTip = Norman Rockwell Visits a Ration Board Article
HotspotPanoramaOverlayArea_80E86B07_993D_C817_41E1_B943A4C35434.toolTip = Norman Rockwell Visits a Ration Board Article 2
HotspotPanoramaOverlayArea_8DDB9F35_93F3_E72B_41CD_1D4FEC1BCBC9.toolTip = Norman Rockwell Visits a Ration Board Articles
HotspotPanoramaOverlayArea_9EFFBD7F_423D_3E51_41C2_187D2A5BBB7B.toolTip = Norman Rockwell in Front of Freedom of Speech
HotspotPanoramaOverlayArea_9CB38CE6_4207_FE73_41CF_83B4A4BE9B3B.toolTip = Norman Rockwell in front of Freedom of Speech
HotspotPanoramaOverlayArea_57FC9D07_565D_0094_41C2_FE01B62E3420.toolTip = Norman Rockwell interacting with fans
HotspotPanoramaOverlayArea_B8107EC9_566D_019C_41BA_0F4629908DEA.toolTip = Norman Rockwell interacting with fans
HotspotPanoramaOverlayArea_9D1FD4F7_C79B_7928_41D1_77F26F76D42E.toolTip = Norman Rockwell poses his hand for Murder in Mississippi
HotspotPanoramaOverlayArea_992CECE4_C799_C92F_41E5_C3FDDEE8FE41.toolTip = Norman Rockwell poses his hand for Murder in Mississippi
HotspotPanoramaOverlayArea_9DBE92A0_C79F_5928_41D3_204BB4764ED7.toolTip = Norman Rockwell poses his hand for Murder in Mississippi
HotspotPanoramaOverlayArea_9E759948_C788_CB67_41D7_23582E34F81D.toolTip = Norman Rockwell poses his hand for Murder in Mississippi
HotspotPanoramaOverlayArea_5035F142_480F_2E4D_41BB_BE73E5FCF477.toolTip = Norman Rockwell posing in front of Freedom of Speech
HotspotPanoramaOverlayArea_55F21477_4835_1633_41BF_5A1E6924DB1E.toolTip = Norman Rockwell posing in front of Freedom of Speech
HotspotPanoramaOverlayArea_55341F74_4817_1235_41B6_46CFADD22746.toolTip = Norman Rockwell posing in front of Freedom of Speech
HotspotPanoramaOverlayArea_5F606DBF_4813_1633_41CC_028C233A681C.toolTip = Norman Rockwell posing on front of Freedom of Speech
HotspotPanoramaOverlayArea_57F35A3D_566B_00F4_41B6_275759310332.toolTip = Norman Rockwell signing prints
HotspotPanoramaOverlayArea_57FC0C78_565D_017C_4190_15C3DB152565.toolTip = Norman Rockwell signing prints
HotspotPanoramaOverlayArea_05ECDA10_4205_65AF_41B4_2D87C729BB62.toolTip = Norman Rockwell's Four Freedoms
HotspotPanoramaOverlayArea_CFFC817A_56AF_037C_41C1_E3E8BA3283BE.toolTip = Norman Rockwell's Four Freedoms Bound Magazines
HotspotPanoramaOverlayArea_1F8D1240_EB42_00B0_41DB_D6CEE63CC911.toolTip = Norman Rockwelol Signing Prints at Hechets
HotspotPanoramaOverlayArea_ED0A46C9_B3AF_7A80_41E2_8377C145123D.toolTip = Norman Rocwell, Martin Luther King and the NAACP
HotspotPanoramaOverlayArea_CCF736D7_89C8_6D17_41D6_43E363A0FC14.toolTip = OLIVE BRANCH - Felice House
HotspotPanoramaOverlayArea_D2072296_8A09_2016_4185_83A6C9045B36.toolTip = OLIVE BRANCH - Felice House
HotspotPanoramaOverlayArea_B139634A_8A79_207E_41DE_04F40A8A7596.toolTip = OLIVE BRANCH - Felice House
HotspotPanoramaOverlayArea_B814D109_8A0F_21FA_41B8_AB9F4A40072F.toolTip = OLIVE BRANCH - Felice House
HotspotPanoramaOverlayArea_D89FA942_89CF_A769_41DC_CD471C6CE35C.toolTip = OLIVE BRANCH - Felice House
HotspotPanoramaOverlayArea_E587128B_8947_A5FF_41C6_AACFB05AAD82.toolTip = OLIVE BRANCH - Felice House
HotspotPanoramaOverlayArea_BCD6589C_88D8_E519_4142_5971FF14D78C.toolTip = OLIVE BRANCH - Felice House,
HotspotPanoramaOverlayArea_FA98FB90_8948_9BE8_41E0_A8AB0BF31ACC.toolTip = Olive Branch - To Have and To Hold
HotspotPanoramaOverlayArea_172FF15A_8948_6719_41DF_8CFB1C150622.toolTip = Olive Branch - To Have and To Hold - Freedom of Religion
HotspotPanoramaOverlayArea_B26E0253_FB86_97AA_41D9_A7EA960E520D.toolTip = On to Washington
HotspotPanoramaOverlayArea_B9840FC0_FB9A_8CA7_41D6_3E62B9F848C9.toolTip = On to Washington!
HotspotPanoramaOverlayArea_B93F2D29_FB89_8DE6_41C8_7431E4385513.toolTip = On to Washington!
HotspotPanoramaOverlayArea_BEF7856E_FB89_FC7B_41E4_2D4F16060F70.toolTip = On to Washington!
HotspotPanoramaOverlayArea_B3E35611_FB8A_9FA9_41E4_3DE780D6F237.toolTip = On to Washington!
HotspotPanoramaOverlayArea_BD79E3FB_FBB9_745A_41DC_84C67CEF1876.toolTip = On to Washington!
HotspotPanoramaOverlayArea_BBF25C4B_FB8A_93BA_41DB_2A8E9CB147F9.toolTip = On to Washington!
HotspotPanoramaOverlayArea_BE6FD943_FB89_95A9_41E6_609750DBF882.toolTip = On to Washington!
HotspotPanoramaOverlayArea_B9E2933B_FB8A_F5D9_41C8_34F0101B056C.toolTip = On to Washington!
HotspotPanoramaOverlayArea_BE7854E9_FBBA_BC79_41B2_69F53DBEB91B.toolTip = On to Washington!
HotspotPanoramaOverlayArea_B3AB2728_FB89_9DE6_41D3_B09845F55312.toolTip = On to Washington!
HotspotPanoramaOverlayArea_587A5C27_7F44_68E6_41C8_EADF8008725C.toolTip = On to Washington!
HotspotPanoramaOverlayArea_58C7EA36_7F44_68E7_41D1_8E143DDC3561.toolTip = On to Washington!
HotspotPanoramaOverlayArea_B998E75E_FB9B_9C5B_41CB_8A6488E0CC23.toolTip = On to Washington!
HotspotPanoramaOverlayArea_B6D88748_FB86_BDA7_41BB_B95C5BE5736C.toolTip = On to Washington!
HotspotPanoramaOverlayArea_BEA6CE97_FB8B_8CAA_41D1_DC96BED372BE.toolTip = On to Washington!
HotspotPanoramaOverlayArea_D643602F_FF9A_8C06_41E3_A89644FC39FD.toolTip = One Million Fighting Men
HotspotPanoramaOverlayArea_F708278B_137C_9C50_41A4_6FB571E5BA51.toolTip = Overconfidence can be a Great Enemy
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 \

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James Berson
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HotspotPanoramaOverlayArea_0FFD7B71_4754_C469_419D_96C6FD30336F.toolTip = Parker - Even a little can help a lot—NOW
HotspotPanoramaOverlayArea_587D3C29_7F44_68EA_41CE_1C5F79494675.toolTip = Parker - Even a little can help a lot—NOW
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HotspotPanoramaOverlayArea_587C1C2C_7F44_68EA_41D9_6D4697F32C3A.toolTip = Parker - Mother and Daughter Swimmers
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HotspotPanoramaOverlayArea_587DBC2C_7F44_68EA_41C1_C498903B062D.toolTip = Parker - Mother and Daughter and Son
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HotspotPanoramaOverlayArea_58C67A3D_7F44_68E5_418A_41D7AD655551.toolTip = Parker - Mother and Daughter: Wrapping Presents
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HotspotPanoramaOverlayArea_D25566A5_93C5_D932_41C9_B9E1D26BD95F.toolTip = Pride and Joy
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HotspotPanoramaOverlayArea_2039F011_7F2C_1A68_41AC_E229EFF7B265.toolTip = Problem We All Live With 
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HotspotPanoramaOverlayArea_540B8EA0_617C_385E_41CC_363E6AEB2D65.toolTip = Problem We All Live With and Reference Photos
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HotspotPanoramaOverlayArea_E160B9E7_8EB6_4788_41D3_D7C2F140E7C8.toolTip = REFUGE - Amy Wike
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HotspotPanoramaOverlayArea_E942E75B_8E4A_4CB8_41D5_B8B0DED76D62.toolTip = REFUGEE FAMILIES IN WINTER - Gary Bist
HotspotPanoramaOverlayArea_F8E1038F_8EBE_4B98_41BC_9B89D21CEF0F.toolTip = REFUGEE FAMILIES IN WINTER - Gary Bist
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HotspotPanoramaOverlayArea_B50AFDA1_8DC9_DF89_41DF_4F4688A389FF.toolTip = RELIGIOUS FAMILY TREE - Lisa Long
HotspotPanoramaOverlayArea_DD88175A_8E5E_4CB8_41E0_AB1A1C603867.toolTip = RELIGIOUS FAMILY TREE - Lisa Long
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HotspotPanoramaOverlayArea_A0A6F7ED_9952_D818_41B8_C82D8F15E436.toolTip = Reading Copy of the Four Freedoms
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HotspotPanoramaOverlayArea_A0613239_8A19_201A_41E0_8B5C7D775D03.toolTip = Reimagining the Four Freedoms
HotspotPanoramaOverlayArea_B109A7A2_8A79_202E_41D3_E1CDCFC7D904.toolTip = Reimagining the Four Freedoms
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HotspotPanoramaOverlayArea_12AEBBFF_48F5_1232_41CF_0CD7C4ED0FB0.toolTip = Remember December 7th!
HotspotPanoramaOverlayArea_143C267C_4815_F235_419A_5704BAC6E46A.toolTip = Remember December 7th!
HotspotPanoramaOverlayArea_1ECB1F47_481D_1253_41CC_0689214D9051.toolTip = Remember December 7th!
HotspotPanoramaOverlayArea_11DEB5BE_4817_3635_41CB_E8BB82E2F03C.toolTip = Remember December 7th!
HotspotPanoramaOverlayArea_10108DA2_480D_16CD_41CD_753CDB3D642D.toolTip = Remember December 7th!
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HotspotPanoramaOverlayArea_A7451889_5665_019C_41B5_B19C74749B9F.toolTip = Rockwell Speaking at Hecht's Department Store
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HotspotPanoramaOverlayArea_A005F5F9_A107_DB06_41E1_5F85AB277183.toolTip = Rockwell Visits a Ration Board Article
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HotspotPanoramaOverlayArea_600766D5_4C04_EA4B_41D2_47FD119DCB5F.toolTip = Rockwell in the Civil Rights Era Gallery
HotspotPanoramaOverlayArea_6A0DE26B_4C07_EA5D_41A8_1F97A763A8AD.toolTip = Rockwell in the Civil Rights Era Gallery
HotspotPanoramaOverlayArea_6DEC2CEA_4C0D_3E5C_41C1_FE35A741D675.toolTip = Rockwell in the Civil Rights Era Gallery
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HotspotPanoramaOverlayArea_66CAE474_4C03_2E4A_41C6_5E686BEDD2C1.toolTip = Rockwell in the Civil Rights Era Gallery
HotspotPanoramaOverlayArea_68A82FC5_4C1F_3A55_4191_AEF79518D601.toolTip = Rockwell in the Civil Rights Era Gallery
HotspotPanoramaOverlayArea_58C70A3E_7F44_68E7_41D0_E1A5E4E60E55.toolTip = Rockwell in the Civil Rights Era Gallery
HotspotPanoramaOverlayArea_6FE7B0B8_4C05_263C_41D2_46FF62AB2C12.toolTip = Rockwell in the Civil Rights Era Gallery
HotspotPanoramaOverlayArea_6BD473C2_4C0F_2A4F_41C0_D9857A65B26D.toolTip = Rockwell in the Civil Rights Era Gallery
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HotspotPanoramaOverlayArea_67107CEB_4C05_1E5E_41C5_8D277AA9AC22.toolTip = Rockwell in the Civil Rights Era Gallery
HotspotPanoramaOverlayArea_66FDFAB8_4C3D_1A3A_41D2_802C009CCBFA.toolTip = Rockwell in the Civil Rights Era Gallery
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HotspotPanoramaOverlayArea_66DCDEB2_4C3D_1ACE_41CD_3AA931B500FD.toolTip = Rockwell in the Civil Rights Era Gallery
HotspotPanoramaOverlayArea_65CAC25B_4C04_EA7E_41C0_A99478346710.toolTip = Rockwell in the Civil Rights Era Gallery
HotspotPanoramaOverlayArea_6502417A_4C05_663E_41CA_8C0FB34DC6D1.toolTip = Rockwell in the Civil Rights Era Gallery
HotspotPanoramaOverlayArea_587CAC2F_7F44_68E6_41D3_6C02D495EF07.toolTip = Rockwell in the Civil Rights Era Gallery
HotspotMapOverlayArea_DC76B889_AC7A_9B3D_41E0_883EB2843547.toolTip = Rockwell in the Civil Rights era
HotspotMapOverlayArea_DC6D3E27_AC79_9774_41D8_3CDD737E4B9F.toolTip = Rockwell in the Civil Rights era - New Kids in the Neighborhood
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HotspotMapOverlayArea_DC6EA125_AC7A_8D75_41D6_EAF9C75D363C.toolTip = Rockwell in the Civil Rights era - Video / Golden Rule 
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HotspotPanoramaOverlayArea_13600C90_420C_DEAF_41B7_610D405427E4.toolTip = Rockwell painting Ler's Give Him Enough and On Time
HotspotPanoramaOverlayArea_091924B5_4203_6ED1_41C2_6E45483270A1.toolTip = Rockwell painting Let's Give Him Enough and On Time
HotspotPanoramaOverlayArea_0515492D_420F_E7F1_4194_292F1430DEF5.toolTip = Rockwell painting Let's Give Him Enough and On Time
HotspotPanoramaOverlayArea_0A67C5CD_421F_2EB1_41CE_2F34E8E83C15.toolTip = Rockwell painting Let's Give Him Enough and On Time
HotspotPanoramaOverlayArea_074DF87A_427F_2653_41B5_0544DC376655.toolTip = Rockwell painting Let's Give Him Enough and On Time
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HotspotPanoramaOverlayArea_A848596B_9933_C81F_41DC_6C737C138CBF.toolTip = Rockwell visits a Ration Board 
HotspotPanoramaOverlayArea_B7426545_9932_580B_41D2_9B3AB424D062.toolTip = Rockwell visits a Ration Board Article
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HotspotPanoramaOverlayArea_ABA07A7E_9F04_49A3_41DD_864553D5FFD5.toolTip = Rosemans Draft Peroration
HotspotPanoramaOverlayArea_ABEAD3E6_995E_3809_41E2_CFB38EB7F5A2.toolTip = Rosemans Draft of Peroration
HotspotPanoramaOverlayArea_686DB193_4FB5_5F7D_41D0_2091BC85CEC7.toolTip = Rosie the RIveter
HotspotPanoramaOverlayArea_52468446_4F9D_A5E7_417F_3868446D8884.toolTip = Rosie the Riveter
HotspotPanoramaOverlayArea_58775C26_7F44_68E6_41B3_EE77ECF874DB.toolTip = Rosie the Riveter
HotspotPanoramaOverlayArea_6873560B_4FB5_A56D_41D2_0EB2A85BAA34.toolTip = Rosie the Riveter
HotspotPanoramaOverlayArea_69B5935F_4FAC_A3E5_41CD_A96888EC68AF.toolTip = Rosie the Riveter
HotspotPanoramaOverlayArea_64B23382_4FBD_A35C_41D2_2822D5AB33F2.toolTip = Rosie the Riveter
HotspotPanoramaOverlayArea_5A0193ED_4F95_62A5_41CC_27E3DF0E5DA7.toolTip = Rosie the Riveter
HotspotPanoramaOverlayArea_58C4AA36_7F44_68E7_41CE_DB5C3DDCC5D4.toolTip = Rosie the Riveter
HotspotPanoramaOverlayArea_5A0183ED_4F95_62A5_41B9_9C3177D0884F.toolTip = Rosie the Riveter
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HotspotPanoramaOverlayArea_A59B9312_93CC_DF17_4182_95861890A506.toolTip = Rudy Gutierrez - Humanity, Not Politics
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HotspotPanoramaOverlayArea_BDC9D020_93BD_B932_41C2_CFBFC7529322.toolTip = Rudy Gutierrez - Humanity, Not Politics
HotspotPanoramaOverlayArea_8F722FB2_8EC9_DB8B_41C4_0C6B82308F62.toolTip = Rudy Gutierrez - Humanity, Not Politics
HotspotPanoramaOverlayArea_8F77C1DC_8EB6_47BF_418B_1B616786F54C.toolTip = Rudy Gutierrez - Humanity, Not Politics
HotspotPanoramaOverlayArea_F8522B96_8947_9BE9_41D5_E90938BE93AA.toolTip = SUNDAY NIGHT/MONDAY MORNING \
John Dempsey
HotspotPanoramaOverlayArea_E2C651D7_8948_E717_41CD_16FE08AAD492.toolTip = SUNDAY NIGHT/MONDAY MORNING - John Dempsey
HotspotPanoramaOverlayArea_DE6FE384_8A0F_20EA_41D3_055A9EE306A7.toolTip = SUNDAY NIGHT/MONDAY MORNING - John Dempsey
HotspotPanoramaOverlayArea_BE84D95C_88D8_6719_41C3_391B7A8A5D93.toolTip = SUNDAY NIGHT/MONDAY MORNING - John Dempsey
HotspotPanoramaOverlayArea_BA455EFA_8A0B_601E_41BF_C164C89B6F2D.toolTip = SUNDAY NIGHT/MONDAY MORNING - John Dempsey
HotspotPanoramaOverlayArea_B41F91D4_88C9_A769_41DF_EDC065074540.toolTip = SUNDAY NIGHT/MONDAY MORNING - John Dempsey
HotspotPanoramaOverlayArea_C4AC48D7_89C8_6568_41A3_028A20DB1ED4.toolTip = SUNDAY NIGHT/MONDAY MORNING - John Dempsey
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HotspotPanoramaOverlayArea_6898944E_8FCF_CC98_41E1_9CC00FEF1856.toolTip = Sailor’s Best Friend
HotspotPanoramaOverlayArea_D75B8C5F_93DF_A90E_41D3_513F8242D89C.toolTip = Sailor’s Best Friend
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HotspotPanoramaOverlayArea_270E5E9B_8E49_FDB8_41D0_5686826C2ABA.toolTip = Sailor’s Best Friend
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HotspotPanoramaOverlayArea_78F58776_8FB6_CC88_41B9_4C9D1B9400A2.toolTip = Sailor’s Best Friend
HotspotPanoramaOverlayArea_5A45BD72_8FF6_5C88_41A6_AB37113BBFB2.toolTip = Sailor’s Best Friend
HotspotPanoramaOverlayArea_420B35D9_8FD9_CFB8_41C5_ABA2BFD3D0A9.toolTip = Sailor’s Best Friend
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HotspotPanoramaOverlayArea_8F036AF0_8E4E_4588_41DE_049717811892.toolTip = Saying Grace at the Main Street Café
HotspotPanoramaOverlayArea_5F875324_8FFA_4488_41DE_9AC71F6CE348.toolTip = Saying Grace at the Main Street Café
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HotspotPanoramaOverlayArea_C8547405_93CC_D8F2_41E0_1BDF13F08DA0.toolTip = Saying Grace at the Main Street Café
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HotspotPanoramaOverlayArea_71C86AFC_8FB9_C57F_41D3_063A51A47319.toolTip = Saying Grace at the Main Street Café
HotspotPanoramaOverlayArea_11D7C722_4813_33CD_41C2_6E8CEC3354DD.toolTip = Shuffleton's Barbershop
HotspotPanoramaOverlayArea_1ECE9BDE_48F3_1275_41CF_EE47AEEE7E82.toolTip = Shuffleton's Barbershop
HotspotPanoramaOverlayArea_13CEA992_4813_1ECD_41D0_785D36F989E0.toolTip = Shuffleton's Barbershop
HotspotPanoramaOverlayArea_14BE5C90_4817_76CD_41C3_F2DEE236FC5E.toolTip = Shuffleton's Barbershop
HotspotPanoramaOverlayArea_136B61C6_481E_EE55_41C5_06AAD6823C18.toolTip = Shuffleton's Barbershop
HotspotPanoramaOverlayArea_14C6B37D_48FF_1237_41BE_7B439179A231.toolTip = Shuffleton's Barbershop
HotspotPanoramaOverlayArea_1E905D39_48F5_363F_41CA_6D94CAD00CE2.toolTip = Shuffleton's Barbershop
HotspotPanoramaOverlayArea_58C52A34_7F44_68FB_41D9_2063331AF853.toolTip = Simple Pleasures
HotspotPanoramaOverlayArea_5325A674_4F9C_E5A4_41D0_8D955632F4F4.toolTip = Simple Pleasures
HotspotPanoramaOverlayArea_653DC384_4FBD_A35B_41D1_A7A52F2EA16A.toolTip = Simple Pleasures
HotspotPanoramaOverlayArea_6AABB9B8_4FAC_EEAB_4192_E2D69F1F323F.toolTip = Simple Pleasures
HotspotPanoramaOverlayArea_56131D3F_4F95_A7A5_41D1_9813221BC552.toolTip = Simple Pleasures
HotspotPanoramaOverlayArea_58769C25_7F44_689A_41CB_CA9B26625E7D.toolTip = Simple Pleasures
HotspotPanoramaOverlayArea_6A190CF6_4FAF_A6A7_41B8_23D5EB49FCB7.toolTip = Simple Pleasures
HotspotPanoramaOverlayArea_653CA385_4FBD_A365_41CE_9CA6D6B5C86D.toolTip = Simple Pleasures
HotspotPanoramaOverlayArea_BE4B5254_9F0C_59EA_41E1_7B3B6EC09910.toolTip = Sixth Draft of Four Freedoms Speech
HotspotPanoramaOverlayArea_A98A0EBA_9F04_46A3_418B_81E8279BACD7.toolTip = Sixth Draft of Four Freedoms Speech
HotspotPanoramaOverlayArea_DCB50AEE_4207_DA73_41CF_C3204A5896B4.toolTip = So You Want To Meet the President?
HotspotPanoramaOverlayArea_D66FB11B_4205_27D1_41C2_C4A19D1EA301.toolTip = So You Want to Meet the President?
HotspotPanoramaOverlayArea_D10851F3_421D_2651_41C8_2AA0ADBAA386.toolTip = So You Want to Meet the President?
HotspotPanoramaOverlayArea_D38681CE_420D_66B3_41A0_D459E7057E83.toolTip = So You Want to Meet the President?
HotspotPanoramaOverlayArea_D3B0B273_4207_2A52_41C3_B04C666E44C2.toolTip = So You Want to Meet the President?
HotspotPanoramaOverlayArea_D0B83932_4203_67D2_41AB_B4D1696F7B3C.toolTip = So You Want to Meet the President?
HotspotPanoramaOverlayArea_D987AAC4_4203_3AB6_41CD_2C4955AAD9AD.toolTip = So You Want to Meet the President?
HotspotPanoramaOverlayArea_98409242_85D1_01C3_41D3_091A6866782B.toolTip = Societ Forces in Finland
HotspotPanoramaOverlayArea_FC2B67AB_C78B_4738_41C2_5FB657DF33E0.toolTip = Southern Justice
HotspotPanoramaOverlayArea_86002AAB_C67F_4938_41E2_B233F012AA4E.toolTip = Southern Justice
HotspotPanoramaOverlayArea_FC9AEB61_C789_CF29_41DC_6E09854DEB5F.toolTip = Southern Justice
HotspotPanoramaOverlayArea_F45800FB_C67B_D918_41E6_E7548FD5A605.toolTip = Southern Justice
HotspotPanoramaOverlayArea_6FC85B76_B937_3875_41C3_487BA9778341.toolTip = Southern Justice
HotspotPanoramaOverlayArea_646165C8_B8D7_089D_41D5_863FA43CD001.toolTip = Southern Justice
HotspotPanoramaOverlayArea_E95142B6_811D_932F_41C7_4E3E5B6F4F3E.toolTip = Soviet forces in Finland
HotspotPanoramaOverlayArea_9FCA64C2_9F0C_F924_41D1_D282EF3E035E.toolTip = Soviets Enter Finland
HotspotPanoramaOverlayArea_DCBB1DA2_9F1D_CB5E_41C4_FE63294024C9.toolTip = Soviets Enter Finland
HotspotPanoramaOverlayArea_26DC2901_9F3C_4B32_41DF_7B559446DDDF.toolTip = Soviets enter Finland
HotspotPanoramaOverlayArea_5BEF4F9A_CA19_E98A_41D8_BA5EE0396B1A.toolTip = Speaking of Pictures
HotspotPanoramaOverlayArea_7E11A396_8FBA_CB88_41C0_C8CC3401D1D3.toolTip = St. Joan
HotspotPanoramaOverlayArea_4D27FCC3_8FCE_DD88_41D7_F95EA8EBF150.toolTip = St. Joan
HotspotPanoramaOverlayArea_C5BDDE7D_93CF_A912_41D6_39A618410217.toolTip = St. Joan
HotspotPanoramaOverlayArea_7AE5B365_8E4A_4489_41DE_9022B9D10421.toolTip = St. Joan
HotspotPanoramaOverlayArea_51858E04_8FDE_FC88_41D2_5A52C7B1C332.toolTip = St. Joan
HotspotPanoramaOverlayArea_3D3B33A3_8E56_CB88_41D0_3B47FE9F8B0C.toolTip = St. Joan
HotspotPanoramaOverlayArea_58DD90F1_8FCE_4588_41AE_46FC4A1D0218.toolTip = St. Joan
HotspotPanoramaOverlayArea_D54BA871_93CC_6915_41B1_7F7AC4DC9556.toolTip = St. Joan
HotspotPanoramaOverlayArea_3A67AA74_18F0_FF97_4197_F2EE2911C5BF.toolTip = Steel Shelter
HotspotPanoramaOverlayArea_599FCCB4_8FCA_3D88_41B7_C3C2EE3E99F9.toolTip = Stockbridge Fire Department to the Rescue
HotspotPanoramaOverlayArea_63E3AEC7_8FCA_5D88_4182_66A3599FFAC7.toolTip = Stockbridge Fire Department to the Rescue
HotspotPanoramaOverlayArea_DBC55C72_93DC_A917_41D4_68FCBADFD3FD.toolTip = Stockbridge Fire Department to the Rescue
HotspotPanoramaOverlayArea_593C0977_8FDA_C488_41D9_17981C9E0FE8.toolTip = Stockbridge Fire Department to the Rescue
HotspotPanoramaOverlayArea_8F0708B4_8E57_C588_41DB_BD44689B0D50.toolTip = Stockbridge Fire Department to the Rescue
HotspotPanoramaOverlayArea_CF70E9CC_93DC_6B73_41C1_D1C3388948CD.toolTip = Stockbridge Fire Department to the Rescue
HotspotPanoramaOverlayArea_3F7AD462_8E4A_4C88_41D3_6F496F19FFA6.toolTip = Stockbridge Fire Department to the Rescue
HotspotPanoramaOverlayArea_AFA07587_8A09_20F6_41D5_25F6B97E224D.toolTip = Sunday Night/Monday Morning - Thoughts of Home \
 \

HotspotPanoramaOverlayArea_12D67244_88C8_E569_41DA_CFA168A65313.toolTip = Sunday Night/Monday Morning - Thoughts of Home 
HotspotPanoramaOverlayArea_BC66100D_88F9_E4FB_41DB_0F18EE7D5378.toolTip = THE FOUR FREEDOMS (A TRIBUTE TO NORMAN
HotspotPanoramaOverlayArea_CDD7EB09_89F8_64FB_41D6_3D0006A6E3CA.toolTip = THE FOUR FREEDOMS (A TRIBUTE TO NORMAN ROCKWELL)
HotspotPanoramaOverlayArea_D1D3D45A_8A37_E01E_41A0_A8662DA5EC2E.toolTip = THE FOUR FREEDOMS (A TRIBUTE TO NORMAN ROCKWELL) \
Deborah Samia
HotspotPanoramaOverlayArea_03241568_8949_EF39_41B2_4B01CBB3B62A.toolTip = THE FOUR FREEDOMS (A TRIBUTE TO NORMAN ROCKWELL) \
Deborah Samia
HotspotPanoramaOverlayArea_DDD74469_8A39_203A_41DD_2F44B172CABD.toolTip = THE FOUR FREEDOMS (A TRIBUTE TO NORMAN ROCKWELL) - Deborah Samia
HotspotPanoramaOverlayArea_196FE767_88C8_AB37_41D9_B8B1122027D6.toolTip = THE FOUR FREEDOMS (A TRIBUTE TO NORMAN ROCKWELL) - Deborah Samia
HotspotPanoramaOverlayArea_B37BEDD3_8A7B_206E_41DC_14C221D3994C.toolTip = THE FOUR FREEDOMS (A TRIBUTE TO NORMAN ROCKWELL) - Deborah Samia
HotspotPanoramaOverlayArea_A4737F21_8A36_E02A_41DF_F498B4F0E976.toolTip = THE FOUR FREEDOMS (A TRIBUTE TO NORMAN ROCKWELL) - Deborah Samia
HotspotPanoramaOverlayArea_D684EEC8_8938_7D79_41D0_45439BD5F870.toolTip = THE FOUR FREEDOMS (A TRIBUTE TO NORMAN ROCKWELL) - Deborah Samia
HotspotPanoramaOverlayArea_1A138E35_88D8_9D2B_41A3_63652F69EBD5.toolTip = THE FOUR FREEDOMS (A TRIBUTE TO NORMAN ROCKWELL) - Deborah Samia
HotspotPanoramaOverlayArea_FA548053_8978_656F_41C0_1393960F6FEC.toolTip = THE FOUR FREEDOMS (A TRIBUTE TO NORMAN ROCKWELL) - Deborah Samia
HotspotPanoramaOverlayArea_AC7F0646_8A19_2076_41D5_8DAE2DB25BBD.toolTip = THE FOUR FREEDOMS (A TRIBUTE TO NORMAN ROCKWELL) - Deborah Samia
HotspotPanoramaOverlayArea_B63F7E24_8DC9_DC88_41DE_215A5ECFE4F1.toolTip = THE FOUR FREEDOMS IN THE STYLE OF PONTORMO - Brandin Barón
HotspotPanoramaOverlayArea_CFCB1167_8DB6_4488_41B0_0C31657CA076.toolTip = THE FOUR FREEDOMS IN THE STYLE OF PONTORMO - Brandin Barón
HotspotPanoramaOverlayArea_C05B059C_8E59_CFBF_41D5_ABB102238B61.toolTip = THE FOUR FREEDOMS IN THE STYLE OF PONTORMO - Brandin Barón
HotspotPanoramaOverlayArea_B510338E_8DCB_CB98_41E0_4726CBA95BBF.toolTip = THE FRIEND OF THE FAMILY - Jonathan Monaghan
HotspotPanoramaOverlayArea_CAEE4934_8DBA_C48F_41E0_907D9C9095B8.toolTip = THE FRIEND OF THE FAMILY - Jonathan Monaghan
HotspotPanoramaOverlayArea_DB781314_8E5B_C488_41C5_78DB12C49281.toolTip = THE FRIEND OF THE FAMILY - Jonathan Monaghan
HotspotPanoramaOverlayArea_FA25C8F1_897F_E52B_41D4_094C9C6372A4.toolTip = THE GAME - Soody Sharifi
HotspotPanoramaOverlayArea_D5E652EB_89C8_A53F_41CC_52C7F11BC4D8.toolTip = THE GAME - Soody Sharifi
HotspotPanoramaOverlayArea_2CF995D8_88C9_AF19_41DA_A088A828A368.toolTip = THE GAME - Soody Sharifi
HotspotPanoramaOverlayArea_BDD1706E_88F8_A539_41DE_C033B7C0896D.toolTip = THE GAME - Soody Sharifi
HotspotPanoramaOverlayArea_BD95BCB0_8A77_202A_4175_C55912290ADE.toolTip = THE GAME - Soody Sharifi
HotspotPanoramaOverlayArea_A44DED21_8A1B_202A_4189_A3C2DBE0E170.toolTip = THE GAME - Soody Sharifi
HotspotPanoramaOverlayArea_ED8868B7_8948_E517_41D0_7ED911CF7876.toolTip = THE GAME - Soody Sharifi
HotspotPanoramaOverlayArea_C860D95A_89C8_6719_41DF_0F04F3D92F8C.toolTip = THE GAME - Soody Sharifi
HotspotPanoramaOverlayArea_A9718B53_8A1F_E06E_41C5_7F67ADEFDFC6.toolTip = THE GAME - Soody Sharifi
HotspotPanoramaOverlayArea_C793F320_8A37_602A_41D1_220D4A17C704.toolTip = THE GAME - Soody Sharifi
HotspotPanoramaOverlayArea_1FED00A4_88D8_E528_41CE_F30A078772BF.toolTip = THE GAME - Soody Sharifi
HotspotPanoramaOverlayArea_DB22B2F8_89C8_6518_41E0_4988AA706955.toolTip = THOUGHTS OF HOME - Barbara Brandel
HotspotPanoramaOverlayArea_BEA0DDF2_8A09_202E_41BD_198455419D2F.toolTip = THOUGHTS OF HOME - Barbara Brandel
HotspotPanoramaOverlayArea_BB3C0FE9_88D8_7B38_417E_A88F2A11272A.toolTip = THOUGHTS OF HOME - Barbara Brandel
HotspotPanoramaOverlayArea_D12F516D_8A09_203A_41AD_34686723E054.toolTip = THOUGHTS OF HOME - Barbara Brandel
HotspotPanoramaOverlayArea_CAA1A4CC_89C8_6D79_41BB_B15A80C51F3C.toolTip = THOUGHTS OF HOME - Barbara Brandel
HotspotPanoramaOverlayArea_EA0D41D3_8948_676F_41D3_DFE9F25A15D5.toolTip = THOUGHTS OF HOME - Barbara Brandel
HotspotPanoramaOverlayArea_FFD344FF_8948_6D17_41DE_532A63ABD968.toolTip = THOUGHTS OF HOME - Barbara Brandel
HotspotPanoramaOverlayArea_0CCF0B7D_8948_9B1B_41A0_3F11DE006B25.toolTip = THROUGH MANY DANGERS, TOILS, AND SNARES \
Esther Iverem
HotspotPanoramaOverlayArea_CBCC051F_89DF_AF17_41C8_A6FE8C0BB8D0.toolTip = THROUGH MANY DANGERS, TOILS, AND SNARES - Esther Iverem
HotspotPanoramaOverlayArea_2B48908E_88C8_A5F9_41D1_C84F185E105E.toolTip = THROUGH MANY DANGERS, TOILS, AND SNARES - Esther Iverem
HotspotPanoramaOverlayArea_F89647B2_894B_AB29_41CD_C3006B11FD64.toolTip = THROUGH MANY DANGERS, TOILS, AND SNARES - Esther Iverem
HotspotPanoramaOverlayArea_AF81B538_8A0B_201A_41E0_8C11C2DD909C.toolTip = THROUGH MANY DANGERS, TOILS, AND SNARES - Esther Iverem
HotspotPanoramaOverlayArea_B31979E7_8A09_2036_41DE_1A5C05B9A8E2.toolTip = THROUGH MANY DANGERS, TOILS, AND SNARES - Esther Iverem
HotspotPanoramaOverlayArea_E290D9F0_895F_A729_41A4_491A5B6607CE.toolTip = THROUGH MANY DANGERS, TOILS, AND SNARES - Esther Iverem
HotspotPanoramaOverlayArea_DE977C52_89D9_9D69_41E0_D2F3E51EB475.toolTip = THROUGH MANY DANGERS, TOILS, AND SNARES - Esther Iverem
HotspotPanoramaOverlayArea_CC08237C_8A1F_201A_41D6_D90B371CCDA8.toolTip = THROUGH MANY DANGERS, TOILS, AND SNARES - Esther Iverem
HotspotPanoramaOverlayArea_BA22A300_8A17_E1EA_41D0_4F3BE4593A4E.toolTip = THROUGH MANY DANGERS, TOILS, AND SNARES - Esther Iverem
HotspotPanoramaOverlayArea_BBEEFF41_88CF_FB6B_41B2_1DAFDD8F1850.toolTip = THROUGH MANY DANGERS, TOILS, AND SNARES - Esther Iverem
HotspotPanoramaOverlayArea_CB77A8E7_89D8_6528_41DA_69BE8E6C5491.toolTip = TO HAVE AND TO HOLD - Bri Hermanson
HotspotPanoramaOverlayArea_D6D98C4C_8A0B_607A_41D1_EB0347EB2282.toolTip = TO HAVE AND TO HOLD - Bri Hermanson
HotspotPanoramaOverlayArea_B0913783_88C8_ABEF_41C5_856D08CE7EEB.toolTip = TO HAVE AND TO HOLD - Bri Hermanson
HotspotPanoramaOverlayArea_DD4B0793_89C9_ABEF_41D3_BC7332DF3A7E.toolTip = TO HAVE AND TO HOLD - Bri Hermanson
HotspotPanoramaOverlayArea_ED33C906_8958_64E9_41D2_20EF57268A36.toolTip = TO HAVE AND TO HOLD - Bri Hermanson
HotspotPanoramaOverlayArea_B2FB512B_8A7B_203E_41BB_560CB062DA95.toolTip = TO HAVE AND TO HOLD - Bri Hermanson
HotspotPanoramaOverlayArea_A7646F3C_8A09_201A_41D8_3533E3902A6F.toolTip = TO HAVE AND TO HOLD - Bri Hermanson
HotspotPanoramaOverlayArea_3BF941BB_18B1_2C91_4194_6C8F0496E595.toolTip = Test Blackout
HotspotPanoramaOverlayArea_4E3D462F_A92B_93DD_41C9_5C8068B7D269.toolTip = Thanksgiving
HotspotPanoramaOverlayArea_6C5C5FDB_A93B_B045_41E1_B1116DE67453.toolTip = Thanksgiving
HotspotPanoramaOverlayArea_CD239ABE_A9EF_903C_41E0_6FD0BC48F388.toolTip = Thanksgiving
HotspotPanoramaOverlayArea_A9EFCBB6_A8E4_90CC_41D8_F824282D2D02.toolTip = Thanksgiving
HotspotPanoramaOverlayArea_62A89B82_A925_90C7_41A1_56B8570E839E.toolTip = Thanksgiving
HotspotPanoramaOverlayArea_4677B5B7_A8E7_90CD_41E1_DB83795CFAC0.toolTip = Thanksgiving
HotspotPanoramaOverlayArea_24E618BB_A92D_90C5_41DF_D6A1458F3E8B.toolTip = Thanksgiving
HotspotPanoramaOverlayArea_1F3EA5F4_A96C_B043_41E3_58865263C94E.toolTip = Thanksgiving
HotspotPanoramaOverlayArea_09D270F4_A964_904C_41D1_E48B1C8B6587.toolTip = Thanksgiving
HotspotPanoramaOverlayArea_A9FA781D_A8EC_7FFD_41C3_8AB2883EDE52.toolTip = Thanksgiving
HotspotPanoramaOverlayArea_AA056550_AB25_9043_41E4_67450136DE14.toolTip = Thanksgiving
HotspotPanoramaOverlayArea_5CBC2A6E_8FFE_4498_41BC_CE651A2FD969.toolTip = Thanksgiving Gay Dinner
HotspotPanoramaOverlayArea_677363D2_8FC9_CB88_41E0_CE189B47E6CB.toolTip = Thanksgiving Gay Dinner
HotspotPanoramaOverlayArea_283763E6_8E5E_CB8B_41DD_B408F662A91E.toolTip = Thanksgiving Gay Dinner
HotspotPanoramaOverlayArea_36800461_8FB6_CC88_41D8_116312B4AE73.toolTip = Thanksgiving Gay Dinner
HotspotPanoramaOverlayArea_D39C8ACE_93C5_E90F_41D4_102EFFC9B450.toolTip = Thanksgiving Gay Dinner
HotspotPanoramaOverlayArea_7DFC46F1_8FD6_4D89_41DE_9D89BA338682.toolTip = Thanksgiving Gay Dinner
HotspotPanoramaOverlayArea_8F016587_8E4A_4F89_41D6_E8836CB5F153.toolTip = Thanksgiving Gay Dinner
HotspotPanoramaOverlayArea_C8940A4A_93C4_A977_41CB_E45958624B97.toolTip = Thanksgiving Gay Dinner,
HotspotPanoramaOverlayArea_2367E362_A92B_9047_41E3_E9BE90EDDE74.toolTip = That 2000 Yard Stare
HotspotPanoramaOverlayArea_CAD2FC75_A9E5_904D_41E0_276F40B77887.toolTip = That 2000 Yard Stare
HotspotPanoramaOverlayArea_A9FBD52E_A8EC_B1DF_41E4_C101B62D1EEF.toolTip = That 2000 Yard Stare
HotspotPanoramaOverlayArea_AA061388_AB27_B0C4_41B3_0FD0264410CC.toolTip = That 2000 Yard Stare
HotspotPanoramaOverlayArea_71A6F72A_A93D_91C7_41DB_003C3BC4C44C.toolTip = That 2000 Yard Stare
HotspotPanoramaOverlayArea_5163DEBE_A8E4_B03C_41D1_78C3CC53A9DD.toolTip = That 2000 Yard Stare
HotspotPanoramaOverlayArea_368B2B4E_A96F_B05C_41E0_3E8920A55A23.toolTip = That 2000 Yard Stare
HotspotPanoramaOverlayArea_5640D933_A8FD_91C5_41BA_B186DE43555C.toolTip = That 2000 Yard Stare
HotspotPanoramaOverlayArea_667F35DC_A924_F043_41D7_FBE471ACADC1.toolTip = That 2000 Yard Stare
HotspotPanoramaOverlayArea_1AC1B815_A964_BFCD_41E2_F9493CFD995E.toolTip = That 2000 yard stare
HotspotPanoramaOverlayArea_CC7782D6_A9E4_904F_41E4_AC08BD88BA85.toolTip = The 2000 Yard Stare
HotspotPanoramaOverlayArea_ECCACDDF_9F03_CAE6_41DB_5912B601BF35.toolTip = The Atlantic Charter
HotspotPanoramaOverlayArea_84BE30E3_9936_3808_41B5_9ABA3A8EF4A9.toolTip = The Atlantic Charter
HotspotPanoramaOverlayArea_3ADED70C_9F1C_474A_41DB_FE978BA10927.toolTip = The Atlantic Charter
HotspotPanoramaOverlayArea_D9C0E296_9F0C_3962_41D5_11F9CF387CBE.toolTip = The Atlantic Charter
HotspotPanoramaOverlayArea_A72048A7_85D1_0140_41CF_4637A1CBA46A.toolTip = The Atlantic Charter
HotspotPanoramaOverlayArea_842395BD_9F0C_3A92_41E0_582DED2D9052.toolTip = The Atlantic Charter
HotspotPanoramaOverlayArea_A0135F77_A11C_C70C_41E0_EA2006716ACB.toolTip = The Atlantic Charter
HotspotPanoramaOverlayArea_A8E94E55_9955_C80B_41D6_CFA0B3964933.toolTip = The Atlantic Charter
HotspotPanoramaOverlayArea_9FED6420_9F04_F914_41D5_A79C576CB8D5.toolTip = The Atlantic Charter
HotspotPanoramaOverlayArea_9FC18C3D_9F7C_4959_41D9_19120297B6B2.toolTip = The Atlantic Charter
HotspotPanoramaOverlayArea_B0175698_FBBE_9CA7_41E9_C62B1FB4C525.toolTip = The Deadline
HotspotPanoramaOverlayArea_7F8A8981_36DF_43BE_41C3_65B1532B17BC.toolTip = The Deadline
HotspotPanoramaOverlayArea_58C4DA37_7F44_68E5_41A1_C2E3661FFA83.toolTip = The Deadline
HotspotPanoramaOverlayArea_7D1690F1_36C4_C15E_41A0_53D51628AE9C.toolTip = The Deadline
HotspotPanoramaOverlayArea_B9B540E4_FB99_746F_41D9_280A89B7D689.toolTip = The Deadline
HotspotPanoramaOverlayArea_BE9F611D_FBB9_95D9_41EB_D08A23687B0E.toolTip = The Deadline
HotspotPanoramaOverlayArea_B99F18FA_FB9F_945A_41CC_9D11A20683F1.toolTip = The Deadline
HotspotPanoramaOverlayArea_587D8C28_7F44_68EA_41C6_2455272598A0.toolTip = The Deadline
HotspotPanoramaOverlayArea_B001860B_FB86_9FBA_41E7_BA48DCB951F6.toolTip = The Deadline
HotspotPanoramaOverlayArea_BE0BF123_FB8E_95E9_41D1_A7309A4C0C98.toolTip = The Deadline
HotspotPanoramaOverlayArea_7DA1A44D_36CB_4146_41C5_DD52972E44A1.toolTip = The Deadline
HotspotPanoramaOverlayArea_B9BFC42F_FB99_73F9_41E7_816703F9DE6A.toolTip = The Deadline
HotspotPanoramaOverlayArea_B2F33728_FB8B_BDE7_419F_316408BA7268.toolTip = The Deadline
HotspotPanoramaOverlayArea_B8D5C366_FB99_B46B_41E2_64052FEE63EA.toolTip = The Deadline
HotspotPanoramaOverlayArea_BEF1C20E_FB86_B7BA_41DE_1AB1501CC865.toolTip = The Deadline
HotspotPanoramaOverlayArea_B9EEA930_FB8B_B5E7_41E0_5B10991C80F2.toolTip = The Deadline
HotspotPanoramaOverlayArea_5FB80526_8FCB_CC8B_41E1_5AFEC894A849.toolTip = The Education of Lance Corporal Will Cisneros
HotspotPanoramaOverlayArea_519C80E1_8FCA_4588_41B4_43900E1EB69D.toolTip = The Education of Lance Corporal Will Cisneros
HotspotPanoramaOverlayArea_25691C48_8E49_FC98_41D4_D22BF1004A0D.toolTip = The Education of Lance Corporal Will Cisneros
HotspotPanoramaOverlayArea_8F063D1B_8E56_3CB8_41C8_ACC96F5013E5.toolTip = The Education of Lance Corporal Will Cisneros
HotspotPanoramaOverlayArea_3202F193_8FCA_4788_41C8_CB1CEE0EA4A0.toolTip = The Education of Lance Corporal Will Cisneros
HotspotPanoramaOverlayArea_CB7232A5_93DC_D93D_41E0_2D77D1987692.toolTip = The Education of Lance Corporal Will Cisneros
HotspotPanoramaOverlayArea_68E07768_8FCB_CC98_41D3_408801380783.toolTip = The Education of Lance Corporal Will Cisneros
HotspotPanoramaOverlayArea_D791F0E1_93C4_B935_41A1_4C70159A5239.toolTip = The Education of Lance Corporal Will Cisneros
HotspotPanoramaOverlayArea_C3F4C138_A91D_9038_41D7_30C56C80DC32.toolTip = The Four Freedoms
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HotspotPanoramaOverlayArea_3C95C1FA_A92C_B047_41B0_4E98988B5F37.toolTip = The Four Freedoms
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HotspotPanoramaOverlayArea_804D5BA4_9932_4809_41D6_84F9EBBE25CB.toolTip = The Holocaust
HotspotPanoramaOverlayArea_8595CC1B_9F04_C996_41E2_C64E1F8B0EBF.toolTip = The Holocaust
HotspotPanoramaOverlayArea_A0125A47_A11C_C90D_41E2_87A46C68E9F2.toolTip = The Holocaust
HotspotPanoramaOverlayArea_A337787A_85D3_01C0_41DF_63961DD4C4EB.toolTip = The Holocaust
HotspotPanoramaOverlayArea_5850EE0B_CA19_AA8B_41C5_AF17CE798093.toolTip = The Liberator
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HotspotPanoramaOverlayArea_D06CB341_93C4_DF75_41D6_FD59C3B1763A.toolTip = The Problem Persists, 1964-2014
HotspotPanoramaOverlayArea_649E3E86_8FBA_7D8B_41D7_E09324EFD01D.toolTip = The Problem Persists, 1964-2014
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HotspotPanoramaOverlayArea_21890113_7F34_1A68_41D8_DE8B52D05A9E.toolTip = The Problem We All Live With
HotspotPanoramaOverlayArea_22209219_7F2C_3E98_41A5_EBAC9F926919.toolTip = The Problem We All Live With
HotspotPanoramaOverlayArea_20039F8F_7F14_0678_41B6_5C57F69FA525.toolTip = The Problem We All Live With
HotspotPanoramaOverlayArea_1DBCC1F0_7F14_3DA8_41D7_A7FC5DEDD56E.toolTip = The Problem We All Live With
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HotspotPanoramaOverlayArea_5DC44CEF_6FBB_90F4_41DB_191DFE29EF27.toolTip = The Right to Know
HotspotPanoramaOverlayArea_F2876228_0974_9985_4183_7D6C77714258.toolTip = The Right to Know
HotspotPanoramaOverlayArea_5C6DEB6A_6FBB_B1FC_41D7_FEFCCE04C159.toolTip = The Right to Know
HotspotPanoramaOverlayArea_5F83D1D6_6F5E_90D7_41D4_BE24A6521151.toolTip = The Right to Know
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HotspotPanoramaOverlayArea_5C44172A_6FAA_F17F_41B5_ED622EA6168F.toolTip = The Right to Know
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HotspotPanoramaOverlayArea_40CA5546_6FBD_7137_41DA_85C532F92583.toolTip = The Right to Know - Study
HotspotPanoramaOverlayArea_40F9E358_6F5E_B1DB_41B3_61B8A68F6CCF.toolTip = The Right to Know - Study
HotspotPanoramaOverlayArea_5F154566_6FAA_91F7_41D9_042B5160758D.toolTip = The Right to Know - Study
HotspotPanoramaOverlayArea_4063F4C1_6F55_772D_41C1_BADFA82C21F2.toolTip = The Right to Know - Study
HotspotPanoramaOverlayArea_40D72EF5_6F55_70D5_41C4_5D4697F1B63B.toolTip = The Right to Know - Study
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HotspotPanoramaOverlayArea_8477E857_9F0C_C99F_41DA_4E954985CBA7.toolTip = The Start of World War II
HotspotPanoramaOverlayArea_0AC6B6C7_9F04_46DE_41DB_FAD803ADC0EB.toolTip = The Start of World War II
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HotspotPanoramaOverlayArea_DE83E70B_9F04_476C_41D1_95C355FF8B38.toolTip = The Suitcase was Full...
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HotspotPanoramaOverlayArea_9FC7860D_9F04_393F_41D1_DEEBE601E4EE.toolTip = The Suitcase was Full...
HotspotPanoramaOverlayArea_281DAC7E_9F04_C9C9_41DC_04FD3B26A884.toolTip = The Suitcase was Full...
HotspotPanoramaOverlayArea_1404E74C_9F3C_C7D3_41B5_D37B79E41876.toolTip = The Suitcase was Full...
HotspotPanoramaOverlayArea_A0141EA8_A104_4903_41E2_5B47195932E0.toolTip = The Suitcase was Full...
HotspotPanoramaOverlayArea_80F68CA1_9F0C_4AB0_41C6_115CE79FDB18.toolTip = The Suitcase was full...
HotspotPanoramaOverlayArea_B68513F6_996E_3809_41D3_77EFF9F61B0C.toolTip = The Suitcase was full...
HotspotPanoramaOverlayArea_AC90569D_85D1_0146_41DB_D5F88E3CEA51.toolTip = The Suitcase was full...
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HotspotPanoramaOverlayArea_E4FA96E1_811F_7324_41C9_E42201F6DCCB.toolTip = The suitcase was full...
HotspotPanoramaOverlayArea_D4EF8F5B_FF95_940D_41E8_5073D3811086.toolTip = They Are Gone Forever
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HotspotPanoramaOverlayArea_A94A8F1E_B519_59B9_41CC_8E1BAF9108A1.toolTip = This is Nazi Brutality
HotspotPanoramaOverlayArea_3B3FDB68_B579_F999_41E1_C13E117BF17D.toolTip = This is Nazi Brutality
HotspotPanoramaOverlayArea_EC6987FF_B52A_E877_41DC_86B0FDD0CFC8.toolTip = This is Nazi Brutality
HotspotPanoramaOverlayArea_FC17AA77_B539_5877_41E1_9C75E0A05824.toolTip = This is Nazi Brutality
HotspotPanoramaOverlayArea_8586FEFF_B529_D877_41E4_A5ED37569A9C.toolTip = This is Nazi Brutality
HotspotPanoramaOverlayArea_FF0C376D_B526_E99B_41E4_DCED877BB0E8.toolTip = This is Nazi Brutality
HotspotPanoramaOverlayArea_38630A8E_B57B_F899_41DB_00CDFBC71536.toolTip = This is Nazi Brutality
HotspotPanoramaOverlayArea_CF7E50B9_B526_A8FB_41E0_EBB4E3CC9D1C.toolTip = This is Nazi Brutality
HotspotPanoramaOverlayArea_386E8E65_B519_7B8B_41E1_17BBFDC62192.toolTip = This is Nazi Brutality
HotspotPanoramaOverlayArea_16C82DCC_B5C9_B9E2_41DE_AEC391084010.toolTip = This is Nazi Brutality
HotspotPanoramaOverlayArea_550028B3_C687_4929_41DE_C482C520BD55.toolTip = Those Who Were Killed in U.S. During Civil Rights Movement
HotspotPanoramaOverlayArea_5F08083E_C6BB_C91B_41BB_60CD129D4102.toolTip = Those Who Were Killed in U.S. During Civil Rights Movement
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HotspotPanoramaOverlayArea_731E7347_36C4_C742_41B8_A496BB587D7F.toolTip = Ticket Seller
HotspotPanoramaOverlayArea_7B7C7873_36C5_4142_4181_965DA0F71747.toolTip = Ticket Seller
HotspotPanoramaOverlayArea_70ECB488_36CC_C1CE_41BE_DEA4E1BE4A2C.toolTip = Ticket Seller
HotspotPanoramaOverlayArea_668D0FBB_36CB_DFC2_41B6_9EC1C9668C85.toolTip = Ticket Seller
HotspotPanoramaOverlayArea_7E2BB7C8_363D_4F4E_41B8_54DDC2325336.toolTip = Ticket Seller
HotspotPanoramaOverlayArea_71FE1455_36DB_4146_41A7_5244296C7A89.toolTip = Ticket Seller
HotspotPanoramaOverlayArea_7CF9C721_36C5_C0FE_41AB_CF4C91D08AFD.toolTip = Ticket Seller
HotspotPanoramaOverlayArea_7176F924_36DD_40C6_41C6_3A149DE0ED7F.toolTip = Ticket Seller
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HotspotPanoramaOverlayArea_7B5DD264_363B_C147_4192_E477B45E55B5.toolTip = Ticket Seller
HotspotPanoramaOverlayArea_8F72E320_8ECE_4488_41D5_02BD0C824387.toolTip = Tim O’Brien - Vote
HotspotPanoramaOverlayArea_84689066_92C4_593F_41A2_B04A09574AEC.toolTip = Tim O’Brien - Vote
HotspotPanoramaOverlayArea_A99CC891_93CD_E915_41DA_B64BE3DDC945.toolTip = Tim O’Brien - Vote
HotspotPanoramaOverlayArea_A10E1038_93BC_7912_41D2_EE79D7596EC0.toolTip = Tim O’Brien - Vote
HotspotPanoramaOverlayArea_BCEA2090_934C_5912_41CE_2A1345785539.toolTip = Tim O’Brien - Vote
HotspotPanoramaOverlayArea_8F648870_8ECA_C488_41C3_5F91ADC6CA00.toolTip = Tim O’Brien - Vote
HotspotPanoramaOverlayArea_8F787344_8EBA_448F_41D1_06C71D94A656.toolTip = Tim O’Brien - Vote
HotspotPanoramaOverlayArea_8F6C341C_8ED9_CCBF_41D0_2B2D66108877.toolTip = Tim O’Brien - Vote
HotspotPanoramaOverlayArea_587A9C27_7F44_68E6_41DD_A51C85D2A790.toolTip = Tomlinson - Family Quilting
HotspotPanoramaOverlayArea_B322E40B_FB9F_73BA_41DC_EFF25CDF0FDB.toolTip = Tomlinson - Family Quilting
HotspotPanoramaOverlayArea_9D225A2D_F114_A856_41D0_647148C4F72A.toolTip = Tomlinson - Family Quilting
HotspotPanoramaOverlayArea_AB2D7939_EF15_68BE_41E6_8BC589AFABE0.toolTip = Tomlinson - Family Quilting
HotspotPanoramaOverlayArea_B38D2F49_EEED_68DE_41DF_242C97A4A00A.toolTip = Tomlinson - Family Quilting
HotspotPanoramaOverlayArea_B359A5E7_FB99_9C69_41E2_EAD54E299EB9.toolTip = Tomlinson - Family Quilting
HotspotPanoramaOverlayArea_9649CD28_F11C_E85E_41CB_0510257CF9B5.toolTip = Tomlinson - Family Quilting
HotspotPanoramaOverlayArea_B729BB46_EEFC_A8D5_41B5_717E3BA64786.toolTip = Tomlinson - Family Quilting
HotspotPanoramaOverlayArea_916F3DD8_F115_6BFE_41D8_031F43DB92B7.toolTip = Tomlinson - Family Quilting
HotspotPanoramaOverlayArea_D764E5CE_EF7F_9BD2_41DC_BE15E2909529.toolTip = Tomlinson - Family Quilting
HotspotPanoramaOverlayArea_B3A601FC_FB9B_945E_41BD_6F2579618FB8.toolTip = Tomlinson - Family Quilting
HotspotPanoramaOverlayArea_B3AF9B79_FB99_7466_41E5_9E0E9F689113.toolTip = Tomlinson - Family Quilting
HotspotPanoramaOverlayArea_9433166B_F11C_B8D2_41E3_9C9157A1CFBB.toolTip = Tomlinson - Family Quilting
HotspotPanoramaOverlayArea_B7823961_EEF4_A8CE_41EA_DE1B437A0CA7.toolTip = Tomlinson - Family Quilting
HotspotPanoramaOverlayArea_58C42A36_7F44_68E7_4186_5DE6A756587E.toolTip = Tomlinson - Family Quilting
HotspotPanoramaOverlayArea_B6B3E65E_85F1_01C5_41B6_189CD92118FB.toolTip = Transfer of Evacuees
HotspotPanoramaOverlayArea_A43538BA_9415_291E_41D1_FAE978B97825.toolTip = Transfer of Evacuees \

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HotspotPanoramaOverlayArea_9FE77FA6_9F04_C71A_41B2_81C090898357.toolTip = Tuskegee Airmen
HotspotPanoramaOverlayArea_AD4995BA_9956_3878_41D5_3AEEFF0ED03B.toolTip = Tuskegee Airmen
HotspotPanoramaOverlayArea_A00AA9EB_A10C_4B1B_41D3_45E47DA9EAC5.toolTip = Tuskegee Airmen
HotspotPanoramaOverlayArea_BF36AC38_9F1C_C99C_41E1_64B155596D4C.toolTip = Tuskegee Airmen
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HotspotPanoramaOverlayArea_2A7F7B61_9F03_CFFD_41C1_304152A249F9.toolTip = Tuskegee Airmen
HotspotPanoramaOverlayArea_1E83F380_7F14_7E69_41C8_17F5E92AFBFC.toolTip = U.S. Marchall Reference Photo
HotspotPanoramaOverlayArea_1F5FCB00_7F2C_0E68_41D5_7DB34EC3CF3E.toolTip = U.S. Marshall Reference Photo
HotspotPanoramaOverlayArea_1ED4F0D2_7F3C_3BE8_41D0_80FE6111D125.toolTip = U.S. Marshall Reference Photo
HotspotPanoramaOverlayArea_14B99C1E_7F1C_0A98_41C8_EB128BB16C7E.toolTip = U.S. Marshall Reference Photo
HotspotPanoramaOverlayArea_05DD530D_88D8_64FB_41C1_D9D46A190079.toolTip = UNITED WE STAND - Benny Bing
HotspotPanoramaOverlayArea_AF3A8AF5_8A09_202A_41DB_DD9CE120B879.toolTip = UNITED WE STAND - Benny Bing
HotspotPanoramaOverlayArea_EB3F0619_8958_AD1B_41B1_A16E2573D3EF.toolTip = UNITED WE STAND - Benny Bing
HotspotPanoramaOverlayArea_CB9DEE22_89D8_BD29_41E0_DD99A229716F.toolTip = UNITED WE STAND - Benny Bing
HotspotPanoramaOverlayArea_F5FEAB34_8949_9B29_41D6_383DE7DECB45.toolTip = UNITED WE STAND - Benny Bing
HotspotPanoramaOverlayArea_B37EF083_8A77_60EE_41E1_2525506D36C2.toolTip = UNITED WE STAND - Benny Bing
HotspotPanoramaOverlayArea_DFFD828F_89D8_65F6_41A5_B17202B0CE40.toolTip = UNITED WE STAND - Benny Bing
HotspotPanoramaOverlayArea_FD9C918C_8948_A7F9_41C5_B3F83DC2C6F1.toolTip = UNITED WE STAND - Benny Bing
HotspotPanoramaOverlayArea_B92B32AC_88C8_A539_41C1_FCF755AB7E4A.toolTip = UNITED WE STAND - Benny Bing
HotspotPanoramaOverlayArea_DD4599FC_8A17_201A_41DA_37CA19814FDA.toolTip = UNITED WE STAND - Benny Bing
HotspotPanoramaOverlayArea_FC6B197F_8EB9_C779_4187_8A0BB1D3009F.toolTip = UNTITLED III (CAPTURE THE FLAG) - Celine Browning
HotspotPanoramaOverlayArea_C19AFC65_8E4A_5C89_41DB_1969BB8E7E76.toolTip = UNTITLED III (CAPTURE THE FLAG) - Celine Browning
HotspotPanoramaOverlayArea_6CBC4A21_A93C_93C5_41D8_E78B5A6D7DBE.toolTip = United China Relief
HotspotPanoramaOverlayArea_AA03E2D9_AB1C_9045_41DA_005F44E95A96.toolTip = United China Relief
HotspotPanoramaOverlayArea_A9E923FC_A8ED_9043_41A1_0F303C25963A.toolTip = United China Relief
HotspotPanoramaOverlayArea_00BACC7B_A96B_9045_41D1_1A2599293B10.toolTip = United China Relief
HotspotPanoramaOverlayArea_56BD5C3F_A8E5_F03D_41D3_A13E478EF770.toolTip = United China Relief
HotspotPanoramaOverlayArea_A9FD5D85_A8E5_B0CD_41D7_62F68EEFD674.toolTip = United China Relief
HotspotPanoramaOverlayArea_2E627345_A924_904D_41E1_6E7064AA00CC.toolTip = United China Relief
HotspotPanoramaOverlayArea_CCE25B52_A9FB_B047_41B8_58E749F02B2F.toolTip = United China Relief
HotspotPanoramaOverlayArea_7437A125_A924_B1CD_41D0_3F6936A4CF8A.toolTip = United China Relief
HotspotPanoramaOverlayArea_1588F23E_A964_703F_4187_30831564C656.toolTip = United China Relief
HotspotPanoramaOverlayArea_6D5148A3_A92D_90C5_41D1_598BB83EE29D.toolTip = United China Relief
HotspotPanoramaOverlayArea_AA1391BB_AB3C_B0C5_41C9_3E99F2C5C5C8.toolTip = United China Relief
HotspotPanoramaOverlayArea_32C97D6B_B51A_B99F_41DC_F02B242CD79E.toolTip = United China Relief Poster
HotspotPanoramaOverlayArea_846C79E0_B52B_7889_41E4_3A39AA11E35B.toolTip = United China Relief Poster
HotspotPanoramaOverlayArea_2E71238C_B5CA_8A63_41D8_CDA5701449B0.toolTip = United China Relief Poster
HotspotPanoramaOverlayArea_A937C3C4_B519_A889_41DC_75384F598460.toolTip = United China Relief Poster
HotspotPanoramaOverlayArea_E7D82E33_B527_5B8F_41E4_AED81B3D3AB2.toolTip = United China Relief Poster
HotspotPanoramaOverlayArea_33607A8F_B569_5897_41DC_EF96A51667A0.toolTip = United China Relief Poster
HotspotPanoramaOverlayArea_F635E11B_B53E_E9BF_41E4_B292DC2EC759.toolTip = United China Relief Poster
HotspotPanoramaOverlayArea_C1ACB1C3_B52B_688F_41B8_AE5E9D9C148A.toolTip = United China Relief Poster
HotspotPanoramaOverlayArea_3D52745E_B579_AFB9_41E2_D1F81842E15C.toolTip = United China Relief Poster
HotspotPanoramaOverlayArea_30995442_B56B_AF89_41CF_14F44A98D029.toolTip = United China Relief Poster
HotspotPanoramaOverlayArea_F15A15A1_B52B_688B_41D4_E3280199FC36.toolTip = United China Relief Poster
HotspotPanoramaOverlayArea_DA1C90FD_B5FE_8799_41E2_3C1792D13BA7.toolTip = United China Relief Poster
HotspotPanoramaOverlayArea_04520D6D_6BDF_8D87_41D0_C781F8900F74.toolTip = United Nations
HotspotPanoramaOverlayArea_0EDC5EE6_6BB2_8C85_419E_3BEAA44B1777.toolTip = United Nations
HotspotPanoramaOverlayArea_0F008417_6BD3_7383_41C4_1A49F4D4B67D.toolTip = United Nations
HotspotPanoramaOverlayArea_0CC87372_6BF2_B59D_41D5_93B076FD0B33.toolTip = United Nations
HotspotPanoramaOverlayArea_00B03318_6BD1_958C_41C1_7360CE3915F8.toolTip = United Nations
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HotspotPanoramaOverlayArea_0C1A9EE3_6BD7_8C83_41CD_3158A20C3FF9.toolTip = United Nations
HotspotPanoramaOverlayArea_0E69B1D0_6BB3_949D_41D9_2E3F87F4BC03.toolTip = United Nations - Golden Rule
HotspotPanoramaOverlayArea_0FF8E58E_6BD1_BC85_41D0_253179236F3E.toolTip = United Nations - Golden Rule
HotspotPanoramaOverlayArea_21B01283_B566_A88F_41E5_4F2FFAABB1EB.toolTip = United We Are Strong
HotspotPanoramaOverlayArea_2350AC92_B566_B889_41C2_8607D9B77C4E.toolTip = United We Are Strong
HotspotPanoramaOverlayArea_32215C85_B56B_B88B_41A1_AFF11EBE7C48.toolTip = United We Are Strong
HotspotPanoramaOverlayArea_DBECC740_B52F_6989_41C0_A7C7853FF184.toolTip = United We Are Strong
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HotspotPanoramaOverlayArea_260DA2F1_B567_A88B_418C_902D4F32A48F.toolTip = United We Win
HotspotPanoramaOverlayArea_FBCBECC8_B53B_B899_41E0_64CFFA3F85C5.toolTip = United We Win
HotspotPanoramaOverlayArea_30BEEE3D_B569_5BFB_41E1_4EC8B6951B2E.toolTip = United We Win
HotspotPanoramaOverlayArea_1E2EEFCE_B5D6_B9E1_41E0_74D51B1F8943.toolTip = United We Win
HotspotPanoramaOverlayArea_37725294_B526_A889_41E0_67B1159DC0F7.toolTip = United We Win
HotspotPanoramaOverlayArea_E7BDC20A_B539_AB99_41D1_00092CEE5150.toolTip = United We Win
HotspotPanoramaOverlayArea_83CA65AC_B52F_A899_41A2_75531B61E00F.toolTip = United We Win
HotspotPanoramaOverlayArea_21E251A5_B57B_688B_41D1_378C4E4AF785.toolTip = United We Win
HotspotPanoramaOverlayArea_3721E614_B5F6_8A6E_41D6_0114543D8A7F.toolTip = United We Win
HotspotPanoramaOverlayArea_21F663B1_B566_A88B_41C0_2B58490F539B.toolTip = United We Win
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HotspotPanoramaOverlayArea_57F5F1E2_566F_038C_41B9_BF3D3692777D.toolTip = Upham Correspondence to Norman Rockwell
HotspotPanoramaOverlayArea_5839845F_59E7_00B4_41B7_6EBFA8650157.toolTip = Upham Correspondence to Norman Rockwell
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overlay_588372DC_6154_69E6_41A9_A0F8F0CB912D.toolTip = VIDEO - A conversation with Ruby Bridges
HotspotPanoramaOverlayArea_5832623F_615C_28A2_41D6_71ACBE15158C.toolTip = VIDEO - A conversation with Ruby Bridges
overlay_AA92143C_8DCE_4CF8_41CD_D26825928040.toolTip = VIDEO - Reimagining the Four Freedoms
overlay_AAF7F31F_8DCE_C4B8_4182_06E082DB8DFD.toolTip = VIDEO - Reimagining the Four Freedoms
overlay_AABFBCD0_8DCA_5D88_41DC_811D3071A947.toolTip = VIDEO - Reimagining the Four Freedoms
overlay_9F8A68B2_8DDA_C588_41D0_A5DB4BBF291E.toolTip = VIDEO - Reimagining the Four Freedoms
overlay_CF302EC0_817F_736D_41D7_412A69BC0F19.toolTip = VIDEO FDRs Four Freedoms
overlay_04392E48_420D_5DBF_41C3_E03167A373AD.toolTip = VIDEO Rockwell's Four Freedoms
overlay_04CCE2FF_4203_2A51_41B1_9B4EC73C1E93.toolTip = VIDEO Rockwells Four Freedoms
overlay_2F1E22D0_2EA2_F125_41C3_930CA807D18B.toolTip = VIDEO Rockwells Four Freedoms
overlay_079E9E62_4207_5A73_41CC_8B93158FAAB3.toolTip = VIDEO Rockwells Four Freedoms
overlay_AE3A79F1_9956_480B_41B5_5E8D04C29C1C.toolTip = VIDEO: FDRs Four Freedoms
overlay_0E1680C1_9F1C_FACD_41CA_FA9905B699B2.toolTip = VIDEO: FDRs Four Freedoms
overlay_9E7FF26B_85B1_01C7_41BE_204616FA8D00.toolTip = VIDEO: FDRs Four Freedoms
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overlay_03E4BAF9_5BED_5E39_413E_D0B2149AA41A.toolTip = VIDEO: Womenpower
overlay_043973EF_4205_6A71_41B4_9F9859118578.toolTip = Video Rockwells Four Freedoms
HotspotPanoramaOverlayArea_BBC34772_88F8_EB28_41DE_381ADED0A06E.toolTip = WHO ARE WE THE PEOPLE? - Fake News 
HotspotPanoramaOverlayArea_D92B2AD2_8A0B_206E_41B8_23E52D0B3B48.toolTip = WHO ARE WE THE PEOPLE? - Robyn Phillips-Pendleton 
HotspotPanoramaOverlayArea_BB1A22AD_88FB_A53B_41D8_3FB7F5AA25A8.toolTip = WHO ARE WE THE PEOPLE? - Robyn Phillips-Pendleton 
HotspotPanoramaOverlayArea_1ECE8297_88C7_A5E8_41C3_8DD146648EC2.toolTip = WHO ARE WE THE PEOPLE? - Robyn Phillips-Pendleton 
HotspotPanoramaOverlayArea_01B73108_8939_E4F9_41D1_3891F428D30B.toolTip = WHO ARE WE THE PEOPLE? - Robyn Phillips-Pendleton 
HotspotPanoramaOverlayArea_E23870BF_8947_E517_41A1_0A21647FAB83.toolTip = WHO ARE WE THE PEOPLE? - Robyn Phillips-Pendleton 
HotspotPanoramaOverlayArea_F2EFD730_8958_EB29_41D9_BEE6BA7B557E.toolTip = WHO ARE WE THE PEOPLE? - Robyn Phillips-Pendleton 
HotspotPanoramaOverlayArea_B5E4F098_8A09_201A_41DB_53DB6BEC748D.toolTip = WHO ARE WE THE PEOPLE? - Robyn Phillips-Pendleton 
HotspotPanoramaOverlayArea_C875F52A_89CB_EF39_41C6_50F79B58B924.toolTip = WHO ARE WE THE PEOPLE? - Robyn Phillips-Pendleton 
HotspotPanoramaOverlayArea_BAB75CBE_8A19_2016_41D0_3C72B71968A2.toolTip = WHO ARE WE THE PEOPLE? - Robyn Phillips-Pendleton 
HotspotPanoramaOverlayArea_A9E00FA5_8A3A_E035_41D5_8961B42D8501.toolTip = WHO ARE WE THE PEOPLE? - Robyn Phillips-Pendleton 
HotspotPanoramaOverlayArea_0612077E_8947_EB18_41D2_729C3DF26C53.toolTip = WHY? - Candace Eaton
HotspotPanoramaOverlayArea_C07438D8_8A0E_E01B_41E0_2E3A91918902.toolTip = WHY? - Candace Eaton
HotspotPanoramaOverlayArea_CAE66E1C_89D8_7D19_41D6_AEFFF3D13EF5.toolTip = WHY? - Candace Eaton
HotspotPanoramaOverlayArea_E179B432_8958_AD29_41C2_CD6589F26349.toolTip = WHY? - Candace Eaton
HotspotPanoramaOverlayArea_E48BC809_8978_A4FB_41C4_21238F3AD2F3.toolTip = WHY? - Candace Eaton
HotspotPanoramaOverlayArea_1025A4D6_88CB_AD69_41D1_01155CFFAA27.toolTip = WHY? - Candace Eaton
HotspotPanoramaOverlayArea_04D42A27_8938_6537_41D8_21EA58796D83.toolTip = WHY? - Candace Eaton
HotspotPanoramaOverlayArea_BA0790D3_8A1B_606E_41A4_DC1DE796F6CE.toolTip = WHY? - Candace Eaton
HotspotPanoramaOverlayArea_B3381AC9_8A09_207A_41CB_C45263A29596.toolTip = WHY? - Candace Eaton
HotspotPanoramaOverlayArea_57E06480_CA2A_9E75_419E_C56F53770E40.toolTip = WIngs over the World
HotspotPanoramaOverlayArea_77676070_3CC8_B167_41A6_19AFFFDD373E.toolTip = WWII Kids Novelties Case
HotspotPanoramaOverlayArea_7B63B5AB_3B58_B3F9_41BA_7E4A8884EFB0.toolTip = WWII Ration Book
HotspotPanoramaOverlayArea_7C373505_3CB9_70A9_418B_D35BA10D19A0.toolTip = WWII Ration Book
HotspotPanoramaOverlayArea_C58555E4_86F1_0312_4192_C7BCE9001EF0.toolTip = Waiting for their Turn to be Heard
HotspotPanoramaOverlayArea_8ACDF69E_93ED_5919_41C0_29B8A2CB133E.toolTip = Waiting their turn to be heard
HotspotPanoramaOverlayArea_A006CE2D_A105_C919_41E2_1C4B5F3CEA39.toolTip = Waiting their turn to be heard
HotspotPanoramaOverlayArea_AE285429_992E_F818_4168_0D00479A6D95.toolTip = Waiting their turn to be heard
HotspotPanoramaOverlayArea_418AA35B_4F75_63ED_41C1_0734012A078B.toolTip = War Generation Entrance
HotspotPanoramaOverlayArea_418A735A_4F75_63EF_41CF_B50804B72F08.toolTip = War Generation Entrance
HotspotPanoramaOverlayArea_6858C630_4FB7_65BB_41CB_A63649596D1B.toolTip = War Generation Entrance
HotspotPanoramaOverlayArea_6C1335C9_4F95_A6ED_41B0_657E98C819E6.toolTip = War Generation Entrance
HotspotPanoramaOverlayArea_6B83456F_4783_3589_41C7_AED8DDB42195.toolTip = War Generation Entrance
HotspotPanoramaOverlayArea_6706CB5B_4FAC_A3ED_41CC_8432BD34A4F9.toolTip = War Generation Entrance
HotspotPanoramaOverlayArea_418AC35B_4F75_63ED_41D3_C35E5BC6A689.toolTip = War Generation Entrance
HotspotPanoramaOverlayArea_6A05E304_4FAC_E35B_41A9_41E3C87063B3.toolTip = War Generation Entrance
HotspotPanoramaOverlayArea_A2942502_85D3_0342_41E0_4B69F2712FDA.toolTip = War News
HotspotPanoramaOverlayArea_19381216_9F04_397E_41E3_0D60246DD215.toolTip = War News
HotspotPanoramaOverlayArea_5FAF0879_9F3C_49D2_41C7_5C765F451567.toolTip = War News
HotspotPanoramaOverlayArea_CC1227CF_8117_7102_41AD_098132D75A6F.toolTip = War News
HotspotPanoramaOverlayArea_D79AD769_9F1C_C7AA_41AE_2839CE805797.toolTip = War News
HotspotPanoramaOverlayArea_9FCC09E4_9F04_4AEC_41E0_80B641F405AF.toolTip = War News
HotspotPanoramaOverlayArea_1EE47FCE_9F04_C6EE_41C5_7F04D77C85DF.toolTip = War News
HotspotPanoramaOverlayArea_9FFBAAA7_9F0C_4914_41E3_996002EC87C9.toolTip = War News
HotspotPanoramaOverlayArea_B1B28766_85F1_0FC5_419D_48153C196D01.toolTip = War News
HotspotPanoramaOverlayArea_BCCE89E6_9F04_4AB5_41E3_6D34FBAD4F1E.toolTip = War News
HotspotPanoramaOverlayArea_3F037D10_B57A_B989_41E3_111E1199EA61.toolTip = We French Workers Warn You
HotspotPanoramaOverlayArea_32B36A1D_B569_5BBB_41CE_2D5AA7C413F6.toolTip = We French Workers Warn You
HotspotPanoramaOverlayArea_E0F013E2_B529_6889_41D7_D945E96544AE.toolTip = We French Workers Warn You
HotspotPanoramaOverlayArea_C2720B9E_B529_78B9_41C6_61A6A006EBC0.toolTip = We French Workers Warn You
HotspotPanoramaOverlayArea_AAD7EFA7_B51B_D897_41DF_B1B4E0E7D7FC.toolTip = We French Workers Warn You
HotspotPanoramaOverlayArea_3E0CD42C_B566_EF99_41E1_0108A7C30594.toolTip = We French Workers Warn You
HotspotPanoramaOverlayArea_F0EDD43D_B53F_AFFB_41CC_9524B6E2C332.toolTip = We French Workers Warn You
HotspotPanoramaOverlayArea_290A2A6A_B5CA_9AA6_41E2_FC11550496D8.toolTip = We French Workers Warn You
HotspotPanoramaOverlayArea_3F558B85_B51B_B88B_41A1_B62A0AA2F5D3.toolTip = We French Workers Warn You
HotspotPanoramaOverlayArea_DCABF787_B5FA_8A6A_41D1_023F8766A451.toolTip = We French Workers Warn You
HotspotPanoramaOverlayArea_F3F6B95B_B529_59BF_41C2_E46CF7DEDA8D.toolTip = We French Workers Warn You
HotspotPanoramaOverlayArea_8108BF45_B52B_598B_41C7_8470A6E7E386.toolTip = We French Workers Warn You
HotspotPanoramaOverlayArea_4BAF0D7C_8FCA_7F78_4176_563BB6B2B94A.toolTip = Welcome to the Neighborhood
HotspotPanoramaOverlayArea_6E713B74_8FFE_4488_41DB_F7175941F94E.toolTip = Welcome to the Neighborhood
HotspotPanoramaOverlayArea_3C48175D_8E59_CCB8_41DC_57E06B49DCDE.toolTip = Welcome to the Neighborhood
HotspotPanoramaOverlayArea_D57FB6B4_93C4_7913_41DD_0C71CC81371B.toolTip = Welcome to the Neighborhood
HotspotPanoramaOverlayArea_6D0C25A9_8FDA_4F98_41E0_DEB598DFB636.toolTip = Welcome to the Neighborhood
HotspotPanoramaOverlayArea_C4F89A9C_93CB_A912_41E1_48A7C0DC898F.toolTip = Welcome to the Neighborhood
HotspotPanoramaOverlayArea_790010DF_8FB6_C5B8_41D3_B41EF8AD7953.toolTip = Welcome to the Neighborhood
HotspotPanoramaOverlayArea_72CBEEF8_8E4E_3D78_41A4_CE2F033A8579.toolTip = Welcome to the Neighborhood
HotspotPanoramaOverlayArea_583BF521_59DB_008C_41C8_6ADAB79D3A34.toolTip = Wells Correspondence to Norman Rockwell
HotspotPanoramaOverlayArea_57F8BFA7_5665_7F94_41B3_1C31C52DB70E.toolTip = Wells Correspondence to Norman Rockwell 
HotspotPanoramaOverlayArea_6BB7DC76_CA2B_AE9D_41DC_D4C27EB9832E.toolTip = What did you do for freedom today
HotspotPanoramaOverlayArea_5D51E015_CA2F_769F_41DB_CD4A8F18FE54.toolTip = What did you do for frteedom today?
HotspotPanoramaOverlayArea_7F31C14A_3B48_90BB_41A2_22F9D3EDCCCD.toolTip = What is wrong with this Uniform?
HotspotPanoramaOverlayArea_8F001394_8E49_CB88_41AD_6D5452E6BDCF.toolTip = What the Hell?
HotspotPanoramaOverlayArea_7A310CE8_8FCA_3D98_41D2_7FF2D3041893.toolTip = What the Hell?
HotspotPanoramaOverlayArea_6B684442_8FCA_CC88_41B0_A89A08995918.toolTip = What the Hell?
HotspotPanoramaOverlayArea_C666F2F3_93C4_5915_4116_CB6ED145C2C8.toolTip = What the Hell?
HotspotPanoramaOverlayArea_D29C313F_93DC_DB0D_41E0_C79A78388349.toolTip = What the Hell?
HotspotPanoramaOverlayArea_530F5A76_8FFA_4488_41D6_26E9A604B0C6.toolTip = What the Hell?
HotspotPanoramaOverlayArea_5A121C5F_8FD6_5CB9_41C2_6451F21AC9CB.toolTip = What the Hell?
HotspotPanoramaOverlayArea_2444F34C_8E5A_4498_41DB_C710CA6105C1.toolTip = What the hell?
HotspotPanoramaOverlayArea_7E4D5B7A_3B49_775B_41C0_7C5018C005A4.toolTip = Wheaties - Best Dressed Uniform
HotspotPanoramaOverlayArea_7B04FCDE_3B58_B15B_41C9_749C750F39A7.toolTip = Wheaties - Best Dressed Uniforms
HotspotPanoramaOverlayArea_78AC92DC_3B49_715F_41C6_BBA8A53BA4C3.toolTip = Wheaties - Guess the Uniform
HotspotPanoramaOverlayArea_7BF301C5_3B5F_73A9_41BA_7A5C87975EB1.toolTip = Wheaties - Guess the Uniform
HotspotPanoramaOverlayArea_05931D0F_3B5B_90B9_41A2_40C23A3158F7.toolTip = Wheaties - What is Wrong with this Uniform?
HotspotPanoramaOverlayArea_79370122_8E56_4488_41D7_3A5FC897110F.toolTip = When I’m in the International Space Station
HotspotPanoramaOverlayArea_7AE609DC_8FCE_47BF_41DF_7F8E53E28C84.toolTip = When I’m in the International Space Station
HotspotPanoramaOverlayArea_2BB11047_8E4A_C489_41C4_4EEE52013799.toolTip = When I’m in the International Space Station
HotspotPanoramaOverlayArea_C7F5E180_93DF_BBF3_41B1_7637E38F6DA6.toolTip = When I’m in the International Space Station
HotspotPanoramaOverlayArea_D2295A58_93DD_A912_41C4_3FCF7DBDD1B1.toolTip = When I’m in the International Space Station
HotspotPanoramaOverlayArea_6302AF7F_8FCE_3B79_41B3_9D9AC5F4F85C.toolTip = When I’m in the International Space Station
HotspotPanoramaOverlayArea_48EF4612_8FDA_4C88_4188_1F0D7CC88A91.toolTip = When I’m in the International Space Station
HotspotPanoramaOverlayArea_51BC9EEE_8FF6_DD98_41DE_8F69F8C3C689.toolTip = When I’m in the International Space Station
HotspotPanoramaOverlayArea_8F76494C_8EB6_4498_41CA_8A1F21D270C1.toolTip = Whitney Sherman - Vote: Defend Democracy
HotspotPanoramaOverlayArea_8B7CB2FF_92BB_D90D_41D5_E17439DC10E6.toolTip = Whitney Sherman - Vote: Defend Democracy
HotspotPanoramaOverlayArea_B1AB5447_92CC_B97E_41BA_27BD300542F4.toolTip = Whitney Sherman - Vote: Defend Democracy
HotspotPanoramaOverlayArea_AD57A573_93C5_FB15_41BB_839356440D4B.toolTip = Whitney Sherman - Vote: Defend Democracy
HotspotPanoramaOverlayArea_8F709717_8ECA_CC89_41CC_F3E173950586.toolTip = Whitney Sherman - Vote: Defend Democracy
HotspotPanoramaOverlayArea_8F61E93A_8ECA_44F8_41B9_A569B09AD7BE.toolTip = Whitney Sherman - Vote: Defend Democracy
HotspotPanoramaOverlayArea_A16B7739_9344_A712_41E1_9795B1E5E125.toolTip = Whitney Sherman - Vote: Defend Democracy
HotspotPanoramaOverlayArea_8F69AD3D_8EDA_DCF9_41C9_7936F579D475.toolTip = Whitney Sherman - Vote: Defend Democracy
HotspotPanoramaOverlayArea_CAF52899_810B_FF13_41DB_A6FACB9A3AC1.toolTip = Willie Gillis: Food Package
HotspotPanoramaOverlayArea_A656900F_941D_38F7_41D4_977DD920D8C0.toolTip = Willie Gillis: Food Package
HotspotPanoramaOverlayArea_A9698931_9F03_CBA3_41DF_E00F8D304BAA.toolTip = Willie Gillis: Food Package
HotspotPanoramaOverlayArea_D3BDBE51_810E_F310_417C_DF2F7F293EC3.toolTip = Willie Gillis: Food Package
HotspotPanoramaOverlayArea_A9BF9717_9956_D808_4183_67A2C4E902A4.toolTip = Willie Gillis: Food Package
HotspotPanoramaOverlayArea_80F9647B_9F1C_599C_41D1_C018C292D4A0.toolTip = Willie Gillis: Food Package
HotspotPanoramaOverlayArea_1183EE49_9F1C_C9DD_41CA_8FB46B365B8B.toolTip = Willie Gillis: Food Package
HotspotPanoramaOverlayArea_BE93F9F9_85B3_02DE_41D8_5CB5C7CC378E.toolTip = Willie Gillis: Food Package
HotspotPanoramaOverlayArea_9FBAC94A_9F0D_CB3C_41C9_9B8FC30CF4B5.toolTip = Willie Gillis: Food Package
HotspotPanoramaOverlayArea_32B1DE07_9F04_4944_41C4_410C464A1884.toolTip = Willie Gillis: Food Package
HotspotPanoramaOverlayArea_9FE884CA_9F0C_3915_41D6_B546919EEDC2.toolTip = Willie Gillis: Food Package
HotspotPanoramaOverlayArea_A009EAAE_A10F_C91D_41E1_C5E9E38BEEB5.toolTip = Willie Gillis: Food Package
HotspotPanoramaOverlayArea_A052AABD_9952_4878_41C8_41B4945A2C1E.toolTip = Willie Gillis: In Convoy
HotspotPanoramaOverlayArea_CE310B6A_810D_7130_419B_426D74E912C8.toolTip = Willie Gillis: In Convoy
HotspotPanoramaOverlayArea_A00B5CC4_A10C_C90D_41CD_94DD455DD917.toolTip = Willie Gillis: In Convoy
HotspotPanoramaOverlayArea_9FBD3CC0_9F04_492A_41DD_89214CF78E8E.toolTip = Willie Gillis: In Convoy
HotspotPanoramaOverlayArea_9FE932FB_9F0C_5EEA_41B3_2AC88B5BCDE5.toolTip = Willie Gillis: In Convoy
HotspotPanoramaOverlayArea_2EB7D484_9F04_593B_41CF_D27F005F3383.toolTip = Willie Gillis: In Convoy
HotspotPanoramaOverlayArea_159625A7_9F04_5B54_41E2_E9BBF1A17567.toolTip = Willie Gillis: In Convoy
HotspotPanoramaOverlayArea_A6AE4F1E_9F7C_4761_41E0_2665F3797CEA.toolTip = Willie Gillis: In Convoy
HotspotPanoramaOverlayArea_B8908820_9412_E929_41D6_A23DAA846555.toolTip = Willie Gillis: In Convoy
HotspotPanoramaOverlayArea_B0E0192E_85D1_0344_41DC_A86461591085.toolTip = Willie Gillis: In Convoy
HotspotPanoramaOverlayArea_BDEE2AA4_9F1C_4EB4_41DA_B6F74576E1C2.toolTip = Willie Gillis: in Convoy
HotspotPanoramaOverlayArea_58074543_CA16_9EFA_41E2_C83BF827AAA2.toolTip = Wings over the World
HotspotPanoramaOverlayArea_9FB416A6_9F04_5971_41DB_38A7098B9659.toolTip = Winston Churchill Ashtray
HotspotPanoramaOverlayArea_70014905_A924_71CD_41B3_E700479C1BB6.toolTip = Witches' Sabbath
HotspotPanoramaOverlayArea_AE30EB40_5665_008C_41CE_13D317156C20.toolTip = Woman posing in front of Freedom of Speech
HotspotPanoramaOverlayArea_57FB5F6D_565B_0094_41D2_23B8330CA102.toolTip = Woman posing in front of Freedom of Speech
HotspotPanoramaOverlayArea_B36021D2_5665_038C_41C8_36DE6B345586.toolTip = Woman posing in front of Freedom of Speech
HotspotPanoramaOverlayArea_BF2DBAD9_3D48_9159_41C7_DD4EE7B0D0E8.toolTip = Women Factory Workers Naomi Parker and Frances John
HotspotPanoramaOverlayArea_0F52BD28_4757_DDF8_41CE_275856561597.toolTip = Women Factory Workers Naomi Parker and Frances Johns
HotspotPanoramaOverlayArea_58C45A39_7F44_68ED_41D5_5A1F0C6A7972.toolTip = Women Factory Workers Naomi Parker and Frances Johns
HotspotPanoramaOverlayArea_587CFC29_7F44_68EA_41CE_DEC962AE509F.toolTip = Women Factory Workers Naomi Parker and Frances Johns
HotspotPanoramaOverlayArea_7FE296F3_476D_CC68_41CE_6E0104BCFFAB.toolTip = Women Factory Workers Naomi Parker and Frances Johnson
HotspotPanoramaOverlayArea_5876CC1E_7F44_68A6_41DC_79944827ABBB.toolTip = Women in the Workforce
HotspotPanoramaOverlayArea_6190D4BA_4AF5_2AF2_41D1_6BE4AEC61632.toolTip = Women in the Workforce
HotspotPanoramaOverlayArea_6E9C8A7D_4ADB_7E76_41BE_2C0FC5CEDBB1.toolTip = Women in the Workforce
HotspotPanoramaOverlayArea_67CC726F_4AF7_2992_4185_C71E4C204C35.toolTip = Women in the Workforce
HotspotPanoramaOverlayArea_550C1AA0_4F95_6D5B_41CB_ED5F4F4A358C.toolTip = Women in the Workforce
HotspotPanoramaOverlayArea_550C2AA0_4F95_6D5B_41C9_06AE4D1ED5B2.toolTip = Women in the Workforce
HotspotPanoramaOverlayArea_58C5FA32_7F44_68FF_41DA_11C8D7443FF2.toolTip = Women in the Workforce
HotspotPanoramaOverlayArea_6185E467_4AF5_6992_41C9_E9DD76E93DFD.toolTip = Women in the Workforce
HotspotPanoramaOverlayArea_6125B9D6_4AFD_5AB2_41C8_8336FEF5378B.toolTip = Women in the Workforce
HotspotPanoramaOverlayArea_674291C4_4ACC_EA96_419A_0D12538668A8.toolTip = Women in the Workforce
HotspotPanoramaOverlayArea_616BDB12_4AFB_3FB2_41C1_1E32C197827A.toolTip = Women in the Workforce
HotspotPanoramaOverlayArea_6797DD3D_4FBC_A7A5_4198_946EFBCEC6B8.toolTip = Women in the Workforce
HotspotPanoramaOverlayArea_5B416225_4F95_5DA5_41D3_51D3F0AC7636.toolTip = Women in the Workforce
HotspotPanoramaOverlayArea_67500CDB_4FB3_A6ED_41D3_E5CB8C92BC91.toolTip = Women in the Workforce
HotspotPanoramaOverlayArea_548ADA9E_4F95_6D67_41D2_0743A8EEC2BA.toolTip = Women in the Workforce
HotspotPanoramaOverlayArea_69999105_4ABB_2B96_41D1_993A4355E9CF.toolTip = Women in the Workforce
HotspotPanoramaOverlayArea_6607A85E_4AFD_39B2_41B5_FD330CF4DEF5.toolTip = Women in the Workforce
HotspotPanoramaOverlayArea_6E3F4908_4AB7_5B9E_41C0_8DA5DAA1E303.toolTip = Women in the Workforce
HotspotPanoramaOverlayArea_548ABA9E_4F95_6D67_41C4_E9252ACA819B.toolTip = Women in the Workforce
HotspotPanoramaOverlayArea_548A9A9E_4F95_6D67_41C4_8C865F7E7FB1.toolTip = Women in the Workforce
HotspotPanoramaOverlayArea_5C03E9B0_4F73_EEBB_41D0_4801DE1F8F0C.toolTip = Women in the Worksforce
overlay_CB68DF9A_F899_8CDA_41DC_DF77DE1EA20E.toolTip = Womenpower Video
overlay_CCDB78DF_F889_7459_41D5_FAC3A230C40B.toolTip = Womenpower Video
overlay_C838A7A5_F889_7CE9_41DC_4DF8270CA45E.toolTip = Womenpower Video
HotspotPanoramaOverlayArea_43BA1AA8_19EF_3CBF_41AE_576759D573BA.toolTip = Woortman - Took the Place of His Mother
HotspotPanoramaOverlayArea_4ED558A7_19F1_7CB1_41A7_F591CF2636CF.toolTip = World War II Trading Cards and Candy Boxes
HotspotPanoramaOverlayArea_9942B4DF_85BF_02FE_41AB_E6CFD25D33ED.toolTip = World's Fair: Four Freedoms Sculptures
HotspotPanoramaOverlayArea_CF6420C6_8115_8F7F_41DA_0DA790FC5741.toolTip = World's Fair: Four Freedoms Sculptures 2
HotspotPanoramaOverlayArea_D5AAE9FB_811A_9115_41AD_37FA45B1BB41.toolTip = World's Fair: Four Freedoms Sculptures 2
HotspotPanoramaOverlayArea_9FDEE24C_9F05_F929_41D1_919D8E8E413E.toolTip = Worlds Fair: Four Freedoms Sculptures
HotspotPanoramaOverlayArea_16CFFE0C_9F0C_4951_41D6_C231EA5615BA.toolTip = Worlds Fair: Four Freedoms Sculptures
HotspotPanoramaOverlayArea_9FB7C301_9F04_3F2E_41DA_FE735F826E79.toolTip = Worlds Fair: Four Freedoms Sculptures
HotspotPanoramaOverlayArea_3AF029EA_9F0C_4ADB_41E0_552ABF9B4895.toolTip = Worlds Fair: Four Freedoms Sculptures
HotspotPanoramaOverlayArea_2561F5C5_19AF_14F1_41A6_F5A5245A8B57.toolTip = Worthman - Give you a lift?
HotspotPanoramaOverlayArea_2AA3F563_1873_F5B1_419C_1E85E3924EE6.toolTip = Wortman - Breadline
HotspotPanoramaOverlayArea_42BA2AED_19D1_1CB1_41B0_5F65D7B410BE.toolTip = Wortman - Breadline
HotspotPanoramaOverlayArea_42007342_19D3_6DF3_41B6_C6D3EB8CB927.toolTip = Wortman - Can You Spare a Dime?
HotspotPanoramaOverlayArea_27476505_19B1_F570_41A6_E820AADB5561.toolTip = Wortman - Can you spare a dime?
HotspotPanoramaOverlayArea_438E60E8_19F3_2CBF_41B7_0A46D067C633.toolTip = Wortman - Give You a Ride
HotspotPanoramaOverlayArea_58BACE29_19AF_17B1_418A_26DB28C8EEA0.toolTip = Wortman - Sorta took the place of his mother
HotspotPanoramaOverlayArea_272C03BA_19D1_6C93_41B4_98FDF2525F86.toolTip = Wortman - Whem mothers asks More?
HotspotPanoramaOverlayArea_44C9A9BB_19D1_1C91_419A_EDF46E538B77.toolTip = Wortman - When mothers asks more?
HotspotPanoramaOverlayArea_24242B5F_19B1_FD91_41AA_543612E01A35.toolTip = Wortman - Worried about postwar conditions
HotspotPanoramaOverlayArea_439A21F1_19F1_2C91_41B2_049667DB015B.toolTip = Wortman - Worried about postware conditions
HotspotPanoramaOverlayArea_D0208CFE_93CC_A90F_41AC_731AAECAE197.toolTip = Yuko Shimizu \
Defend Democracy (Lady Liberty)
HotspotPanoramaOverlayArea_A57FB3A6_93BB_BF3E_41C6_5412733E44AF.toolTip = Yuko Shimizu - Defend Democracy (Lady Liberty)
HotspotPanoramaOverlayArea_B3325CAF_92C4_690E_41D6_C620F9786356.toolTip = Yuko Shimizu - Defend Democracy (Lady Liberty)
HotspotPanoramaOverlayArea_8F77033B_8EB7_C4F9_41DA_E6E35D7DE4FE.toolTip = Yuko Shimizu - Defend Democracy (Lady Liberty)
HotspotPanoramaOverlayArea_8F62DA3A_8ECE_44F8_41B7_5BD82D9C40B9.toolTip = Yuko Shimizu - Defend Democracy (Lady Liberty)
HotspotPanoramaOverlayArea_8F6AA2DF_8EDE_C5B9_41DA_FBD3BF190746.toolTip = Yuko Shimizu - Defend Democracy (Lady Liberty)
HotspotPanoramaOverlayArea_8F71580F_8ECA_4498_41DF_97C03894659A.toolTip = Yuko Shimizu - Defend Democracy (Lady Liberty)
HotspotPanoramaOverlayArea_87C45C20_92C4_6933_41C3_08CD6A0D2AAC.toolTip = Yuko Shimizu - Defend Democracy (Lady Liberty)
HotspotPanoramaOverlayArea_69F6A817_4C1D_25F5_41CF_E0E9C600A0C5.toolTip = to FDR's Four Freedoms gallery
HotspotPanoramaOverlayArea_487B24E9_55CD_8A22_41C4_ABBFF16EE047.toolTip = to the Artistic Reponse gallery
HotspotPanoramaOverlayArea_4B435718_55D3_B7EF_41D3_3B2400273221.toolTip = to the Artistic Response gallery
HotspotPanoramaOverlayArea_74A89E29_55D5_B62F_41C6_998E97BC3D98.toolTip = to the Artistic Response gallery
HotspotPanoramaOverlayArea_7FE66695_55D5_96F6_41C7_9F4EC3120C40.toolTip = to the Artistic Response gallery
HotspotPanoramaOverlayArea_7545BAEC_55DF_9E25_41A5_204B5DD17540.toolTip = to the Artistic Response gallery
HotspotPanoramaOverlayArea_4B4265C2_55D5_8A63_41AA_B4BAA6575E16.toolTip = to the Artistic Response gallery
HotspotPanoramaOverlayArea_748BC9E3_55D7_FA23_41D2_B96759DAE65D.toolTip = to the Artistic Response gallery
HotspotPanoramaOverlayArea_7618FC3C_55CF_9A28_41D1_2D2FFDF53389.toolTip = to the Artistic Response gallery
HotspotPanoramaOverlayArea_4E74D926_55BC_FA2D_41D5_6B57E1865CD7.toolTip = to the Artistic Response gallery
HotspotPanoramaOverlayArea_4E8FFCF5_55BD_9A2E_41D3_05A250B7FCC3.toolTip = to the Artistic Response gallery
HotspotPanoramaOverlayArea_6AF0EF1F_4C05_FBF5_41D0_7B534284FD35.toolTip = to the FDR''s Four Freedoms gallery
HotspotPanoramaOverlayArea_587C7C2F_7F44_68E6_41C0_3F3D497CBB72.toolTip = to the FDR''s Four Freedoms gallery
HotspotPanoramaOverlayArea_58C6CA3F_7F44_68E5_41D0_8CD9D4D0CDDF.toolTip = to the FDR''s Four Freedoms gallery
HotspotPanoramaOverlayArea_64F72A24_4C03_25CA_41BF_A0C9A0B8F0D1.toolTip = to the FDR's Four Freedoms gallery
HotspotPanoramaOverlayArea_6A79F187_4C05_66D5_41CA_15F6B6FF2E10.toolTip = to the FDR's Four Freedoms gallery
HotspotPanoramaOverlayArea_68EBC464_4C05_2E55_41A9_27D2B1D89BC4.toolTip = to the FDR's Four Freedoms gallery
HotspotPanoramaOverlayArea_6A90D8CA_4C03_265E_41D0_17C276607329.toolTip = to the FDR's Four Freedoms gallery
HotspotPanoramaOverlayArea_68DBF21C_4C03_65F4_41D2_C243FBF93376.toolTip = to the FDR's Four Freedoms gallery
HotspotPanoramaOverlayArea_4E365386_55BC_8EED_41CE_74CC8FFB3D03.toolTip = to the Four Freedoms Gallery
HotspotPanoramaOverlayArea_4C84A843_55B4_BA6A_41B7_ADD0236035B1.toolTip = to the Four Freedoms gallery
HotspotPanoramaOverlayArea_48A55500_55B3_8BE2_41D2_0A666F6C9A76.toolTip = to the Four Freedoms gallery
HotspotPanoramaOverlayArea_76DAE584_55CC_8AD9_41D2_33C6F4706115.toolTip = to the Four Freedoms gallery
HotspotPanoramaOverlayArea_4989E199_55B4_8AE7_41AB_0254D417091C.toolTip = to the Four Freedoms gallery
HotspotPanoramaOverlayArea_482E4D78_55CC_9A21_41BE_B094D597E642.toolTip = to the Four Freedoms gallery
HotspotPanoramaOverlayArea_7D1EE70A_55D7_B7D2_41D2_645D88689304.toolTip = to the Four Freedoms gallery
HotspotPanoramaOverlayArea_74DFD70E_55D3_97E5_41D3_B2E5EA6644C0.toolTip = to the Four Freedoms gallery
HotspotPanoramaOverlayArea_7750C416_55D5_89E7_41CF_563331144B02.toolTip = to the Four Freedoms gallery
HotspotPanoramaOverlayArea_4BFC9B58_55CD_9E60_4153_04943D7EA5E4.toolTip = to the Four Freedoms gallery
HotspotPanoramaOverlayArea_4A4B129E_55D7_8EE3_41C6_F184F61F44C3.toolTip = to the Four Freedoms gallery
HotspotPanoramaOverlayArea_73963273_55F3_8E3B_41CC_465EB8992BE9.toolTip = to the Four Freedoms gallery
HotspotPanoramaOverlayArea_7592DD87_55DD_9AE3_41CC_C931FB2AAD26.toolTip = to the Four Freedoms gallery
HotspotPanoramaOverlayArea_64069384_4C0D_6ACB_4184_63914ADA0606.toolTip = to the Freedom's Legacy gallery
HotspotPanoramaOverlayArea_610BCCC5_4C03_1E4A_41B1_D5ED9FB98EF6.toolTip = to the Freedom's Legacy gallery
HotspotPanoramaOverlayArea_6619701B_4C3C_E5FE_41AD_1BBB4E92D61E.toolTip = to the Freedom's Legacy gallery
HotspotPanoramaOverlayArea_4898EB85_55CC_9EE2_41A7_5924BB76062F.toolTip = to the War Generation gallery
HotspotPanoramaOverlayArea_496EB1FE_55B7_8A1D_41D5_278BA82C326E.toolTip = to the War Generation gallery
HotspotPanoramaOverlayArea_72F7718D_55D4_8AD1_41B4_5FF3C6F0D247.toolTip = to the War Generation gallery
HotspotPanoramaOverlayArea_727601BB_55D4_8A31_41BB_81716258091D.toolTip = to the War Generation gallery
HotspotPanoramaOverlayArea_776FB9A1_55CC_9ADA_41BB_CA173CC09243.toolTip = to the War Generation gallery
HotspotPanoramaOverlayArea_49E1B33D_55B5_8E1D_419B_4C37F12378B0.toolTip = to the War Generation gallery
HotspotPanoramaOverlayArea_4F75A88C_55B3_7AFE_41A2_1117C4EDE896.toolTip = to the War Generation gallery
HotspotPanoramaOverlayArea_4ABEDA13_55D3_B9E3_41AA_0EA592933A35.toolTip = to the War Generation gallery
HotspotPanoramaOverlayArea_4A3337C1_55D5_765E_41AE_C40E261256D6.toolTip = to the War Generation gallery
HotspotPanoramaOverlayArea_77516D82_55D3_7ADF_41D4_0991E2777FC0.toolTip = to the War Generation gallery
HotspotPanoramaOverlayArea_7591526C_55DC_8E25_41C3_578E33C0A549.toolTip = to the War Generation gallery
HotspotPanoramaOverlayArea_68E5B36B_8FCE_4499_41CB_CA68CD8FBE62.toolTip = tockbridge Fire Department to the Rescue
HotspotPanoramaOverlayArea_AA83B81C_AB1C_FFC3_41AF_A30AEDC3F42B.toolTip = xis Propaganda

## Media

### Audio
AudioResource_5A6D0BCC_476F_CD76_41B7_70590194156C.mp3Url = media/audio_006D133B_667A_A61B_41CF_0300B3E83CFF_en.mp3
AudioResource_5A6EDBCB_476F_CD72_41C9_BA7195E6787B.mp3Url = media/audio_04AA23E2_666B_6625_41C7_4CA51CA66BF4_en.mp3
AudioResource_5A69CBD2_476F_CD12_41B2_251957A7D828.mp3Url = media/audio_0864BAB5_A4E7_97CF_41BE_3377BEE5B687_en.mp3
AudioResource_5A6CABCD_476F_CD76_41BA_FFC3615525E5.mp3Url = media/audio_08680FD4_667F_5E6D_41CD_AC5E572413DD_en.mp3
AudioResource_5A6E3BCC_476F_CD76_41BE_ECCA67FA0497.mp3Url = media/audio_098BE484_6679_E2ED_41C8_23E2A43EACFC_en.mp3
AudioResource_5A6D6BCC_476F_CD76_41CB_136C8ED9F256.mp3Url = media/audio_0AC91041_667A_E267_41D2_B9F5CD530084_en.mp3
AudioResource_5A6C8BCE_476F_CD72_41B8_A8D70F4D5673.mp3Url = media/audio_0BA3E43D_4AB5_29F6_41C0_BB6AC43B68AB_en.mp3
AudioResource_5A6C2BCE_476F_CD72_41C0_63BCE4A3365E.mp3Url = media/audio_0C4986FF_4B57_D672_41BA_BB3F8791BCF7_en.mp3
AudioResource_5A6D9BCC_476F_CD77_41CE_8722274CD34C.mp3Url = media/audio_0DE9C905_667E_A3EF_41A1_050992373676_en.mp3
AudioResource_5A6F2BCA_476F_CD72_4192_5F007780FD9B.mp3Url = media/audio_0F480923_0F03_0D37_41A4_CCECE6DEB8D1_en.mp3
AudioResource_5A6DCBCC_476F_CD76_41D1_32FB1EDC1A35.mp3Url = media/audio_0FA63FD3_667B_BE64_41D0_12E214F7BBC2_en.mp3
AudioResource_5A6FDBCA_476F_CD72_41C4_1D790C18C91F.mp3Url = media/audio_1045ADFC_43A1_1026_41CD_35FA5E03FC4D_en.mp3
AudioResource_5A6E8BC9_476F_CD7E_41C0_668C4C78815C.mp3Url = media/audio_1085471A_43A3_71E2_41BD_6D9326E780A8_en.mp3
AudioResource_5A6FDBC9_476F_CD7E_41D1_4CBD1EF715C1.mp3Url = media/audio_10885101_43A2_F1DE_41CC_A339659E15E1_en.mp3
AudioResource_5A694BD2_476F_CD12_41BC_D42177A370DB.mp3Url = media/audio_10B713C5_A4E2_954C_41E3_12EC1C5AABA0_en.mp3
AudioResource_5B904BC8_476F_CD7E_41BD_31A0B1F6745D.mp3Url = media/audio_12252D97_A41E_ADCD_41CC_BEE5C9D83C6B_en.mp3
AudioResource_5B914BC7_476F_CD72_41D1_819F0B30D07C.mp3Url = media/audio_13E090B7_A4E3_F3CD_41D4_A9F4506CC722_en.mp3
AudioResource_5A6EEBCA_476F_CD72_41D1_589CE96E21BE.mp3Url = media/audio_13F3D9FD_12DC_B7B0_4175_7D37571538DF_en.mp3
AudioResource_5A6E1BCB_476F_CD72_41CC_D58EF523DC32.mp3Url = media/audio_13F46D99_12C4_6C70_419F_A0BB1D1356BF_en.mp3
AudioResource_5A6DBBCB_476F_CD72_41CB_899B76F2F504.mp3Url = media/audio_13F4F24E_12C4_74D1_4198_25C877304285_en.mp3
AudioResource_5A6D2BCC_476F_CD76_41C4_742F3F4C4C78.mp3Url = media/audio_13F5AA96_12C4_9471_41AD_0D802CD4D634_en.mp3
AudioResource_5A6E2BCB_476F_CD72_41C2_E5D4BDA79FCF.mp3Url = media/audio_13F67FF2_12C4_6BB0_41B0_982606BD3D9D_en.mp3
AudioResource_5A6DABCC_476F_CD76_41CD_7D97AED30EF8.mp3Url = media/audio_13F750E0_12C5_B5D1_41B3_6CD2E96934F8_en.mp3
AudioResource_5A6F5BC9_476F_CD7E_41B0_F473FEA1F366.mp3Url = media/audio_140DCCC0_56AB_018C_41C5_250F06F96F7A_en.mp3
AudioResource_5B907BC8_476F_CD7E_41D1_136BC0E38DEA.mp3Url = media/audio_155EDB89_A4E1_95C5_41D8_DE1AB50D9B7C_en.mp3
AudioResource_5A6FCBC8_476F_CD7E_419F_AC6ADBE6A831.mp3Url = media/audio_17738338_A41E_96C2_41E2_492B0C949199_en.mp3
AudioResource_5A6E0BCB_476F_CD72_41CB_6FE1EA69A1DC.mp3Url = media/audio_1DC4C6A3_43A7_7021_41BD_9CA9F647E53D_en.mp3
AudioResource_5B905BCA_476F_CD72_41BF_1061BE08EDBC.mp3Url = media/audio_1F02553E_43A1_3022_41CD_B90890315148_en.mp3
AudioResource_5A6E8BCA_476F_CD72_41B3_EAA3BD230985.mp3Url = media/audio_1F6EB7ED_43A1_1021_41AB_BE404EF2698A_en.mp3
AudioResource_5A69FBD3_476F_CD12_4199_15030049716B.mp3Url = media/audio_1F8A5E8B_A4E2_AFC5_41E3_5C2A81F47656_en.mp3
AudioResource_5A6F6BC9_476F_CD7E_41C7_A6020012AD13.mp3Url = media/audio_1FFCB458_43A3_306F_41B6_A6852856EC8C_en.mp3
AudioResource_5A6E7BCB_476F_CD72_41CC_EBF8EA146D9A.mp3Url = media/audio_20F1F536_664E_F1EA_41D9_0986EAD3E5A5_en.mp3
AudioResource_5B904BCA_476F_CD72_41CE_E113FA30CF10.mp3Url = media/audio_225E3295_71D6_9355_41C7_DCEBC723DACA_en.mp3
AudioResource_5A6DEBCB_476F_CD72_41C4_BC81E76BFF2A.mp3Url = media/audio_226A6671_662B_6E27_41AE_3DF502649AAC_en.mp3
AudioResource_5A6B9BD0_476F_CD6E_41C2_FD4DD1C99CC0.mp3Url = media/audio_24F7CA8D_A4E6_97D3_41D1_9B2A11C33569_en.mp3
AudioResource_5A6ACBD1_476F_CD6E_41CD_64FA2CEC6531.mp3Url = media/audio_25165696_A4E2_9FF1_41CF_256ACDF3788C_en.mp3
AudioResource_5A6DDBCB_476F_CD72_41C5_14E8D45ED9E5.mp3Url = media/audio_26658491_6637_A2E7_41D4_C6BA7CFC161A_en.mp3
AudioResource_5A6B0BD0_476F_CD6E_41BD_1B42A7C42ED0.mp3Url = media/audio_2763B116_A4E6_72FF_41DC_43FB35521AFA_en.mp3
AudioResource_5A69EBD3_476F_CD12_41AB_E33FFC2176EB.mp3Url = media/audio_280A4E3E_6B53_8F85_41BB_9944EAB65401_en.mp3
AudioResource_5A692BD3_476F_CD12_41CB_FAC2F3DC5AEF.mp3Url = media/audio_29615175_6B52_9587_41C2_7544564D9D68_en.mp3
AudioResource_5A6F4BCA_476F_CD72_4183_BF3428841946.mp3Url = media/audio_29F2C749_56DF_009C_41A3_B17CF6A4E865_en.mp3
AudioResource_5A690BD2_476F_CD12_41D0_B5509782CD69.mp3Url = media/audio_2BB59413_6B57_9383_41C0_96E0CF7DD65E_en.mp3
AudioResource_5A6FFBCA_476F_CD72_41C7_91272D40494D.mp3Url = media/audio_2EE1C021_56DB_008C_41D0_40EEFD97FCC8_en.mp3
AudioResource_5B906BCA_476F_CD72_41D0_54780D43C69B.mp3Url = media/audio_3505A1AC_56BB_0394_41B6_4678B1D576BA_en.mp3
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### Audio Subtitles

### Floorplan

### Image
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### Video Subtitles

## Skin

### Button
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Button_10532A8F_5D76_294E_41CF_0726BC5F9BB0.label = LEER EL CÓMIC >
Button_155C45F3_5D76_5AD6_41C6_E0616FD394F1.label = LIRE LA BANDE DESSINÉE >
Button_53821279_4087_AA7C_41BD_3D396991C7F8_mobile.label = POPS PETERSON / UNITY  PROJECT
Button_A7163067_DA16_9473_41EC_59ABD76EF90D.label = POPS PETERSON: REINVENTING ROCKWELL
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Button_7C60878A_3B94_0382_41B4_C980429F66C2.label = READ THE MAGAZINE >
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Button_5390BEE4_4082_BA94_41AB_07ADA78B0D4C.label = ROCKWELL'S FOUR FREEDOMS
Button_4FCCC2DC_40BE_6ABB_41AC_D05E658214F7.label = ROCKWELL'S FOUR FREEDOMS ON TOUR
Button_4FCCC2DC_40BE_6ABB_41AC_D05E658214F7_mobile.label = ROCKWELL's FOUR FREEDOMS
Button_52D6EE00_4082_BD8B_41C3_7DA709419AD6.label = SPOTLIGHT: MURDER IN MISSISSIPPI
Button_4C3D1E3F_409E_7DF4_41BA_9468B363C9FB_mobile.label = THE WAR GENERATION
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Button_57F4B42C_4082_ED94_41C1_29F4FDB93211_mobile.label = Visit the Museum!
Button_4C6B3454_33F2_63AA_41B0_56299FE30A80.label = WATCH MORE VIDEOS >
Button_15957022_5D7E_7976_41D3_43F9E41035E1.label = קרא את ספר הקומיקס
Button_11EEA2EB_5D7E_5EF6_4196_A037D92BAA1C.label = اقرأ الكتاب الهزلي
Button_178086F5_5D7A_66D2_41B3_4C320986911E.label = 阅读漫画书

### Image
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### Label
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### Multiline Text
HTMLText_E5753C6E_6CF6_D6F2_41D7_3879B882D6CE.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.4387598580747123vmax;"><SPAN STYLE="display:inline-block; letter-spacing:0vmax; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:2.44vmax;font-family:'Merriweather';">Sixth Draft of Roosevelt’s Message to Congress </SPAN></SPAN></DIV></div>
HTMLText_C683753C_56A5_00F4_41D5_9F2DCD625F20.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:1.905972045743329vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#000033;font-size:1.91vmin;font-family:'Lato';"><B>Click on a magazine cover to explore that issue of the magazine (above).</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">February 27, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gift of William W. Hargreaves</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">By the 1940's.</SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I> The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> grew to become the most widely circulated weekly magazine in America. The magazine gained prominent status under the leadership of its longtime editor George Horace Lorimer</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> published current event articles, editorials, human interest pieces, humor, illustrations, a letter column, poetry (with contributions submitted by readers), single-panel gag cartoons and stories by the leading writers of the time. It was known for commissioning lavish illustrations and original works of fiction. </SPAN></SPAN></DIV></div>
HTMLText_B917CB42_3386_3662_4198_B61728542289.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B><I>New York Times</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Sunday, August 17, 1941</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section 4, pages 1 and 4</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1941 New York Times Inc. All Rights Reserved.</SPAN></SPAN></DIV></div>
HTMLText_C39F31E1_8491_2BB4_41BE_E6E82A4C976E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Amy Wike</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Refuge</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2017</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Yarn and Morse code written on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In this work, Amy Wike of Washington, D.C., presents a unique transcription of one crucial sentence from the UN’s Declaration of Human Rights. “The advent of a world in which human beings shall enjoy freedom of speech and belief and freedom from fear and want has been proclaimed as the highest aspiration of the common people,” has been knitted in Morse code, in English (blue), Somali (red), French (representing the Democratic Republic of the Congo; gray), and Arabic (representing Syria; green). “The last three languages represent the top three nations from which refugees arrived in the United States in 2017,” the artist notes. “My work plays with the ideas of translation, interpretation, and the complexities of language. The resulting amorphous shapes act as visual representations of the intricacies of communication.”</SPAN></SPAN></DIV></div>
HTMLText_C8474B98_84B7_1F95_41A3_9DAFFF1EF585.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Andréanna Seymore</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Mother and Daughter, Women’s March 2017</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2017</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Photograph</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Andréanna Seymore uses photography as a means of inquiry into social class, subculture, and counterculture. Her vivid color work captures the organized chaos of everyday people, and illuminates them in ways that prompt the viewer to think about what is occurring beyond the frame of the photograph. A resident of New York City, she traveled to the Women’s March in Washington, D.C. where she captured this image of a mother and daughter in the midst of the crowd. Photographs from her recent monograph, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Scars and Stripes: The Culture of Modern Roller Derby</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, have been acquired by the Smithsonian’s National Museum of American History.</SPAN></SPAN></DIV></div>
HTMLText_8F5760A0_8EF6_4588_41C2_B21138249743.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Anita Kunz</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Every Vote Counts</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2020</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Acrylic on board</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the artist</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Anita Kunz © 2020. All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Born in Canada, illustrator Anita Kunz became a citizen of the United States fifteen years ago. As reflected in her piece, “There are so many amazing cultures within this country,” she observed, “and the most important thing, and the thing that makes everyone feel included, is to vote.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Internationally known for her art, Kunz has created imagery for the covers and pages of </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Time</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Rolling Stone</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Vanity Fair</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The New Yorker</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>GQ</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The New York Times</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Sony Music</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, and Random House Publishing, among others. An inductee of the Society of Illustrators prestigious Hall of Fame, she has also been appointed Officer of the Order of Canada, the nation’s highest civilian honor, and she is the recipient of the Queen’s Jubilee Medal of Honor. She has been named one of the fifty most influential women in Canada by the </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>National Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> newspaper. We are honored to feature an extensive body of her work among the Norman Rockwell Museum’s permanent collection of illustration art.</SPAN></SPAN></DIV></div>
HTMLText_E3F9C621_8591_28B4_41D6_2770BC24364D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Barbara Brandel</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Thoughts of Home,</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> 2013</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Mixed media</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Created with international postage stamps, the figure in this work by Tucson, Arizona artist Barbara Brandel reflects places near and far, and the universal desire for the promise of the Four Freedoms. Her piece comments upon what she terms the Four Necessities—the importance of having “enough to eat, a place to live, a means to earn a living, and a community of friends and family.”</SPAN></SPAN></DIV></div>
HTMLText_E8E46434_8571_289C_41D3_761DFE9E25AD.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Benny Bing</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>United We Stand</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2017</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Acrylic on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For Benny Alaga of Toronto, Canada, “the act of painting is a conversation between the work and me.” United We Stand invites consideration of national identity, taking inspiration from Shepard Fairy’s </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>We the People Are Greater Than Fear</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> by portraying a Muslim woman wrapped in the American flag.</SPAN></SPAN></DIV></div>
HTMLText_428978F6_6EBD_90D4_4193_418016B4D7F4.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Bill Scovill (1914 - 1997)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Reference Photos for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Golden Rule</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1961</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, Norman Rockwell Art Collection Trust</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1961 Norman Rockwell Family Agency. All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In these photos, we witness Rockwell's work to get paint on canvas, starting with the initial drawing, incrementally painting the faces in, adding the stenciled text, and finally the finishing touches.</SPAN></SPAN></DIV></div>
HTMLText_EC27C927_8593_78BB_41D7_8D561E8A08F8.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Brandin Barón</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Four Freedoms in the Style of Pontormo</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2017</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital print on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">A response to Norman Rockwell’s </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Golden Rule</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, a 1961 cover for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, Brandin Barón was inspired by the painting’s focus on ethnic diversity. His response “fuses Rockwell’s color palette to spatial the complexities in [Italian Mannerist painter] Jocopo Pontormo’s </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Joseph of Egypt</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> (1517-1518). My goal was to create a dialogue between realistic human figures and memorialized forms of historicized American leaders and edifices…as a means of illustrating the trans-historical legacy of the Four Freedoms.” The Golden Gate Bridge, a feature of the artist’s home city of San Francisco, is a prominent element in the work.</SPAN></SPAN></DIV></div>
HTMLText_E4DD5795_8593_F79F_4196_54755741EC5B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Bri Hermanson</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Marriage Equality</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2018</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“As a queer person, marriage equality has been the greatest, most personally legitimizing freedom granted in this country in my lifetime,” said illustrator Bri Hermanson of Northampton, Massachusetts. “To me, the evolution of marriage laws are an expansion of the ideals of freedom presented by Roosevelt and Rockwell.” Referencing the marriage tradition of “something old and something new,” the artist included the circular element that symbolized the early </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, while same-sex marriage represents the dawn of a new age.</SPAN></SPAN></DIV></div>
HTMLText_E6F534BE_85B7_298D_41E0_502B4043CA0C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Candace Eaton</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Why?</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2017</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Candace Eaton of Northport, New York took the opportunity to reflect upon Freedom from Fear in this work, which comments upon the violence that has become all too prevalent in society. “Now,” said the artist, “our children stand along—their parents cannot protect them. Terrorism and the indiscriminate slaughter of the innocent had ripped that security away.”  In this painting, the lone child confronts the viewer, asking why. In addition to her personal work, Eaton is a courtroom artist whose drawings have been published in </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Newsday</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> and on television.</SPAN></SPAN></DIV></div>
HTMLText_E31EA4C0_8591_29F5_41D0_42C5CE1D20EA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Celine Browning</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Untitled III (Capture the Flag)</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2017</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Flag, thread, and wood</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Informed by the complex nature of nationalism and patriotism, this work by Celine Browning of Grand Rapids, Michigan, “is a celebration of our many strengths as a nation, but also…the many ways that the national psyche has been affected by perceived threats to our freedom to worship openly, live without fear, and speak our discontent.”</SPAN></SPAN></DIV></div>
HTMLText_9E36871A_8371_E894_41BD_652392B5FCF6.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Chris Hopkins</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>An Uncertain Future</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2014 </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on panel</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Inspired by Norman Rockwell’s </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom from Fear</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, this emotional work by Chris Hopkins of Everett, Washington looks back on the Japanese internment during World War II, “with the hope that something like this will never happen again.” The artist’s paintings celebrate the human spirit, focusing on subjects of cultural importance. Widely- published as an illustrator, he has created imagery for many commissions, including the film, entertainment, and sports industries—from </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Indiana Jones and the Temple of Doom</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> to the Super Bowl.</SPAN></SPAN></DIV></div>
HTMLText_CA5F108B_84B1_6874_41CA_B385C044C701.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Chris Hopkins</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom from Want,</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> 2017</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on panel</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom from Want </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">addresses the right to an adequate standard of living, and to sufficient food, clothing, and shelter. As the artist’s poignant work reveals, “the ever- present image of homelessness represents a longing for those very things.” On any given night, more than 643,000 people experience homelessness in America, including families, veterans, and those suffering from mental illness and fleeing from domestic violence.</SPAN></SPAN></DIV></div>
HTMLText_ED15C524_858F_28BC_41CF_390CF8E8CA18.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Curt Belshe</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Twenty-First Century Four Freedoms</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2017</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Photo-polymer etching on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For Curt Belshe of Peekskill, New York, this work addresses the complexities of living in a culturally diverse world in the digital information age, which allows us to connect across barriers on a global scale.</SPAN></SPAN></DIV></div>
HTMLText_A22EC8C4_8371_19FD_41DF_2269ECDE0E23.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Daisy Rockwell</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Arrested: Contemptuous Larcenist,</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> 2013 </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Acrylic and glitter on panel</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Arrested: Intoxicated Driver,</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> 2013 </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Acrylic on linen</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Arrested: Possessor and Obstructer</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2013 </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Acrylic on linen</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Arrested: Sex Offender</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2013 </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Acrylic on panel</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Arrested: Parolee</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2013 </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Acrylic on panel</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Arrested: Fraudster</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2013 </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Acrylic on linen</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Arrested: Irresponsible Driver</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2013 </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Acrylic on panel</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Arrested: Avoider of Fines</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2013 </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Acrylic on panel</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Daisy Rockwell grew up in a family of artists in Stockbridge, Massachusetts. The granddaughter of Norman Rockwell, she received a doctorate in literature from the University of Chicago and pursued a career in academia at Loyola University and the University of California, Berkeley. A scholar of South Asian literature, she is fluent in Urdu, and grew up painting.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Arrested</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> is meant to spur public dialogue and give voice to incarcerated women who strive to be heard. “This set of paintings is a continuation of my work on ancient Indian rasa theory, a study that began with an exploration of the notion of terrorism and the war on terror, a battle ostensibly being waged against the emotion of fear,” the artist said. “As part of the war against terrorism, Americans are urged to feel frightened and suspicious of others, rather than free of fear, as in Roosevelt’s, and Rockwell’s, formulation.”  Rasa means essence, and Sanskrit aestheticians delineated eight or nine of these essential moods, which are found in the arts. In these works, it is up to the viewer to decide what mood each woman is experiencing.</SPAN></SPAN></DIV></div>
HTMLText_A0C150C0_8397_29F5_4187_B382879AC908.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Daisy Rockwell</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Arrested: Contemptuous Larcenist</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2013 </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Acrylic and glitter on panel</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Arrested: Intoxicated Driver</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2013 </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Acrylic on linen</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Arrested: Possessor and Obstructer</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2013 </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Acrylic on linen</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Arrested: Sex Offender</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2013 </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Acrylic on panel</SPAN></SPAN></DIV></div>
HTMLText_A71F60B7_83B1_299B_41D6_E4F78877FC36.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Daisy Rockwell</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Arrested: Parolee,</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> 2013 </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Acrylic on panel</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Arrested: Fraudster,</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> 2013 </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Acrylic on linen</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Arrested: Irresponsible Driver,</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> 2013 </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Acrylic on panel</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Arrested: Avoider of Fines,</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> 2013 </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Acrylic on panel</SPAN></SPAN></DIV></div>
HTMLText_E0BF1A5B_85B1_388B_41DA_868A8F8127D4.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Daniela Edstrom</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Religion, Freedom to Believe, Version 6</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2017</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New Hampshire artist Daniela Edstrom observes that, “as Rockwell suggests, we must work together toward the highest ideals for the greater good of society and humanity.” In her art, the unifying qualities of faith and the mysteries of religious practice are referenced. Present are the sacred Muslim arch and the Madonna and Buddha in thoughtful meditation. Brahma, a Hindu deity, holds the icons of his faith, and Christendom’s apple of temptation is a symbol of “man’s wavering soul, tested by the forces of darkness.” A cemetery filled with American flags “speaks of the cost of freedom in an often contradictory world.”</SPAN></SPAN></DIV></div>
HTMLText_CF15E91A_84F1_7895_41D1_1734F002FF4D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Deborah Samia</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Four Freedoms (A Tribute to Norman Rockwell)</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2018</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Hydrocal plaster reinforced with fiberglass</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Sculptor Deborah Samia’s bas reliefs portray each of Norman Rockwell’s </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Four Freedoms</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> with a contemporary twist. “Those living in the margins of our society should have their voices heard,” wrote the artist, who lives in Oakland, California. </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Speech</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> portrays a female night janitor, who may be undervalued at work, but is the matriarch and provider for her family at home. “In </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Worship</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> re-imagining, I include Eastern religions that have flourished in our country since Rockwell’s lifetime…Buddhism, Islam, Hinduism, Sikhism, and Taoism. Our country can be unified in knowing that we are all Americans, even while honoring our different heritages and beliefs.” In </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom from Want</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, an African American family shares a meal, “a safe place where young and old, friends and family, are welcomed in anticipation of the feast.” </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Fear</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> portrays a Sikh family living in fear of hate crimes</SPAN></SPAN></DIV></div>
HTMLText_CE8EB255_84F3_289C_41D6_9A40A43F6A48.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Deborah Samia</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom from Want</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2018</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Hydrocal plaster reinforced with fiberglass</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Speech,</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> 2018</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Hydrocal plaster reinforced with fiberglass</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Worship, </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">2018</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Hydrocal plaster reinforced with fiberglass</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom from Fear, </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">2018</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Hydrocal plaster reinforced with fiberglass</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_4204C7FA_6EDD_70DF_41C8_E7451A14C528.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Edouard Manet (1832 - 1883)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Dead Toreador</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">,  1864</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on canvas.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The National Gallery of Art</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Magazine clipping from Vietnam War, possibly used for Blood Brothers</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tearsheet</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell would often look for inspiration when creating his work. He would frequently look to past artists' work and even look in contemporary media for his inspiration. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_E585B7CE_85B1_378C_41DF_1E5934ED32C0.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Erin Currier</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Margarete, Helen, and Pablita</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2016</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Acrylic and mixed media</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Erin Currier lives in Santa Fe, New Mexico, but has traveled to more than fifty countries, immersing herself in other world cultures, from Nepal to Nicaragua and Turkey. She gets around “on foot or by bus, sketching, documenting, making friends, and collecting disinherited commercial waste,” which informs her art once she returns to her studio. Currier’s travels “have inspired a sense of urgency as an artist to address social inequality and economic disparity.” Here, women from different cultures express their appreciation for art as a universal language.</SPAN></SPAN></DIV></div>
HTMLText_BB5A54A9_84B7_69B4_41D6_57079004C253.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Esther Iverem</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Through Many Dangers, Toils, and Snares, </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">2017</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Mixed media</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">This work by Esther Iverem of Washington, D.C., “interrogates the Four Freedoms through the experience of Africans who survived the Middle Passage, enslavement in the United States, Reconstruction, the totalitarianism of Jim Crow and—one hundred years after the Emancipation Proclamation—a new century of challenges and hope.” A fiber artist, Iverem has constructed her piece from denim jeans and other reclaimed materials that individually carry their own narratives.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_C12817CE_848F_778D_41CA_5A993E867BAA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Fazilat Soukhakian</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Iran, Women, Hijab</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2011</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Photograph on fabric</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“As an Iranian woman, artist and photographer, politics have defined my life,” said Fazilat Soukhakian of Salt Lake City, Utah. Fascinated by human interest stories and what they tell us about society, her work primarily deals with the political and social aspects of her surroundings. “Although it has been more than seventy-seven years since Franklin D. Roosevelt spoke about the Four Freedoms, which he regarded to be essential on a universal level, many people across the world still struggle with obtaining these freedoms. In this particular photograph, a child and women are depicted in a contemporary patriarchal society, in which their voice, appearance, and bodies are controlled by a religiously-entangled government.”</SPAN></SPAN></DIV></div>
HTMLText_9D2D0463_8371_28B4_41CC_EC8141EE32D6.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Felice House</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Olive Branch</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2017</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Felice House of Austin, Texas is a figurative painter focused on feminist portraiture. “Today women paint women as we see ourselves,” said the artist, in contrast with the passive, overly-sexualized portrayals that are culturally pervasive. Olive Branch, which is set against a Syrian landscape, serves as a tribute to the unrecognized women who have championed peace.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_E1BABDE5_8591_1BBF_41D0_1AC6088F5E73.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Gary Bist</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Refugee Families in Winter</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2017</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Sumi-e ink on rice paper</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">As this work reflects, people continue to search for the Four Freedoms that Franklin D. Roosevelt and Norman Rockwell hoped would spread throughout the world. Gary Bist’s painting reflects upon the many refugees who risk their lives in arduous conditions in pursuit of safety, security, and freedom. Here, families face a dark forest that is “similar to the barricades, fences, barbed wire and walls that they must overcome at the border of any country they approach. A slight opening in the forest suggests a possible way in,” said the artist, who resides in Ontario, Canada.</SPAN></SPAN></DIV></div>
HTMLText_CFC3109F_6AB1_B483_41AF_CF8A85A54792.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Gene Pelham (1909 - 2004)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Reference Photos for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Right to Know</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1968</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, Norman Rockwell Art Collection Trust</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1968 Norman Rockwell Family Agency. All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To assist with his artistic process, Rockwell would design scenes with models and props that he would photograph.  He would later compose his final image referencing these photographs.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_423A1A58_6971_778D_41CD_DBCB795DC466.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Gene Pelham (1909 - 2004)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Reference Photos for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>United Nations</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1953</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, Norman Rockwell Art Collection Trust</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1953 Norman Rockwell Family Agency. All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To assist with his artistic process, Rockwell would design scenes with models and props that he would photograph.  He would later compose his final image referencing these photographs.</SPAN></SPAN></DIV></div>
HTMLText_F8D8806D_A024_8EEC_41DA_9560476EDC73.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Image courtesy of the National Archives.</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Transcript of Document (Articles 1-10):</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Congress of the United States begun and held at the City of New-York, on Wednesday the fourth of March, one thousand seven hundred and eighty nine.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">THE Conventions of a number of the States, having at the time of their adopting the Constitution, expressed a desire, in order to prevent misconstruction or abuse of its powers, that further declaratory and restrictive clauses should be added: And as extending the ground of public confidence in the Government, will best ensure the beneficent ends of its institution.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">RESOLVED by the Senate and House of Representatives of the United States of America, in Congress assembled, two thirds of both Houses concurring, that the following Articles be proposed to the Legislatures of the several States, as amendments to the Constitution of the United States, all, or any of which Articles, when ratified by three fourths of the said Legislatures, to be valid to all intents and purposes, as part of the said Constitution; viz.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">ARTICLES in addition to, and Amendment of the Constitution of the United States of America, proposed by Congress, and ratified by the Legislatures of the several States, pursuant to the fifth Article of the original Constitution.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the first... After the first enumeration required by the first article of the Constitution, there shall be one Representative for every thirty thousand, until the number shall amount to one hundred, after which the proportion shall be so regulated by Congress, that there shall be not less than one hundred Representatives, nor less than one Representative for every forty thousand persons, until the number of Representatives shall amount to two hundred; after which the proportion shall be so regulated by Congress, that there shall not be less than two hundred Representatives, nor more than one Representative for every fifty thousand persons.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the second... No law, varying the compensation for the services of the Senators and Representatives, shall take effect, until an election of Representatives shall have intervened.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the third... Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the fourth... A well regulated Militia, being necessary to the security of a free State, the right of the people to keep and bear Arms, shall not be infringed.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the fifth... No Soldier shall, in time of peace be quartered in any house, without the consent of the Owner, nor in time of war, but in a manner to be prescribed by law.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the sixth... The right of the people to be secure in their persons, houses, papers, and effects, against unreasonable searches and seizures, shall not be violated, and no Warrants shall issue, but upon probable cause, supported by Oath or affirmation, and particularly describing the place to be searched, and the persons or things to be seized.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the seventh... No person shall be held to answer for a capital, or otherwise infamous crime, unless on a presentment or indictment of a Grand Jury, except in cases arising in the land or naval forces, or in the Militia, when in actual service in time of War or public danger; nor shall any person be subject for the same offence to be twice put in jeopardy of life or limb; nor shall be compelled in any criminal case to be a witness against himself, nor be deprived of life, liberty, or property, without due process of law; nor shall private property be taken for public use, without just compensation.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the eighth... In all criminal prosecutions, the accused shall enjoy the right to a speedy and public trial, by an impartial jury of the State and district wherein the crime shall have been committed, which district shall have been previously ascertained by law, and to be informed of the nature and cause of the accusation; to be confronted with the witnesses against him; to have compulsory process for obtaining witnesses in his favor, and to have the Assistance of Counsel for his defence.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the ninth... In suits at common law, where the value in controversy shall exceed twenty dollars, the right of trial by jury shall be preserved, and no fact tried by a jury, shall be otherwise re-examined in any Court of the United States, than according to the rules of the common law.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the tenth... Excessive bail shall not be required, nor excessive fines imposed, nor cruel and unusual punishments inflicted.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the eleventh... The enumeration in the Constitution, of certain rights, shall not be construed to deny or disparage others retained by the people.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the twelfth... The powers not delegated to the United States by the Constitution, nor prohibited by it to the States, are reserved to the States respectively, or to the people.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">ATTEST,</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Frederick Augustus Muhlenberg, Speaker of the House of Representatives</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Adams, Vice-President of the United States, and President of the Senate</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Beckley, Clerk of the House of Representatives.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Sam. A Otis Secretary of the Senate</SPAN></SPAN></DIV></div>
HTMLText_E7DA010D_60F0_C294_41C3_5079C45930DB.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Image courtesy of the National Archives.</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Transcript of Document (Articles 1-10):</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Congress of the United States begun and held at the City of New-York, on Wednesday the fourth of March, one thousand seven hundred and eighty nine.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">THE Conventions of a number of the States, having at the time of their adopting the Constitution, expressed a desire, in order to prevent misconstruction or abuse of its powers, that further declaratory and restrictive clauses should be added: And as extending the ground of public confidence in the Government, will best ensure the beneficent ends of its institution.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">RESOLVED by the Senate and House of Representatives of the United States of America, in Congress assembled, two thirds of both Houses concurring, that the following Articles be proposed to the Legislatures of the several States, as amendments to the Constitution of the United States, all, or any of which Articles, when ratified by three fourths of the said Legislatures, to be valid to all intents and purposes, as part of the said Constitution; viz.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">ARTICLES in addition to, and Amendment of the Constitution of the United States of America, proposed by Congress, and ratified by the Legislatures of the several States, pursuant to the fifth Article of the original Constitution.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the first... After the first enumeration required by the first article of the Constitution, there shall be one Representative for every thirty thousand, until the number shall amount to one hundred, after which the proportion shall be so regulated by Congress, that there shall be not less than one hundred Representatives, nor less than one Representative for every forty thousand persons, until the number of Representatives shall amount to two hundred; after which the proportion shall be so regulated by Congress, that there shall not be less than two hundred Representatives, nor more than one Representative for every fifty thousand persons.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the second... No law, varying the compensation for the services of the Senators and Representatives, shall take effect, until an election of Representatives shall have intervened.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the third... Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the fourth... A well regulated Militia, being necessary to the security of a free State, the right of the people to keep and bear Arms, shall not be infringed.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the fifth... No Soldier shall, in time of peace be quartered in any house, without the consent of the Owner, nor in time of war, but in a manner to be prescribed by law.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the sixth... The right of the people to be secure in their persons, houses, papers, and effects, against unreasonable searches and seizures, shall not be violated, and no Warrants shall issue, but upon probable cause, supported by Oath or affirmation, and particularly describing the place to be searched, and the persons or things to be seized.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the seventh... No person shall be held to answer for a capital, or otherwise infamous crime, unless on a presentment or indictment of a Grand Jury, except in cases arising in the land or naval forces, or in the Militia, when in actual service in time of War or public danger; nor shall any person be subject for the same offence to be twice put in jeopardy of life or limb; nor shall be compelled in any criminal case to be a witness against himself, nor be deprived of life, liberty, or property, without due process of law; nor shall private property be taken for public use, without just compensation.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the eighth... In all criminal prosecutions, the accused shall enjoy the right to a speedy and public trial, by an impartial jury of the State and district wherein the crime shall have been committed, which district shall have been previously ascertained by law, and to be informed of the nature and cause of the accusation; to be confronted with the witnesses against him; to have compulsory process for obtaining witnesses in his favor, and to have the Assistance of Counsel for his defence.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the ninth... In suits at common law, where the value in controversy shall exceed twenty dollars, the right of trial by jury shall be preserved, and no fact tried by a jury, shall be otherwise re-examined in any Court of the United States, than according to the rules of the common law.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the tenth... Excessive bail shall not be required, nor excessive fines imposed, nor cruel and unusual punishments inflicted.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the eleventh... The enumeration in the Constitution, of certain rights, shall not be construed to deny or disparage others retained by the people.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the twelfth... The powers not delegated to the United States by the Constitution, nor prohibited by it to the States, are reserved to the States respectively, or to the people.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">ATTEST,</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Frederick Augustus Muhlenberg, Speaker of the House of Representatives</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Adams, Vice-President of the United States, and President of the Senate</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Beckley, Clerk of the House of Representatives.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Sam. A Otis Secretary of the Senate</SPAN></SPAN></DIV></div>
HTMLText_F8C7CABB_A024_B274_41DA_531B492D7A5C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Image courtesy of the National Archives.</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Transcript of Document (Articles 1-10):</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Congress of the United States begun and held at the City of New-York, on Wednesday the fourth of March, one thousand seven hundred and eighty nine.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">THE Conventions of a number of the States, having at the time of their adopting the Constitution, expressed a desire, in order to prevent misconstruction or abuse of its powers, that further declaratory and restrictive clauses should be added: And as extending the ground of public confidence in the Government, will best ensure the beneficent ends of its institution.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">RESOLVED by the Senate and House of Representatives of the United States of America, in Congress assembled, two thirds of both Houses concurring, that the following Articles be proposed to the Legislatures of the several States, as amendments to the Constitution of the United States, all, or any of which Articles, when ratified by three fourths of the said Legislatures, to be valid to all intents and purposes, as part of the said Constitution; viz.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">ARTICLES in addition to, and Amendment of the Constitution of the United States of America, proposed by Congress, and ratified by the Legislatures of the several States, pursuant to the fifth Article of the original Constitution.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the first... After the first enumeration required by the first article of the Constitution, there shall be one Representative for every thirty thousand, until the number shall amount to one hundred, after which the proportion shall be so regulated by Congress, that there shall be not less than one hundred Representatives, nor less than one Representative for every forty thousand persons, until the number of Representatives shall amount to two hundred; after which the proportion shall be so regulated by Congress, that there shall not be less than two hundred Representatives, nor more than one Representative for every fifty thousand persons.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the second... No law, varying the compensation for the services of the Senators and Representatives, shall take effect, until an election of Representatives shall have intervened.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the third... Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the fourth... A well regulated Militia, being necessary to the security of a free State, the right of the people to keep and bear Arms, shall not be infringed.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the fifth... No Soldier shall, in time of peace be quartered in any house, without the consent of the Owner, nor in time of war, but in a manner to be prescribed by law.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the sixth... The right of the people to be secure in their persons, houses, papers, and effects, against unreasonable searches and seizures, shall not be violated, and no Warrants shall issue, but upon probable cause, supported by Oath or affirmation, and particularly describing the place to be searched, and the persons or things to be seized.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the seventh... No person shall be held to answer for a capital, or otherwise infamous crime, unless on a presentment or indictment of a Grand Jury, except in cases arising in the land or naval forces, or in the Militia, when in actual service in time of War or public danger; nor shall any person be subject for the same offence to be twice put in jeopardy of life or limb; nor shall be compelled in any criminal case to be a witness against himself, nor be deprived of life, liberty, or property, without due process of law; nor shall private property be taken for public use, without just compensation.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the eighth... In all criminal prosecutions, the accused shall enjoy the right to a speedy and public trial, by an impartial jury of the State and district wherein the crime shall have been committed, which district shall have been previously ascertained by law, and to be informed of the nature and cause of the accusation; to be confronted with the witnesses against him; to have compulsory process for obtaining witnesses in his favor, and to have the Assistance of Counsel for his defence.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the ninth... In suits at common law, where the value in controversy shall exceed twenty dollars, the right of trial by jury shall be preserved, and no fact tried by a jury, shall be otherwise re-examined in any Court of the United States, than according to the rules of the common law.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the tenth... Excessive bail shall not be required, nor excessive fines imposed, nor cruel and unusual punishments inflicted.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the eleventh... The enumeration in the Constitution, of certain rights, shall not be construed to deny or disparage others retained by the people.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the twelfth... The powers not delegated to the United States by the Constitution, nor prohibited by it to the States, are reserved to the States respectively, or to the people.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">ATTEST,</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Frederick Augustus Muhlenberg, Speaker of the House of Representatives</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Adams, Vice-President of the United States, and President of the Senate</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Beckley, Clerk of the House of Representatives.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Sam. A Otis Secretary of the Senate</SPAN></SPAN></DIV></div>
HTMLText_F8981815_A03C_FE3C_4192_420CE693ED5B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Image courtesy of the National Archives.</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Transcript of Document (Articles 1-10):</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Congress of the United States begun and held at the City of New-York, on Wednesday the fourth of March, one thousand seven hundred and eighty nine.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">THE Conventions of a number of the States, having at the time of their adopting the Constitution, expressed a desire, in order to prevent misconstruction or abuse of its powers, that further declaratory and restrictive clauses should be added: And as extending the ground of public confidence in the Government, will best ensure the beneficent ends of its institution.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">RESOLVED by the Senate and House of Representatives of the United States of America, in Congress assembled, two thirds of both Houses concurring, that the following Articles be proposed to the Legislatures of the several States, as amendments to the Constitution of the United States, all, or any of which Articles, when ratified by three fourths of the said Legislatures, to be valid to all intents and purposes, as part of the said Constitution; viz.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">ARTICLES in addition to, and Amendment of the Constitution of the United States of America, proposed by Congress, and ratified by the Legislatures of the several States, pursuant to the fifth Article of the original Constitution.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the first... After the first enumeration required by the first article of the Constitution, there shall be one Representative for every thirty thousand, until the number shall amount to one hundred, after which the proportion shall be so regulated by Congress, that there shall be not less than one hundred Representatives, nor less than one Representative for every forty thousand persons, until the number of Representatives shall amount to two hundred; after which the proportion shall be so regulated by Congress, that there shall not be less than two hundred Representatives, nor more than one Representative for every fifty thousand persons.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the second... No law, varying the compensation for the services of the Senators and Representatives, shall take effect, until an election of Representatives shall have intervened.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the third... Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the fourth... A well regulated Militia, being necessary to the security of a free State, the right of the people to keep and bear Arms, shall not be infringed.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the fifth... No Soldier shall, in time of peace be quartered in any house, without the consent of the Owner, nor in time of war, but in a manner to be prescribed by law.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the sixth... The right of the people to be secure in their persons, houses, papers, and effects, against unreasonable searches and seizures, shall not be violated, and no Warrants shall issue, but upon probable cause, supported by Oath or affirmation, and particularly describing the place to be searched, and the persons or things to be seized.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the seventh... No person shall be held to answer for a capital, or otherwise infamous crime, unless on a presentment or indictment of a Grand Jury, except in cases arising in the land or naval forces, or in the Militia, when in actual service in time of War or public danger; nor shall any person be subject for the same offence to be twice put in jeopardy of life or limb; nor shall be compelled in any criminal case to be a witness against himself, nor be deprived of life, liberty, or property, without due process of law; nor shall private property be taken for public use, without just compensation.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the eighth... In all criminal prosecutions, the accused shall enjoy the right to a speedy and public trial, by an impartial jury of the State and district wherein the crime shall have been committed, which district shall have been previously ascertained by law, and to be informed of the nature and cause of the accusation; to be confronted with the witnesses against him; to have compulsory process for obtaining witnesses in his favor, and to have the Assistance of Counsel for his defence.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the ninth... In suits at common law, where the value in controversy shall exceed twenty dollars, the right of trial by jury shall be preserved, and no fact tried by a jury, shall be otherwise re-examined in any Court of the United States, than according to the rules of the common law.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the tenth... Excessive bail shall not be required, nor excessive fines imposed, nor cruel and unusual punishments inflicted.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the eleventh... The enumeration in the Constitution, of certain rights, shall not be construed to deny or disparage others retained by the people.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article the twelfth... The powers not delegated to the United States by the Constitution, nor prohibited by it to the States, are reserved to the States respectively, or to the people.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">ATTEST,</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Frederick Augustus Muhlenberg, Speaker of the House of Representatives</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Adams, Vice-President of the United States, and President of the Senate</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Beckley, Clerk of the House of Representatives.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Sam. A Otis Secretary of the Senate</SPAN></SPAN></DIV></div>
HTMLText_E29E85C7_6090_CD94_41D3_964CCAFEA320.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Image courtesy of the National Archives.</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Transcript of Document:</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In Congress, July 4, 1776</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The unanimous Declaration of the thirteen united States of America, When in the Course of human events, it becomes necessary for one people to dissolve the political bands which have connected them with another, and to assume among the powers of the earth, the separate and equal station to which the Laws of Nature and of Nature's God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.--That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed, --That whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness. Prudence, indeed, will dictate that Governments long established should not be changed for light and transient causes; and accordingly all experience hath shewn, that mankind are more disposed to suffer, while evils are sufferable, than to right themselves by abolishing the forms to which they are accustomed. But when a long train of abuses and usurpations, pursuing invariably the same Object evinces a design to reduce them under absolute Despotism, it is their right, it is their duty, to throw off such Government, and to provide new Guards for their future security.--Such has been the patient sufferance of these Colonies; and such is now the necessity which constrains them to alter their former Systems of Government. The history of the present King of Great Britain is a history of repeated injuries and usurpations, all having in direct object the establishment of an absolute Tyranny over these States. To prove this, let Facts be submitted to a candid world.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has refused his Assent to Laws, the most wholesome and necessary for the public good.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has forbidden his Governors to pass Laws of immediate and pressing importance, unless suspended in their operation till his Assent should be obtained; and when so suspended, he has utterly neglected to attend to them.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has refused to pass other Laws for the accommodation of large districts of people, unless those people would relinquish the right of Representation in the Legislature, a right inestimable to them and formidable to tyrants only.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has called together legislative bodies at places unusual, uncomfortable, and distant from the depository of their public Records, for the sole purpose of fatiguing them into compliance with his measures.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has dissolved Representative Houses repeatedly, for opposing with manly firmness his invasions on the rights of the people.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has refused for a long time, after such dissolutions, to cause others to be elected; whereby the Legislative powers, incapable of Annihilation, have returned to the People at large for their exercise; the State remaining in the mean time exposed to all the dangers of invasion from without, and convulsions within.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has endeavoured to prevent the population of these States; for that purpose obstructing the Laws for Naturalization of Foreigners; refusing to pass others to encourage their migrations hither, and raising the conditions of new Appropriations of Lands.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has obstructed the Administration of Justice, by refusing his Assent to Laws for establishing Judiciary powers.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has made Judges dependent on his Will alone, for the tenure of their offices, and the amount and payment of their salaries.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has erected a multitude of New Offices, and sent hither swarms of Officers to harrass our people, and eat out their substance.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has kept among us, in times of peace, Standing Armies without the Consent of our legislatures.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has affected to render the Military independent of and superior to the Civil power.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has combined with others to subject us to a jurisdiction foreign to our constitution, and unacknowledged by our laws; giving his Assent to their Acts of pretended Legislation:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For Quartering large bodies of armed troops among us:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For protecting them, by a mock Trial, from punishment for any Murders which they should commit on the Inhabitants of these States:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For cutting off our Trade with all parts of the world:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For imposing Taxes on us without our Consent:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For depriving us in many cases, of the benefits of Trial by Jury:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For transporting us beyond Seas to be tried for pretended offences</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For abolishing the free System of English Laws in a neighbouring Province, establishing therein an Arbitrary government, and enlarging its Boundaries so as to render it at once an example and fit instrument for introducing the same absolute rule into these Colonies:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For taking away our Charters, abolishing our most valuable Laws, and altering fundamentally the Forms of our Governments:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For suspending our own Legislatures, and declaring themselves invested with power to legislate for us in all cases whatsoever.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has abdicated Government here, by declaring us out of his Protection and waging War against us.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has plundered our seas, ravaged our Coasts, burnt our towns, and destroyed the lives of our people.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He is at this time transporting large Armies of foreign Mercenaries to compleat the works of death, desolation and tyranny, already begun with circumstances of Cruelty &amp; perfidy scarcely paralleled in the most barbarous ages, and totally unworthy the Head of a civilized nation.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has constrained our fellow Citizens taken Captive on the high Seas to bear Arms against their Country, to become the executioners of their friends and Brethren, or to fall themselves by their Hands.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has excited domestic insurrections amongst us, and has endeavoured to bring on the inhabitants of our frontiers, the merciless Indian Savages, whose known rule of warfare, is an undistinguished destruction of all ages, sexes and conditions.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In every stage of these Oppressions We have Petitioned for Redress in the most humble terms: Our repeated Petitions have been answered only by repeated injury. A Prince whose character is thus marked by every act which may define a Tyrant, is unfit to be the ruler of a free people.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Nor have We been wanting in attentions to our Brittish brethren. We have warned them from time to time of attempts by their legislature to extend an unwarrantable jurisdiction over us. We have reminded them of the circumstances of our emigration and settlement here. We have appealed to their native justice and magnanimity, and we have conjured them by the ties of our common kindred to disavow these usurpations, which, would inevitably interrupt our connections and correspondence. They too have been deaf to the voice of justice and of consanguinity. We must, therefore, acquiesce in the necessity, which denounces our Separation, and hold them, as we hold the rest of mankind, Enemies in War, in Peace Friends.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">We, therefore, the Representatives of the united States of America, in General Congress, Assembled, appealing to the Supreme Judge of the world for the rectitude of our intentions, do, in the Name, and by Authority of the good People of these Colonies, solemnly publish and declare, That these United Colonies are, and of Right ought to be Free and Independent States; that they are Absolved from all Allegiance to the British Crown, and that all political connection between them and the State of Great Britain, is and ought to be totally dissolved; and that as Free and Independent States, they have full Power to levy War, conclude Peace, contract Alliances, establish Commerce, and to do all other Acts and Things which Independent States may of right do. And for the support of this Declaration, with a firm reliance on the protection of divine Providence, we mutually pledge to each other our Lives, our Fortunes and our sacred Honor.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Georgia</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Button Gwinnett</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Lyman Hall</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">George Walton</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">North Carolina</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">William Hooper</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Joseph Hewes</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Penn</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">South Carolina</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Edward Rutledge</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thomas Heyward, Jr.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thomas Lynch, Jr.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Arthur Middleton</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Massachusetts</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Hancock</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Maryland</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Samuel Chase</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">William Paca</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thomas Stone</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Charles Carroll of Carrollton</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Virginia</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">George Wythe</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Richard Henry Lee</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thomas Jefferson</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Benjamin Harrison</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thomas Nelson, Jr.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Francis Lightfoot Lee</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Carter Braxton</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Pennsylvania</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Robert Morris</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Benjamin Rush</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Benjamin Franklin</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Morton</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">George Clymer</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">James Smith</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">George Taylor</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">James Wilson</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">George Ross</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Delaware</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Caesar Rodney</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">George Read</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thomas McKean</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New York</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">William Floyd</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Philip Livingston</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Francis Lewis</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Lewis Morris</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New Jersey</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Richard Stockton</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Witherspoon</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Francis Hopkinson</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Hart</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Abraham Clark</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New Hampshire</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Josiah Bartlett</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">William Whipple</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Massachusetts</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Samuel Adams</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Adams</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Robert Treat Paine</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Elbridge Gerry</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rhode Island</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Stephen Hopkins</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">William Ellery</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Connecticut</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Roger Sherman</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Samuel Huntington</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">William Williams</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oliver Wolcott</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New Hampshire</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Matthew Thornton</SPAN></SPAN></DIV></div>
HTMLText_F8C11AC5_A024_921C_41DC_7A75B3E6CB0D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Image courtesy of the National Archives.</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Transcript of Document:</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In Congress, July 4, 1776</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The unanimous Declaration of the thirteen united States of America, When in the Course of human events, it becomes necessary for one people to dissolve the political bands which have connected them with another, and to assume among the powers of the earth, the separate and equal station to which the Laws of Nature and of Nature's God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.--That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed, --That whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness. Prudence, indeed, will dictate that Governments long established should not be changed for light and transient causes; and accordingly all experience hath shewn, that mankind are more disposed to suffer, while evils are sufferable, than to right themselves by abolishing the forms to which they are accustomed. But when a long train of abuses and usurpations, pursuing invariably the same Object evinces a design to reduce them under absolute Despotism, it is their right, it is their duty, to throw off such Government, and to provide new Guards for their future security.--Such has been the patient sufferance of these Colonies; and such is now the necessity which constrains them to alter their former Systems of Government. The history of the present King of Great Britain is a history of repeated injuries and usurpations, all having in direct object the establishment of an absolute Tyranny over these States. To prove this, let Facts be submitted to a candid world.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has refused his Assent to Laws, the most wholesome and necessary for the public good.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has forbidden his Governors to pass Laws of immediate and pressing importance, unless suspended in their operation till his Assent should be obtained; and when so suspended, he has utterly neglected to attend to them.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has refused to pass other Laws for the accommodation of large districts of people, unless those people would relinquish the right of Representation in the Legislature, a right inestimable to them and formidable to tyrants only.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has called together legislative bodies at places unusual, uncomfortable, and distant from the depository of their public Records, for the sole purpose of fatiguing them into compliance with his measures.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has dissolved Representative Houses repeatedly, for opposing with manly firmness his invasions on the rights of the people.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has refused for a long time, after such dissolutions, to cause others to be elected; whereby the Legislative powers, incapable of Annihilation, have returned to the People at large for their exercise; the State remaining in the mean time exposed to all the dangers of invasion from without, and convulsions within.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has endeavoured to prevent the population of these States; for that purpose obstructing the Laws for Naturalization of Foreigners; refusing to pass others to encourage their migrations hither, and raising the conditions of new Appropriations of Lands.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has obstructed the Administration of Justice, by refusing his Assent to Laws for establishing Judiciary powers.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has made Judges dependent on his Will alone, for the tenure of their offices, and the amount and payment of their salaries.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has erected a multitude of New Offices, and sent hither swarms of Officers to harrass our people, and eat out their substance.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has kept among us, in times of peace, Standing Armies without the Consent of our legislatures.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has affected to render the Military independent of and superior to the Civil power.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has combined with others to subject us to a jurisdiction foreign to our constitution, and unacknowledged by our laws; giving his Assent to their Acts of pretended Legislation:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For Quartering large bodies of armed troops among us:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For protecting them, by a mock Trial, from punishment for any Murders which they should commit on the Inhabitants of these States:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For cutting off our Trade with all parts of the world:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For imposing Taxes on us without our Consent:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For depriving us in many cases, of the benefits of Trial by Jury:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For transporting us beyond Seas to be tried for pretended offences</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For abolishing the free System of English Laws in a neighbouring Province, establishing therein an Arbitrary government, and enlarging its Boundaries so as to render it at once an example and fit instrument for introducing the same absolute rule into these Colonies:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For taking away our Charters, abolishing our most valuable Laws, and altering fundamentally the Forms of our Governments:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For suspending our own Legislatures, and declaring themselves invested with power to legislate for us in all cases whatsoever.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has abdicated Government here, by declaring us out of his Protection and waging War against us.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has plundered our seas, ravaged our Coasts, burnt our towns, and destroyed the lives of our people.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He is at this time transporting large Armies of foreign Mercenaries to compleat the works of death, desolation and tyranny, already begun with circumstances of Cruelty &amp; perfidy scarcely paralleled in the most barbarous ages, and totally unworthy the Head of a civilized nation.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has constrained our fellow Citizens taken Captive on the high Seas to bear Arms against their Country, to become the executioners of their friends and Brethren, or to fall themselves by their Hands.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has excited domestic insurrections amongst us, and has endeavoured to bring on the inhabitants of our frontiers, the merciless Indian Savages, whose known rule of warfare, is an undistinguished destruction of all ages, sexes and conditions.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In every stage of these Oppressions We have Petitioned for Redress in the most humble terms: Our repeated Petitions have been answered only by repeated injury. A Prince whose character is thus marked by every act which may define a Tyrant, is unfit to be the ruler of a free people.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Nor have We been wanting in attentions to our Brittish brethren. We have warned them from time to time of attempts by their legislature to extend an unwarrantable jurisdiction over us. We have reminded them of the circumstances of our emigration and settlement here. We have appealed to their native justice and magnanimity, and we have conjured them by the ties of our common kindred to disavow these usurpations, which, would inevitably interrupt our connections and correspondence. They too have been deaf to the voice of justice and of consanguinity. We must, therefore, acquiesce in the necessity, which denounces our Separation, and hold them, as we hold the rest of mankind, Enemies in War, in Peace Friends.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">We, therefore, the Representatives of the united States of America, in General Congress, Assembled, appealing to the Supreme Judge of the world for the rectitude of our intentions, do, in the Name, and by Authority of the good People of these Colonies, solemnly publish and declare, That these United Colonies are, and of Right ought to be Free and Independent States; that they are Absolved from all Allegiance to the British Crown, and that all political connection between them and the State of Great Britain, is and ought to be totally dissolved; and that as Free and Independent States, they have full Power to levy War, conclude Peace, contract Alliances, establish Commerce, and to do all other Acts and Things which Independent States may of right do. And for the support of this Declaration, with a firm reliance on the protection of divine Providence, we mutually pledge to each other our Lives, our Fortunes and our sacred Honor.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Georgia</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Button Gwinnett</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Lyman Hall</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">George Walton</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">North Carolina</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">William Hooper</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Joseph Hewes</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Penn</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">South Carolina</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Edward Rutledge</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thomas Heyward, Jr.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thomas Lynch, Jr.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Arthur Middleton</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Massachusetts</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Hancock</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Maryland</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Samuel Chase</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">William Paca</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thomas Stone</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Charles Carroll of Carrollton</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Virginia</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">George Wythe</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Richard Henry Lee</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thomas Jefferson</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Benjamin Harrison</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thomas Nelson, Jr.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Francis Lightfoot Lee</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Carter Braxton</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Pennsylvania</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Robert Morris</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Benjamin Rush</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Benjamin Franklin</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Morton</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">George Clymer</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">James Smith</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">George Taylor</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">James Wilson</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">George Ross</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Delaware</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Caesar Rodney</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">George Read</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thomas McKean</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New York</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">William Floyd</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Philip Livingston</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Francis Lewis</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Lewis Morris</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New Jersey</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Richard Stockton</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Witherspoon</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Francis Hopkinson</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Hart</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Abraham Clark</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New Hampshire</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Josiah Bartlett</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">William Whipple</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Massachusetts</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Samuel Adams</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Adams</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Robert Treat Paine</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Elbridge Gerry</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rhode Island</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Stephen Hopkins</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">William Ellery</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Connecticut</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Roger Sherman</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Samuel Huntington</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">William Williams</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oliver Wolcott</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New Hampshire</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Matthew Thornton</SPAN></SPAN></DIV></div>
HTMLText_F8834A3B_A03D_9274_41CA_B65D6E31170D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Image courtesy of the National Archives.</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Transcript of Document:</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In Congress, July 4, 1776</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The unanimous Declaration of the thirteen united States of America, When in the Course of human events, it becomes necessary for one people to dissolve the political bands which have connected them with another, and to assume among the powers of the earth, the separate and equal station to which the Laws of Nature and of Nature's God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.--That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed, --That whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness. Prudence, indeed, will dictate that Governments long established should not be changed for light and transient causes; and accordingly all experience hath shewn, that mankind are more disposed to suffer, while evils are sufferable, than to right themselves by abolishing the forms to which they are accustomed. But when a long train of abuses and usurpations, pursuing invariably the same Object evinces a design to reduce them under absolute Despotism, it is their right, it is their duty, to throw off such Government, and to provide new Guards for their future security.--Such has been the patient sufferance of these Colonies; and such is now the necessity which constrains them to alter their former Systems of Government. The history of the present King of Great Britain is a history of repeated injuries and usurpations, all having in direct object the establishment of an absolute Tyranny over these States. To prove this, let Facts be submitted to a candid world.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has refused his Assent to Laws, the most wholesome and necessary for the public good.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has forbidden his Governors to pass Laws of immediate and pressing importance, unless suspended in their operation till his Assent should be obtained; and when so suspended, he has utterly neglected to attend to them.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has refused to pass other Laws for the accommodation of large districts of people, unless those people would relinquish the right of Representation in the Legislature, a right inestimable to them and formidable to tyrants only.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has called together legislative bodies at places unusual, uncomfortable, and distant from the depository of their public Records, for the sole purpose of fatiguing them into compliance with his measures.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has dissolved Representative Houses repeatedly, for opposing with manly firmness his invasions on the rights of the people.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has refused for a long time, after such dissolutions, to cause others to be elected; whereby the Legislative powers, incapable of Annihilation, have returned to the People at large for their exercise; the State remaining in the mean time exposed to all the dangers of invasion from without, and convulsions within.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has endeavoured to prevent the population of these States; for that purpose obstructing the Laws for Naturalization of Foreigners; refusing to pass others to encourage their migrations hither, and raising the conditions of new Appropriations of Lands.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has obstructed the Administration of Justice, by refusing his Assent to Laws for establishing Judiciary powers.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has made Judges dependent on his Will alone, for the tenure of their offices, and the amount and payment of their salaries.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has erected a multitude of New Offices, and sent hither swarms of Officers to harrass our people, and eat out their substance.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has kept among us, in times of peace, Standing Armies without the Consent of our legislatures.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has affected to render the Military independent of and superior to the Civil power.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has combined with others to subject us to a jurisdiction foreign to our constitution, and unacknowledged by our laws; giving his Assent to their Acts of pretended Legislation:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For Quartering large bodies of armed troops among us:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For protecting them, by a mock Trial, from punishment for any Murders which they should commit on the Inhabitants of these States:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For cutting off our Trade with all parts of the world:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For imposing Taxes on us without our Consent:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For depriving us in many cases, of the benefits of Trial by Jury:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For transporting us beyond Seas to be tried for pretended offences</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For abolishing the free System of English Laws in a neighbouring Province, establishing therein an Arbitrary government, and enlarging its Boundaries so as to render it at once an example and fit instrument for introducing the same absolute rule into these Colonies:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For taking away our Charters, abolishing our most valuable Laws, and altering fundamentally the Forms of our Governments:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For suspending our own Legislatures, and declaring themselves invested with power to legislate for us in all cases whatsoever.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has abdicated Government here, by declaring us out of his Protection and waging War against us.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has plundered our seas, ravaged our Coasts, burnt our towns, and destroyed the lives of our people.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He is at this time transporting large Armies of foreign Mercenaries to compleat the works of death, desolation and tyranny, already begun with circumstances of Cruelty &amp; perfidy scarcely paralleled in the most barbarous ages, and totally unworthy the Head of a civilized nation.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has constrained our fellow Citizens taken Captive on the high Seas to bear Arms against their Country, to become the executioners of their friends and Brethren, or to fall themselves by their Hands.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has excited domestic insurrections amongst us, and has endeavoured to bring on the inhabitants of our frontiers, the merciless Indian Savages, whose known rule of warfare, is an undistinguished destruction of all ages, sexes and conditions.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In every stage of these Oppressions We have Petitioned for Redress in the most humble terms: Our repeated Petitions have been answered only by repeated injury. A Prince whose character is thus marked by every act which may define a Tyrant, is unfit to be the ruler of a free people.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Nor have We been wanting in attentions to our Brittish brethren. We have warned them from time to time of attempts by their legislature to extend an unwarrantable jurisdiction over us. We have reminded them of the circumstances of our emigration and settlement here. We have appealed to their native justice and magnanimity, and we have conjured them by the ties of our common kindred to disavow these usurpations, which, would inevitably interrupt our connections and correspondence. They too have been deaf to the voice of justice and of consanguinity. We must, therefore, acquiesce in the necessity, which denounces our Separation, and hold them, as we hold the rest of mankind, Enemies in War, in Peace Friends.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">We, therefore, the Representatives of the united States of America, in General Congress, Assembled, appealing to the Supreme Judge of the world for the rectitude of our intentions, do, in the Name, and by Authority of the good People of these Colonies, solemnly publish and declare, That these United Colonies are, and of Right ought to be Free and Independent States; that they are Absolved from all Allegiance to the British Crown, and that all political connection between them and the State of Great Britain, is and ought to be totally dissolved; and that as Free and Independent States, they have full Power to levy War, conclude Peace, contract Alliances, establish Commerce, and to do all other Acts and Things which Independent States may of right do. And for the support of this Declaration, with a firm reliance on the protection of divine Providence, we mutually pledge to each other our Lives, our Fortunes and our sacred Honor.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Georgia</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Button Gwinnett</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Lyman Hall</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">George Walton</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">North Carolina</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">William Hooper</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Joseph Hewes</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Penn</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">South Carolina</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Edward Rutledge</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thomas Heyward, Jr.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thomas Lynch, Jr.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Arthur Middleton</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Massachusetts</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Hancock</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Maryland</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Samuel Chase</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">William Paca</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thomas Stone</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Charles Carroll of Carrollton</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Virginia</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">George Wythe</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Richard Henry Lee</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thomas Jefferson</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Benjamin Harrison</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thomas Nelson, Jr.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Francis Lightfoot Lee</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Carter Braxton</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Pennsylvania</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Robert Morris</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Benjamin Rush</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Benjamin Franklin</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Morton</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">George Clymer</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">James Smith</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">George Taylor</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">James Wilson</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">George Ross</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Delaware</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Caesar Rodney</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">George Read</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thomas McKean</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New York</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">William Floyd</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Philip Livingston</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Francis Lewis</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Lewis Morris</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New Jersey</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Richard Stockton</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Witherspoon</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Francis Hopkinson</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Hart</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Abraham Clark</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New Hampshire</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Josiah Bartlett</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">William Whipple</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Massachusetts</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Samuel Adams</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Adams</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Robert Treat Paine</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Elbridge Gerry</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rhode Island</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Stephen Hopkins</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">William Ellery</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Connecticut</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Roger Sherman</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Samuel Huntington</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">William Williams</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oliver Wolcott</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New Hampshire</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Matthew Thornton</SPAN></SPAN></DIV></div>
HTMLText_F8D85858_A024_BE34_41CB_D1A0E7E39CD1.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Image courtesy of the National Archives.</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Transcript of Document:</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In Congress, July 4, 1776</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The unanimous Declaration of the thirteen united States of America, When in the Course of human events, it becomes necessary for one people to dissolve the political bands which have connected them with another, and to assume among the powers of the earth, the separate and equal station to which the Laws of Nature and of Nature's God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.--That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed, --That whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness. Prudence, indeed, will dictate that Governments long established should not be changed for light and transient causes; and accordingly all experience hath shewn, that mankind are more disposed to suffer, while evils are sufferable, than to right themselves by abolishing the forms to which they are accustomed. But when a long train of abuses and usurpations, pursuing invariably the same Object evinces a design to reduce them under absolute Despotism, it is their right, it is their duty, to throw off such Government, and to provide new Guards for their future security.--Such has been the patient sufferance of these Colonies; and such is now the necessity which constrains them to alter their former Systems of Government. The history of the present King of Great Britain is a history of repeated injuries and usurpations, all having in direct object the establishment of an absolute Tyranny over these States. To prove this, let Facts be submitted to a candid world.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has refused his Assent to Laws, the most wholesome and necessary for the public good.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has forbidden his Governors to pass Laws of immediate and pressing importance, unless suspended in their operation till his Assent should be obtained; and when so suspended, he has utterly neglected to attend to them.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has refused to pass other Laws for the accommodation of large districts of people, unless those people would relinquish the right of Representation in the Legislature, a right inestimable to them and formidable to tyrants only.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has called together legislative bodies at places unusual, uncomfortable, and distant from the depository of their public Records, for the sole purpose of fatiguing them into compliance with his measures.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has dissolved Representative Houses repeatedly, for opposing with manly firmness his invasions on the rights of the people.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has refused for a long time, after such dissolutions, to cause others to be elected; whereby the Legislative powers, incapable of Annihilation, have returned to the People at large for their exercise; the State remaining in the mean time exposed to all the dangers of invasion from without, and convulsions within.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has endeavoured to prevent the population of these States; for that purpose obstructing the Laws for Naturalization of Foreigners; refusing to pass others to encourage their migrations hither, and raising the conditions of new Appropriations of Lands.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has obstructed the Administration of Justice, by refusing his Assent to Laws for establishing Judiciary powers.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has made Judges dependent on his Will alone, for the tenure of their offices, and the amount and payment of their salaries.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has erected a multitude of New Offices, and sent hither swarms of Officers to harrass our people, and eat out their substance.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has kept among us, in times of peace, Standing Armies without the Consent of our legislatures.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has affected to render the Military independent of and superior to the Civil power.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has combined with others to subject us to a jurisdiction foreign to our constitution, and unacknowledged by our laws; giving his Assent to their Acts of pretended Legislation:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For Quartering large bodies of armed troops among us:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For protecting them, by a mock Trial, from punishment for any Murders which they should commit on the Inhabitants of these States:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For cutting off our Trade with all parts of the world:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For imposing Taxes on us without our Consent:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For depriving us in many cases, of the benefits of Trial by Jury:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For transporting us beyond Seas to be tried for pretended offences</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For abolishing the free System of English Laws in a neighbouring Province, establishing therein an Arbitrary government, and enlarging its Boundaries so as to render it at once an example and fit instrument for introducing the same absolute rule into these Colonies:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For taking away our Charters, abolishing our most valuable Laws, and altering fundamentally the Forms of our Governments:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For suspending our own Legislatures, and declaring themselves invested with power to legislate for us in all cases whatsoever.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has abdicated Government here, by declaring us out of his Protection and waging War against us.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has plundered our seas, ravaged our Coasts, burnt our towns, and destroyed the lives of our people.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He is at this time transporting large Armies of foreign Mercenaries to compleat the works of death, desolation and tyranny, already begun with circumstances of Cruelty &amp; perfidy scarcely paralleled in the most barbarous ages, and totally unworthy the Head of a civilized nation.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has constrained our fellow Citizens taken Captive on the high Seas to bear Arms against their Country, to become the executioners of their friends and Brethren, or to fall themselves by their Hands.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He has excited domestic insurrections amongst us, and has endeavoured to bring on the inhabitants of our frontiers, the merciless Indian Savages, whose known rule of warfare, is an undistinguished destruction of all ages, sexes and conditions.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In every stage of these Oppressions We have Petitioned for Redress in the most humble terms: Our repeated Petitions have been answered only by repeated injury. A Prince whose character is thus marked by every act which may define a Tyrant, is unfit to be the ruler of a free people.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Nor have We been wanting in attentions to our Brittish brethren. We have warned them from time to time of attempts by their legislature to extend an unwarrantable jurisdiction over us. We have reminded them of the circumstances of our emigration and settlement here. We have appealed to their native justice and magnanimity, and we have conjured them by the ties of our common kindred to disavow these usurpations, which, would inevitably interrupt our connections and correspondence. They too have been deaf to the voice of justice and of consanguinity. We must, therefore, acquiesce in the necessity, which denounces our Separation, and hold them, as we hold the rest of mankind, Enemies in War, in Peace Friends.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">We, therefore, the Representatives of the united States of America, in General Congress, Assembled, appealing to the Supreme Judge of the world for the rectitude of our intentions, do, in the Name, and by Authority of the good People of these Colonies, solemnly publish and declare, That these United Colonies are, and of Right ought to be Free and Independent States; that they are Absolved from all Allegiance to the British Crown, and that all political connection between them and the State of Great Britain, is and ought to be totally dissolved; and that as Free and Independent States, they have full Power to levy War, conclude Peace, contract Alliances, establish Commerce, and to do all other Acts and Things which Independent States may of right do. And for the support of this Declaration, with a firm reliance on the protection of divine Providence, we mutually pledge to each other our Lives, our Fortunes and our sacred Honor.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Georgia</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Button Gwinnett</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Lyman Hall</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">George Walton</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">North Carolina</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">William Hooper</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Joseph Hewes</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Penn</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">South Carolina</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Edward Rutledge</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thomas Heyward, Jr.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thomas Lynch, Jr.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Arthur Middleton</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Massachusetts</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Hancock</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Maryland</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Samuel Chase</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">William Paca</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thomas Stone</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Charles Carroll of Carrollton</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Virginia</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">George Wythe</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Richard Henry Lee</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thomas Jefferson</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Benjamin Harrison</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thomas Nelson, Jr.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Francis Lightfoot Lee</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Carter Braxton</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Pennsylvania</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Robert Morris</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Benjamin Rush</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Benjamin Franklin</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Morton</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">George Clymer</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">James Smith</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">George Taylor</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">James Wilson</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">George Ross</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Delaware</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Caesar Rodney</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">George Read</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thomas McKean</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New York</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">William Floyd</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Philip Livingston</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Francis Lewis</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Lewis Morris</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New Jersey</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Richard Stockton</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Witherspoon</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Francis Hopkinson</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Hart</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Abraham Clark</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New Hampshire</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Josiah Bartlett</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">William Whipple</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Massachusetts</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Samuel Adams</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Adams</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Robert Treat Paine</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Elbridge Gerry</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rhode Island</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Stephen Hopkins</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">William Ellery</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Connecticut</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Roger Sherman</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Samuel Huntington</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">William Williams</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oliver Wolcott</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New Hampshire</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Matthew Thornton</SPAN></SPAN></DIV></div>
HTMLText_CC1F7F9D_6090_BDBE_41D4_3798DEA86F1A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Images courtesy of the National Archives.</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Transcript of Document:</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article. I.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 1.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All legislative Powers herein granted shall be vested in a Congress of the United States, which shall consist of a Senate and House of Representatives.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 2.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The House of Representatives shall be composed of Members chosen every second Year by the People of the several States, and the Electors in each State shall have the Qualifications requisite for Electors of the most numerous Branch of the State Legislature.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Person shall be a Representative who shall not have attained to the Age of twenty five Years, and been seven Years a Citizen of the United States, and who shall not, when elected, be an Inhabitant of that State in which he shall be chosen.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Representatives and direct Taxes shall be apportioned among the several States which may be included within this Union, according to their respective Numbers, which shall be determined by adding to the whole Number of free Persons, including those bound to Service for a Term of Years, and excluding Indians not taxed, three fifths of all other Persons. The actual Enumeration shall be made within three Years after the first Meeting of the Congress of the United States, and within every subsequent Term of ten Years, in such Manner as they shall by Law direct. The Number of Representatives shall not exceed one for every thirty Thousand, but each State shall have at Least one Representative; and until such enumeration shall be made, the State of New Hampshire shall be entitled to chuse three, Massachusetts eight, Rhode-Island and Providence Plantations one, Connecticut five, New-York six, New Jersey four, Pennsylvania eight, Delaware one, Maryland six, Virginia ten, North Carolina five, South Carolina five, and Georgia three.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">When vacancies happen in the Representation from any State, the Executive Authority thereof shall issue Writs of Election to fill such Vacancies.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The House of Representatives shall chuse their Speaker and other Officers; and shall have the sole Power of Impeachment.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 3.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Senate of the United States shall be composed of two Senators from each State, chosen by the Legislature thereof, for six Years; and each Senator shall have one Vote.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Immediately after they shall be assembled in Consequence of the first Election, they shall be divided as equally as may be into three Classes. The Seats of the Senators of the first Class shall be vacated at the Expiration of the second Year, of the second Class at the Expiration of the fourth Year, and of the third Class at the Expiration of the sixth Year, so that one third may be chosen every second Year; and if Vacancies happen by Resignation, or otherwise, during the Recess of the Legislature of any State, the Executive thereof may make temporary Appointments until the next Meeting of the Legislature, which shall then fill such Vacancies.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Person shall be a Senator who shall not have attained to the Age of thirty Years, and been nine Years a Citizen of the United States, and who shall not, when elected, be an Inhabitant of that State for which he shall be chosen.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Vice President of the United States shall be President of the Senate, but shall have no Vote, unless they be equally divided.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Senate shall chuse their other Officers, and also a President pro tempore, in the Absence of the Vice President, or when he shall exercise the Office of President of the United States.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Senate shall have the sole Power to try all Impeachments. When sitting for that Purpose, they shall be on Oath or Affirmation. When the President of the United States is tried, the Chief Justice shall preside: And no Person shall be convicted without the Concurrence of two thirds of the Members present.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Judgment in Cases of Impeachment shall not extend further than to removal from Office, and disqualification to hold and enjoy any Office of honor, Trust or Profit under the United States: but the Party convicted shall nevertheless be liable and subject to Indictment, Trial, Judgment and Punishment, according to Law.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 4.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Times, Places and Manner of holding Elections for Senators and Representatives, shall be prescribed in each State by the Legislature thereof; but the Congress may at any time by Law make or alter such Regulations, except as to the Places of chusing Senators.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Congress shall assemble at least once in every Year, and such Meeting shall be on the first Monday in December, unless they shall by Law appoint a different Day.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 5.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Each House shall be the Judge of the Elections, Returns and Qualifications of its own Members, and a Majority of each shall constitute a Quorum to do Business; but a smaller Number may adjourn from day to day, and may be authorized to compel the Attendance of absent Members, in such Manner, and under such Penalties as each House may provide.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Each House may determine the Rules of its Proceedings, punish its Members for disorderly Behaviour, and, with the Concurrence of two thirds, expel a Member.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Each House shall keep a Journal of its Proceedings, and from time to time publish the same, excepting such Parts as may in their Judgment require Secrecy; and the Yeas and Nays of the Members of either House on any question shall, at the Desire of one fifth of those Present, be entered on the Journal.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Neither House, during the Session of Congress, shall, without the Consent of the other, adjourn for more than three days, nor to any other Place than that in which the two Houses shall be sitting.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 6.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Senators and Representatives shall receive a Compensation for their Services, to be ascertained by Law, and paid out of the Treasury of the United States. They shall in all Cases, except Treason, Felony and Breach of the Peace, be privileged from Arrest during their Attendance at the Session of their respective Houses, and in going to and returning from the same; and for any Speech or Debate in either House, they shall not be questioned in any other Place.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Senator or Representative shall, during the Time for which he was elected, be appointed to any civil Office under the Authority of the United States, which shall have been created, or the Emoluments whereof shall have been encreased during such time; and no Person holding any Office under the United States, shall be a Member of either House during his Continuance in Office.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 7.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All Bills for raising Revenue shall originate in the House of Representatives; but the Senate may propose or concur with Amendments as on other Bills.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Every Bill which shall have passed the House of Representatives and the Senate, shall, before it become a Law, be presented to the President of the United States; If he approve he shall sign it, but if not he shall return it, with his Objections to that House in which it shall have originated, who shall enter the Objections at large on their Journal, and proceed to reconsider it. If after such Reconsideration two thirds of that House shall agree to pass the Bill, it shall be sent, together with the Objections, to the other House, by which it shall likewise be reconsidered, and if approved by two thirds of that House, it shall become a Law. But in all such Cases the Votes of both Houses shall be determined by yeas and Nays, and the Names of the Persons voting for and against the Bill shall be entered on the Journal of each House respectively. If any Bill shall not be returned by the President within ten Days (Sundays excepted) after it shall have been presented to him, the Same shall be a Law, in like Manner as if he had signed it, unless the Congress by their Adjournment prevent its Return, in which Case it shall not be a Law.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Every Order, Resolution, or Vote to which the Concurrence of the Senate and House of Representatives may be necessary (except on a question of Adjournment) shall be presented to the President of the United States; and before the Same shall take Effect, shall be approved by him, or being disapproved by him, shall be repassed by two thirds of the Senate and House of Representatives, according to the Rules and Limitations prescribed in the Case of a Bill.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 8.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Congress shall have Power To lay and collect Taxes, Duties, Imposts and Excises, to pay the Debts and provide for the common Defence and general Welfare of the United States; but all Duties, Imposts and Excises shall be uniform throughout the United States;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To borrow Money on the credit of the United States;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To regulate Commerce with foreign Nations, and among the several States, and with the Indian Tribes;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To establish an uniform Rule of Naturalization, and uniform Laws on the subject of Bankruptcies throughout the United States;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To coin Money, regulate the Value thereof, and of foreign Coin, and fix the Standard of Weights and Measures;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To provide for the Punishment of counterfeiting the Securities and current Coin of the United States;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To establish Post Offices and post Roads;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To constitute Tribunals inferior to the supreme Court;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To define and punish Piracies and Felonies committed on the high Seas, and Offences against the Law of Nations;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To declare War, grant Letters of Marque and Reprisal, and make Rules concerning Captures on Land and Water;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To raise and support Armies, but no Appropriation of Money to that Use shall be for a longer Term than two Years;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To provide and maintain a Navy;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To make Rules for the Government and Regulation of the land and naval Forces;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To provide for calling forth the Militia to execute the Laws of the Union, suppress Insurrections and repel Invasions;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To provide for organizing, arming, and disciplining, the Militia, and for governing such Part of them as may be employed in the Service of the United States, reserving to the States respectively, the Appointment of the Officers, and the Authority of training the Militia according to the discipline prescribed by Congress;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To exercise exclusive Legislation in all Cases whatsoever, over such District (not exceeding ten Miles square) as may, by Cession of particular States, and the Acceptance of Congress, become the Seat of the Government of the United States, and to exercise like Authority over all Places purchased by the Consent of the Legislature of the State in which the Same shall be, for the Erection of Forts, Magazines, Arsenals, dock-Yards, and other needful Buildings;—And</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To make all Laws which shall be necessary and proper for carrying into Execution the foregoing Powers, and all other Powers vested by this Constitution in the Government of the United States, or in any Department or Officer thereof.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 9.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Migration or Importation of such Persons as any of the States now existing shall think proper to admit, shall not be prohibited by the Congress prior to the Year one thousand eight hundred and eight, but a Tax or duty may be imposed on such Importation, not exceeding ten dollars for each Person.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Privilege of the Writ of Habeas Corpus shall not be suspended, unless when in Cases of Rebellion or Invasion the public Safety may require it.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Bill of Attainder or ex post facto Law shall be passed.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Capitation, or other direct, Tax shall be laid, unless in Proportion to the Census or enumeration herein before directed to be taken.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Tax or Duty shall be laid on Articles exported from any State.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Preference shall be given by any Regulation of Commerce or Revenue to the Ports of one State over those of another: nor shall Vessels bound to, or from, one State, be obliged to enter, clear, or pay Duties in another.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Money shall be drawn from the Treasury, but in Consequence of Appropriations made by Law; and a regular Statement and Account of the Receipts and Expenditures of all public Money shall be published from time to time.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Title of Nobility shall be granted by the United States: And no Person holding any Office of Profit or Trust under them, shall, without the Consent of the Congress, accept of any present, Emolument, Office, or Title, of any kind whatever, from any King, Prince, or foreign State.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 10.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No State shall enter into any Treaty, Alliance, or Confederation; grant Letters of Marque and Reprisal; coin Money; emit Bills of Credit; make any Thing but gold and silver Coin a Tender in Payment of Debts; pass any Bill of Attainder, ex post facto Law, or Law impairing the Obligation of Contracts, or grant any Title of Nobility.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No State shall, without the Consent of the Congress, lay any Imposts or Duties on Imports or Exports, except what may be absolutely necessary for executing it's inspection Laws: and the net Produce of all Duties and Imposts, laid by any State on Imports or Exports, shall be for the Use of the Treasury of the United States; and all such Laws shall be subject to the Revision and Controul of the Congress.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No State shall, without the Consent of Congress, lay any Duty of Tonnage, keep Troops, or Ships of War in time of Peace, enter into any Agreement or Compact with another State, or with a foreign Power, or engage in War, unless actually invaded, or in such imminent Danger as will not admit of delay.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article. II.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 1.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The executive Power shall be vested in a President of the United States of America. He shall hold his Office during the Term of four Years, and, together with the Vice President, chosen for the same Term, be elected, as follows</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Each State shall appoint, in such Manner as the Legislature thereof may direct, a Number of Electors, equal to the whole Number of Senators and Representatives to which the State may be entitled in the Congress: but no Senator or Representative, or Person holding an Office of Trust or Profit under the United States, shall be appointed an Elector.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Electors shall meet in their respective States, and vote by Ballot for two Persons, of whom one at least shall not be an Inhabitant of the same State with themselves. And they shall make a List of all the Persons voted for, and of the Number of Votes for each; which List they shall sign and certify, and transmit sealed to the Seat of the Government of the United States, directed to the President of the Senate. The President of the Senate shall, in the Presence of the Senate and House of Representatives, open all the Certificates, and the Votes shall then be counted. The Person having the greatest Number of Votes shall be the President, if such Number be a Majority of the whole Number of Electors appointed; and if there be more than one who have such Majority, and have an equal Number of Votes, then the House of Representatives shall immediately chuse by Ballot one of them for President; and if no Person have a Majority, then from the five highest on the List the said House shall in like Manner chuse the President. But in chusing the President, the Votes shall be taken by States, the Representation from each State having one Vote; A quorum for this Purpose shall consist of a Member or Members from two thirds of the States, and a Majority of all the States shall be necessary to a Choice. In every Case, after the Choice of the President, the Person having the greatest Number of Votes of the Electors shall be the Vice President. But if there should remain two or more who have equal Votes, the Senate shall chuse from them by Ballot the Vice President.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Congress may determine the Time of chusing the Electors, and the Day on which they shall give their Votes; which Day shall be the same throughout the United States.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Person except a natural born Citizen, or a Citizen of the United States, at the time of the Adoption of this Constitution, shall be eligible to the Office of President; neither shall any Person be eligible to that Office who shall not have attained to the Age of thirty five Years, and been fourteen Years a Resident within the United States.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In Case of the Removal of the President from Office, or of his Death, Resignation, or Inability to discharge the Powers and Duties of the said Office, the Same shall devolve on the Vice President, and the Congress may by Law provide for the Case of Removal, Death, Resignation or Inability, both of the President and Vice President, declaring what Officer shall then act as President, and such Officer shall act accordingly, until the Disability be removed, or a President shall be elected.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The President shall, at stated Times, receive for his Services, a Compensation, which shall neither be encreased nor diminished during the Period for which he shall have been elected, and he shall not receive within that Period any other Emolument from the United States, or any of them.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Before he enter on the Execution of his Office, he shall take the following Oath or Affirmation:—"I do solemnly swear (or affirm) that I will faithfully execute the Office of President of the United States, and will to the best of my Ability, preserve, protect and defend the Constitution of the United States."</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 2.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The President shall be Commander in Chief of the Army and Navy of the United States, and of the Militia of the several States, when called into the actual Service of the United States; he may require the Opinion, in writing, of the principal Officer in each of the executive Departments, upon any Subject relating to the Duties of their respective Offices, and he shall have Power to grant Reprieves and Pardons for Offences against the United States, except in Cases of Impeachment.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He shall have Power, by and with the Advice and Consent of the Senate, to make Treaties, provided two thirds of the Senators present concur; and he shall nominate, and by and with the Advice and Consent of the Senate, shall appoint Ambassadors, other public Ministers and Consuls, Judges of the supreme Court, and all other Officers of the United States, whose Appointments are not herein otherwise provided for, and which shall be established by Law: but the Congress may by Law vest the Appointment of such inferior Officers, as they think proper, in the President alone, in the Courts of Law, or in the Heads of Departments.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The President shall have Power to fill up all Vacancies that may happen during the Recess of the Senate, by granting Commissions which shall expire at the End of their next Session.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 3.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He shall from time to time give to the Congress Information of the State of the Union, and recommend to their Consideration such Measures as he shall judge necessary and expedient; he may, on extraordinary Occasions, convene both Houses, or either of them, and in Case of Disagreement between them, with Respect to the Time of Adjournment, he may adjourn them to such Time as he shall think proper; he shall receive Ambassadors and other public Ministers; he shall take Care that the Laws be faithfully executed, and shall Commission all the Officers of the United States.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 4.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The President, Vice President and all civil Officers of the United States, shall be removed from Office on Impeachment for, and Conviction of, Treason, Bribery, or other high Crimes and Misdemeanors.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article III.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 1.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The judicial Power of the United States, shall be vested in one supreme Court, and in such inferior Courts as the Congress may from time to time ordain and establish. The Judges, both of the supreme and inferior Courts, shall hold their Offices during good Behaviour, and shall, at stated Times, receive for their Services, a Compensation, which shall not be diminished during their Continuance in Office.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 2.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The judicial Power shall extend to all Cases, in Law and Equity, arising under this Constitution, the Laws of the United States, and Treaties made, or which shall be made, under their Authority;—to all Cases affecting Ambassadors, other public Ministers and Consuls;—to all Cases of admiralty and maritime Jurisdiction;—to Controversies to which the United States shall be a Party;—to Controversies between two or more States;— between a State and Citizens of another State,—between Citizens of different States,—between Citizens of the same State claiming Lands under Grants of different States, and between a State, or the Citizens thereof, and foreign States, Citizens or Subjects.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In all Cases affecting Ambassadors, other public Ministers and Consuls, and those in which a State shall be Party, the supreme Court shall have original Jurisdiction. In all the other Cases before mentioned, the supreme Court shall have appellate Jurisdiction, both as to Law and Fact, with such Exceptions, and under such Regulations as the Congress shall make.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Trial of all Crimes, except in Cases of Impeachment, shall be by Jury; and such Trial shall be held in the State where the said Crimes shall have been committed; but when not committed within any State, the Trial shall be at such Place or Places as the Congress may by Law have directed.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 3.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Treason against the United States, shall consist only in levying War against them, or in adhering to their Enemies, giving them Aid and Comfort. No Person shall be convicted of Treason unless on the Testimony of two Witnesses to the same overt Act, or on Confession in open Court.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Congress shall have Power to declare the Punishment of Treason, but no Attainder of Treason shall work Corruption of Blood, or Forfeiture except during the Life of the Person attainted.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article. IV.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 1.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Full Faith and Credit shall be given in each State to the public Acts, Records, and judicial Proceedings of every other State. And the Congress may by general Laws prescribe the Manner in which such Acts, Records and Proceedings shall be proved, and the Effect thereof.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 2.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Citizens of each State shall be entitled to all Privileges and Immunities of Citizens in the several States.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">A Person charged in any State with Treason, Felony, or other Crime, who shall flee from Justice, and be found in another State, shall on Demand of the executive Authority of the State from which he fled, be delivered up, to be removed to the State having Jurisdiction of the Crime.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Person held to Service or Labour in one State, under the Laws thereof, escaping into another, shall, in Consequence of any Law or Regulation therein, be discharged from such Service or Labour, but shall be delivered up on Claim of the Party to whom such Service or Labour may be due.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 3.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New States may be admitted by the Congress into this Union; but no new State shall be formed or erected within the Jurisdiction of any other State; nor any State be formed by the Junction of two or more States, or Parts of States, without the Consent of the Legislatures of the States concerned as well as of the Congress.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Congress shall have Power to dispose of and make all needful Rules and Regulations respecting the Territory or other Property belonging to the United States; and nothing in this Constitution shall be so construed as to Prejudice any Claims of the United States, or of any particular State.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 4.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The United States shall guarantee to every State in this Union a Republican Form of Government, and shall protect each of them against Invasion; and on Application of the Legislature, or of the Executive (when the Legislature cannot be convened) against domestic Violence.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article. V.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Congress, whenever two thirds of both Houses shall deem it necessary, shall propose Amendments to this Constitution, or, on the Application of the Legislatures of two thirds of the several States, shall call a Convention for proposing Amendments, which, in either Case, shall be valid to all Intents and Purposes, as Part of this Constitution, when ratified by the Legislatures of three fourths of the several States, or by Conventions in three fourths thereof, as the one or the other Mode of Ratification may be proposed by the Congress; Provided that no Amendment which may be made prior to the Year One thousand eight hundred and eight shall in any Manner affect the first and fourth Clauses in the Ninth Section of the first Article; and that no State, without its Consent, shall be deprived of its equal Suffrage in the Senate.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article. VI.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All Debts contracted and Engagements entered into, before the Adoption of this Constitution, shall be as valid against the United States under this Constitution, as under the Confederation.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">This Constitution, and the Laws of the United States which shall be made in Pursuance thereof; and all Treaties made, or which shall be made, under the Authority of the United States, shall be the supreme Law of the Land; and the Judges in every State shall be bound thereby, any Thing in the Constitution or Laws of any State to the Contrary notwithstanding.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Senators and Representatives before mentioned, and the Members of the several State Legislatures, and all executive and judicial Officers, both of the United States and of the several States, shall be bound by Oath or Affirmation, to support this Constitution; but no religious Test shall ever be required as a Qualification to any Office or public Trust under the United States.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article. VII.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Ratification of the Conventions of nine States, shall be sufficient for the Establishment of this Constitution between the States so ratifying the Same.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Word, "the," being interlined between the seventh and eighth Lines of the first Page, The Word "Thirty" being partly written on an Erazure in the fifteenth Line of the first Page, The Words "is tried" being interlined between the thirty second and thirty third Lines of the first Page and the Word "the" being interlined between the forty third and forty fourth Lines of the second Page.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Attest William Jackson Secretary</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">done in Convention by the Unanimous Consent of the States present the Seventeenth Day of September in the Year of our Lord one thousand seven hundred and Eighty seven and of the Independance of the United States of America the Twelfth In witness whereof We have hereunto subscribed our Names,</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">G. Washington</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Presidt and deputy from Virginia</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Delaware</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Geo: Read</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gunning Bedford jun</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Dickinson</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Richard Bassett</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Jaco: Broom</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Maryland</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">James McHenry</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Dan of St Thos. Jenifer</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Danl. Carroll</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Virginia</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Blair</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">James Madison Jr.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">North Carolina</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Wm. Blount</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Richd. Dobbs Spaight</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Hu Williamson</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">South Carolina</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">J. Rutledge</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Charles Cotesworth Pinckney</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Charles Pinckney</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Pierce Butler</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Georgia</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">William Few</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Abr Baldwin</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New Hampshire</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Langdon</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Nicholas Gilman</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Massachusetts</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Nathaniel Gorham</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rufus King</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Connecticut</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Wm. Saml. Johnson</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Roger Sherman</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New York</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Alexander Hamilton</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New Jersey</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Wil: Livingston</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">David Brearley</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Wm. Paterson</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Jona: Dayton</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Pennsylvania</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">B Franklin</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thomas Mifflin</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Robt. Morris</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Geo. Clymer</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thos. FitzSimons</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Jared Ingersoll</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">James Wilson</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gouv Morris</SPAN></SPAN></DIV></div>
HTMLText_39DDFE7B_60F3_5F76_41C9_DECD157066E3.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Images courtesy of the National Archives.</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Transcript of Document:</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article. I.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 1.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All legislative Powers herein granted shall be vested in a Congress of the United States, which shall consist of a Senate and House of Representatives.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 2.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The House of Representatives shall be composed of Members chosen every second Year by the People of the several States, and the Electors in each State shall have the Qualifications requisite for Electors of the most numerous Branch of the State Legislature.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Person shall be a Representative who shall not have attained to the Age of twenty five Years, and been seven Years a Citizen of the United States, and who shall not, when elected, be an Inhabitant of that State in which he shall be chosen.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Representatives and direct Taxes shall be apportioned among the several States which may be included within this Union, according to their respective Numbers, which shall be determined by adding to the whole Number of free Persons, including those bound to Service for a Term of Years, and excluding Indians not taxed, three fifths of all other Persons. The actual Enumeration shall be made within three Years after the first Meeting of the Congress of the United States, and within every subsequent Term of ten Years, in such Manner as they shall by Law direct. The Number of Representatives shall not exceed one for every thirty Thousand, but each State shall have at Least one Representative; and until such enumeration shall be made, the State of New Hampshire shall be entitled to chuse three, Massachusetts eight, Rhode-Island and Providence Plantations one, Connecticut five, New-York six, New Jersey four, Pennsylvania eight, Delaware one, Maryland six, Virginia ten, North Carolina five, South Carolina five, and Georgia three.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">When vacancies happen in the Representation from any State, the Executive Authority thereof shall issue Writs of Election to fill such Vacancies.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The House of Representatives shall chuse their Speaker and other Officers; and shall have the sole Power of Impeachment.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 3.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Senate of the United States shall be composed of two Senators from each State, chosen by the Legislature thereof, for six Years; and each Senator shall have one Vote.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Immediately after they shall be assembled in Consequence of the first Election, they shall be divided as equally as may be into three Classes. The Seats of the Senators of the first Class shall be vacated at the Expiration of the second Year, of the second Class at the Expiration of the fourth Year, and of the third Class at the Expiration of the sixth Year, so that one third may be chosen every second Year; and if Vacancies happen by Resignation, or otherwise, during the Recess of the Legislature of any State, the Executive thereof may make temporary Appointments until the next Meeting of the Legislature, which shall then fill such Vacancies.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Person shall be a Senator who shall not have attained to the Age of thirty Years, and been nine Years a Citizen of the United States, and who shall not, when elected, be an Inhabitant of that State for which he shall be chosen.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Vice President of the United States shall be President of the Senate, but shall have no Vote, unless they be equally divided.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Senate shall chuse their other Officers, and also a President pro tempore, in the Absence of the Vice President, or when he shall exercise the Office of President of the United States.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Senate shall have the sole Power to try all Impeachments. When sitting for that Purpose, they shall be on Oath or Affirmation. When the President of the United States is tried, the Chief Justice shall preside: And no Person shall be convicted without the Concurrence of two thirds of the Members present.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Judgment in Cases of Impeachment shall not extend further than to removal from Office, and disqualification to hold and enjoy any Office of honor, Trust or Profit under the United States: but the Party convicted shall nevertheless be liable and subject to Indictment, Trial, Judgment and Punishment, according to Law.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 4.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Times, Places and Manner of holding Elections for Senators and Representatives, shall be prescribed in each State by the Legislature thereof; but the Congress may at any time by Law make or alter such Regulations, except as to the Places of chusing Senators.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Congress shall assemble at least once in every Year, and such Meeting shall be on the first Monday in December, unless they shall by Law appoint a different Day.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 5.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Each House shall be the Judge of the Elections, Returns and Qualifications of its own Members, and a Majority of each shall constitute a Quorum to do Business; but a smaller Number may adjourn from day to day, and may be authorized to compel the Attendance of absent Members, in such Manner, and under such Penalties as each House may provide.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Each House may determine the Rules of its Proceedings, punish its Members for disorderly Behaviour, and, with the Concurrence of two thirds, expel a Member.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Each House shall keep a Journal of its Proceedings, and from time to time publish the same, excepting such Parts as may in their Judgment require Secrecy; and the Yeas and Nays of the Members of either House on any question shall, at the Desire of one fifth of those Present, be entered on the Journal.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Neither House, during the Session of Congress, shall, without the Consent of the other, adjourn for more than three days, nor to any other Place than that in which the two Houses shall be sitting.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 6.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Senators and Representatives shall receive a Compensation for their Services, to be ascertained by Law, and paid out of the Treasury of the United States. They shall in all Cases, except Treason, Felony and Breach of the Peace, be privileged from Arrest during their Attendance at the Session of their respective Houses, and in going to and returning from the same; and for any Speech or Debate in either House, they shall not be questioned in any other Place.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Senator or Representative shall, during the Time for which he was elected, be appointed to any civil Office under the Authority of the United States, which shall have been created, or the Emoluments whereof shall have been encreased during such time; and no Person holding any Office under the United States, shall be a Member of either House during his Continuance in Office.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 7.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All Bills for raising Revenue shall originate in the House of Representatives; but the Senate may propose or concur with Amendments as on other Bills.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Every Bill which shall have passed the House of Representatives and the Senate, shall, before it become a Law, be presented to the President of the United States; If he approve he shall sign it, but if not he shall return it, with his Objections to that House in which it shall have originated, who shall enter the Objections at large on their Journal, and proceed to reconsider it. If after such Reconsideration two thirds of that House shall agree to pass the Bill, it shall be sent, together with the Objections, to the other House, by which it shall likewise be reconsidered, and if approved by two thirds of that House, it shall become a Law. But in all such Cases the Votes of both Houses shall be determined by yeas and Nays, and the Names of the Persons voting for and against the Bill shall be entered on the Journal of each House respectively. If any Bill shall not be returned by the President within ten Days (Sundays excepted) after it shall have been presented to him, the Same shall be a Law, in like Manner as if he had signed it, unless the Congress by their Adjournment prevent its Return, in which Case it shall not be a Law.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Every Order, Resolution, or Vote to which the Concurrence of the Senate and House of Representatives may be necessary (except on a question of Adjournment) shall be presented to the President of the United States; and before the Same shall take Effect, shall be approved by him, or being disapproved by him, shall be repassed by two thirds of the Senate and House of Representatives, according to the Rules and Limitations prescribed in the Case of a Bill.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 8.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Congress shall have Power To lay and collect Taxes, Duties, Imposts and Excises, to pay the Debts and provide for the common Defence and general Welfare of the United States; but all Duties, Imposts and Excises shall be uniform throughout the United States;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To borrow Money on the credit of the United States;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To regulate Commerce with foreign Nations, and among the several States, and with the Indian Tribes;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To establish an uniform Rule of Naturalization, and uniform Laws on the subject of Bankruptcies throughout the United States;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To coin Money, regulate the Value thereof, and of foreign Coin, and fix the Standard of Weights and Measures;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To provide for the Punishment of counterfeiting the Securities and current Coin of the United States;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To establish Post Offices and post Roads;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To constitute Tribunals inferior to the supreme Court;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To define and punish Piracies and Felonies committed on the high Seas, and Offences against the Law of Nations;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To declare War, grant Letters of Marque and Reprisal, and make Rules concerning Captures on Land and Water;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To raise and support Armies, but no Appropriation of Money to that Use shall be for a longer Term than two Years;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To provide and maintain a Navy;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To make Rules for the Government and Regulation of the land and naval Forces;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To provide for calling forth the Militia to execute the Laws of the Union, suppress Insurrections and repel Invasions;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To provide for organizing, arming, and disciplining, the Militia, and for governing such Part of them as may be employed in the Service of the United States, reserving to the States respectively, the Appointment of the Officers, and the Authority of training the Militia according to the discipline prescribed by Congress;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To exercise exclusive Legislation in all Cases whatsoever, over such District (not exceeding ten Miles square) as may, by Cession of particular States, and the Acceptance of Congress, become the Seat of the Government of the United States, and to exercise like Authority over all Places purchased by the Consent of the Legislature of the State in which the Same shall be, for the Erection of Forts, Magazines, Arsenals, dock-Yards, and other needful Buildings;—And</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To make all Laws which shall be necessary and proper for carrying into Execution the foregoing Powers, and all other Powers vested by this Constitution in the Government of the United States, or in any Department or Officer thereof.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 9.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Migration or Importation of such Persons as any of the States now existing shall think proper to admit, shall not be prohibited by the Congress prior to the Year one thousand eight hundred and eight, but a Tax or duty may be imposed on such Importation, not exceeding ten dollars for each Person.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Privilege of the Writ of Habeas Corpus shall not be suspended, unless when in Cases of Rebellion or Invasion the public Safety may require it.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Bill of Attainder or ex post facto Law shall be passed.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Capitation, or other direct, Tax shall be laid, unless in Proportion to the Census or enumeration herein before directed to be taken.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Tax or Duty shall be laid on Articles exported from any State.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Preference shall be given by any Regulation of Commerce or Revenue to the Ports of one State over those of another: nor shall Vessels bound to, or from, one State, be obliged to enter, clear, or pay Duties in another.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Money shall be drawn from the Treasury, but in Consequence of Appropriations made by Law; and a regular Statement and Account of the Receipts and Expenditures of all public Money shall be published from time to time.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Title of Nobility shall be granted by the United States: And no Person holding any Office of Profit or Trust under them, shall, without the Consent of the Congress, accept of any present, Emolument, Office, or Title, of any kind whatever, from any King, Prince, or foreign State.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 10.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No State shall enter into any Treaty, Alliance, or Confederation; grant Letters of Marque and Reprisal; coin Money; emit Bills of Credit; make any Thing but gold and silver Coin a Tender in Payment of Debts; pass any Bill of Attainder, ex post facto Law, or Law impairing the Obligation of Contracts, or grant any Title of Nobility.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No State shall, without the Consent of the Congress, lay any Imposts or Duties on Imports or Exports, except what may be absolutely necessary for executing it's inspection Laws: and the net Produce of all Duties and Imposts, laid by any State on Imports or Exports, shall be for the Use of the Treasury of the United States; and all such Laws shall be subject to the Revision and Controul of the Congress.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No State shall, without the Consent of Congress, lay any Duty of Tonnage, keep Troops, or Ships of War in time of Peace, enter into any Agreement or Compact with another State, or with a foreign Power, or engage in War, unless actually invaded, or in such imminent Danger as will not admit of delay.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article. II.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 1.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The executive Power shall be vested in a President of the United States of America. He shall hold his Office during the Term of four Years, and, together with the Vice President, chosen for the same Term, be elected, as follows</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Each State shall appoint, in such Manner as the Legislature thereof may direct, a Number of Electors, equal to the whole Number of Senators and Representatives to which the State may be entitled in the Congress: but no Senator or Representative, or Person holding an Office of Trust or Profit under the United States, shall be appointed an Elector.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Electors shall meet in their respective States, and vote by Ballot for two Persons, of whom one at least shall not be an Inhabitant of the same State with themselves. And they shall make a List of all the Persons voted for, and of the Number of Votes for each; which List they shall sign and certify, and transmit sealed to the Seat of the Government of the United States, directed to the President of the Senate. The President of the Senate shall, in the Presence of the Senate and House of Representatives, open all the Certificates, and the Votes shall then be counted. The Person having the greatest Number of Votes shall be the President, if such Number be a Majority of the whole Number of Electors appointed; and if there be more than one who have such Majority, and have an equal Number of Votes, then the House of Representatives shall immediately chuse by Ballot one of them for President; and if no Person have a Majority, then from the five highest on the List the said House shall in like Manner chuse the President. But in chusing the President, the Votes shall be taken by States, the Representation from each State having one Vote; A quorum for this Purpose shall consist of a Member or Members from two thirds of the States, and a Majority of all the States shall be necessary to a Choice. In every Case, after the Choice of the President, the Person having the greatest Number of Votes of the Electors shall be the Vice President. But if there should remain two or more who have equal Votes, the Senate shall chuse from them by Ballot the Vice President.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Congress may determine the Time of chusing the Electors, and the Day on which they shall give their Votes; which Day shall be the same throughout the United States.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Person except a natural born Citizen, or a Citizen of the United States, at the time of the Adoption of this Constitution, shall be eligible to the Office of President; neither shall any Person be eligible to that Office who shall not have attained to the Age of thirty five Years, and been fourteen Years a Resident within the United States.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In Case of the Removal of the President from Office, or of his Death, Resignation, or Inability to discharge the Powers and Duties of the said Office, the Same shall devolve on the Vice President, and the Congress may by Law provide for the Case of Removal, Death, Resignation or Inability, both of the President and Vice President, declaring what Officer shall then act as President, and such Officer shall act accordingly, until the Disability be removed, or a President shall be elected.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The President shall, at stated Times, receive for his Services, a Compensation, which shall neither be encreased nor diminished during the Period for which he shall have been elected, and he shall not receive within that Period any other Emolument from the United States, or any of them.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Before he enter on the Execution of his Office, he shall take the following Oath or Affirmation:—"I do solemnly swear (or affirm) that I will faithfully execute the Office of President of the United States, and will to the best of my Ability, preserve, protect and defend the Constitution of the United States."</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 2.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The President shall be Commander in Chief of the Army and Navy of the United States, and of the Militia of the several States, when called into the actual Service of the United States; he may require the Opinion, in writing, of the principal Officer in each of the executive Departments, upon any Subject relating to the Duties of their respective Offices, and he shall have Power to grant Reprieves and Pardons for Offences against the United States, except in Cases of Impeachment.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He shall have Power, by and with the Advice and Consent of the Senate, to make Treaties, provided two thirds of the Senators present concur; and he shall nominate, and by and with the Advice and Consent of the Senate, shall appoint Ambassadors, other public Ministers and Consuls, Judges of the supreme Court, and all other Officers of the United States, whose Appointments are not herein otherwise provided for, and which shall be established by Law: but the Congress may by Law vest the Appointment of such inferior Officers, as they think proper, in the President alone, in the Courts of Law, or in the Heads of Departments.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The President shall have Power to fill up all Vacancies that may happen during the Recess of the Senate, by granting Commissions which shall expire at the End of their next Session.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 3.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He shall from time to time give to the Congress Information of the State of the Union, and recommend to their Consideration such Measures as he shall judge necessary and expedient; he may, on extraordinary Occasions, convene both Houses, or either of them, and in Case of Disagreement between them, with Respect to the Time of Adjournment, he may adjourn them to such Time as he shall think proper; he shall receive Ambassadors and other public Ministers; he shall take Care that the Laws be faithfully executed, and shall Commission all the Officers of the United States.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 4.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The President, Vice President and all civil Officers of the United States, shall be removed from Office on Impeachment for, and Conviction of, Treason, Bribery, or other high Crimes and Misdemeanors.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article III.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 1.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The judicial Power of the United States, shall be vested in one supreme Court, and in such inferior Courts as the Congress may from time to time ordain and establish. The Judges, both of the supreme and inferior Courts, shall hold their Offices during good Behaviour, and shall, at stated Times, receive for their Services, a Compensation, which shall not be diminished during their Continuance in Office.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 2.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The judicial Power shall extend to all Cases, in Law and Equity, arising under this Constitution, the Laws of the United States, and Treaties made, or which shall be made, under their Authority;—to all Cases affecting Ambassadors, other public Ministers and Consuls;—to all Cases of admiralty and maritime Jurisdiction;—to Controversies to which the United States shall be a Party;—to Controversies between two or more States;— between a State and Citizens of another State,—between Citizens of different States,—between Citizens of the same State claiming Lands under Grants of different States, and between a State, or the Citizens thereof, and foreign States, Citizens or Subjects.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In all Cases affecting Ambassadors, other public Ministers and Consuls, and those in which a State shall be Party, the supreme Court shall have original Jurisdiction. In all the other Cases before mentioned, the supreme Court shall have appellate Jurisdiction, both as to Law and Fact, with such Exceptions, and under such Regulations as the Congress shall make.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Trial of all Crimes, except in Cases of Impeachment, shall be by Jury; and such Trial shall be held in the State where the said Crimes shall have been committed; but when not committed within any State, the Trial shall be at such Place or Places as the Congress may by Law have directed.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 3.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Treason against the United States, shall consist only in levying War against them, or in adhering to their Enemies, giving them Aid and Comfort. No Person shall be convicted of Treason unless on the Testimony of two Witnesses to the same overt Act, or on Confession in open Court.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Congress shall have Power to declare the Punishment of Treason, but no Attainder of Treason shall work Corruption of Blood, or Forfeiture except during the Life of the Person attainted.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article. IV.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 1.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Full Faith and Credit shall be given in each State to the public Acts, Records, and judicial Proceedings of every other State. And the Congress may by general Laws prescribe the Manner in which such Acts, Records and Proceedings shall be proved, and the Effect thereof.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 2.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Citizens of each State shall be entitled to all Privileges and Immunities of Citizens in the several States.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">A Person charged in any State with Treason, Felony, or other Crime, who shall flee from Justice, and be found in another State, shall on Demand of the executive Authority of the State from which he fled, be delivered up, to be removed to the State having Jurisdiction of the Crime.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Person held to Service or Labour in one State, under the Laws thereof, escaping into another, shall, in Consequence of any Law or Regulation therein, be discharged from such Service or Labour, but shall be delivered up on Claim of the Party to whom such Service or Labour may be due.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 3.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New States may be admitted by the Congress into this Union; but no new State shall be formed or erected within the Jurisdiction of any other State; nor any State be formed by the Junction of two or more States, or Parts of States, without the Consent of the Legislatures of the States concerned as well as of the Congress.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Congress shall have Power to dispose of and make all needful Rules and Regulations respecting the Territory or other Property belonging to the United States; and nothing in this Constitution shall be so construed as to Prejudice any Claims of the United States, or of any particular State.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 4.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The United States shall guarantee to every State in this Union a Republican Form of Government, and shall protect each of them against Invasion; and on Application of the Legislature, or of the Executive (when the Legislature cannot be convened) against domestic Violence.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article. V.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Congress, whenever two thirds of both Houses shall deem it necessary, shall propose Amendments to this Constitution, or, on the Application of the Legislatures of two thirds of the several States, shall call a Convention for proposing Amendments, which, in either Case, shall be valid to all Intents and Purposes, as Part of this Constitution, when ratified by the Legislatures of three fourths of the several States, or by Conventions in three fourths thereof, as the one or the other Mode of Ratification may be proposed by the Congress; Provided that no Amendment which may be made prior to the Year One thousand eight hundred and eight shall in any Manner affect the first and fourth Clauses in the Ninth Section of the first Article; and that no State, without its Consent, shall be deprived of its equal Suffrage in the Senate.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article. VI.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All Debts contracted and Engagements entered into, before the Adoption of this Constitution, shall be as valid against the United States under this Constitution, as under the Confederation.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">This Constitution, and the Laws of the United States which shall be made in Pursuance thereof; and all Treaties made, or which shall be made, under the Authority of the United States, shall be the supreme Law of the Land; and the Judges in every State shall be bound thereby, any Thing in the Constitution or Laws of any State to the Contrary notwithstanding.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Senators and Representatives before mentioned, and the Members of the several State Legislatures, and all executive and judicial Officers, both of the United States and of the several States, shall be bound by Oath or Affirmation, to support this Constitution; but no religious Test shall ever be required as a Qualification to any Office or public Trust under the United States.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article. VII.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Ratification of the Conventions of nine States, shall be sufficient for the Establishment of this Constitution between the States so ratifying the Same.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Word, "the," being interlined between the seventh and eighth Lines of the first Page, The Word "Thirty" being partly written on an Erazure in the fifteenth Line of the first Page, The Words "is tried" being interlined between the thirty second and thirty third Lines of the first Page and the Word "the" being interlined between the forty third and forty fourth Lines of the second Page.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Attest William Jackson Secretary</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">done in Convention by the Unanimous Consent of the States present the Seventeenth Day of September in the Year of our Lord one thousand seven hundred and Eighty seven and of the Independance of the United States of America the Twelfth In witness whereof We have hereunto subscribed our Names,</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">G. Washington</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Presidt and deputy from Virginia</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Delaware</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Geo: Read</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gunning Bedford jun</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Dickinson</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Richard Bassett</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Jaco: Broom</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Maryland</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">James McHenry</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Dan of St Thos. Jenifer</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Danl. Carroll</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Virginia</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Blair</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">James Madison Jr.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">North Carolina</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Wm. Blount</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Richd. Dobbs Spaight</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Hu Williamson</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">South Carolina</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">J. Rutledge</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Charles Cotesworth Pinckney</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Charles Pinckney</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Pierce Butler</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Georgia</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">William Few</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Abr Baldwin</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New Hampshire</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Langdon</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Nicholas Gilman</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Massachusetts</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Nathaniel Gorham</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rufus King</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Connecticut</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Wm. Saml. Johnson</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Roger Sherman</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New York</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Alexander Hamilton</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New Jersey</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Wil: Livingston</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">David Brearley</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Wm. Paterson</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Jona: Dayton</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Pennsylvania</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">B Franklin</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thomas Mifflin</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Robt. Morris</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Geo. Clymer</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thos. FitzSimons</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Jared Ingersoll</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">James Wilson</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gouv Morris</SPAN></SPAN></DIV></div>
HTMLText_D370843E_60AF_C2FD_41BD_DE0D07E91A0C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Images courtesy of the National Archives.</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Transcript of Document:</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article. I.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 1.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All legislative Powers herein granted shall be vested in a Congress of the United States, which shall consist of a Senate and House of Representatives.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 2.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The House of Representatives shall be composed of Members chosen every second Year by the People of the several States, and the Electors in each State shall have the Qualifications requisite for Electors of the most numerous Branch of the State Legislature.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Person shall be a Representative who shall not have attained to the Age of twenty five Years, and been seven Years a Citizen of the United States, and who shall not, when elected, be an Inhabitant of that State in which he shall be chosen.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Representatives and direct Taxes shall be apportioned among the several States which may be included within this Union, according to their respective Numbers, which shall be determined by adding to the whole Number of free Persons, including those bound to Service for a Term of Years, and excluding Indians not taxed, three fifths of all other Persons. The actual Enumeration shall be made within three Years after the first Meeting of the Congress of the United States, and within every subsequent Term of ten Years, in such Manner as they shall by Law direct. The Number of Representatives shall not exceed one for every thirty Thousand, but each State shall have at Least one Representative; and until such enumeration shall be made, the State of New Hampshire shall be entitled to chuse three, Massachusetts eight, Rhode-Island and Providence Plantations one, Connecticut five, New-York six, New Jersey four, Pennsylvania eight, Delaware one, Maryland six, Virginia ten, North Carolina five, South Carolina five, and Georgia three.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">When vacancies happen in the Representation from any State, the Executive Authority thereof shall issue Writs of Election to fill such Vacancies.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The House of Representatives shall chuse their Speaker and other Officers; and shall have the sole Power of Impeachment.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 3.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Senate of the United States shall be composed of two Senators from each State, chosen by the Legislature thereof, for six Years; and each Senator shall have one Vote.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Immediately after they shall be assembled in Consequence of the first Election, they shall be divided as equally as may be into three Classes. The Seats of the Senators of the first Class shall be vacated at the Expiration of the second Year, of the second Class at the Expiration of the fourth Year, and of the third Class at the Expiration of the sixth Year, so that one third may be chosen every second Year; and if Vacancies happen by Resignation, or otherwise, during the Recess of the Legislature of any State, the Executive thereof may make temporary Appointments until the next Meeting of the Legislature, which shall then fill such Vacancies.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Person shall be a Senator who shall not have attained to the Age of thirty Years, and been nine Years a Citizen of the United States, and who shall not, when elected, be an Inhabitant of that State for which he shall be chosen.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Vice President of the United States shall be President of the Senate, but shall have no Vote, unless they be equally divided.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Senate shall chuse their other Officers, and also a President pro tempore, in the Absence of the Vice President, or when he shall exercise the Office of President of the United States.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Senate shall have the sole Power to try all Impeachments. When sitting for that Purpose, they shall be on Oath or Affirmation. When the President of the United States is tried, the Chief Justice shall preside: And no Person shall be convicted without the Concurrence of two thirds of the Members present.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Judgment in Cases of Impeachment shall not extend further than to removal from Office, and disqualification to hold and enjoy any Office of honor, Trust or Profit under the United States: but the Party convicted shall nevertheless be liable and subject to Indictment, Trial, Judgment and Punishment, according to Law.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 4.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Times, Places and Manner of holding Elections for Senators and Representatives, shall be prescribed in each State by the Legislature thereof; but the Congress may at any time by Law make or alter such Regulations, except as to the Places of chusing Senators.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Congress shall assemble at least once in every Year, and such Meeting shall be on the first Monday in December, unless they shall by Law appoint a different Day.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 5.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Each House shall be the Judge of the Elections, Returns and Qualifications of its own Members, and a Majority of each shall constitute a Quorum to do Business; but a smaller Number may adjourn from day to day, and may be authorized to compel the Attendance of absent Members, in such Manner, and under such Penalties as each House may provide.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Each House may determine the Rules of its Proceedings, punish its Members for disorderly Behaviour, and, with the Concurrence of two thirds, expel a Member.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Each House shall keep a Journal of its Proceedings, and from time to time publish the same, excepting such Parts as may in their Judgment require Secrecy; and the Yeas and Nays of the Members of either House on any question shall, at the Desire of one fifth of those Present, be entered on the Journal.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Neither House, during the Session of Congress, shall, without the Consent of the other, adjourn for more than three days, nor to any other Place than that in which the two Houses shall be sitting.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 6.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Senators and Representatives shall receive a Compensation for their Services, to be ascertained by Law, and paid out of the Treasury of the United States. They shall in all Cases, except Treason, Felony and Breach of the Peace, be privileged from Arrest during their Attendance at the Session of their respective Houses, and in going to and returning from the same; and for any Speech or Debate in either House, they shall not be questioned in any other Place.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Senator or Representative shall, during the Time for which he was elected, be appointed to any civil Office under the Authority of the United States, which shall have been created, or the Emoluments whereof shall have been encreased during such time; and no Person holding any Office under the United States, shall be a Member of either House during his Continuance in Office.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 7.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All Bills for raising Revenue shall originate in the House of Representatives; but the Senate may propose or concur with Amendments as on other Bills.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Every Bill which shall have passed the House of Representatives and the Senate, shall, before it become a Law, be presented to the President of the United States; If he approve he shall sign it, but if not he shall return it, with his Objections to that House in which it shall have originated, who shall enter the Objections at large on their Journal, and proceed to reconsider it. If after such Reconsideration two thirds of that House shall agree to pass the Bill, it shall be sent, together with the Objections, to the other House, by which it shall likewise be reconsidered, and if approved by two thirds of that House, it shall become a Law. But in all such Cases the Votes of both Houses shall be determined by yeas and Nays, and the Names of the Persons voting for and against the Bill shall be entered on the Journal of each House respectively. If any Bill shall not be returned by the President within ten Days (Sundays excepted) after it shall have been presented to him, the Same shall be a Law, in like Manner as if he had signed it, unless the Congress by their Adjournment prevent its Return, in which Case it shall not be a Law.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Every Order, Resolution, or Vote to which the Concurrence of the Senate and House of Representatives may be necessary (except on a question of Adjournment) shall be presented to the President of the United States; and before the Same shall take Effect, shall be approved by him, or being disapproved by him, shall be repassed by two thirds of the Senate and House of Representatives, according to the Rules and Limitations prescribed in the Case of a Bill.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 8.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Congress shall have Power To lay and collect Taxes, Duties, Imposts and Excises, to pay the Debts and provide for the common Defence and general Welfare of the United States; but all Duties, Imposts and Excises shall be uniform throughout the United States;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To borrow Money on the credit of the United States;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To regulate Commerce with foreign Nations, and among the several States, and with the Indian Tribes;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To establish an uniform Rule of Naturalization, and uniform Laws on the subject of Bankruptcies throughout the United States;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To coin Money, regulate the Value thereof, and of foreign Coin, and fix the Standard of Weights and Measures;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To provide for the Punishment of counterfeiting the Securities and current Coin of the United States;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To establish Post Offices and post Roads;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To constitute Tribunals inferior to the supreme Court;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To define and punish Piracies and Felonies committed on the high Seas, and Offences against the Law of Nations;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To declare War, grant Letters of Marque and Reprisal, and make Rules concerning Captures on Land and Water;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To raise and support Armies, but no Appropriation of Money to that Use shall be for a longer Term than two Years;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To provide and maintain a Navy;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To make Rules for the Government and Regulation of the land and naval Forces;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To provide for calling forth the Militia to execute the Laws of the Union, suppress Insurrections and repel Invasions;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To provide for organizing, arming, and disciplining, the Militia, and for governing such Part of them as may be employed in the Service of the United States, reserving to the States respectively, the Appointment of the Officers, and the Authority of training the Militia according to the discipline prescribed by Congress;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To exercise exclusive Legislation in all Cases whatsoever, over such District (not exceeding ten Miles square) as may, by Cession of particular States, and the Acceptance of Congress, become the Seat of the Government of the United States, and to exercise like Authority over all Places purchased by the Consent of the Legislature of the State in which the Same shall be, for the Erection of Forts, Magazines, Arsenals, dock-Yards, and other needful Buildings;—And</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To make all Laws which shall be necessary and proper for carrying into Execution the foregoing Powers, and all other Powers vested by this Constitution in the Government of the United States, or in any Department or Officer thereof.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 9.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Migration or Importation of such Persons as any of the States now existing shall think proper to admit, shall not be prohibited by the Congress prior to the Year one thousand eight hundred and eight, but a Tax or duty may be imposed on such Importation, not exceeding ten dollars for each Person.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Privilege of the Writ of Habeas Corpus shall not be suspended, unless when in Cases of Rebellion or Invasion the public Safety may require it.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Bill of Attainder or ex post facto Law shall be passed.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Capitation, or other direct, Tax shall be laid, unless in Proportion to the Census or enumeration herein before directed to be taken.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Tax or Duty shall be laid on Articles exported from any State.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Preference shall be given by any Regulation of Commerce or Revenue to the Ports of one State over those of another: nor shall Vessels bound to, or from, one State, be obliged to enter, clear, or pay Duties in another.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Money shall be drawn from the Treasury, but in Consequence of Appropriations made by Law; and a regular Statement and Account of the Receipts and Expenditures of all public Money shall be published from time to time.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Title of Nobility shall be granted by the United States: And no Person holding any Office of Profit or Trust under them, shall, without the Consent of the Congress, accept of any present, Emolument, Office, or Title, of any kind whatever, from any King, Prince, or foreign State.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 10.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No State shall enter into any Treaty, Alliance, or Confederation; grant Letters of Marque and Reprisal; coin Money; emit Bills of Credit; make any Thing but gold and silver Coin a Tender in Payment of Debts; pass any Bill of Attainder, ex post facto Law, or Law impairing the Obligation of Contracts, or grant any Title of Nobility.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No State shall, without the Consent of the Congress, lay any Imposts or Duties on Imports or Exports, except what may be absolutely necessary for executing it's inspection Laws: and the net Produce of all Duties and Imposts, laid by any State on Imports or Exports, shall be for the Use of the Treasury of the United States; and all such Laws shall be subject to the Revision and Controul of the Congress.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No State shall, without the Consent of Congress, lay any Duty of Tonnage, keep Troops, or Ships of War in time of Peace, enter into any Agreement or Compact with another State, or with a foreign Power, or engage in War, unless actually invaded, or in such imminent Danger as will not admit of delay.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article. II.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 1.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The executive Power shall be vested in a President of the United States of America. He shall hold his Office during the Term of four Years, and, together with the Vice President, chosen for the same Term, be elected, as follows</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Each State shall appoint, in such Manner as the Legislature thereof may direct, a Number of Electors, equal to the whole Number of Senators and Representatives to which the State may be entitled in the Congress: but no Senator or Representative, or Person holding an Office of Trust or Profit under the United States, shall be appointed an Elector.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Electors shall meet in their respective States, and vote by Ballot for two Persons, of whom one at least shall not be an Inhabitant of the same State with themselves. And they shall make a List of all the Persons voted for, and of the Number of Votes for each; which List they shall sign and certify, and transmit sealed to the Seat of the Government of the United States, directed to the President of the Senate. The President of the Senate shall, in the Presence of the Senate and House of Representatives, open all the Certificates, and the Votes shall then be counted. The Person having the greatest Number of Votes shall be the President, if such Number be a Majority of the whole Number of Electors appointed; and if there be more than one who have such Majority, and have an equal Number of Votes, then the House of Representatives shall immediately chuse by Ballot one of them for President; and if no Person have a Majority, then from the five highest on the List the said House shall in like Manner chuse the President. But in chusing the President, the Votes shall be taken by States, the Representation from each State having one Vote; A quorum for this Purpose shall consist of a Member or Members from two thirds of the States, and a Majority of all the States shall be necessary to a Choice. In every Case, after the Choice of the President, the Person having the greatest Number of Votes of the Electors shall be the Vice President. But if there should remain two or more who have equal Votes, the Senate shall chuse from them by Ballot the Vice President.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Congress may determine the Time of chusing the Electors, and the Day on which they shall give their Votes; which Day shall be the same throughout the United States.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Person except a natural born Citizen, or a Citizen of the United States, at the time of the Adoption of this Constitution, shall be eligible to the Office of President; neither shall any Person be eligible to that Office who shall not have attained to the Age of thirty five Years, and been fourteen Years a Resident within the United States.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In Case of the Removal of the President from Office, or of his Death, Resignation, or Inability to discharge the Powers and Duties of the said Office, the Same shall devolve on the Vice President, and the Congress may by Law provide for the Case of Removal, Death, Resignation or Inability, both of the President and Vice President, declaring what Officer shall then act as President, and such Officer shall act accordingly, until the Disability be removed, or a President shall be elected.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The President shall, at stated Times, receive for his Services, a Compensation, which shall neither be encreased nor diminished during the Period for which he shall have been elected, and he shall not receive within that Period any other Emolument from the United States, or any of them.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Before he enter on the Execution of his Office, he shall take the following Oath or Affirmation:—"I do solemnly swear (or affirm) that I will faithfully execute the Office of President of the United States, and will to the best of my Ability, preserve, protect and defend the Constitution of the United States."</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 2.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The President shall be Commander in Chief of the Army and Navy of the United States, and of the Militia of the several States, when called into the actual Service of the United States; he may require the Opinion, in writing, of the principal Officer in each of the executive Departments, upon any Subject relating to the Duties of their respective Offices, and he shall have Power to grant Reprieves and Pardons for Offences against the United States, except in Cases of Impeachment.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He shall have Power, by and with the Advice and Consent of the Senate, to make Treaties, provided two thirds of the Senators present concur; and he shall nominate, and by and with the Advice and Consent of the Senate, shall appoint Ambassadors, other public Ministers and Consuls, Judges of the supreme Court, and all other Officers of the United States, whose Appointments are not herein otherwise provided for, and which shall be established by Law: but the Congress may by Law vest the Appointment of such inferior Officers, as they think proper, in the President alone, in the Courts of Law, or in the Heads of Departments.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The President shall have Power to fill up all Vacancies that may happen during the Recess of the Senate, by granting Commissions which shall expire at the End of their next Session.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 3.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He shall from time to time give to the Congress Information of the State of the Union, and recommend to their Consideration such Measures as he shall judge necessary and expedient; he may, on extraordinary Occasions, convene both Houses, or either of them, and in Case of Disagreement between them, with Respect to the Time of Adjournment, he may adjourn them to such Time as he shall think proper; he shall receive Ambassadors and other public Ministers; he shall take Care that the Laws be faithfully executed, and shall Commission all the Officers of the United States.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 4.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The President, Vice President and all civil Officers of the United States, shall be removed from Office on Impeachment for, and Conviction of, Treason, Bribery, or other high Crimes and Misdemeanors.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article III.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 1.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The judicial Power of the United States, shall be vested in one supreme Court, and in such inferior Courts as the Congress may from time to time ordain and establish. The Judges, both of the supreme and inferior Courts, shall hold their Offices during good Behaviour, and shall, at stated Times, receive for their Services, a Compensation, which shall not be diminished during their Continuance in Office.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 2.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The judicial Power shall extend to all Cases, in Law and Equity, arising under this Constitution, the Laws of the United States, and Treaties made, or which shall be made, under their Authority;—to all Cases affecting Ambassadors, other public Ministers and Consuls;—to all Cases of admiralty and maritime Jurisdiction;—to Controversies to which the United States shall be a Party;—to Controversies between two or more States;— between a State and Citizens of another State,—between Citizens of different States,—between Citizens of the same State claiming Lands under Grants of different States, and between a State, or the Citizens thereof, and foreign States, Citizens or Subjects.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In all Cases affecting Ambassadors, other public Ministers and Consuls, and those in which a State shall be Party, the supreme Court shall have original Jurisdiction. In all the other Cases before mentioned, the supreme Court shall have appellate Jurisdiction, both as to Law and Fact, with such Exceptions, and under such Regulations as the Congress shall make.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Trial of all Crimes, except in Cases of Impeachment, shall be by Jury; and such Trial shall be held in the State where the said Crimes shall have been committed; but when not committed within any State, the Trial shall be at such Place or Places as the Congress may by Law have directed.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 3.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Treason against the United States, shall consist only in levying War against them, or in adhering to their Enemies, giving them Aid and Comfort. No Person shall be convicted of Treason unless on the Testimony of two Witnesses to the same overt Act, or on Confession in open Court.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Congress shall have Power to declare the Punishment of Treason, but no Attainder of Treason shall work Corruption of Blood, or Forfeiture except during the Life of the Person attainted.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article. IV.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 1.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Full Faith and Credit shall be given in each State to the public Acts, Records, and judicial Proceedings of every other State. And the Congress may by general Laws prescribe the Manner in which such Acts, Records and Proceedings shall be proved, and the Effect thereof.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 2.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Citizens of each State shall be entitled to all Privileges and Immunities of Citizens in the several States.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">A Person charged in any State with Treason, Felony, or other Crime, who shall flee from Justice, and be found in another State, shall on Demand of the executive Authority of the State from which he fled, be delivered up, to be removed to the State having Jurisdiction of the Crime.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Person held to Service or Labour in one State, under the Laws thereof, escaping into another, shall, in Consequence of any Law or Regulation therein, be discharged from such Service or Labour, but shall be delivered up on Claim of the Party to whom such Service or Labour may be due.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 3.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New States may be admitted by the Congress into this Union; but no new State shall be formed or erected within the Jurisdiction of any other State; nor any State be formed by the Junction of two or more States, or Parts of States, without the Consent of the Legislatures of the States concerned as well as of the Congress.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Congress shall have Power to dispose of and make all needful Rules and Regulations respecting the Territory or other Property belonging to the United States; and nothing in this Constitution shall be so construed as to Prejudice any Claims of the United States, or of any particular State.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 4.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The United States shall guarantee to every State in this Union a Republican Form of Government, and shall protect each of them against Invasion; and on Application of the Legislature, or of the Executive (when the Legislature cannot be convened) against domestic Violence.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article. V.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Congress, whenever two thirds of both Houses shall deem it necessary, shall propose Amendments to this Constitution, or, on the Application of the Legislatures of two thirds of the several States, shall call a Convention for proposing Amendments, which, in either Case, shall be valid to all Intents and Purposes, as Part of this Constitution, when ratified by the Legislatures of three fourths of the several States, or by Conventions in three fourths thereof, as the one or the other Mode of Ratification may be proposed by the Congress; Provided that no Amendment which may be made prior to the Year One thousand eight hundred and eight shall in any Manner affect the first and fourth Clauses in the Ninth Section of the first Article; and that no State, without its Consent, shall be deprived of its equal Suffrage in the Senate.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article. VI.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All Debts contracted and Engagements entered into, before the Adoption of this Constitution, shall be as valid against the United States under this Constitution, as under the Confederation.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">This Constitution, and the Laws of the United States which shall be made in Pursuance thereof; and all Treaties made, or which shall be made, under the Authority of the United States, shall be the supreme Law of the Land; and the Judges in every State shall be bound thereby, any Thing in the Constitution or Laws of any State to the Contrary notwithstanding.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Senators and Representatives before mentioned, and the Members of the several State Legislatures, and all executive and judicial Officers, both of the United States and of the several States, shall be bound by Oath or Affirmation, to support this Constitution; but no religious Test shall ever be required as a Qualification to any Office or public Trust under the United States.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article. VII.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Ratification of the Conventions of nine States, shall be sufficient for the Establishment of this Constitution between the States so ratifying the Same.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Word, "the," being interlined between the seventh and eighth Lines of the first Page, The Word "Thirty" being partly written on an Erazure in the fifteenth Line of the first Page, The Words "is tried" being interlined between the thirty second and thirty third Lines of the first Page and the Word "the" being interlined between the forty third and forty fourth Lines of the second Page.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Attest William Jackson Secretary</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">done in Convention by the Unanimous Consent of the States present the Seventeenth Day of September in the Year of our Lord one thousand seven hundred and Eighty seven and of the Independance of the United States of America the Twelfth In witness whereof We have hereunto subscribed our Names,</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">G. Washington</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Presidt and deputy from Virginia</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Delaware</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Geo: Read</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gunning Bedford jun</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Dickinson</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Richard Bassett</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Jaco: Broom</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Maryland</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">James McHenry</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Dan of St Thos. Jenifer</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Danl. Carroll</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Virginia</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Blair</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">James Madison Jr.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">North Carolina</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Wm. Blount</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Richd. Dobbs Spaight</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Hu Williamson</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">South Carolina</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">J. Rutledge</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Charles Cotesworth Pinckney</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Charles Pinckney</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Pierce Butler</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Georgia</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">William Few</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Abr Baldwin</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New Hampshire</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Langdon</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Nicholas Gilman</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Massachusetts</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Nathaniel Gorham</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rufus King</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Connecticut</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Wm. Saml. Johnson</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Roger Sherman</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New York</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Alexander Hamilton</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New Jersey</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Wil: Livingston</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">David Brearley</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Wm. Paterson</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Jona: Dayton</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Pennsylvania</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">B Franklin</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thomas Mifflin</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Robt. Morris</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Geo. Clymer</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thos. FitzSimons</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Jared Ingersoll</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">James Wilson</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gouv Morris</SPAN></SPAN></DIV></div>
HTMLText_D1D0C411_6091_4286_41CE_43BAB8C36726.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Images courtesy of the National Archives.</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Transcript of Document:</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article. I.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 1.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All legislative Powers herein granted shall be vested in a Congress of the United States, which shall consist of a Senate and House of Representatives.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 2.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The House of Representatives shall be composed of Members chosen every second Year by the People of the several States, and the Electors in each State shall have the Qualifications requisite for Electors of the most numerous Branch of the State Legislature.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Person shall be a Representative who shall not have attained to the Age of twenty five Years, and been seven Years a Citizen of the United States, and who shall not, when elected, be an Inhabitant of that State in which he shall be chosen.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Representatives and direct Taxes shall be apportioned among the several States which may be included within this Union, according to their respective Numbers, which shall be determined by adding to the whole Number of free Persons, including those bound to Service for a Term of Years, and excluding Indians not taxed, three fifths of all other Persons. The actual Enumeration shall be made within three Years after the first Meeting of the Congress of the United States, and within every subsequent Term of ten Years, in such Manner as they shall by Law direct. The Number of Representatives shall not exceed one for every thirty Thousand, but each State shall have at Least one Representative; and until such enumeration shall be made, the State of New Hampshire shall be entitled to chuse three, Massachusetts eight, Rhode-Island and Providence Plantations one, Connecticut five, New-York six, New Jersey four, Pennsylvania eight, Delaware one, Maryland six, Virginia ten, North Carolina five, South Carolina five, and Georgia three.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">When vacancies happen in the Representation from any State, the Executive Authority thereof shall issue Writs of Election to fill such Vacancies.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The House of Representatives shall chuse their Speaker and other Officers; and shall have the sole Power of Impeachment.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 3.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Senate of the United States shall be composed of two Senators from each State, chosen by the Legislature thereof, for six Years; and each Senator shall have one Vote.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Immediately after they shall be assembled in Consequence of the first Election, they shall be divided as equally as may be into three Classes. The Seats of the Senators of the first Class shall be vacated at the Expiration of the second Year, of the second Class at the Expiration of the fourth Year, and of the third Class at the Expiration of the sixth Year, so that one third may be chosen every second Year; and if Vacancies happen by Resignation, or otherwise, during the Recess of the Legislature of any State, the Executive thereof may make temporary Appointments until the next Meeting of the Legislature, which shall then fill such Vacancies.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Person shall be a Senator who shall not have attained to the Age of thirty Years, and been nine Years a Citizen of the United States, and who shall not, when elected, be an Inhabitant of that State for which he shall be chosen.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Vice President of the United States shall be President of the Senate, but shall have no Vote, unless they be equally divided.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Senate shall chuse their other Officers, and also a President pro tempore, in the Absence of the Vice President, or when he shall exercise the Office of President of the United States.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Senate shall have the sole Power to try all Impeachments. When sitting for that Purpose, they shall be on Oath or Affirmation. When the President of the United States is tried, the Chief Justice shall preside: And no Person shall be convicted without the Concurrence of two thirds of the Members present.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Judgment in Cases of Impeachment shall not extend further than to removal from Office, and disqualification to hold and enjoy any Office of honor, Trust or Profit under the United States: but the Party convicted shall nevertheless be liable and subject to Indictment, Trial, Judgment and Punishment, according to Law.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 4.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Times, Places and Manner of holding Elections for Senators and Representatives, shall be prescribed in each State by the Legislature thereof; but the Congress may at any time by Law make or alter such Regulations, except as to the Places of chusing Senators.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Congress shall assemble at least once in every Year, and such Meeting shall be on the first Monday in December, unless they shall by Law appoint a different Day.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 5.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Each House shall be the Judge of the Elections, Returns and Qualifications of its own Members, and a Majority of each shall constitute a Quorum to do Business; but a smaller Number may adjourn from day to day, and may be authorized to compel the Attendance of absent Members, in such Manner, and under such Penalties as each House may provide.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Each House may determine the Rules of its Proceedings, punish its Members for disorderly Behaviour, and, with the Concurrence of two thirds, expel a Member.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Each House shall keep a Journal of its Proceedings, and from time to time publish the same, excepting such Parts as may in their Judgment require Secrecy; and the Yeas and Nays of the Members of either House on any question shall, at the Desire of one fifth of those Present, be entered on the Journal.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Neither House, during the Session of Congress, shall, without the Consent of the other, adjourn for more than three days, nor to any other Place than that in which the two Houses shall be sitting.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 6.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Senators and Representatives shall receive a Compensation for their Services, to be ascertained by Law, and paid out of the Treasury of the United States. They shall in all Cases, except Treason, Felony and Breach of the Peace, be privileged from Arrest during their Attendance at the Session of their respective Houses, and in going to and returning from the same; and for any Speech or Debate in either House, they shall not be questioned in any other Place.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Senator or Representative shall, during the Time for which he was elected, be appointed to any civil Office under the Authority of the United States, which shall have been created, or the Emoluments whereof shall have been encreased during such time; and no Person holding any Office under the United States, shall be a Member of either House during his Continuance in Office.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 7.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All Bills for raising Revenue shall originate in the House of Representatives; but the Senate may propose or concur with Amendments as on other Bills.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Every Bill which shall have passed the House of Representatives and the Senate, shall, before it become a Law, be presented to the President of the United States; If he approve he shall sign it, but if not he shall return it, with his Objections to that House in which it shall have originated, who shall enter the Objections at large on their Journal, and proceed to reconsider it. If after such Reconsideration two thirds of that House shall agree to pass the Bill, it shall be sent, together with the Objections, to the other House, by which it shall likewise be reconsidered, and if approved by two thirds of that House, it shall become a Law. But in all such Cases the Votes of both Houses shall be determined by yeas and Nays, and the Names of the Persons voting for and against the Bill shall be entered on the Journal of each House respectively. If any Bill shall not be returned by the President within ten Days (Sundays excepted) after it shall have been presented to him, the Same shall be a Law, in like Manner as if he had signed it, unless the Congress by their Adjournment prevent its Return, in which Case it shall not be a Law.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Every Order, Resolution, or Vote to which the Concurrence of the Senate and House of Representatives may be necessary (except on a question of Adjournment) shall be presented to the President of the United States; and before the Same shall take Effect, shall be approved by him, or being disapproved by him, shall be repassed by two thirds of the Senate and House of Representatives, according to the Rules and Limitations prescribed in the Case of a Bill.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 8.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Congress shall have Power To lay and collect Taxes, Duties, Imposts and Excises, to pay the Debts and provide for the common Defence and general Welfare of the United States; but all Duties, Imposts and Excises shall be uniform throughout the United States;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To borrow Money on the credit of the United States;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To regulate Commerce with foreign Nations, and among the several States, and with the Indian Tribes;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To establish an uniform Rule of Naturalization, and uniform Laws on the subject of Bankruptcies throughout the United States;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To coin Money, regulate the Value thereof, and of foreign Coin, and fix the Standard of Weights and Measures;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To provide for the Punishment of counterfeiting the Securities and current Coin of the United States;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To establish Post Offices and post Roads;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To constitute Tribunals inferior to the supreme Court;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To define and punish Piracies and Felonies committed on the high Seas, and Offences against the Law of Nations;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To declare War, grant Letters of Marque and Reprisal, and make Rules concerning Captures on Land and Water;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To raise and support Armies, but no Appropriation of Money to that Use shall be for a longer Term than two Years;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To provide and maintain a Navy;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To make Rules for the Government and Regulation of the land and naval Forces;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To provide for calling forth the Militia to execute the Laws of the Union, suppress Insurrections and repel Invasions;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To provide for organizing, arming, and disciplining, the Militia, and for governing such Part of them as may be employed in the Service of the United States, reserving to the States respectively, the Appointment of the Officers, and the Authority of training the Militia according to the discipline prescribed by Congress;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To exercise exclusive Legislation in all Cases whatsoever, over such District (not exceeding ten Miles square) as may, by Cession of particular States, and the Acceptance of Congress, become the Seat of the Government of the United States, and to exercise like Authority over all Places purchased by the Consent of the Legislature of the State in which the Same shall be, for the Erection of Forts, Magazines, Arsenals, dock-Yards, and other needful Buildings;—And</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To make all Laws which shall be necessary and proper for carrying into Execution the foregoing Powers, and all other Powers vested by this Constitution in the Government of the United States, or in any Department or Officer thereof.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 9.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Migration or Importation of such Persons as any of the States now existing shall think proper to admit, shall not be prohibited by the Congress prior to the Year one thousand eight hundred and eight, but a Tax or duty may be imposed on such Importation, not exceeding ten dollars for each Person.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Privilege of the Writ of Habeas Corpus shall not be suspended, unless when in Cases of Rebellion or Invasion the public Safety may require it.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Bill of Attainder or ex post facto Law shall be passed.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Capitation, or other direct, Tax shall be laid, unless in Proportion to the Census or enumeration herein before directed to be taken.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Tax or Duty shall be laid on Articles exported from any State.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Preference shall be given by any Regulation of Commerce or Revenue to the Ports of one State over those of another: nor shall Vessels bound to, or from, one State, be obliged to enter, clear, or pay Duties in another.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Money shall be drawn from the Treasury, but in Consequence of Appropriations made by Law; and a regular Statement and Account of the Receipts and Expenditures of all public Money shall be published from time to time.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Title of Nobility shall be granted by the United States: And no Person holding any Office of Profit or Trust under them, shall, without the Consent of the Congress, accept of any present, Emolument, Office, or Title, of any kind whatever, from any King, Prince, or foreign State.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 10.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No State shall enter into any Treaty, Alliance, or Confederation; grant Letters of Marque and Reprisal; coin Money; emit Bills of Credit; make any Thing but gold and silver Coin a Tender in Payment of Debts; pass any Bill of Attainder, ex post facto Law, or Law impairing the Obligation of Contracts, or grant any Title of Nobility.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No State shall, without the Consent of the Congress, lay any Imposts or Duties on Imports or Exports, except what may be absolutely necessary for executing it's inspection Laws: and the net Produce of all Duties and Imposts, laid by any State on Imports or Exports, shall be for the Use of the Treasury of the United States; and all such Laws shall be subject to the Revision and Controul of the Congress.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No State shall, without the Consent of Congress, lay any Duty of Tonnage, keep Troops, or Ships of War in time of Peace, enter into any Agreement or Compact with another State, or with a foreign Power, or engage in War, unless actually invaded, or in such imminent Danger as will not admit of delay.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article. II.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 1.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The executive Power shall be vested in a President of the United States of America. He shall hold his Office during the Term of four Years, and, together with the Vice President, chosen for the same Term, be elected, as follows</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Each State shall appoint, in such Manner as the Legislature thereof may direct, a Number of Electors, equal to the whole Number of Senators and Representatives to which the State may be entitled in the Congress: but no Senator or Representative, or Person holding an Office of Trust or Profit under the United States, shall be appointed an Elector.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Electors shall meet in their respective States, and vote by Ballot for two Persons, of whom one at least shall not be an Inhabitant of the same State with themselves. And they shall make a List of all the Persons voted for, and of the Number of Votes for each; which List they shall sign and certify, and transmit sealed to the Seat of the Government of the United States, directed to the President of the Senate. The President of the Senate shall, in the Presence of the Senate and House of Representatives, open all the Certificates, and the Votes shall then be counted. The Person having the greatest Number of Votes shall be the President, if such Number be a Majority of the whole Number of Electors appointed; and if there be more than one who have such Majority, and have an equal Number of Votes, then the House of Representatives shall immediately chuse by Ballot one of them for President; and if no Person have a Majority, then from the five highest on the List the said House shall in like Manner chuse the President. But in chusing the President, the Votes shall be taken by States, the Representation from each State having one Vote; A quorum for this Purpose shall consist of a Member or Members from two thirds of the States, and a Majority of all the States shall be necessary to a Choice. In every Case, after the Choice of the President, the Person having the greatest Number of Votes of the Electors shall be the Vice President. But if there should remain two or more who have equal Votes, the Senate shall chuse from them by Ballot the Vice President.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Congress may determine the Time of chusing the Electors, and the Day on which they shall give their Votes; which Day shall be the same throughout the United States.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Person except a natural born Citizen, or a Citizen of the United States, at the time of the Adoption of this Constitution, shall be eligible to the Office of President; neither shall any Person be eligible to that Office who shall not have attained to the Age of thirty five Years, and been fourteen Years a Resident within the United States.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In Case of the Removal of the President from Office, or of his Death, Resignation, or Inability to discharge the Powers and Duties of the said Office, the Same shall devolve on the Vice President, and the Congress may by Law provide for the Case of Removal, Death, Resignation or Inability, both of the President and Vice President, declaring what Officer shall then act as President, and such Officer shall act accordingly, until the Disability be removed, or a President shall be elected.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The President shall, at stated Times, receive for his Services, a Compensation, which shall neither be encreased nor diminished during the Period for which he shall have been elected, and he shall not receive within that Period any other Emolument from the United States, or any of them.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Before he enter on the Execution of his Office, he shall take the following Oath or Affirmation:—"I do solemnly swear (or affirm) that I will faithfully execute the Office of President of the United States, and will to the best of my Ability, preserve, protect and defend the Constitution of the United States."</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 2.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The President shall be Commander in Chief of the Army and Navy of the United States, and of the Militia of the several States, when called into the actual Service of the United States; he may require the Opinion, in writing, of the principal Officer in each of the executive Departments, upon any Subject relating to the Duties of their respective Offices, and he shall have Power to grant Reprieves and Pardons for Offences against the United States, except in Cases of Impeachment.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He shall have Power, by and with the Advice and Consent of the Senate, to make Treaties, provided two thirds of the Senators present concur; and he shall nominate, and by and with the Advice and Consent of the Senate, shall appoint Ambassadors, other public Ministers and Consuls, Judges of the supreme Court, and all other Officers of the United States, whose Appointments are not herein otherwise provided for, and which shall be established by Law: but the Congress may by Law vest the Appointment of such inferior Officers, as they think proper, in the President alone, in the Courts of Law, or in the Heads of Departments.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The President shall have Power to fill up all Vacancies that may happen during the Recess of the Senate, by granting Commissions which shall expire at the End of their next Session.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 3.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He shall from time to time give to the Congress Information of the State of the Union, and recommend to their Consideration such Measures as he shall judge necessary and expedient; he may, on extraordinary Occasions, convene both Houses, or either of them, and in Case of Disagreement between them, with Respect to the Time of Adjournment, he may adjourn them to such Time as he shall think proper; he shall receive Ambassadors and other public Ministers; he shall take Care that the Laws be faithfully executed, and shall Commission all the Officers of the United States.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 4.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The President, Vice President and all civil Officers of the United States, shall be removed from Office on Impeachment for, and Conviction of, Treason, Bribery, or other high Crimes and Misdemeanors.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article III.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 1.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The judicial Power of the United States, shall be vested in one supreme Court, and in such inferior Courts as the Congress may from time to time ordain and establish. The Judges, both of the supreme and inferior Courts, shall hold their Offices during good Behaviour, and shall, at stated Times, receive for their Services, a Compensation, which shall not be diminished during their Continuance in Office.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 2.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The judicial Power shall extend to all Cases, in Law and Equity, arising under this Constitution, the Laws of the United States, and Treaties made, or which shall be made, under their Authority;—to all Cases affecting Ambassadors, other public Ministers and Consuls;—to all Cases of admiralty and maritime Jurisdiction;—to Controversies to which the United States shall be a Party;—to Controversies between two or more States;— between a State and Citizens of another State,—between Citizens of different States,—between Citizens of the same State claiming Lands under Grants of different States, and between a State, or the Citizens thereof, and foreign States, Citizens or Subjects.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In all Cases affecting Ambassadors, other public Ministers and Consuls, and those in which a State shall be Party, the supreme Court shall have original Jurisdiction. In all the other Cases before mentioned, the supreme Court shall have appellate Jurisdiction, both as to Law and Fact, with such Exceptions, and under such Regulations as the Congress shall make.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Trial of all Crimes, except in Cases of Impeachment, shall be by Jury; and such Trial shall be held in the State where the said Crimes shall have been committed; but when not committed within any State, the Trial shall be at such Place or Places as the Congress may by Law have directed.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 3.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Treason against the United States, shall consist only in levying War against them, or in adhering to their Enemies, giving them Aid and Comfort. No Person shall be convicted of Treason unless on the Testimony of two Witnesses to the same overt Act, or on Confession in open Court.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Congress shall have Power to declare the Punishment of Treason, but no Attainder of Treason shall work Corruption of Blood, or Forfeiture except during the Life of the Person attainted.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article. IV.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 1.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Full Faith and Credit shall be given in each State to the public Acts, Records, and judicial Proceedings of every other State. And the Congress may by general Laws prescribe the Manner in which such Acts, Records and Proceedings shall be proved, and the Effect thereof.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 2.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Citizens of each State shall be entitled to all Privileges and Immunities of Citizens in the several States.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">A Person charged in any State with Treason, Felony, or other Crime, who shall flee from Justice, and be found in another State, shall on Demand of the executive Authority of the State from which he fled, be delivered up, to be removed to the State having Jurisdiction of the Crime.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Person held to Service or Labour in one State, under the Laws thereof, escaping into another, shall, in Consequence of any Law or Regulation therein, be discharged from such Service or Labour, but shall be delivered up on Claim of the Party to whom such Service or Labour may be due.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 3.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New States may be admitted by the Congress into this Union; but no new State shall be formed or erected within the Jurisdiction of any other State; nor any State be formed by the Junction of two or more States, or Parts of States, without the Consent of the Legislatures of the States concerned as well as of the Congress.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Congress shall have Power to dispose of and make all needful Rules and Regulations respecting the Territory or other Property belonging to the United States; and nothing in this Constitution shall be so construed as to Prejudice any Claims of the United States, or of any particular State.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 4.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The United States shall guarantee to every State in this Union a Republican Form of Government, and shall protect each of them against Invasion; and on Application of the Legislature, or of the Executive (when the Legislature cannot be convened) against domestic Violence.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article. V.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Congress, whenever two thirds of both Houses shall deem it necessary, shall propose Amendments to this Constitution, or, on the Application of the Legislatures of two thirds of the several States, shall call a Convention for proposing Amendments, which, in either Case, shall be valid to all Intents and Purposes, as Part of this Constitution, when ratified by the Legislatures of three fourths of the several States, or by Conventions in three fourths thereof, as the one or the other Mode of Ratification may be proposed by the Congress; Provided that no Amendment which may be made prior to the Year One thousand eight hundred and eight shall in any Manner affect the first and fourth Clauses in the Ninth Section of the first Article; and that no State, without its Consent, shall be deprived of its equal Suffrage in the Senate.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article. VI.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All Debts contracted and Engagements entered into, before the Adoption of this Constitution, shall be as valid against the United States under this Constitution, as under the Confederation.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">This Constitution, and the Laws of the United States which shall be made in Pursuance thereof; and all Treaties made, or which shall be made, under the Authority of the United States, shall be the supreme Law of the Land; and the Judges in every State shall be bound thereby, any Thing in the Constitution or Laws of any State to the Contrary notwithstanding.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Senators and Representatives before mentioned, and the Members of the several State Legislatures, and all executive and judicial Officers, both of the United States and of the several States, shall be bound by Oath or Affirmation, to support this Constitution; but no religious Test shall ever be required as a Qualification to any Office or public Trust under the United States.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article. VII.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Ratification of the Conventions of nine States, shall be sufficient for the Establishment of this Constitution between the States so ratifying the Same.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Word, "the," being interlined between the seventh and eighth Lines of the first Page, The Word "Thirty" being partly written on an Erazure in the fifteenth Line of the first Page, The Words "is tried" being interlined between the thirty second and thirty third Lines of the first Page and the Word "the" being interlined between the forty third and forty fourth Lines of the second Page.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Attest William Jackson Secretary</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">done in Convention by the Unanimous Consent of the States present the Seventeenth Day of September in the Year of our Lord one thousand seven hundred and Eighty seven and of the Independance of the United States of America the Twelfth In witness whereof We have hereunto subscribed our Names,</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">G. Washington</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Presidt and deputy from Virginia</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Delaware</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Geo: Read</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gunning Bedford jun</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Dickinson</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Richard Bassett</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Jaco: Broom</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Maryland</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">James McHenry</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Dan of St Thos. Jenifer</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Danl. Carroll</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Virginia</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Blair</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">James Madison Jr.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">North Carolina</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Wm. Blount</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Richd. Dobbs Spaight</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Hu Williamson</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">South Carolina</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">J. Rutledge</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Charles Cotesworth Pinckney</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Charles Pinckney</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Pierce Butler</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Georgia</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">William Few</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Abr Baldwin</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New Hampshire</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Langdon</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Nicholas Gilman</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Massachusetts</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Nathaniel Gorham</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rufus King</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Connecticut</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Wm. Saml. Johnson</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Roger Sherman</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New York</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Alexander Hamilton</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New Jersey</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Wil: Livingston</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">David Brearley</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Wm. Paterson</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Jona: Dayton</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Pennsylvania</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">B Franklin</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thomas Mifflin</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Robt. Morris</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Geo. Clymer</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thos. FitzSimons</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Jared Ingersoll</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">James Wilson</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gouv Morris</SPAN></SPAN></DIV></div>
HTMLText_CEA4AB83_6093_458A_41D0_515D02F6F648.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Images courtesy of the National Archives.</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Transcript of Document:</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article. I.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 1.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All legislative Powers herein granted shall be vested in a Congress of the United States, which shall consist of a Senate and House of Representatives.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 2.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The House of Representatives shall be composed of Members chosen every second Year by the People of the several States, and the Electors in each State shall have the Qualifications requisite for Electors of the most numerous Branch of the State Legislature.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Person shall be a Representative who shall not have attained to the Age of twenty five Years, and been seven Years a Citizen of the United States, and who shall not, when elected, be an Inhabitant of that State in which he shall be chosen.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Representatives and direct Taxes shall be apportioned among the several States which may be included within this Union, according to their respective Numbers, which shall be determined by adding to the whole Number of free Persons, including those bound to Service for a Term of Years, and excluding Indians not taxed, three fifths of all other Persons. The actual Enumeration shall be made within three Years after the first Meeting of the Congress of the United States, and within every subsequent Term of ten Years, in such Manner as they shall by Law direct. The Number of Representatives shall not exceed one for every thirty Thousand, but each State shall have at Least one Representative; and until such enumeration shall be made, the State of New Hampshire shall be entitled to chuse three, Massachusetts eight, Rhode-Island and Providence Plantations one, Connecticut five, New-York six, New Jersey four, Pennsylvania eight, Delaware one, Maryland six, Virginia ten, North Carolina five, South Carolina five, and Georgia three.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">When vacancies happen in the Representation from any State, the Executive Authority thereof shall issue Writs of Election to fill such Vacancies.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The House of Representatives shall chuse their Speaker and other Officers; and shall have the sole Power of Impeachment.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 3.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Senate of the United States shall be composed of two Senators from each State, chosen by the Legislature thereof, for six Years; and each Senator shall have one Vote.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Immediately after they shall be assembled in Consequence of the first Election, they shall be divided as equally as may be into three Classes. The Seats of the Senators of the first Class shall be vacated at the Expiration of the second Year, of the second Class at the Expiration of the fourth Year, and of the third Class at the Expiration of the sixth Year, so that one third may be chosen every second Year; and if Vacancies happen by Resignation, or otherwise, during the Recess of the Legislature of any State, the Executive thereof may make temporary Appointments until the next Meeting of the Legislature, which shall then fill such Vacancies.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Person shall be a Senator who shall not have attained to the Age of thirty Years, and been nine Years a Citizen of the United States, and who shall not, when elected, be an Inhabitant of that State for which he shall be chosen.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Vice President of the United States shall be President of the Senate, but shall have no Vote, unless they be equally divided.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Senate shall chuse their other Officers, and also a President pro tempore, in the Absence of the Vice President, or when he shall exercise the Office of President of the United States.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Senate shall have the sole Power to try all Impeachments. When sitting for that Purpose, they shall be on Oath or Affirmation. When the President of the United States is tried, the Chief Justice shall preside: And no Person shall be convicted without the Concurrence of two thirds of the Members present.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Judgment in Cases of Impeachment shall not extend further than to removal from Office, and disqualification to hold and enjoy any Office of honor, Trust or Profit under the United States: but the Party convicted shall nevertheless be liable and subject to Indictment, Trial, Judgment and Punishment, according to Law.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 4.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Times, Places and Manner of holding Elections for Senators and Representatives, shall be prescribed in each State by the Legislature thereof; but the Congress may at any time by Law make or alter such Regulations, except as to the Places of chusing Senators.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Congress shall assemble at least once in every Year, and such Meeting shall be on the first Monday in December, unless they shall by Law appoint a different Day.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 5.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Each House shall be the Judge of the Elections, Returns and Qualifications of its own Members, and a Majority of each shall constitute a Quorum to do Business; but a smaller Number may adjourn from day to day, and may be authorized to compel the Attendance of absent Members, in such Manner, and under such Penalties as each House may provide.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Each House may determine the Rules of its Proceedings, punish its Members for disorderly Behaviour, and, with the Concurrence of two thirds, expel a Member.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Each House shall keep a Journal of its Proceedings, and from time to time publish the same, excepting such Parts as may in their Judgment require Secrecy; and the Yeas and Nays of the Members of either House on any question shall, at the Desire of one fifth of those Present, be entered on the Journal.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Neither House, during the Session of Congress, shall, without the Consent of the other, adjourn for more than three days, nor to any other Place than that in which the two Houses shall be sitting.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 6.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Senators and Representatives shall receive a Compensation for their Services, to be ascertained by Law, and paid out of the Treasury of the United States. They shall in all Cases, except Treason, Felony and Breach of the Peace, be privileged from Arrest during their Attendance at the Session of their respective Houses, and in going to and returning from the same; and for any Speech or Debate in either House, they shall not be questioned in any other Place.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Senator or Representative shall, during the Time for which he was elected, be appointed to any civil Office under the Authority of the United States, which shall have been created, or the Emoluments whereof shall have been encreased during such time; and no Person holding any Office under the United States, shall be a Member of either House during his Continuance in Office.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 7.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All Bills for raising Revenue shall originate in the House of Representatives; but the Senate may propose or concur with Amendments as on other Bills.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Every Bill which shall have passed the House of Representatives and the Senate, shall, before it become a Law, be presented to the President of the United States; If he approve he shall sign it, but if not he shall return it, with his Objections to that House in which it shall have originated, who shall enter the Objections at large on their Journal, and proceed to reconsider it. If after such Reconsideration two thirds of that House shall agree to pass the Bill, it shall be sent, together with the Objections, to the other House, by which it shall likewise be reconsidered, and if approved by two thirds of that House, it shall become a Law. But in all such Cases the Votes of both Houses shall be determined by yeas and Nays, and the Names of the Persons voting for and against the Bill shall be entered on the Journal of each House respectively. If any Bill shall not be returned by the President within ten Days (Sundays excepted) after it shall have been presented to him, the Same shall be a Law, in like Manner as if he had signed it, unless the Congress by their Adjournment prevent its Return, in which Case it shall not be a Law.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Every Order, Resolution, or Vote to which the Concurrence of the Senate and House of Representatives may be necessary (except on a question of Adjournment) shall be presented to the President of the United States; and before the Same shall take Effect, shall be approved by him, or being disapproved by him, shall be repassed by two thirds of the Senate and House of Representatives, according to the Rules and Limitations prescribed in the Case of a Bill.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 8.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Congress shall have Power To lay and collect Taxes, Duties, Imposts and Excises, to pay the Debts and provide for the common Defence and general Welfare of the United States; but all Duties, Imposts and Excises shall be uniform throughout the United States;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To borrow Money on the credit of the United States;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To regulate Commerce with foreign Nations, and among the several States, and with the Indian Tribes;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To establish an uniform Rule of Naturalization, and uniform Laws on the subject of Bankruptcies throughout the United States;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To coin Money, regulate the Value thereof, and of foreign Coin, and fix the Standard of Weights and Measures;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To provide for the Punishment of counterfeiting the Securities and current Coin of the United States;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To establish Post Offices and post Roads;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To constitute Tribunals inferior to the supreme Court;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To define and punish Piracies and Felonies committed on the high Seas, and Offences against the Law of Nations;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To declare War, grant Letters of Marque and Reprisal, and make Rules concerning Captures on Land and Water;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To raise and support Armies, but no Appropriation of Money to that Use shall be for a longer Term than two Years;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To provide and maintain a Navy;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To make Rules for the Government and Regulation of the land and naval Forces;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To provide for calling forth the Militia to execute the Laws of the Union, suppress Insurrections and repel Invasions;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To provide for organizing, arming, and disciplining, the Militia, and for governing such Part of them as may be employed in the Service of the United States, reserving to the States respectively, the Appointment of the Officers, and the Authority of training the Militia according to the discipline prescribed by Congress;</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To exercise exclusive Legislation in all Cases whatsoever, over such District (not exceeding ten Miles square) as may, by Cession of particular States, and the Acceptance of Congress, become the Seat of the Government of the United States, and to exercise like Authority over all Places purchased by the Consent of the Legislature of the State in which the Same shall be, for the Erection of Forts, Magazines, Arsenals, dock-Yards, and other needful Buildings;—And</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To make all Laws which shall be necessary and proper for carrying into Execution the foregoing Powers, and all other Powers vested by this Constitution in the Government of the United States, or in any Department or Officer thereof.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 9.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Migration or Importation of such Persons as any of the States now existing shall think proper to admit, shall not be prohibited by the Congress prior to the Year one thousand eight hundred and eight, but a Tax or duty may be imposed on such Importation, not exceeding ten dollars for each Person.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Privilege of the Writ of Habeas Corpus shall not be suspended, unless when in Cases of Rebellion or Invasion the public Safety may require it.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Bill of Attainder or ex post facto Law shall be passed.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Capitation, or other direct, Tax shall be laid, unless in Proportion to the Census or enumeration herein before directed to be taken.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Tax or Duty shall be laid on Articles exported from any State.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Preference shall be given by any Regulation of Commerce or Revenue to the Ports of one State over those of another: nor shall Vessels bound to, or from, one State, be obliged to enter, clear, or pay Duties in another.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Money shall be drawn from the Treasury, but in Consequence of Appropriations made by Law; and a regular Statement and Account of the Receipts and Expenditures of all public Money shall be published from time to time.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Title of Nobility shall be granted by the United States: And no Person holding any Office of Profit or Trust under them, shall, without the Consent of the Congress, accept of any present, Emolument, Office, or Title, of any kind whatever, from any King, Prince, or foreign State.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 10.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No State shall enter into any Treaty, Alliance, or Confederation; grant Letters of Marque and Reprisal; coin Money; emit Bills of Credit; make any Thing but gold and silver Coin a Tender in Payment of Debts; pass any Bill of Attainder, ex post facto Law, or Law impairing the Obligation of Contracts, or grant any Title of Nobility.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No State shall, without the Consent of the Congress, lay any Imposts or Duties on Imports or Exports, except what may be absolutely necessary for executing it's inspection Laws: and the net Produce of all Duties and Imposts, laid by any State on Imports or Exports, shall be for the Use of the Treasury of the United States; and all such Laws shall be subject to the Revision and Controul of the Congress.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No State shall, without the Consent of Congress, lay any Duty of Tonnage, keep Troops, or Ships of War in time of Peace, enter into any Agreement or Compact with another State, or with a foreign Power, or engage in War, unless actually invaded, or in such imminent Danger as will not admit of delay.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article. II.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 1.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The executive Power shall be vested in a President of the United States of America. He shall hold his Office during the Term of four Years, and, together with the Vice President, chosen for the same Term, be elected, as follows</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Each State shall appoint, in such Manner as the Legislature thereof may direct, a Number of Electors, equal to the whole Number of Senators and Representatives to which the State may be entitled in the Congress: but no Senator or Representative, or Person holding an Office of Trust or Profit under the United States, shall be appointed an Elector.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Electors shall meet in their respective States, and vote by Ballot for two Persons, of whom one at least shall not be an Inhabitant of the same State with themselves. And they shall make a List of all the Persons voted for, and of the Number of Votes for each; which List they shall sign and certify, and transmit sealed to the Seat of the Government of the United States, directed to the President of the Senate. The President of the Senate shall, in the Presence of the Senate and House of Representatives, open all the Certificates, and the Votes shall then be counted. The Person having the greatest Number of Votes shall be the President, if such Number be a Majority of the whole Number of Electors appointed; and if there be more than one who have such Majority, and have an equal Number of Votes, then the House of Representatives shall immediately chuse by Ballot one of them for President; and if no Person have a Majority, then from the five highest on the List the said House shall in like Manner chuse the President. But in chusing the President, the Votes shall be taken by States, the Representation from each State having one Vote; A quorum for this Purpose shall consist of a Member or Members from two thirds of the States, and a Majority of all the States shall be necessary to a Choice. In every Case, after the Choice of the President, the Person having the greatest Number of Votes of the Electors shall be the Vice President. But if there should remain two or more who have equal Votes, the Senate shall chuse from them by Ballot the Vice President.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Congress may determine the Time of chusing the Electors, and the Day on which they shall give their Votes; which Day shall be the same throughout the United States.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Person except a natural born Citizen, or a Citizen of the United States, at the time of the Adoption of this Constitution, shall be eligible to the Office of President; neither shall any Person be eligible to that Office who shall not have attained to the Age of thirty five Years, and been fourteen Years a Resident within the United States.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In Case of the Removal of the President from Office, or of his Death, Resignation, or Inability to discharge the Powers and Duties of the said Office, the Same shall devolve on the Vice President, and the Congress may by Law provide for the Case of Removal, Death, Resignation or Inability, both of the President and Vice President, declaring what Officer shall then act as President, and such Officer shall act accordingly, until the Disability be removed, or a President shall be elected.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The President shall, at stated Times, receive for his Services, a Compensation, which shall neither be encreased nor diminished during the Period for which he shall have been elected, and he shall not receive within that Period any other Emolument from the United States, or any of them.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Before he enter on the Execution of his Office, he shall take the following Oath or Affirmation:—"I do solemnly swear (or affirm) that I will faithfully execute the Office of President of the United States, and will to the best of my Ability, preserve, protect and defend the Constitution of the United States."</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 2.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The President shall be Commander in Chief of the Army and Navy of the United States, and of the Militia of the several States, when called into the actual Service of the United States; he may require the Opinion, in writing, of the principal Officer in each of the executive Departments, upon any Subject relating to the Duties of their respective Offices, and he shall have Power to grant Reprieves and Pardons for Offences against the United States, except in Cases of Impeachment.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He shall have Power, by and with the Advice and Consent of the Senate, to make Treaties, provided two thirds of the Senators present concur; and he shall nominate, and by and with the Advice and Consent of the Senate, shall appoint Ambassadors, other public Ministers and Consuls, Judges of the supreme Court, and all other Officers of the United States, whose Appointments are not herein otherwise provided for, and which shall be established by Law: but the Congress may by Law vest the Appointment of such inferior Officers, as they think proper, in the President alone, in the Courts of Law, or in the Heads of Departments.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The President shall have Power to fill up all Vacancies that may happen during the Recess of the Senate, by granting Commissions which shall expire at the End of their next Session.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 3.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He shall from time to time give to the Congress Information of the State of the Union, and recommend to their Consideration such Measures as he shall judge necessary and expedient; he may, on extraordinary Occasions, convene both Houses, or either of them, and in Case of Disagreement between them, with Respect to the Time of Adjournment, he may adjourn them to such Time as he shall think proper; he shall receive Ambassadors and other public Ministers; he shall take Care that the Laws be faithfully executed, and shall Commission all the Officers of the United States.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 4.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The President, Vice President and all civil Officers of the United States, shall be removed from Office on Impeachment for, and Conviction of, Treason, Bribery, or other high Crimes and Misdemeanors.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article III.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 1.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The judicial Power of the United States, shall be vested in one supreme Court, and in such inferior Courts as the Congress may from time to time ordain and establish. The Judges, both of the supreme and inferior Courts, shall hold their Offices during good Behaviour, and shall, at stated Times, receive for their Services, a Compensation, which shall not be diminished during their Continuance in Office.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 2.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The judicial Power shall extend to all Cases, in Law and Equity, arising under this Constitution, the Laws of the United States, and Treaties made, or which shall be made, under their Authority;—to all Cases affecting Ambassadors, other public Ministers and Consuls;—to all Cases of admiralty and maritime Jurisdiction;—to Controversies to which the United States shall be a Party;—to Controversies between two or more States;— between a State and Citizens of another State,—between Citizens of different States,—between Citizens of the same State claiming Lands under Grants of different States, and between a State, or the Citizens thereof, and foreign States, Citizens or Subjects.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In all Cases affecting Ambassadors, other public Ministers and Consuls, and those in which a State shall be Party, the supreme Court shall have original Jurisdiction. In all the other Cases before mentioned, the supreme Court shall have appellate Jurisdiction, both as to Law and Fact, with such Exceptions, and under such Regulations as the Congress shall make.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Trial of all Crimes, except in Cases of Impeachment, shall be by Jury; and such Trial shall be held in the State where the said Crimes shall have been committed; but when not committed within any State, the Trial shall be at such Place or Places as the Congress may by Law have directed.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 3.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Treason against the United States, shall consist only in levying War against them, or in adhering to their Enemies, giving them Aid and Comfort. No Person shall be convicted of Treason unless on the Testimony of two Witnesses to the same overt Act, or on Confession in open Court.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Congress shall have Power to declare the Punishment of Treason, but no Attainder of Treason shall work Corruption of Blood, or Forfeiture except during the Life of the Person attainted.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article. IV.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 1.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Full Faith and Credit shall be given in each State to the public Acts, Records, and judicial Proceedings of every other State. And the Congress may by general Laws prescribe the Manner in which such Acts, Records and Proceedings shall be proved, and the Effect thereof.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 2.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Citizens of each State shall be entitled to all Privileges and Immunities of Citizens in the several States.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">A Person charged in any State with Treason, Felony, or other Crime, who shall flee from Justice, and be found in another State, shall on Demand of the executive Authority of the State from which he fled, be delivered up, to be removed to the State having Jurisdiction of the Crime.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No Person held to Service or Labour in one State, under the Laws thereof, escaping into another, shall, in Consequence of any Law or Regulation therein, be discharged from such Service or Labour, but shall be delivered up on Claim of the Party to whom such Service or Labour may be due.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 3.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New States may be admitted by the Congress into this Union; but no new State shall be formed or erected within the Jurisdiction of any other State; nor any State be formed by the Junction of two or more States, or Parts of States, without the Consent of the Legislatures of the States concerned as well as of the Congress.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Congress shall have Power to dispose of and make all needful Rules and Regulations respecting the Territory or other Property belonging to the United States; and nothing in this Constitution shall be so construed as to Prejudice any Claims of the United States, or of any particular State.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section. 4.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The United States shall guarantee to every State in this Union a Republican Form of Government, and shall protect each of them against Invasion; and on Application of the Legislature, or of the Executive (when the Legislature cannot be convened) against domestic Violence.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article. V.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Congress, whenever two thirds of both Houses shall deem it necessary, shall propose Amendments to this Constitution, or, on the Application of the Legislatures of two thirds of the several States, shall call a Convention for proposing Amendments, which, in either Case, shall be valid to all Intents and Purposes, as Part of this Constitution, when ratified by the Legislatures of three fourths of the several States, or by Conventions in three fourths thereof, as the one or the other Mode of Ratification may be proposed by the Congress; Provided that no Amendment which may be made prior to the Year One thousand eight hundred and eight shall in any Manner affect the first and fourth Clauses in the Ninth Section of the first Article; and that no State, without its Consent, shall be deprived of its equal Suffrage in the Senate.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article. VI.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All Debts contracted and Engagements entered into, before the Adoption of this Constitution, shall be as valid against the United States under this Constitution, as under the Confederation.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">This Constitution, and the Laws of the United States which shall be made in Pursuance thereof; and all Treaties made, or which shall be made, under the Authority of the United States, shall be the supreme Law of the Land; and the Judges in every State shall be bound thereby, any Thing in the Constitution or Laws of any State to the Contrary notwithstanding.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Senators and Representatives before mentioned, and the Members of the several State Legislatures, and all executive and judicial Officers, both of the United States and of the several States, shall be bound by Oath or Affirmation, to support this Constitution; but no religious Test shall ever be required as a Qualification to any Office or public Trust under the United States.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article. VII.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Ratification of the Conventions of nine States, shall be sufficient for the Establishment of this Constitution between the States so ratifying the Same.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Word, "the," being interlined between the seventh and eighth Lines of the first Page, The Word "Thirty" being partly written on an Erazure in the fifteenth Line of the first Page, The Words "is tried" being interlined between the thirty second and thirty third Lines of the first Page and the Word "the" being interlined between the forty third and forty fourth Lines of the second Page.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Attest William Jackson Secretary</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">done in Convention by the Unanimous Consent of the States present the Seventeenth Day of September in the Year of our Lord one thousand seven hundred and Eighty seven and of the Independance of the United States of America the Twelfth In witness whereof We have hereunto subscribed our Names,</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">G. Washington</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Presidt and deputy from Virginia</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Delaware</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Geo: Read</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gunning Bedford jun</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Dickinson</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Richard Bassett</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Jaco: Broom</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Maryland</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">James McHenry</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Dan of St Thos. Jenifer</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Danl. Carroll</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Virginia</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Blair</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">James Madison Jr.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">North Carolina</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Wm. Blount</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Richd. Dobbs Spaight</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Hu Williamson</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">South Carolina</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">J. Rutledge</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Charles Cotesworth Pinckney</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Charles Pinckney</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Pierce Butler</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Georgia</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">William Few</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Abr Baldwin</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New Hampshire</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">John Langdon</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Nicholas Gilman</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Massachusetts</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Nathaniel Gorham</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rufus King</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Connecticut</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Wm. Saml. Johnson</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Roger Sherman</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New York</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Alexander Hamilton</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New Jersey</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Wil: Livingston</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">David Brearley</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Wm. Paterson</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Jona: Dayton</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Pennsylvania</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">B Franklin</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thomas Mifflin</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Robt. Morris</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Geo. Clymer</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thos. FitzSimons</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Jared Ingersoll</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">James Wilson</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gouv Morris</SPAN></SPAN></DIV></div>
HTMLText_ED4AEB8B_8591_1F8B_41D7_A632208C14A0.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>James Berson</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Peaceful Demonstration Helmet (Water Protection)</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2017</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Mixed media</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Freedom of Speech, as expressed through peaceful marches and demonstrations, and their widespread documentation on digital media, was the inspiration for James Berson’s piece. “We must let lawmakers know the will of the people,” wrote the artist, who resides in West Hollywood, California.</SPAN></SPAN></DIV></div>
HTMLText_EF84EBBF_8577_1F8C_41C4_EB4B6D4D8552.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>James Billeaudeau</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Civil Discord</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2017</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Photographic print</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For the artist, the centrality of television in American culture has promoted consumption, passivity, and a loss of identity. “The twenty-four hour cable news cycle, with its bloated fabrications and divisive rhetoric, holds us hostage to glowing screens while subjecting us to colorful advertisements. My works are staged reproductions and critiques of who we have become.” In this work, James Billeaudeau of Lafayette, Louisiana comments upon the lack of civil discourse in our times.</SPAN></SPAN></DIV></div>
HTMLText_D70A1F68_8491_38B4_41D4_57598220E520.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Jane Feldman</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Religion Re-Imagined,</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> 2013</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital photograph</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">A photojournalist from New York City, Jane Feldman comments upon Freedom of Religion in this joyous photograph, which was taken in a garden following a Universal Worship Service originated by Sufi leader Inayat Kahn (1882-1927) to invoke the One Being through indigenous and major faith traditions. “Recommitting ourselves to defending this most sacred Freedom is essential now more than ever,” said the artist, who finds religious bias in our times concerning. “At the core of all spiritual teachings are kindness and compassion, which are essential.”</SPAN></SPAN></DIV></div>
HTMLText_E34728C7_859F_19FC_41DB_493E3144877B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Jarrett Christian</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Liberty Construct #1</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2014</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Ink on rice paper</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Jarrett Christian of Atlanta, Georgia, believes that “the four notions of freedom, put forth by Franklin D. Roosevelt are still cause, in the minds of Americans, to get out of bed, go to work, and put food on the table. But I also believe that we question the strength of the structure on which we place the weight of these ideals.” In this allegory, Lady Liberty is represented as a lifeless figure, while elephants and donkeys in the distance, chained to a rail car, are pulling in opposite directions</SPAN></SPAN></DIV></div>
HTMLText_E798848A_85B3_E874_41D5_086DCE5F8835.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>John Dempsey</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Sunday Night/Monday Morning</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2017</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Acrylic on Masonite</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The interior of a church and a factory are brought together in John Dempsey’s painting, which reimagines Norman Rockwell’s </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Religion </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> and </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom from Want.</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> A reflection on “the transition from Sunday night into Monday morning,” the piece connects the spiritual and the temporal. The artist resides in Flint, Michigan, once known as Vehicle City for its active car industry, before a shrinking economy and the loss of jobs caused many to fall into poverty. A view from the Staten Island Ferry looking north into New York Harbor leads us to the Statue of Liberty, which carries a torch that lights a path to liberty, freedom, and hope.</SPAN></SPAN></DIV></div>
HTMLText_C18FBE54_84F3_389C_41CA_6AA3BF03856B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Jonathan Monaghan</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Friend of the Family</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2017</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital print on aluminum</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Evoking collective fears surrounding authority, commercialism, and technology, Jonathan Monaghan’s video installations and related prints portray a kind of dystopic fantasy. This piece depicts an idealized bedroom, in which an ominous technological contraption hovers like an alien spaceship. Golden surveillance cameras and stanchions evoke a type of security state. “Referencing Norman Rockwell’s </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom from Fear</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, my work subverts Rockwell’s warm, family scene in favor of a glossy, dehumanized coldness, eliciting fears and anxieties surrounding technology and the future,” said the artist, who is based in Washington, D.C.</SPAN></SPAN></DIV></div>
HTMLText_C94D2762_84B1_28B5_41D8_403A7251C822.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Kathryn Scott</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Grassroots</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2017</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Photograph</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">A resident of Chicago, Illinois, Kathryn Scott is a photographer who takes inspiration from her family’s heritage as part of the Great Migration of African Americans who moved from the South to Northern states during the early twentieth century. “I don’t just see people moving through life when I look through the lens of my camera, but a story on every face,” said the artist. As in this work, she is especially interested in what connects us, and seeks to capture “images that coax in the viewer a feeling of universal familiarity, and an awareness of the freedoms that we hold dear in our nation.”</SPAN></SPAN></DIV></div>
HTMLText_D5DFFD71_84B3_3897_41D9_8641C7A2A111.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Kenneth Laird</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Speech—Fake News</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2017</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Graphite pencil and Photoshop on rag paper</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Created as a drawing and completed with digital media, this piece by Kenneth Laird of High Point, North Carolina offers a contemporary perspective on </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Speech</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">. “The American diet of round-the-clock cable news and the proliferation of “fake News” stories on social media has eroded this freedom’s foundation,” said the artist. An accomplished creative director, the artist is also a professional illustrator and portraitist.</SPAN></SPAN></DIV></div>
HTMLText_C52BAFF4_8491_379D_41D4_A9EB1EBC1E38.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Leslie Sills</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Le Marché</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2017</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on panel</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Le Marché captures the light and color of Italy’s Adriatic coast, where “a Muslim woman checks her cell phone with her baby happily secured on her back—the two about to shop at an outdoor market overflowing with fruits and vegetables,” caused the artist to reflect on the nature of freedom. Leslie Sills is a painter, author, and art educator who resides in Brookline, Massachusetts.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_D053F2E2_8491_E9B4_41D7_51871CBA6D6B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Lisa Long</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Religious Family Tree,</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> 2017</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cut paper on board</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For Lisa Long of Dublin, California, “human connection is vital to our existence—connection to each other, to nature, to ideas. These are all part of the great human experience. My work in paper cutting reflects this need for connection because each part is integral to the structure of the overall piece.” Spiritual leaders representing diverse faiths and cultural traditions are represented in her art, including Mahatma Ghandi, Mother Teresa, and the Dalai Lama. A Muslim woman, a Sikh man, an Orthodox Jewish man, and a Hindi woman “who live their religious beliefs” are also integral to the composition.</SPAN></SPAN></DIV></div>
HTMLText_49A9EB2D_6EF6_F175_41C5_46BF9D25C9B4.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Louis Lamone (1918 - 2007)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Reference Photos for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Blood Brothers</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1968</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, Norman Rockwell Art Collection Trust</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1968 Norman Rockwell Family Agency. All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To assist with his artistic process, Rockwell would design scenes with models and props that he would photograph.  He would later compose his final image referencing these photographs.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_2A0E0A75_71BF_73D5_41D1_76589E13846E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Louis Lamone (1918 - 2007)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Reference Photos for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>New Kids in the Neighborhood</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1967</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, Norman Rockwell Art Collection Trust</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1967 Norman Rockwell Family Agency. All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To assist with his artistic process, Rockwell would design scenes with models and props that he would photograph.  He would later compose his final image referencing these photographs.</SPAN></SPAN></DIV></div>
HTMLText_92D1E3DE_B73D_08B4_41E4_303E5C6B7F8D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Louis Lamone (1918 - 2007)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Reference Photos of a study for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Murder in Mississippi</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1965</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, Norman Rockwell Art Collection Trust</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1965 Norman Rockwell Family Agency. All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894-1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Study for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Murder in Mississippi</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1965</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on board</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1965 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV></div>
HTMLText_4A34839F_69B7_9483_41D0_D00FE0ED4F67.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Louis Lamone (models), Brad Herzog (location)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Reference Photos for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Christmas Eve in Bethlehem</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1969</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, Norman Rockwell Art Collection Trust</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1969 Norman Rockwell Family Agency. All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To assist with his artistic process, Rockwell would design scenes with models and props that he would photograph.  He would later compose his final image referencing these photographs.</SPAN></SPAN></DIV></div>
HTMLText_8F1F5876_8E76_4488_41C9_1B8787C5ECC6.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Mai Ly Degnan</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Defend Democracy</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2020</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital print on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the artist</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Mai Ly Degnan © 2020. All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“In this piece, I wanted to illustrate a scene of strong women</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">performing their civic duty of voting in this time of utmost</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">uncertainty,” said Mai Ly Degnan, who notes that though we are in the midst of a pandemic, “this is not the time to be silent or sit this one out.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Degnan is an award winning illustrator currently based in Baltimore, Maryland. She has a passion for visual storytelling and enjoys creating illustrations featuring bright colors, stylized characters, and complex patterns. </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Boston Globe</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Bust Magazine</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Baltimore City Paper</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>VICE Magazine</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>National Public Radio</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Frankie Magazine</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Bark Magazine</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Tigress For Girls</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Oyster Review</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Midnight Breakfast</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, La Guarimba International Film Festival, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Shameless Magazine</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Until Now</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, and </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>La La Land Australia</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> are among her clients. She teaches illustration at the Maryland Institute College of Art and at Towson University.</SPAN></SPAN></DIV></div>
HTMLText_D27F6145_8571_28FC_41CF_E4A27018267E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Marcia Haffmans</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Breaking Free through Script (Script from Within),</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> 2018</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Synesthetic fibers, Duralar, nuts, and bolts</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">A Dutch immigrant and former public defender, Marcia Haffmans of Minneapolis, Minnesota, focuses on the loss of freedom and the incarceration of women by incorporating authentic commentary from those behind bars in her art. She obtained personal reflections by distributing a call for submissions to correctional facilities, inviting participants to write any topic of importance to them. “To visualize these unheard voices, I trace fragments of the authentic handwritings of the women through hand-stitching, with needle and thread,” Haffmans said. “Each handwriting sits in a unique sculpture made from synthetic polymers and fibers as a lasting heritage.”</SPAN></SPAN></DIV></div>
HTMLText_26426ADF_4205_3A51_41CD_651DA56537D2.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894 - 1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Portrait of Dwight D. Eisenhower, </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1952</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, October 11, 1952</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tear Sheet</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1952 SEPS: Licensed by Curtis Licensing, Indianapolis, IN. </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Portrait of Richard M. Nixon, </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1960</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, November 5, 1960</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tear Sheet</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1960 SEPS: Licensed by Curtis Licensing, Indianapolis, IN. </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Portrait of </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>John F. Kennedy</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1960</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, October 29, 1960</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tear Sheet</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1960 SEPS: Licensed by Curtis Licensing, Indianapolis, IN. </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Portrait of Lyndon B. Johnson</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1964</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Story illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> Magazine, October 20, 1964</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tear Sheet</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1964 Norman Rockwell Family Agency</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_4AB5B174_65DD_706E_41D2_B2F327334599.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894-1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Charcoal Study for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>War News,</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> c,1944</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Charcoal on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1944 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_09AC09FA_338B_2829_41B0_4AF2F1F8279B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894-1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Color Study for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Worship</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital Reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1943 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rockwell’s </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Four Freedoms</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> went through conceptual and compositional adjustments before they were finalized.  An early study for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Worship</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> reveals that he considered portraying men representing different religious traditions informally enjoying each other’s company in a barbershop.  He eventually found this approach to be too lighthearted and stereotypical, and created a more serious, symbolic design.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Study for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Worship, </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1943</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil and pencil on posterboard with acetate overlay</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1943 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV></div>
HTMLText_28E9B1AA_71EA_B17F_41D4_4BA083D0B051.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894-1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Color Study for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>New Kids in the Neighborhood (Negro in the Suburb)</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1967</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1967 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV></div>
HTMLText_0AB1194B_4815_3E53_41B5_9A2F5D11271B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894-1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Color Study for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Shuffleton's Barbershop</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1950</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1950 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Color Study </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Shuffleton's Barbershop, </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1950</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on photograph on mounter board</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1950 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV></div>
HTMLText_5A19B5DB_6B9F_B1C1_41C7_687625616EC1.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Armchair General</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, c. 1944</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, April 29, 1944 </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">(Partial)</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1944 SEPS - Curtis Licensing, Indianapolis, IN. All rights reserved.</SPAN></SPAN></DIV></div>
HTMLText_396BC392_B753_088C_41E3_CD082AFAF028.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Events</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1965</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Handwritten pencil notes on paper </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Art Collection Trust, Studio Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1965 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_25699E4F_7F7C_06F8_41D3_E7D3260C25CF.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Portrait of Model Lynda Gunn</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Studies for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Problem We All Live With</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, January 14, 1964, pp. 22–23</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on board</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, from Lynda Gunn, </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Art Collection Trust, NRM.2016.03.1</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1963 Norman Rockwell Family Agency. All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_23E6EB9F_7F6C_0D98_41D1_D7D17D4C9997.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Portraits of Model Lynda Gunn</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Studies for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Problem We All Live With</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, January 14, 1964, pp. 22–23</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Pencil and charcoal on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, from Lynda Gunn, </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Art Collection Trust, NRM.2016.03.1</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1963 Norman Rockwell Family Agency. All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Inscription:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>My very best wishes to one of my favorite models, </I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Lynda Jean Gunn</I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Sincerely, Norman Rockwell</I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_5181725A_6B8A_D2CB_41BB_CF34DCF3EA21.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Willie Gillis: Food Package</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1941</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, October 4, 1941 </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tear Sheet</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1941 SEPS - Curtis Licensing, Indianapolis, IN. All rights reserved.</SPAN></SPAN></DIV></div>
HTMLText_3CC79D80_B77D_188D_41D3_E3D184391ACB.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Victims</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1965</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Handwritten pencil notes on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Art Collection Trust, Studio Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1965 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV></div>
HTMLText_3D33B634_B773_0BF4_41E0_B8035F316046.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Victims</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1965</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Typewritten notes on Norman Rockwell stationery, 10.25 x 7.25 inches</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Art Collection Trust, Studio Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1965 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_25D54A6D_6B51_B787_41A9_20D61A8AC58A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>PETER ROCKWELL: </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">This painting illustrated an article in a 1970 issue of Look magazine called “Uneasy Christmas in the Birthplace of Christ.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">What we’re seeing is the annual Christmas Eve procession at the Basilica of the Nativity in Bethlehem. The Basilica was built on the site where Jesus is thought to have been born. At first, it might be hard to figure out exactly what’s going on. The main event is the brightly lit procession in the courtyard, but we can barely see it, sandwiched between the large dark figures in the foreground, and the brilliant starry sky above.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">My father and stepmother traveled to Bethlehem and watched the ceremony from the roof of their hotel. Originally, the cast of characters in the foreground was to include a Christian, an Arab, a Jew and a Muslim. In the finished work, we see a Western family of tourists, two soldiers and, on the left, a lone Arab.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Look closely at the sky above them. It, and the stars, actually seem to sparkle. Layer after layer of transparent glazes on top of the color created this luminescent effect.</SPAN></SPAN></DIV></div>
HTMLText_44299FDE_6EAD_90D7_41B4_6F6BE4931A4E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>PETER ROCKWELL:</B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> This image, from 1966, marked the fifth anniversary of the Peace Corps, and appeared on the cover of Look magazine. We see a group of young people of all races. These are the Peace Corps volunteers, who travel abroad to assist developing countries. Most of the models were actual volunteers. Leading them, in the top left corner, is John F. Kennedy. My father’s portrait of President Kennedy is based on a photograph by Jacque Lowe. Kennedy hoped that this program would promote understanding between nations.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Linda Pero:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>LINDA PERO:</B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> There’s a group of heads put together in a sort of physically impossible … space … for effect. And Rockwell does this every time he needs to represent a variety of people. So it happens, for instance, … in paintings about the Boy Scouts where he’s illustrating different types of Scouts. And it happens in paintings about, … the military, … where he’s depicting different branches of the service. … The most famous use …of this sort of device is, of course, “Freedom of Worship,” where he’s showing the different religions.</SPAN></SPAN></DIV></div>
HTMLText_AADA544D_8393_288C_41DD_65A5F78092A3.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Peter Zierlein</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Speech</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2017 </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Lithograph on paper </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">A native of Germany and resident of Northampton, Mass- achusetts, Peter Zierlein feels that “freedom of speech is under attack. We live in the post-fact era, an era of fake news.” In this work, he chose “a red, white and blue theme, as these issues are American issues, and the colors represent the polarity in society.” The artist has created elaborate papercuts for posters, murals, and illustrations for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The New York Times</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Washington Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, and </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Nation</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, among others.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_1C1B4574_8EBA_4C8F_41E1_136F65BFE5CF.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Pops Peterson</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom from What? (I Can’t Breathe)</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2015</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital print on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Created in 2014, this work reflects the tragic struggle of Eric Garner, a Staten Island man who died after being placed in a chokehold by an arresting officer. While being held down by police, Garner repeated the words “I can’t breathe” eleven times. “I knew this modern-day lynching would be historic. Yet I never could have fathomed that years later these very words would again be cried out by Manuel Ellis, Javier Ambler, and George Floyd⸺handcuffed Black men pleading with police in vain, and on camera, for their lives,” said Peterson. It is the artist’s hope that “a new golden age of tolerance and brotherly love will rise like the phoenix.”</SPAN></SPAN></DIV></div>
HTMLText_1CBEDD14_8EB6_DC8F_41CD_C9EE13E4C9EA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Pops Peterson</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Faith (All Faiths Equal One Faith)</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2016</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital print on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Inclusion and respect for all faith and non-faith traditions is the theme of this work, which also reflects the diversity of the Berkshire region’s residents. Protestant, Catholic, Jewish, Muslim, Hindu, Spiritualist, independently faithful and atheist models all came to be photographed at Mont Vert Studio in Canaan, New York, to portray their own faiths.</SPAN></SPAN></DIV></div>
HTMLText_2E8628F0_8E4A_4588_41E0_F93DAE83089C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Pops Peterson</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Pride and Joy</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2020</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital print on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Looking on from the far left, Pops Peterson makes a cameo appearance in this contemporary take on Rockwell’s 1957 Post cover, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>After the Prom</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">. Staged at the West Taghkanic Diner in Ancram, New York, the piece reflects Peterson’s careful attention to the details of gesture, expression, and clothing, and a uniqueness of setting that establishes a clear sense of place—an approach that is reflective of Rockwell’s own working methods. Peterson is enchanted by young lovers Soumya Boutin and Jay Grahm while Sam Backhaus sniffs the fragrant bouquet.</SPAN></SPAN></DIV></div>
HTMLText_2F8C122D_8E7A_C499_41D7_083A2DAFC80B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Pops Peterson</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Sailor’s Best Friend</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2014</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital print on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Inspired by Rockwell’s</SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I> Home on Leave,</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> a September 15, 1945 cover for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, this work is Peterson’s first foray into the appropriation of the illustrator’s art. In Peterson’s version, the sailor’s pack of cigarettes is replaced by a blue iPhone, but like Rockwell, it incorporates just the right model, Nicholas Browne, animal, the late Ricardo, and props. The artist used a reflector to magnify the sense of light and shadow in the work, and Adobe Photoshop transformed his photograph into a painterly narrative.</SPAN></SPAN></DIV></div>
HTMLText_1B1A7CCF_8E5B_DD99_41C5_DE2A57CE65C2.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Pops Peterson</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>St. Joan</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2015</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital print on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In Rockwell’s 1954 </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Girl at Mirror</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, an adolescent girl dreams of being a movie star, but in Peterson’s St. Joan, she longs to break down gender barriers by becoming a Boy Scout. In 2018, the national scouting organization announced that it was changing its name and that it would welcome both girls and boys, ages eleven to seventeen, into Scouts BSA.</SPAN></SPAN></DIV></div>
HTMLText_2E1E41F4_8E76_4788_41B6_17DBE3B35514.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Pops Peterson</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Stockbridge Fire Department to the Rescue</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2014 and 2019</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital print on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Set in Joe’s Diner, a Lee, Massachusetts landmark that also inspired </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Runaway</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, Rockwell’s 1958 </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> cover, this scene features Stockbridge police officer Heidi Teutch and young Benjamin Gross in a warm exchange. Teutch volunteered to pose for Peterson’s recreation but had to seek permission to be photographed in her uniform. Ultimately, the Stockbridge fire department assisted by providing a uniform for Teutch to wear. Peterson chose to pair a female police officer and a child of color in this scene, noting that “the chemistry of the woman and the child is warm. She gives him her cap to wear⸺she’s helping him.” Originally shot in 2014 with  Jim Finnerty as the soda jerk, it was revised in 2018 to feature Ed Locke, who portrayed the runaway boy in Rockwell’s original.</SPAN></SPAN></DIV></div>
HTMLText_186B026E_8EBE_C49B_41DD_AEFAAF80014A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Pops Peterson</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Thanksgiving Gay Dinner</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2014</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital print on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In this joyous scene, Peterson and husband Mark Johnson host a Thanksgiving Day gathering of the couple’s close friends. Set in the home of Stockbridge neighbors Carol Murko and Jim Finnerty, the image was inspired by the warmth of an actual holiday celebration and by Rockwell’s 1943 </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom from Want</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">.</SPAN></SPAN></DIV></div>
HTMLText_2EDE6EBD_8E49_FDF8_41DD_5079BD4994F3.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Pops Peterson</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Education of Lance Corporal Will Cisneros</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2015</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital print on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">During World War II, Rockwell’s</SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I> Willie Gillis</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> series for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> told the story of a fictional private’s experiences in a decidedly lighthearted tone. In the last of eleven covers, published in 1946, Gillis is studying comfortably at a window looking out at the Old Chapel at Middlebury College, his college education made possible by the GI Bill. “In my update, Latinex soldier Will Cisnernos goes go college after having served in Afghanistan,” Peterson said. He is surrounded by the trappings of his dorm room but close inspection reveals that Cisneros has lost a foot while in service to his country; a purple heart commemorates his sacrifice. Prescription drugs are indicative of his ongoing pain, but his bicycle helmet and guitar reveal that he enjoys mobility and music as he pursues his studies and works toward his future.</SPAN></SPAN></DIV></div>
HTMLText_1D77EFEF_8EB6_3B99_41DD_C6C037EC9E83.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Pops Peterson</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Welcome to the Neighborhood</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2019</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital print on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In Peterson’s welcoming scene, Rockwell model Wray Gunn (second from left) appears in this artwork for a new age. A resident of Lee and Stockbridge, Massachusetts in his youth, Gunn modeled for Rockwell as a boy who loved baseball in the artist’s 1967 </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>New Kids in the Neighborhood</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, which addressed the theme of racial integration in America’s suburbs. An ancestor of Agrippa Hull, who lived in the Berkshires before and after fighting in the American Revolution, Gunn shared his experiences with visitors as a Norman Rockwell Museum guide.  This work on the theme of tolerance is a companion to </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Saying Grace in the Main Street Café</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">.</SPAN></SPAN></DIV></div>
HTMLText_0008EFF1_8EDA_DB89_41D2_9E44044EBE8D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Pops Peterson</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>What the Hell?</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> 2015</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital print on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Inspired by Rockwell’s 1943 </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Speech</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, the artist notes that this work represents “those who have been marginalized and have fought for inclusion in the political process.”</SPAN></SPAN></DIV></div>
HTMLText_2F9AF69E_8E7E_4DB8_41C2_DCBCB6E1D74F.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Pops Peterson</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>When I’m in the International Space Station</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2020</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital print on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Massachusetts State Representative Wm. Smitty Pignatelli floats in a gravity-free environment in this work, which takes inspiration from </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>When I Am An Astronaut</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, Rockwell’s 1969 book illustration featuring Pignatelli as a model. He recalls the difficulty of holding a challenging pose, which required that his head remain lifted during Rockwell’s photography session. We are honored to include Pignatelli’s astronaut suit among the Norman Rockwell Museum’s archival collections.</SPAN></SPAN></DIV></div>
HTMLText_AB19D53F_83B1_288C_41DC_8AC06415D62E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Robert Selby</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Colored/White,</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> 2016 </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on wooden door </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Robert Selby of Colton, New York has observed that “despite the election of Barack Obama, the first president of color, this nation has yet to come to terms with the legacy of slavery and segregation. Racism confronts America like a closed door. We have made progress, but we are not truly free as long as doors remain closed. My diptych, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Colored/White</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, takes Negro League baseball as a theme because our ability to overcome barriers intersects profoundly in this uniquely American pastime.” A self-taught artist who began his career as a newspaper illustrator, Selby has taught at Rhode Island School of Design and University of Massachusetts, Dartmouth, among others.</SPAN></SPAN></DIV></div>
HTMLText_BB9C7725_84B1_28BC_41BF_2EACA881D412.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Robyn Phillips-Pendleton </B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Who Are We The People?</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2018</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil and Casein on Claybord</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Robyn Phillips-Pendleton examines questions of American identity and inclusiveness for people of different races, cultures, and religions who seek the ideals of freedom reflected in Roosevelt’s words and Rockwell’s imagery. Associate Professor of Visual Communications at University of Delaware, Newark, Phillips-Pendleton has worked as a graphic designer and illustrator, creating imagery for institutions, magazines, and books. A United States Air Force Artist, she has been commissioned to create paintings featuring the activities of the armed forces, including their work in Haiti following a catastrophic earthquake.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_8F3CF520_8EBA_4C88_41C7_FEDBEAF058D2.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Rudy Gutierrez</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Sacred Scream/Humanity, Not Politics</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2020</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Acrylic, colored pencil, crayon on Bristol paper mounted on board</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the artist</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rudy Gutierrez © 2020. All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rudy Gutierrez feels “a deep sense of responsibility as a person of color, specifically of Puerto Rican heritage, to tell stories particularly from our point of view.” In this work, the artist addresses injustice “inclusive of the immigrant children at the borders in concentration camps, separated from their families, and racist police killings of people of color, most notably African Americans. Whether we scream sacredly from our hearts, minds, or souls it is about voting for humanity not politics, and each of us to must do what we can where we stand.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">An award-winning illustrator born in the Bronx, New York, Gutierrez is a professor of illustration at Pratt Institute, where he has taught since 1990. His work has appeared in films and performances, and on U.S. Postage stamps (Musical Icon Series/Jimi Hendrix), posters, and LP/CD covers. Gutierrez’s art for Santana’s </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Shaman</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> was used as a set design in the 2002 Super Bowl half-time show, and more recently, his paintings have been commissioned for Santana’s </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>In Search of Mona Lisa</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> and </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Chasing Trane: The John Coltrane Documentary</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">. His art is featured in public and private collections including those of musical icons Carlos Santana, Clive Davis, and Wayne Shorter.</SPAN></SPAN></DIV></div>
HTMLText_D0485D8E_849F_1B8D_41C4_CE64F17B7152.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Sarah Fukami</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Jiyu (Freedom)</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Acrylic and laser cut Plexiglas</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For Denver, Colorado artist, Sarah Fukami, the irony of President Franklin D. Roosevelt’s Four Freedoms was the contradiction of these ideals by Executive Order 9066, which led to the internment of thousands of Japanese-Americans following the bombing of Pearl Harbor. Here, the artist focuses on “the façade of freedom propagated by the president through the use of images taken from Manzanar, one of ten internment camps operated by the United States government during World War II. </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Jiyu (Freedom)</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> seeks to reveal buried histories and warn against the repetition of these atrocities.”</SPAN></SPAN></DIV></div>
HTMLText_D4F7A1A1_84B6_EBB4_41C7_CF1E77273E8E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Sarah Hoskins</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Jumpin Jimtown,</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> 2004</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gelatin silver print</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">This image by Sarah Hoskins of Libertyville, Illinois, is part of </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Homeplace</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, a series of photographs focusing on the African American hamlets in Kentucky’s inner Bluegrass Region. “In the decade after the Civil War, these were originally inhabited by freed slaves who worked on area farms,” wrote the artist. “My project is a tribute to the elders who learned of slavery at their grandparents’ knees and endured the Jim Crow south—who lived ‘separate but equal’ and saw milestones and their impacts, including desegregation, social segregation, and the election of President Barack Obama. The residents did much more than endure and survive negative circumstances, they rose above them and thrived.”</SPAN></SPAN></DIV></div>
HTMLText_C46B6D62_84B3_18B5_41CF_8090CFC7EEDF.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Soody Sharifi</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Game</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2018</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Photograph</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Iranian American photographer Soody Sharifi of Houston, Texas has a foot planted firmly in in both cultures, and often explores the notion of identity in his art. His piece was inspired by Norman Rockwell’s 1967 painting for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>New Kids in the Neighborhood</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">. “</SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Game</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> asks what it means to be both American and Moslem today,” said the artist. “Is there a conflict between the two identities, particularly during the formative period of adolescence? Are the values of Islam and democracy inherently in conflict with one another, or is this an unquestioned assumption? How have Muslims viewed themselves within American culture, and how has that changed post 9/11?”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_E8246B47_8571_38FC_41BE_051ACEA91AC9.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Angelo</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Four Freedoms (Marriage Equality, Agent Orange, Lettuce Picker, Stalin),</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> 2017</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital print on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Stephanie Angelo of Boston, Massachusetts is drawn to “the immediacy and boldness that characterizes Pop Art.” In considering the Four Freedoms, she thought of the coloring books that she spent much time with as a child, and wanted to combine the comics-inspired stylistic elements of Pop with content focused on current social issues. “Freedom to love and freedom to work, freedom to have clean air and a healthy environment, and freedom to vote in our democracy” were her reflections of freedom today.</SPAN></SPAN></DIV></div>
HTMLText_8F449A18_8ECA_C4B8_41A5_5263CF9B9189.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Tim O’Brien</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Vote! </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">2020</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on board</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the artist</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tim O’Brien © 2020. All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In this piece, illustrator Tim O’Brien updated J. Howard Miller’s famous World War II icon, Rosie the Riveter, a symbol of women’s strength and determination for a new age. “African American women had a powerful role in the primary season and are likely to make a difference in the national elections this year,” said O’Brien, who reflected this observation in his art.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.52vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">O’Brien is an award-winning illustrator and portrait painter whose work is frequently published on the covers of </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Time</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, and in </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Der Spiegel</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Smithsonian Magazine</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>GQ</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Rolling Stone, Nautilus Magazine, Newsweek, TV Guide, The Atlantic Monthly, Business Week, Entertainment Weekly, Esquire, National Geographic, New York Magazine, The New York Times</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, and </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Reader’s Digest</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">. His art has appeared on book jackets for The Hunger Games and many others by Avon Books, Dial, Harper Collins, Penguin, Scholastic, Simon &amp; Schuster, TOR, Viking, and Warner. The designer of several U.S. postage stamps including Hattie McDaniel, Judy Garland, and Shirley Temple, he teaches at University of the Arts in Philadelphia and currently serves as president of the Society of Illustrators in New York.</SPAN></SPAN></DIV></div>
HTMLText_3158F399_0B36_04FC_41A5_4A2DCA376927.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Unknown Photographer</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Publicty photograph of </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Four Freedoms</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> models during radio show, c.1943</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital Scan</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Archive</SPAN></SPAN></DIV></div>
HTMLText_0C25A9F3_6C9B_51D3_41D8_590C7E56F270.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Unknown Photographer</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Reference Photos </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Norman Rockwell Visits a Ration Board</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1944</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, Norman Rockwell Art Collection Trust</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1944 Norman Rockwell Family Agency. All Rights Reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To assist with his artistic process, Rockwell would design scenes with models and props that he would photograph.  He would later compose his final image referencing these photographs.</SPAN></SPAN></DIV></div>
HTMLText_21AC0660_665A_F066_41D5_7ADAC5706436.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Unknown Photographer</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Reference Photos for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Armchair General</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, c. 1944</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, Norman Rockwell Art Collection Trust</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1944 Norman Rockwell Family Agency. All Rights Reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To assist with his artistic process, Rockwell would design scenes with models and props that he would photograph.  He would later compose his final image referencing these photographs.</SPAN></SPAN></DIV></div>
HTMLText_10C8F6CB_3644_C141_41BF_8849710D5463.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Unknown Photographer</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Reference Photos for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Liberty Girl</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Art Collection Trust</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1943 Norman Rockwell Family Agency. All Rights Reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To assist with his artistic process, Rockwell would design scenes with models and props that he would photograph.  He would later compose his final image referencing these photographs.</SPAN></SPAN></DIV></div>
HTMLText_0C21DFD7_4815_7273_41C7_217BB8E3F023.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Unknown Photographer</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Reference Photos for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Shuffleton's Barbershop</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1950</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, Norman Rockwell Art Collection Trust</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1950 Norman Rockwell Family Agency. All Rights Reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To assist with his artistic process, Rockwell would design scenes with models and props that he would photograph.  He would later compose his final image referencing these photographs.</SPAN></SPAN></DIV></div>
HTMLText_4AB4316A_65DD_707A_41A7_8293692A4F4F.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Unknown Photographer</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Reference Photos for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>War News</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, c.1944</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, Norman Rockwell Art Collection Trust</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1944 Norman Rockwell Family Agency. All Rights Reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To assist with his artistic process, Rockwell would design scenes with models and props that he would photograph.  He would later compose his final image referencing these photographs.</SPAN></SPAN></DIV></div>
HTMLText_9C33D2F0_A426_9711_41E1_4771BF55808A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Unknown Photographer</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Reference photos for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Back to Civvies</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1945 </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, Norman Rockwell Art Collection Trust</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1945 Norman Rockwell Family Agency. All Rights Reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To assist with his artistic process, Rockwell would design scenes with models and props that he would photograph.  He would later compose his final image referencing these photographs.</SPAN></SPAN></DIV></div>
HTMLText_93E1E0B2_A422_B314_41C6_033C903F9740.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Unknown Photographer</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Reference photos for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Thanksgiving: Mother and Son Peeling Potatoes</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1945 </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, Norman Rockwell Art Collection Trust</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1945 Norman Rockwell Family Agency. All Rights Reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To assist with his artistic process, Rockwell would design scenes with models and props that he would photograph.  He would later compose his final image referencing these photographs.</SPAN></SPAN></DIV></div>
HTMLText_8F2CDCB4_8E5A_7D88_41CB_8B2FC4D81B0B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Whitney Sherman</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Vote: Defend Democracy</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2020</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital print on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the artist</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Whitney Sherman © 2020. All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“When thinking about voting today, I’m mindful of the need to be vigilant…and of the energetic beauty that comes from everyone doing their part to be good citizens,” said Whitney Sherman, who found inspiration in initiatives like the Women’s March on Washington when designing this piece. “To vote means to participate in the experiment of democracy, an experiment that doesn’t continue on its own. It needs each and every one of us to exist.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Sherman is an illustrator, educator, and author whose art has appeared in </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The New York Times</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Business Week</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Forbes</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> and most national publications. The Discovery Channel, Random House, Henry Holt &amp; Co, McGraw-Hill, Southern Poverty Law Center, The American Red Cross, The Ad Council, American Federation of Teachers, American Medical Association, Johns Hopkins Hospital, American Bar Association, Robert Wood Johnson Foundation, Stanford University, and Harvard University are among her many clients. Sherman is the creator of the Breast Cancer Research stamp, the nation’s first semi-postal stamp, which has raised over $88 million dollars for research; it is the longest running stamp in the U.S. Postal Service’s history. She is Founding Director of the MFA in Illustration Practice at Maryland Institute College of Art, and is co-editor of </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>History of Illustration</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, the first textbook devoted to illustration history across cultures.</SPAN></SPAN></DIV></div>
HTMLText_8F33CEDB_8E4E_5DB9_41BC_6BF840948AC5.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Yuko Shimizu</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Defend Democracy (Lady Liberty)</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2020</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital print on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Design by Atelier Olschinsky Grafik und Design OG</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the artist</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Yuko Shimizu © 2020. All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In her poster design, Yuko Shimizu reimagined the Statue of Liberty as a superheroine, draped in the American flag, her torch replaced by a flaming fist. “Each individual voter is a superhero,” she said. “This is the beauty of democracy and we have to keep this intact. I wanted to create a poster that is unapologetically American, powerful and hopeful.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">A Japanese illustrator who is based in New York City, Shimizu teaches at the School of Visual Arts. </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Newsweek Japan</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> has chosen her as one of “100 Japanese People the World Respects.” Her art has been seen on t-shirts for The Gap, Pepsi cans, VISA billboards, and on MTV; in advertisements for T-Mobile, Target, Apple, Microsoft, NIKE, Visa, and Target; and in publications by Penguin, Scholastic, and DC Comics. </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Time</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Newsweek</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The New Yorker</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>GQ</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Rolling Stone</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, and </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>WIRED</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> frequently feature her illustrations. </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Yuko Shimizu</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, her self-titled monograph, was released in 2011, and </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Living with Yuko Shimizu</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> was published in 2016. </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>A Wild Swan</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Barbed Wire Baseball</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, and </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Japanese Tales</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> are among her illustrated books.</SPAN></SPAN></DIV></div>
HTMLText_6787FBA3_66D9_662B_41D1_A3898423C38E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Alice Carter</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>作家、插画家、诺曼洛克威尔博物馆主席</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1939年9月29日，德国与苏联就占领的波兰达成划分协议。希特勒政权将接管布格河以西的所有范围，斯大林势力则将控制东面的一切。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">第二天，也就是1939年9月30日，休赫顿（Hugh Hutton）的社论漫画“葬礼致辞”出现在《费城调查者》上。在其漫长的职业生涯中，赫顿共为《费城调查者》完成了3800多幅社论漫画。他很少刻画名人或政治家的形象，更喜欢通过寓言人物传达他的思想。他经常会用穿白衣的女性代表和平、正义与真理等价值观。在这幅作品中，所有美好形象均已倒下，代表德国和苏联的两只秃鹰则夸耀着自己的胜利。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">赫顿1897年9月11日出生于内布拉斯加州林肯市。在明尼苏达大学就读两年后，他入伍参军并在一战中服役。战争结束后，他继续在明尼阿波利斯艺术学校学习。在职业生涯转向纽约后，他曾在Art Students学习，并在United Features Syndicate出版社找到了自己社论插画的市场。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1934年，他接受了《费城调查者》抛出的橄榄枝并一直为其工作到1969年退休。</SPAN></SPAN></DIV></div>
HTMLText_6771AF7D_6639_FE1F_41C0_BFAD27996117.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Alice Carter</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>作家、插画家、诺曼洛克威尔博物馆主席</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">在其近60年的职业生涯中，Jerry Aloysius Doyle的社论漫画曾出现在费城各大主流报纸上，并通过联合供稿发表在全国其它数百份期刊中。作为罗斯福国内外政策的热心拥护者，Doyle从不讽刺总统，反而常常为之加注英雄光环。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">在《罗斯福支持养老金》中，Doyle将总统描绘成一对老夫妻的潜在救世主，穿着旧时代的服装，十分正式。尽管十分贫穷，但他们仍努力保持体面。壁炉中燃着火，盖罩上摆着玫瑰花，但窗户已然开裂、桌布上有补丁。他们脚下的地上有两张报纸，描绘了他们将要面对的未来。其中一份标题写着：“罗斯福将推迟养老金”，另一份则写着：“罗斯福支持养老金”。摆在玫瑰花旁的则是罗斯福的肖像，标有“我们的总统”。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">罗斯福担任纽约州州长时首次提出养老金计划，这也成为新政的重要组成部分之一。关键在于如何找到资金。任何国家保险计划都要建立在工人薪水的纳税基础上——但1942年之前都没有这笔资金。另一方面，老年群体则饱受着煎熬。解决方案是《社会保障法》第一项——这是各州与联邦政府为提供即时老年补助的联合计划。1935年8月14日，罗斯福总统签署了这项法案，并在放下笔时说到：“多年心愿终于大体实现了”。</SPAN></SPAN></DIV></div>
HTMLText_11F250B4_A4E2_93CF_41CE_FF51EE21B41A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Alice Carter</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>作家、插画家、诺曼洛克威尔博物馆主席</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">玛莎索耶斯（Martha Sawyers）1902年出生于德克萨斯科西卡纳。她在纽约艺术生联盟呆了五年——后来，用她的话说：“他们把我踢出去了，说我必须利用自己所知而有所作为。”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“我们应当帮助中国”是索耶斯在1942年至1943年期间为美国援华联合会——一家在二战期间致力于帮助中国难民的援助机构协会——设计的两款海报之一。虽然索耶斯更喜欢创作油画，但紧迫的交稿时间让她不得不混用多种媒介——正如这幅海报中所见，她有时会融合油画、水彩、蜡笔和普通彩色蜡笔画来营造她需要的效果。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">这幅描绘难民家庭的感性画作是索耶斯亲眼所见的场景。1937年，在与插画师丈夫威廉罗斯维格（William Ruesswig）*一起旅行时，她侥幸从日军进攻中国卢沟桥的战役中逃脱。当她回到纽约后，她旅行中的绘画作品引起了积极关注，于是科利尔杂志委托她创作一系列文章和插画以记录她的亚洲印象。二战期间，勇敢的索耶斯回到亚洲，以科利尔和生活杂志特约艺术家/通讯员身份报道太平洋战区的状况。</SPAN></SPAN></DIV></div>
HTMLText_4FC60927_6493_8841_41AE_95D17945C32B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Allida M. Black</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>乔治华盛顿大学历史与国际事务研究教授</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">每个人提到四大自由都会首先想到诺曼洛克威尔和那四幅标志性画作，然后会有一半人会想到罗斯福地标。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">和罗斯福一样，不过更多出于直觉，埃莉诺理解先有消极自由，再有积极自由。因此，在他们阐明“四大自由”的概念之前，她先讲述了免于饥饿的自由。谈到了免于恐惧的自由。也谈及梦想的自由。语言也许不同，但原则无异，也正是罗斯福夫人在美国冒着人身危险来支持其真正内含。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">当她抵达联合国时，她看到了遍及亚洲、遍及欧洲、遍及美国的伤者。联合国安排她前往大屠杀营，送她去安置营。最终，她憧憬着我们永远不会被仇恨、种族优越感、宗教偏见和性别歧视所定义，真正担负起救助世界的责任。我们必须给自己新的视野。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">她还将“四大自由”带进了谈判室，并解释了“四大自由”的含义。希望大家思考一下。餐桌大小的房间。围坐着18个国家。彼此信奉的上帝各不相同，更有甚者不相信上帝的存在。它们不相信财产私有，也不认为钱是好的。他们对家庭有不同的理解。他们对公民权利有不同的解释。他们唯一的共同点是：“上帝，我们打败了德国人。”因此，她把与生俱来的责任化作免于恐惧的自由、言论自由、信仰自由、免于匮乏的自由，并把它们合在一起，让大家团结起来。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">能够证明她的卓越领导力的不只有“世界人权宣言”，还有30个“四大自由”的实例。希望大家能看看这些文章，然后欣赏洛克威尔四幅作品——包括黄金法则、包括鲁比布里奇斯——的任一幅作品，而不是通过作品的所有DNA去观察它们。</SPAN></SPAN></DIV></div>
HTMLText_18E05351_3292_65AA_41C0_A46A7DAC5DB7.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Brian Allen</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>美国艺术学者</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">《言论自由》是洛克威尔为数不多的几幅根据真实发生的事件创作的作品之一。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">阿灵顿原本有一所20世纪20年代创立的高中，但1940年的一场大火将它烧毁。因此，小镇需要立即决定是再新建一所高中，还是选择把孩子们送到邻镇上学。于是，小镇发起了一项为新建高中筹集资金的活动，而这一行为需要通过镇上选民大会的批准。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">在佛蒙特州和新英格兰地区的大部分城镇中，镇政府会议会赋予每个人投票权，每一位业主都是立法者。每位选民都有权利出席选民大会并投票决定拨款额，这次的拨款对象是高中。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">吉姆埃杰顿（Jim Edgerton）是镇上的一位农场主，他在会上站起来反对花钱新建高中的做法。当时正值大萧条时期，商品价格暴跌，他每个月要靠卖牛奶支付各项账单。他其实并不穷，但佛蒙特州的大萧条让他和其它所有人一样，倍感沮丧。因此，他对提高税收的问题十分敏感。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">洛克威尔选取的场景就是埃杰顿说出自己想法的那一刻，大家都在认真听他讲话——其它选民、其他立法者都在认真聆听他的意见，礼貌而尊重。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">虽然吉姆埃杰顿才是真正站起来讲话的人，但他却并不是洛克威尔想要突出每个人在选民大会上都有独立投票权和话语权这一主题的典型人物。洛克威尔想要的是如林肯一般的人，这才是他追求的。他要的是一个普普通通的人。所以，他将卡尔赫斯（Carl Hess）——镇上加油站的老板——作为典型；他的长相正是洛克威尔寻求的样子。</SPAN></SPAN></DIV></div>
HTMLText_18E05351_3292_65AA_41C0_A46A7DAC5DB7.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Brian Allen</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>美国艺术学者</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">《言论自由》是洛克威尔为数不多的几幅根据真实发生的事件创作的作品之一。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">阿灵顿原本有一所20世纪20年代创立的高中，但1940年的一场大火将它烧毁。因此，小镇需要立即决定是再新建一所高中，还是选择把孩子们送到邻镇上学。于是，小镇发起了一项为新建高中筹集资金的活动，而这一行为需要通过镇上选民大会的批准。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">在佛蒙特州和新英格兰地区的大部分城镇中，镇政府会议会赋予每个人投票权，每一位业主都是立法者。每位选民都有权利出席选民大会并投票决定拨款额，这次的拨款对象是高中。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">吉姆埃杰顿（Jim Edgerton）是镇上的一位农场主，他在会上站起来反对花钱新建高中的做法。当时正值大萧条时期，商品价格暴跌，他每个月要靠卖牛奶支付各项账单。他其实并不穷，但佛蒙特州的大萧条让他和其它所有人一样，倍感沮丧。因此，他对提高税收的问题十分敏感。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">洛克威尔选取的场景就是埃杰顿说出自己想法的那一刻，大家都在认真听他讲话——其它选民、其他立法者都在认真聆听他的意见，礼貌而尊重。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">虽然吉姆埃杰顿才是真正站起来讲话的人，但他却并不是洛克威尔想要突出每个人在选民大会上都有独立投票权和话语权这一主题的典型人物。洛克威尔想要的是如林肯一般的人，这才是他追求的。他要的是一个普普通通的人。所以，他将卡尔赫斯（Carl Hess）——镇上加油站的老板——作为典型；他的长相正是洛克威尔寻求的样子。</SPAN></SPAN></DIV></div>
HTMLText_18E05351_3292_65AA_41C0_A46A7DAC5DB7.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Brian Allen</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>美国艺术学者</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">《言论自由》是洛克威尔为数不多的几幅根据真实发生的事件创作的作品之一。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">阿灵顿原本有一所20世纪20年代创立的高中，但1940年的一场大火将它烧毁。因此，小镇需要立即决定是再新建一所高中，还是选择把孩子们送到邻镇上学。于是，小镇发起了一项为新建高中筹集资金的活动，而这一行为需要通过镇上选民大会的批准。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">在佛蒙特州和新英格兰地区的大部分城镇中，镇政府会议会赋予每个人投票权，每一位业主都是立法者。每位选民都有权利出席选民大会并投票决定拨款额，这次的拨款对象是高中。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">吉姆埃杰顿（Jim Edgerton）是镇上的一位农场主，他在会上站起来反对花钱新建高中的做法。当时正值大萧条时期，商品价格暴跌，他每个月要靠卖牛奶支付各项账单。他其实并不穷，但佛蒙特州的大萧条让他和其它所有人一样，倍感沮丧。因此，他对提高税收的问题十分敏感。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">洛克威尔选取的场景就是埃杰顿说出自己想法的那一刻，大家都在认真听他讲话——其它选民、其他立法者都在认真聆听他的意见，礼貌而尊重。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">虽然吉姆埃杰顿才是真正站起来讲话的人，但他却并不是洛克威尔想要突出每个人在选民大会上都有独立投票权和话语权这一主题的典型人物。洛克威尔想要的是如林肯一般的人，这才是他追求的。他要的是一个普普通通的人。所以，他将卡尔赫斯（Carl Hess）——镇上加油站的老板——作为典型；他的长相正是洛克威尔寻求的样子。</SPAN></SPAN></DIV></div>
HTMLText_F1DD373D_B2A9_DB80_41E4_8389022A7B0D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Daisy Rockwell</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>艺术家兼作家</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">在我看来，只要放开视野，任何人都有让周围世界变美好的潜力这一点非常震撼人心；我认为很明显的是……让他的视野变得更加开阔，民权运动的精神更鼓舞着他。我是说我并没有和他坐下来询问他这些问题，但从他画作的变化中，我们可以读出这一轨迹。那段时期改变了许多人，他也不例外；这段故事似乎尚不为大众所知，因此我很高兴它能在《四大自由》展中展出。因为这体现了他经历过的40年代到60年代间的变化过程，我们不能只顾其一，不及其二。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">我绝对同意艺术可以激发人们参与，因为每当社会发生重大问题，其实一定程度上是因为我们的思想陷入困境。人们的思维出现僵化，而如今这种情况可能甚至更糟。人们深陷其中，谁也无法走出去。我们都明白，对错相生、黑白共存，但它们无法……因此艺术家所做的就是打破一切——如果把它比作一件瓷器，那么艺术家就是将它打碎然后粘成另一种形态，好让我们从不同的角度去看待它。</SPAN></SPAN></DIV></div>
HTMLText_7FD08D2E_4AD4_DB92_41A6_16686F63AEE0.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Douglas B. Dowd</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>艺术与美国文化研究教授 - 华盛顿大学圣路易斯分校</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">在电视出现之前的年代，美国人民了解其他人如何生活、其他人穿什么、其他人的房子怎样，甚至日常基本的产品是什么样等相关信息的来源主要有两个：电影和杂志。各大杂志及其插画师无疑描绘了一幅社会生活各方面的画面，也描绘了一幅比真实社会略微美好的场景，并使之成为了理想标准：我可以这样。我可以有这个。我可以穿这个。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">他们的说服力和驱动力有一大部分来自视觉表达、从风格和文字到直观的插图和照片。仔细想想，如果我们把杂志里的所有插图抽出，大概不会再有人愿意读它们。人们提到出版，总会想到内容。但实际上，包装、呈现与展示的方式对人们如何反应有着很大影响。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">在报业历史发展中，好的排版——比如使用大尺寸的印刷排版营造视觉层次——往往被嘲讽为王婆卖瓜。因此，负责内容的人往往会对视觉排版进行嘲讽，但它其实很重要，一直很重要。也就是说，这些出版刊物的说服力来自其强有力的视觉效果。而那些图画和照片中的人以及他们所做的、他们穿的，乃至图中对未来生活的描绘才是其吸引力的核心。</SPAN></SPAN></DIV></div>
HTMLText_96328FDE_A7D7_7317_41D0_89E93498A60E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>George Church III</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>志愿讲解员 - 诺曼洛克威尔博物馆</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">二战爆发、日本袭击珍珠港时，我和我父亲一起在看电影。然后我们看到，在这个场景的开始，看到一张纸在镜头和投影仪的光束之间晃动。上面说日本袭击珍珠港了。美国军队也报道过这件事。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">但无论如何，这就是我对二战的认识的开始。在这之后，我开始参与飞机侦察工作。飞机侦察是我在文法学校通过几个朋友知道的。但是……我只有星期六才有机会拍摄飞机，因为我周一到周五要上学。我一般早上4点半或4点45分起床，吃完早饭后就骑着自行车出门。我得骑3英里才能到科勒尔盖布尔斯的迈阿密比特摩尔酒店。然后，我要放好自行车，然后走进大厅爬一会楼梯，才能找到能带我上去的电梯。再然后，我要找到塔楼并爬上塔楼，找到酒店塔楼里的观景台。这栋楼是迈阿密最高的楼，位于迈阿密国际机场正南方。这也是我们飞机侦察开始的地方。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">我每周六早上6点到9点会去值班，带着我的飞机侦察记录本。我还有一台电话。我当时有一个伙伴，我们会彼此报告看到的在迈阿密机场起飞和降落的以及飞过的飞机的情况，我们时刻在线，也会通过电话沟通这些信息。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">那本书十分宝贵，它是我与外界相连的方式，即使我……当时年纪很小。12月战争开始时，我12岁。我觉得这……与兵役本身无关，但这是我与那段历史的一种联系。我知道那本书是我经历的见证，也是我在战争的早期阶段……尽可能参与贡献力量的证明。</SPAN></SPAN></DIV></div>
HTMLText_679913C7_66F6_A66C_41D8_1586FCE3338D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Herman Eberhardt</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>监督博物馆策展人 - 富兰克林罗斯福总统图书馆与博物馆</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1941年初，欧洲战争的炮火向所有人不断逼近。1939年至1940年间，德国横扫大部分西欧国家，英国则近乎孤立地抵抗着轴心国的攻击，这时的英国仿佛悬在一根绳子上。实际上，1940年底，丘吉尔曾向罗斯福写过一封长信，表示英国即将破产，很快将无力支付从美国进口武器的费用。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">这则耸人听闻的消息让罗斯福萌生出租赁武器的想法，对英国出租更多物资，但不收取任何费用。1940年12月中旬，罗斯福在一次新闻发布会上首次公开讨论了这个租赁的概念或者想法。当月29日，他在电台发表了著名的炉边谈话，宣告美国将成为他所称的民主兵器库。总统计划用其国情咨文演讲争取通过国会通过这项租赁法案。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1941年1月1日晚，罗斯福召集了他的三个幕僚——哈里霍普金斯、萨姆罗森曼和罗伯特舍伍德——到他的白宫住宅中私下研究讨论。他们围坐在罗斯福的办公桌前，与他共同讨论总统一年一度的国会国庆咨文，该活动一般安排于1月6日进行。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">在此次编辑会话的某一时刻，罗斯福说他突然想到应该怎样结束演讲。正如萨姆罗森曼后来回忆时所说，总统靠在他的转椅背上，向上看着天花板，像这样停了许久。随时间流逝，屋内其他人开始感到不安。然后，罗斯福猛然坐起来，从容宣布“四大自由”。总统就这样以从容不迫的节奏进行演讲，说罗森曼可以用黄色记录本将他说的每个词记录下来。那本记有罗森曼手写笔记的黄色笔记本现珍藏于罗斯福图书馆。有趣的是，如果我们把黄色笔记本上的内容与总统最后提交给国会联席会议的演讲终稿做比较，会发现它的内容与罗斯福的口吻几乎完全一致。几乎没有任何改动。</SPAN></SPAN></DIV></div>
HTMLText_F27FDC42_A421_9372_41D0_9FC4204C3FEB.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Irvin Ungar</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>创始人兼CEO - Historicana /策展人 - The Arthur Szyc Society</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">很荣幸有机会向大家介绍亚瑟希克（Arthur Szyk），1894年出生于波兰Łódź（与Norman Rockwell同年），是一名犹太裔波兰艺术家。亚瑟希克于1940年移民美国，并于1951年逝世。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">当他最终到达美国时，他认为自己是这场反希特勒斗争中的一员。他还认为自己是艺术界的罗斯福士兵（正如他在自己部分作品中的署名）。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">亚瑟希克二战期间十分努力，积极反抗轴心国，还参与了欧洲犹太人的救援工作。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">他在美国非常出名，尽管许多人都已忘记他是谁，他做过什么。比如，正如大家（观众）所知，20世纪40年代早期，诺曼洛克威尔曾为《星期六晚报》创作封面。同时，亚瑟希克还为科利尔杂志创作封面。《星期六晚报》的发行量有多少？三百万份左右。科利尔杂志的发行量有多少呢？二百五十万。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">接下来我们聊一聊亚瑟希克与“四大自由”。这始于亚瑟希克创作的Washington and his Times（华盛顿与他的时代）系列作品。由38幅描绘国父华盛顿和美国独立战争的系列画作组成。1930年完成，并于1932年作为系列作品出版。1935年，亚瑟希克展出了这些作品。随后，波兰总统莫希奇茨基购买了这些作品，并于1935年将其赠给富兰克林罗斯福，一定程度上在二战前夕——纳粹已掌权的时候——为波兰与美国建立了更紧密的关系。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">罗斯福将这些作品保存在白宫内；1941年1月罗斯福发表“四大自由”演讲时，这38幅自由之画就挂在白宫的墙上。它们都是亚瑟希克的作品。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1942年，希克开始创作《四大自由》。它们……就像一位中世纪骑士，几乎全力为自由而战，即努力争取所有自由；而希克采取的方式就是通过中世纪骑士，用他的矛、他的匕首、他的剑，捍卫每一寸自由。这些作品通过两种方式被转载。一种是作为画报邮票像复活节邮封一样广为发放。另一种，这是印刷成大号明信片发行。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">这就是亚瑟希克与“四大自由”的渊源，既指罗斯福演讲时挂在白宫的作品，也与作品的复制印刷有关。</SPAN></SPAN></DIV></div>
HTMLText_133FE5B0_43A3_703E_41C4_BE1FF8EE255B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>James J. Kimble 博士</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>传媒学副教授 - 传媒与艺术学院</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>西东大学</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">在这张如今常常被称为“铆工露斯”的战争海报中，艺术家J.霍华德米勒向我们展示了一位正在展示自己的肌肉并自信表达自己能够完成手头工作的能力的坚定、自信的女性场景。虽然我们倾向于认为这幅作品在二战时期非常有名，但实际上它的名气相对来说并不大，它仅在西屋弹药工厂出现了两周（1943年2月）。两周后，由于纸张短缺，海报很快被回收。不过在这两周中，海报为西屋工人（包括男女工人）为公司劳动者建立了统一团结的典范，肯定了西屋每位工人都能完成各自的重要战时任务的能力。如今，已知现存的海报原件仅有2张。尽管原件稀少，但自20世纪80年代作为二战周年纪念再次出现后，米勒创作的这个形象在全世界广泛传播。它还不断被模仿，成为有史以来最著名的形象之一。</SPAN></SPAN></DIV></div>
HTMLText_BFA7B49D_3DF9_91D9_419A_2D10D09B072E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>James J. Kimble 博士</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>传媒学副教授 - 传媒与艺术学院</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>西东大学</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">这张新闻照片被广泛认为是J·霍华德·米勒（J. Howard Miller）“We Can Do It!”海报的灵感来源，如今一般被称为“铆工露斯”。20世纪80年代起，这张黑白照片与密歇根女子Geraldine Hoff Doyle联系在一起，她认为这是她1942年在工厂做工时的照片。但实际上，照片上的女子是一位名叫内奥米·帕克（Naomi Parker）的加州女性，她是第一批走进旧金山湾阿拉米达海军航空站机械工厂工作的女性之一。在阿拉米达工作期间，帕克确实当过铆钉工，除此之外还做过焊接工、装配工、机械工等（数十份与海军战机维修有关的工作）。1942年，这张照片登上美国各大报纸，让帕克收到了许多粉丝来信甚至求婚。不过，随着战争的结束，它渐渐从大众记忆中消失，直到Doyle在20世纪80年代的杂志上看到这张照片并错误地以为她是照片的主题，它才再次回到公众眼前。虽然这张照片与“We Can Do It!”海报的关系仍无法确定，艺术家米勒留下的记录很少，但帕克的容貌与海报中女子的样貌有许多明显相似之处。此外，20世纪40年代，这张照片确实在米勒家乡附近的匹兹堡报纸上出现过，因此他偶然发现照片并将之收藏作为创作参考图片的情况是有可能的。</SPAN></SPAN></DIV></div>
HTMLText_67AA2245_662A_E66C_41D7_52F0D034B3C8.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>James J. Kimble, Ph.D.</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>传媒学副教授 - 传媒与艺术学院</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>西东大学</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">二战最著名的士兵并不是一名真实存在的士兵。他的名字叫威利吉利斯（Willie Gillis），是插画家诺曼洛克威尔丰富想象力的产物。1941年10月4日，这幅画出现在《星期六晚报》封面，标志着吉利斯第一次与世人见面。画中，艺术家向我们展示了一位天真稚气的新兵在新泽西州迪克斯堡新兵训练营的轻松时刻。观众会很快注意到，吉利斯收到了家里寄来的爱心包裹，包裹中很可能装有一些亲朋好友为了慰劳辛苦的士兵寄来的小礼物。不过，吉利斯的队友也注意到了包裹，他们脸上的表情透露出他们正在思考如何让他拿出新包裹。洛克威尔创作的这张轻松封面立即引起轰动，使得《星期六晚报》要求其创作更多关于Private吉利斯生活的场景。洛克威尔同意了，这个人物最终出现在近十期《星期六晚报》封面上；现在看到的这幅是1946年战后的最后一张插图，描绘友善的吉利斯前往GI Bill校园的场景，他的许多现实同伴也正做着一样的事情。那时，这个人物已十分有名。实际上，许多年轻的女粉丝都以为他的确是个小人物。其中一位粉丝Natalie Barden，最终遇见了威利的现实原型Robert Otis Buck，并与他结婚了。</SPAN></SPAN></DIV></div>
HTMLText_464E4DC8_697E_8C8C_41DA_0F290111FB07.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Mark Spelman</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>萨拉劳伦斯学院历史系</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">罗斯福的“四大自由系列”旨在阐明战后自由主义安全秩序的愿景，让和平与繁荣与信仰自由和言论自由等公民和政治权利都成为安全所需的要素。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“四大自由”被纳入罗斯福与丘吉尔签订的大西洋公约，并融入联合国1945年夏天颁布的宪章精神。当然，1945年夏天，罗斯福总统已经逝世。美国有了新总统——一位话少、更注重实干的总统。杜鲁门总统是一位非常聪明的政治家，他任命罗斯福总统的遗孀埃莉诺罗斯福担任委员会主席，负责起草《联合国世界人权宣言》。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">罗斯福夫人埃莉诺在委员会与世界各地的杰出学者、外交官、理论学者和政治家一起工作，起草了这份绝妙的文件——《世界人权宣言》，联合国于1948年12月10日通过了这份文件。《世界人权宣言》明显就是“四大自由”。序言明确承认采用“四大自由”理论，并将其作为战后秩序重建的基础。而《宣言》本身则不断充实，并清楚地阐明实现“四大自由”的世界真正需要的每一种要素。</SPAN></SPAN></DIV></div>
HTMLText_67B8AE6A_6637_FE25_41D3_420CFA496C4D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Paul M. Sparrow</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>馆长 - 富兰克林罗斯福总统图书馆与博物馆，海德公园，纽约</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">罗斯福总统与丘吉尔首相的关系确实不一般，某种程度上可以说是20世纪历史，甚至整个美国史上最重要的一段合作关系。丘吉尔自一战以来一直参与英国的军事行动，这一点与罗斯福一样。他对世界格局有着非常独到的见解，他依然坚信大英帝国是世界上最重要的政治实体而且势不可挡，因此他决不允许大英帝国在他执政期间分崩离析。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">因此罗斯福与丘吉尔在两艘大型战舰中的秘密会晤象征着巨头的到来。那时，丘吉尔率领不列颠群岛抵御纳粹进攻已有一年之久。他明白，英国的存亡取决于美国是否参战。罗斯福还在犹豫。他无法公开承诺，但他知道，美国终将参与其中；这正是他们真正最初起草“四大自由”的基础。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">当然，丘吉尔曾在战时数次访问美国。珍珠港事件爆发后，他前往白宫并留驻数星期，占着一间卧房，穿着浴袍在宫中随意行走，疯狂饮酒，让每个人几乎崩溃，最重要的是，带着罗斯福整夜喝酒吸烟，让埃莉诺对整件事头疼不已。但这就是丘吉尔的工作方式。他可以将所有人卷入他的疯狂之中，但他总能找到令人拍手叫绝的好办法，也的确拥有全球视野。他们俩的关系非凡，我们应该庆幸的是，最终应对20世纪那场最大危机的幸好是这两位领导人。</SPAN></SPAN></DIV></div>
HTMLText_551D0D5B_7F14_0A98_41D2_2CE0CB5B986B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Ruby Bridges</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>民权活动家兼作者</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">那一天，我坐在送我去学校的车里，当车开过街角，路的两旁挤满了抗议者，但警察设置的封锁线将他们阻挡在外。到处都是警察。有的甚至骑着马或摩托车。所有你们在嘉年华狂欢时和游行时看到的人群管制场景，其实就是我当时看到的场景，我想象自己正在游行队伍中间；如今再想到这一点，才发现那是小孩的天真。我觉得这种天真在当时其实不知不觉地保护了我。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">我记得自己直接被送到了校长办公室。我猜想，这是第一天开学，我是来报道的。我想，我已经入学了，就等着被送进教室认识老师，开始我的学业啦。但我那天其实和母亲在校长室里坐了一整天，联邦警察就站在门外。可以直接看到他们。透过玻璃窗。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">然后，我看到所有原本站在外面的人们都冲进来、推搡着、隔着窗户指着我。他们看起来很愤怒。感觉好像很忙，让我很是茫然。我看着他们走过窗边，又带着孩子回到窗边。一整天都是这样，反反复复。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">最后铃声响了，3点了；然后有人走进来说：“学校解散了。你可以走了。”我清楚地记得这一点，因为我当时心想：“哇，这个学校也太轻松了”，完全不知道当时各个家长冲进学校、走进各个教室带走每个孩子。那天有500多个孩子离开那里，而我也在其中之列。我没想到这一切会发生在我眼前。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">第二天，情况依然如此。联邦警察敲开门，我跟着他们坐上车。他们护送我回到学校。那天开车的时候，人群几乎增加了一倍，因为那时所有人都知道了。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">我妈妈说，那是她最紧张的一天，因为她回到家打开电视发现，全世界都注视着这件事。她说她回家一直祈祷到3点，希望孩子能安全回家。</SPAN></SPAN></DIV></div>
HTMLText_FD8F600A_6669_61E5_41CC_AA07E06AB853.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>艺术家、摄影师兼记者</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1943年4月23日，第一夫人埃莉诺罗斯福走访了亚利桑那的希拉河集中营。WRA摄影师弗兰西斯斯图尔特（Francis Stewart）拍摄了她和陪同的国家战时指挥中心主任狄龙迈尔（Dillon Myer）的照片，记录了她们受到广大被囚者欢迎的画面。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">罗斯福夫人是罗斯福执政期间, 在珍珠港事件发生前后为数不多愿为爱国公民和日裔美国公民发声的少数几人之一。她曾试图阻止总统下达大规模驱逐令，虽然并没有成功；她认为这是对人权与公民理念的侵犯，甚至邀请了日裔美国公民进入白宫。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">她之所以访问集中营，是因为当地媒体有指责联邦政府娇惯营中日裔美国人的言论。她的目的是巡视这些营地并调查出现这些言论的原因。离开营地后，她特地强调了被囚者在伪装网和和船模工厂为战争所做的贡献，并提到她在食堂尝到的牛奶是酸的——以此回应媒体认为被囚者在狱中所过生活比普通美国民众好的报道。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">三天后，《洛杉矶时报》在一篇文章中报道了她的这次巡视，文中她形容营内生活条件（虽称不上不妥）“绝算不上奢华”，并补充：“至少我不愿这样生活。”她的言论也被引用：“我们越早让年轻[本土]日本裔民众走出集中营越好。否则，我们一不小心就会导致又一个印第安问题。”</SPAN></SPAN></DIV></div>
HTMLText_B0489196_6669_A2ED_41C6_FD26FF798DE7.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>艺术家、摄影师兼记者</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">在成功拍摄农场安全管理局工作人员后，1942年3月，伟大的纪实摄影师多萝西娅·兰格（Dorothea Lange）受战时指挥中心所雇，记录日裔公民被驱逐和大规模监禁的过程。自第一天起，她的新闻摄影风格和对这些日裔美国公民的同情便与军方官员的要求相悖。严禁拍摄与塔内机关枪有关的照片。同样禁止拍摄的还有钢丝网、警卫队和任何有抵抗迹象的照片。用她的话说：“时刻有人跟在我身后。”她曾因军官要求出示证件而被拖延，被要求解释每一张底片以及所花费的每一分钱，还被禁止与营内群众交流。所有洗出的照片都必须提交审查，如有认为不当的照片被扣留，且战争期间禁止发布底片。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1942年3月13日，兰格在加州奥克兰市拍摄了这张Wanto Co.杂货店照片，当时罗斯福已签署第9066号行政命令近一个月，要求店主及其家人离开。店主增田达郎出生于奥克兰，刚结婚不久。他告诉兰格：“珍珠港事件之后第二天我才付的钱。”他和妻子被送往位于亚利桑那的希拉河集中营。再也没有回到店里。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">在与WRA合作的三个月中，兰格几乎每周全天候工作，最终拍摄出近850张照片。虽然她许多为政府拍摄的照片被誉为20世纪最具代表性的作品之一，但其中大部分几乎无法得见，直到2006年一本关于这些照片与兰格的书出版时才为人所知。</SPAN></SPAN></DIV></div>
HTMLText_07BC72A8_666A_A625_41D4_CFCC2027CA9B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>艺术家、摄影师兼记者</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">安瑟亚当斯（Ansel Adams）拍摄的这幅图片摄于1943年加州死亡谷附近一个叫做Manzanar的集中营里。这是美国当时为囚禁日裔美国公民及其移民父母而建的美国十大集中营之一。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">照片中，一位男子望着塞拉山（Sierras）的辽阔风景，典型的亚当斯远景构图。奇怪的是，钢丝网、警戒塔、探照灯、带枪士兵等任何可能暗示他们所处环境恶劣的不安景象都没有出现。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">亚当斯个人强烈认为美国公民不应该被自己的国家如此对待，他的第一批纪实摄影恰恰源于他的这种渴望：告诉他的美国同胞这些人与他们一样——生而自由平等，这也成为他1944年编写并出版的书的题目。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">然而，这本书出版后，深陷战争的美国公众并未接受他的观点，也无法原谅他对这些被囚禁者的同情。据称，书的所有印刷本最后在抗议中被焚毁。还有一种说法，当时政府买下并销毁了数千本。无论这些书的命运如何，1944年的原稿都被认为是稀有珍藏。更讽刺的是：随着民众对日裔美国人的憎恶减轻，亚当斯的照片再度引发争议；但这一次，政府和民众并未否定它们的价值，而是将其作为证明集中营残酷甚至不人道待遇的证据。这些摄影照并不是纪实性记录，也不能算作纯粹的宣传媒介，但它们在摄影界中始终占有一席之地。</SPAN></SPAN></DIV></div>
HTMLText_BC36B3FF_3392_E456_41B9_A1C61304D487.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>副总监 / 总策展人 - 诺曼洛克威尔博物馆</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">《信仰自由》对洛克威尔来说是一个巨大挑战，因为他认为宗教是一件非常个人化、甚至十分微妙的事情。他希望最终呈现的作品能表现“求同存异”的含义，传达一个没有因宗教实践或宗教信仰而歧视的世界观。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">他的最初想法是描绘一幅乡村理发店中的场景，理发师正在为犹太人理发，而一位天主教神父和一名非裔美国人正在排队等候。在几近完成的时候，洛克威尔发现它表现的观点十分老套刻板，而他对此并不满意；于是，他把它弃置一旁从头开始。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">我们今天看到的最终作品更注重崇拜的概念而非宗教概念，这个近角画面中有八个人物侧面相，表现的是不同信仰的人祈祷时的样子。整幅画采用单色调的绘画方法，给人一种包容和团结感。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">洛克威尔认为，在构图时，手的位置和姿势仅次于面部表情特征，正如《信仰自由》所体现的那样。“每个人都受自己内心良知的驱使”正是洛克威尔自己宗教思想的体现。如果有人问洛克威尔在哪里看到的这句话，他不记得。其实，美国许多州宪法中都有这句话，乔治华盛顿在1789年写给弗吉尼亚联邦浸信会（United Baptist Chamber of Virginia）的信中也曾用过这句话。</SPAN></SPAN></DIV></div>
HTMLText_62C6F2A5_339A_D626_41C1_70DD81D14AD4.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>副总监 / 总策展人 - 诺曼洛克威尔博物馆</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">《免于匮乏的自由》这幅作品并不像洛克威尔前两幅“四大自由”系列画《言论自由》与《信仰自由》那么具有观点上的挑战性。作品灵感源于感恩节，并自此成为了美国感恩节范例。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">虽然这幅画是洛克威尔在模特摆好姿势的情况下独自完成的，但画中家庭团聚的场景有许多洛克威尔自己的邻居和家人。画中人物的原型是家中大厨Thaddeus Wheaton夫人（做出这只巨大感恩节火鸡的人）、作者的妻子玛丽巴斯托洛克威尔和作者的母亲南希希尔洛克威尔，即右边这位女士。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">与《免于匮乏的自由》一起发表的还有相对名气较小的小说家和诗人卡洛斯布洛桑（Carlos Bulosan）创作的散文，他是一位菲律宾裔移民，也是为那些遭受国内苦难而创作的移民。与洛克威尔作品温和的表达方式相反，布洛桑的散文期待那些社会非主流群体、农场迁徙工人、工会组织者、劳工、苦于隔离制度的非裔美国人、亚裔、拉美移民等群体未来都能够真正享受自由。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">从艺术角度来看，这幅作品被高度评价为以视觉艺术再现感官质感的大师级水平，如白色桌布上的一抹白瓷光和玻璃瓶中水的透明质感无不体现这一点。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">尽管洛克威尔总体上持乐观态度，但在二战爆发导致许多欧洲国家人民忍饥挨饿、侵略被占、流离失所的情况下，他也曾对描绘如此巨大的火鸡的做法持有疑虑。许多评论家也都认为此画中的食物过于丰盛，同时也指出这幅画描绘了家庭团聚、欢乐和安全感，也认同对于匮乏的正解是富富有余而不仅仅是温饱水平。</SPAN></SPAN></DIV></div>
HTMLText_5ECB22EA_4688_BE1F_41C9_0B9465BB8EF9.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>副总监/总策展人 - 诺曼洛克威尔博物馆</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">J.C. Leyendecker是美国著名插画家，比诺曼洛克威尔年长近20岁，在洛克威尔开始成名时，Leyendecker已经是《星期六晚报》最受欢迎的插画师。Leyendecker生活在新罗谢尔，与诺曼洛克威尔住得很近，洛克威尔曾说过他其实会跟在J.C. Leyendecker后面，观察他会注意商店橱窗里哪些东西，他对下一幅报纸封面插画有什么想法，他们也成为了十分亲密的好友。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">J.C. Leyendecker最重要的成就之一就是他的《新年婴儿》，这幅作品广为美国民众所知，因为《新年婴儿》在1907年至1943年间每年均出现在《星期六晚报》上，也象征着新一年的到来和对新一年的美好期许。Leyendecker描画了一个天真而聪慧的胖宝宝，关注女性投票权、禁酒令和20世纪30年代股票市场动荡等众多国家大事。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1940年，战争尚未触及美国。但它却在海外肆虐。在这幅画中，新年婴儿头戴防毒面具，手拿一把雨伞暗指英国首相内维尔张伯伦，他对那个年代的和平保证并没有实现。在这幅作品发表时，《星期六晚报》的每周订阅人数超过300万，据杂志方所称，每一份杂志在订阅者家中、医生办公室或其它公共场所约有10个人会拿起来阅读。杂志非常有名，甚至插画师创作时遮挡住刊头也不会造成任何问题，因为这就是《星期六晚报》。</SPAN></SPAN></DIV></div>
HTMLText_B919AB3E_3386_3622_41C7_EFA5CC5FEB62.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>副总监/总策展人 - 诺曼洛克威尔博物馆</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">《免于恐惧的自由》创作时欧洲正处在围困之中，从画中父亲手中的报纸标题也可以发现这一点。洛克威尔希望传递的是这样一种观念，即所有父母都应该能够在保证孩子安全的情况下每晚带孩子入睡。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">在这里，父亲和母亲仿佛在凝视着他们睡着的孩子，美丽的笔触讲述了一个温馨的中产家庭生活。孩子房中堆着画册、衣服和玩具，尽管孩子们都挤在单人床上。从一楼散发出柔和灯光，说明这个家庭已经实现一些财政安全和美国梦。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">尽管洛克威尔并不十分重视《免于恐惧的自由》这幅作品，但这幅画依然非常有意义，并在重大世界事件时引发了许多共鸣。911事件发生后，《纽约时报》将《免于恐惧的自由》登在报纸首页，并用一些谈及纽约、华盛顿和宾夕法尼亚的袭击事件的措辞取代洛克威尔的原标题。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">面对全国各地的种族暴力导致的骚乱，许多艺术家重新解读《免于恐惧的自由》和洛克威尔经典之作《我们共视的难题》以反映当代的时事和问题。</SPAN></SPAN></DIV></div>
HTMLText_47AE8E2C_A42F_AEC6_41D3_9A9B1F71AE7A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>副总监/总策展人 - 诺曼洛克威尔博物馆</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">二战为政治漫画家提供了丰富的创作源泉，因为人们群情激昂，世界正处于危急关头，前途未知。鲍里斯阿茨巴舍夫（Boris Artzybasheff）20岁时从俄国移民至美国；那时他完全不懂英语，据称登陆时身上只有17美分。作为插画师，他以将机器和无生命物体变成有生命的灵物著称，包括你们在这里看到的万字符。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">二战期间，他既是军队心理战支队的顾问；同时，他还为《生活》、《财富》、《时代》等重要刊物创作，总共为它们创作了200多幅封面。1942年在《生活》杂志上发表的《女巫的安息日》重点关注艺术家的观点，漫画把海因里希希姆莱、赫曼戈林及约瑟夫戈培尔等纳粹党主要领导人和纳粹政治宣传工作者描绘为纳粹的双十字轮标志。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">阿茨巴舍夫和其他许多同时代政治性艺术家一样，试图遮掩社会弊病，这一点与倾向于表达更激进观点的洛克威尔截然不同。</SPAN></SPAN></DIV></div>
HTMLText_ECF41175_6AFF_9587_41D1_46E09883AEDA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>副总监/总策展人 - 诺曼洛克威尔博物馆</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">像许多20世纪60年代的美国人一样，越南战争是诺曼洛克威尔心中的痛。1966年，他曾在弗吉尼亚匡提科海军基地待过一周，拍摄一位经验丰富的海军，思考受命设计的一幅海报。但1967年3月，他写信给海军陆战队，拒绝了这一任务并说：“我不能画一幅自己不相信的作品”。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">大约一年后，洛克威尔开始创作“知情权”——一幅为《Look》 杂志创作并于1968年8月出版的社论漫画。这幅画问世一个月后，《纽约时报》报道称维斯特莫兰德将军要求增派206000名士兵前往越南的消息，这个消息曾一度被白宫试图压制。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">增兵的消息被报道出后，又爆出了美莱大屠杀（My Lai Massacre）的新闻，导致反战群体不断扩大。洛克威尔的政治评论表达了美国公民有了解其政府行为的权利。洛克威尔提到那段时期的作品时说到：“我觉得我的风格没有变，但美国变了，所以我的主题也随之变了。”上帝知道我们存在问题，很多问题，但我们应该对这一代年轻人抱有信心，他们是我们最好的一代，未来很长时间依然如此。谁敢说这些嬉皮士里没有未来的天才呢？”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">在其插画中，洛克威尔介绍了各个种族、年龄段和不同党派的人。他刻画各界人士的方法也运用在此次展览的另外两幅作品中，一幅是1953年创作的与联合国和世界人民有关的插画，另一幅是他为《星期六晚报》创作的封面插画《黄金法则》，于1961年出版，并标有这样一句话：“己所不欲，勿施于人”。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">诺曼洛克威尔创作这幅作品时已是74岁高龄；他非常喜欢这幅作品，因此他把自己也画进了这幅作品，就在最右侧，嘴上叼着他标志性的烟斗。</SPAN></SPAN></DIV></div>
HTMLText_DE530C54_A4EE_7372_41D3_0D53F6F98344.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>副总监/总策展人 - 诺曼洛克威尔博物馆</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">插画家米德谢弗（Mead Schaeffer）是诺曼洛克威尔的一位密友，曾在佛蒙特州阿灵顿生活；二战期间，他根据战时需求调整了自己的创作方法。放弃了他长期关注的浪漫主义和文学主题，将关注焦点转向真实的人物与场景，并接受了当时《星期六晚报》的创作邀请。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1942年，愿意为战争贡献己力的洛克威尔和谢弗前往华盛顿特区，草拟了一些项目并走访多个政府机构。不幸的是，当时他们的项目并没有获得资金支持。略受打击踏上回家之路的他们在费城停了下来，并见到了《星期六晚报》的编辑本希布斯（Ben Hibbs）。希布斯立即接受了他们的想法，并分别聘任他们为杂志创作画作。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">谢弗决定创作一系列军队纪念封面，突显每个军事部门做出的努力。他仔细研究主题，并运用非凡技术技巧创造了一系列英雄式作品，着重表现美国士兵在任何情况下表现的敬业和奉献精神。他的作品让身处不稳定时期的民众放下心来。在1943年2月20日出版的那一期《星期六晚报》中谢弗和洛克威尔的画其实都出现了。在这期杂志中，封面是谢弗描绘的栩栩如生的战中海洋，洛克威尔的第一幅《四大自由》插画——《言论自由》则出现在杂志内页。</SPAN></SPAN></DIV></div>
HTMLText_4288B8EA_6EBD_90FC_41C0_51DC863D6ECB.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>副总监/总策展人 - 诺曼洛克威尔博物馆</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">诺曼洛克威尔的1961年4月1日《星期六晚报》封面作品——《黄金法则》其实最开始只是一张素描画。1952年，正值冷战高峰期且朝鲜战争已爆发两年，洛克威尔构思了联合国一图，并将其作为世界未来的希望。这幅描绘联合国安理会成员和65位各国代表的旷世杰作的创作灵感来自于他对该组织及其使命的欣赏。这幅他原本打算以绘画形式完成的艺术作品，从研究和发展到最后作画阶段，洛克威尔的《联合国》从未搬上画布。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">洛克威尔在提到他的《联合国》作品时说：“我和其他人一样，关注世界态势，也希望像其他人一样贡献自己的力量。我能恭献力量的唯一方式就是我的画。”作为艺术上的完美主义者，洛克威尔会精心研磨能够准确描绘其思想的照片，直到找到最合适的创作模型。他仔细研究服装和道具，并在将颜料涂上画布之前仔细策划设计细节并拍照。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">洛克威尔以他的照片为参考，在这幅用Wolff铅笔和炭棒创造而成、细节丰富的黑白画上不断完善其构图和价值内含。“我很重视炭描构图。”他说，“我觉得太多初学者都等到要在帆布上画画了才开始尝试解决各种问题。提前研究并解决问题会好得多。”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">尽管为这幅作品的创意付出许多努力，但他最后发现这个想法过于复杂，无法创作成完整插画，七年之后，他转而探索运用《黄金法则》中的新方法的可能性。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">洛克威尔说：“我有一天突然想到《黄金法则》——己所不欲，勿施于人——正是我一直寻求的主题。”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">在《黄金法则》中，洛克威尔描绘了四对母子。右上角的那位其实是他的第二任妻子玛丽巴斯托洛克威尔，于1959年去世；两年后，这幅作品出版。在画中，她与第一个孙子杰弗里洛克威尔聚在一起，但实际上他们并没有见过面。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">洛克威尔的《黄金法则》发表于近60年前，是他最具代表性的画作之一，描绘了普遍人性，更反映了依然与我们时代息息相关的洛克威尔自身的信念。</SPAN></SPAN></DIV></div>
HTMLText_2347B98B_B755_F893_41DC_14600E2799C1.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Southern Justice</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1965</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, June 29, 1965</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">tearsheet</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_43569919_4277_FFB9_41CD_CA9D12BC9482.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Problem We All Live</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> was created to be an illustration in </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> Magazine.  The final image appeared as a 2-page spread (image on far right) that was not accompanied by any text or article, which was not typical for a Norman Rockwell image in the interior of a magazine.  Initial studies of the image show that Rockwell placed the little girl on the right side of the gutter (spine of the magazine).  However, he felt that this portrayed her as timid and wanted her to look more assertive, so he moved her to the left side of the gutter in another study, which is how she appeared in the final image.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Color study</SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I> for The Problem We All Live With</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1963</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on Board</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Art Collection Trust,</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1963 Norman Rockwell Family Agency. All Rights Reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Color study</SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I> for The Problem We All Live With</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1964</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on Photographic Paper</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Art Collection Trust,</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1964 Norman Rockwell Family Agency. All Rights Reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Charcoal study</SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I> for The Problem We All Live With</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1963</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Charcoal and Gouache on pPaper</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Art Collection Trust,</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1963 Norman Rockwell Family Agency. All Rights Reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Problem We All Live With</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1964</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Illustration for Look, January 14, 1964, pp. 22-23 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Magazine</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Art Collection Trust</SPAN></SPAN></DIV></div>
HTMLText_190A42BA_37B4_3D8D_41C5_F239690038FE.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">February 21, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gift of William W. Hargreaves</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">By the 1940's.</SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I> The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> grew to become the most widely circulated weekly magazine in America. The magazine gained prominent status under the leadership of its longtime editor George Horace Lorimer</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> published current event articles, editorials, human interest pieces, humor, illustrations, a letter column, poetry (with contributions submitted by readers), single-panel gag cartoons and stories by the leading writers of the time. It was known for commissioning lavish illustrations and original works of fiction. </SPAN></SPAN></DIV></div>
HTMLText_0CAD6F49_3BB4_048E_4195_50BAEDBED816.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">February 27, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gift of William W. Hargreaves</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">By the 1940's.</SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I> The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> grew to become the most widely circulated weekly magazine in America. The magazine gained prominent status under the leadership of its longtime editor George Horace Lorimer</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> published current event articles, editorials, human interest pieces, humor, illustrations, a letter column, poetry (with contributions submitted by readers), single-panel gag cartoons and stories by the leading writers of the time. It was known for commissioning lavish illustrations and original works of fiction. </SPAN></SPAN></DIV></div>
HTMLText_7C60C78A_3B94_0382_4173_39D7B974473B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">March 13, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gift of William W. Hargreaves</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">By the 1940's.</SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I> The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> grew to become the most widely circulated weekly magazine in America. The magazine gained prominent status under the leadership of its longtime editor George Horace Lorimer</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> published current event articles, editorials, human interest pieces, humor, illustrations, a letter column, poetry (with contributions submitted by readers), single-panel gag cartoons and stories by the leading writers of the time. It was known for commissioning lavish illustrations and original works of fiction. </SPAN></SPAN></DIV></div>
HTMLText_7FA04301_3BAD_FC7E_41B6_2A72C03CCDE1.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">March 6, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gift of William W. Hargreaves</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">By the 1940's.</SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I> The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> grew to become the most widely circulated weekly magazine in America. The magazine gained prominent status under the leadership of its longtime editor George Horace Lorimer</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> published current event articles, editorials, human interest pieces, humor, illustrations, a letter column, poetry (with contributions submitted by readers), single-panel gag cartoons and stories by the leading writers of the time. It was known for commissioning lavish illustrations and original works of fiction. </SPAN></SPAN></DIV></div>
HTMLText_296A3A21_7F2C_0EA8_41C3_C66814EF8622.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Correspondence to Norman Rockwell from Chester Martin regarding </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Problem We All Live With</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">January 6, 1964 (mistake written on year)</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Handwritten Letter on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Art Collection Trust,</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1964 Norman Rockwell Family Agency. All Rights Reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Correspondence to Norman Rockwell from David J. Malarcher regarding </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Problem We All Live With </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">(3 pages)</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">February 12, 1964</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Typed Letter on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Art Collection Trust,</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1964 Norman Rockwell Family Agency. All Rights Reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_9855CA56_338A_7662_41BF_0A7DA78FFBF0.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In place of newpapers and magazines like </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, children were more apt to collect trading cards, play with paper dolls and read comic books.  Here are three comic books that were publised around the time of the publication of </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom from Fear</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">.</SPAN></SPAN></DIV></div>
HTMLText_244166A1_7F14_07A8_41D0_0EE9142EB520.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">from Lynda Gunn, </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Model for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Problem We All Live With</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">NRM.2016.03.2</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Rockwell commissioned this white dress, and two others like it, in different sizes from a local Stockbridge, Massachusetts, seamstress. He was not yet sure of the age or size of his model, and he typically posed several people in the same role before deciding who best fit the part. For the child in </SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>The Problem We All Live With</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">, he ultimately selected his neighbor, Lynda Gunn.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_2CF1A385_71F6_9135_41D1_5B5547AAE629.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Short interview with models Tracey Gunn and Wray Gunn Jr. on their experience of modeling for Norman Rockwell in </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>New Kids in the Neighborhood</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">.</SPAN></SPAN></DIV></div>
HTMLText_6CE6463B_3386_5E22_41BA_CF6AA37EB24B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Since their creation, many Norman Rockwell images have been appropriated for contemporary use.  Freedom from Want is considered to be one of Rockwell’s most celebrated images and it is no coincidence that it is also the most parodied.  Here is a collection of images inspired by Rockwell’s work.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Image Credit:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Charlie Brown / Peanuts</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom from Want</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Peanuts are a trademark of Peanuts Worldwide LLC</SPAN></SPAN></DIV></div>
HTMLText_1216A64E_6A97_B8F2_41CB_31F733987220.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">American Life before World War II - Overview</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><B>Narrated by: </B></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Jayne Atkinson</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">President Franklin D. Roosevelt famously told Americans in 1933 that “the only thing we have to fear is fear itself,” but the nation was justified in its concerns during this turbulent time. A quarter of the labor force was out of work, wages had fallen dramatically, and nearly half of the country’s banks had failed. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">This gallery brings together a group of artists and illustrators who portrayed life in 1930s America. Photographers employed by the federally funded Farm Security Administration including Walker Evans, Dorothea Lange, and Gordon Parks (whose photograph of a Chinese-American laundry in Washington, DC is highlighted in the exhibition) focused on the struggles of southern sharecroppers and migrant workers in the Midwest and western United States. At the same time, illustrators and cartoonists found ways to provide lighthearted reflections on difficult times, using pathos and humor to express a common humanity.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Also introduced in this gallery is the theme of American working women who, during WWII, would enter the workforce in unprecedented numbers. On view are photographs and video documenting women at work, as well as illustrations idealizing working women to promote and celebrate those who answered the call to serve.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">By the end of the decade, concerns were increasing about the international situation, in particular the rise of fascism in Germany and the outbreak of war in Europe. While the American public had little interest in getting involved in another war, FDR began to reflect on the meaning of freedom on a worldwide scale. </SPAN></SPAN></DIV></div>
HTMLText_A15602D9_DA12_945F_41E1_5F678E5108AF.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">Artists Support the War Effort - Overview</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><B>Narrated by: </B></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Jayne Atkinson</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">As the nation found itself sliding closer to direct involvement in World War II, the underlying importance of the President’s words captured surprisingly little attention; many Americans could not list even one of the Four Freedoms and their meaning was unclear. FDR grew increasingly concerned that Americans were not enthusiastically embracing his vision or rationale to enter the war. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Hoping to build upon the success of the WPA’s Federal Art Project that put thousands of artists to work during the Depression, President Roosevelt and the Office of War Information invited the art world to help raise public awareness about the Four Freedoms. Artists, writers, actors, designers, composers, and musicians responded to the call, creating a flood of Four Freedoms tributes in the form of sculptures, paintings, drawings, quilts, poems, plays, and exhibitions. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Many artists explored the theme of war and freedom more generally. Composer Aaron Copland created </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>A Fanfare for the Common Man</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">, an orchestral work intended to honor the commitments of everyone working toward victory in the war. </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>This is Nazi Brutality</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> by artist Ben Shahn was designed to instill fear and make clear that losing the war to the Axis powers would be a global catastrophe. This and other posters on view would have been hung in government offices and buildings, to be seen on a regular basis by many Americans. Four paintings by Mead Schaeffer, portraying different branches of the armed forces and celebrating the heroism of the American soldier, were published as part of an extensive commemorative cover series in </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">. Other artists pointed to the ways the U.S. fell short in fulfilling its promise of freedom; poet Langston Hughes drew connections between the fight against fascism and the fight against White supremacy, writing: “Freedom’s not just to be won Over There. It means Freedom at home too--- Now--- right here! </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_C6FA96DA_6AB6_A36D_41D3_69AF01AF7220.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">Contemporary Artists on Freedom - Overview</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><B>Narrated by: </B></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Jayne Atkinson</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">This section of the exhibition explores the enduring influence of the Four Freedoms as expressed in Roosevelt’s words and as pictured by Rockwell. The exhibition’s curators invited a group of contemporary artists to consider two questions: How might the notions of Four Freedoms be reinterpreted for our times? What does freedom look like today? Divided into two parts, this portion of the exhibition brings together a selection of artworks that imaginatively respond to those queries. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_A1693662_DA12_9C6D_41E8_DB6509BD0397.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">FDR's Four Freedoms - Overview</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><B>Narrated by: </B></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Jayne Atkinson</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">President Roosevelt saw the fear-inducing crisis of the accelerating war as the ideal time to promote freedom across the world. In January 1941, he used his annual address to Congress to introduce the Four Freedoms. Building on his reflections on the nature of freedom in the months beforehand (including his experience opening the 1939 World’s Fair in front of </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Four Freedoms</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">, a sculptural installation by artist Leo Friedlander), FDR enumerated for his audience each of the freedoms, stressing that they were not just national objectives, but ones that were needed “everywhere in the world.” With the war looming closer, Roosevelt believed it would be critical for Americans to understand what they would be fighting for, especially given the tremendous sacrifices ahead. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">After Japan’s military strike on Pearl Harbor in December 1941, many Americans feared another enemy attack. Under pressure, FDR signed an executive order to incarcerate 120,000 people of Japanese descent, including 80,000 American citizens. Unfortunately, FDR failed to see the contradiction of promoting democratic ideals for some while taking away the human rights of others.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Working at a distance from the war raging in Europe, Norman Rockwell found it challenging to record the effects of the war on American servicemen and women. He created the unassuming character of Willie Gillis, a young American GI, for a series in </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">. Rockwell portrays Willie Gillis doing all sorts of mundane tasks: receiving a care package from home, peeling potatoes, or reading the hometown news. The horror and violence of war is nowhere to be seen, as was typical in mainstream magazines and movies of the time. </SPAN></SPAN></DIV></div>
HTMLText_40B4661A_5B23_49FB_41D5_4A173B43F169.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">Illustration and the American Magazine</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.81vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">In the first half of the twentieth century, general-interest magazines like the</SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I> Saturday Evening Post </I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">and </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Collier’s</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">—and popular women’s magazines such as </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Ladies’ Home Journal</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Good Housekeeping,</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> and </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>McCall’s</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">—built vast, loyal followings. Emerging from a long period of political and economic transformation following the Great Depression and World War I, Americans began to re-imagine themselves and the new lives that they hoped to lead. Production, finely tuned by wartime necessity, enabled a booming peacetime economy with a plethora of new products and modern, time-saving conveniences.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Directly linked to commerce and to selling the notion of affluence for everyone, richly illustrated magazines featured aspirational images depicting idealized standards of living, reflecting and shaping visual culture, public perception, and consumption. The top publications boasted subscriptions of two to nine million in the 1940s and 1950s, and copies were shared widely among family and friends, bringing readership even higher. J.C. Leyendecker, Norman Rockwell, Al Parker, and other popular illustrators working at the time were far more than picture makers—they played a crucial role in affecting cultural beliefs and desires. Their influence in shaping the American character as we know it is linked to the development of an industry that embraced the aspirations of a nation and created the American dream.</SPAN></SPAN></DIV></div>
HTMLText_B6A20242_D9F1_97AD_41CE_524326F1017D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">Norman Rockwell: Imaging Freedom - Exhibition Overview</SPAN></SPAN></DIV></div>
HTMLText_409FFE72_5B63_564B_41AC_7153FC99A75C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">Norman Rockwell: Imagining Freedom</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.81vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><B>Many thanks to the scholars, artists, and museum professionals who provided guidance and expertise in the development of this exhibition:</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Allida Black, Michele Bogart, Liza Donnelly, Erika Doss, D.B. Dowd, Herman Eberhardt, Stéphane Grimaldi, Harvey J. Kaye, Nora Krug, Anita Kunz, Dr. Steven Lomazow, James McCabe, Lester C. Olson, Robyn Phillips-Pendleton, Chuck Pyle, Melanie Reim, Paul Sparrow, Setsuko Sato Winchester, Ambassador William J. vanden Heuvel</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><B>We appreciate the contributions of our catalogue essayists, who offered meaningful commentary relating to the Four Freedoms and their legacy:</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Brian Allen, Ruby Bridges, D.B. Dowd, Jan Eliasson, Stéphane Grimaldi, Harold Holzer, Harvey J. Kaye, James McCabe, James Kimble, Laurie Norton Moffatt, Lester C. Olson, Daisy Rockwell, Ramón Saldívar, Mark Shulman, Irvin Ungar, William J. vanden Heuvel</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><B>We are grateful for the generosity of our lenders, whose partnership has made this exhibition possible:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Anonymous, American Legion Post 193, Alice A. Carter and Courtney Granner/The Eisenstat Collection, The Coca-Cola Company, Scott Delman, Drs. Daniel and Lois Fermaglich, Four Freedoms Park Conservancy, Franklin D. Roosevelt Presidential Library and Museum, Stewart Grace and Cannon Grace, Louise Holland, James J. Kimble, Ned and Annie Lamont, Lawrence Matteson, D.B. Dowd Modern Graphic History Library at Washington University in St. Louis, Nebraska State Historical Society, New York Historical Society and Museum, Arthur Susser, Syracuse University Art Galleries, Irvin and Raziel Ungar, USAA, Alex and Carrie Vik, Denys Wortman and the Center for Cartoon Studies, Vic Wortmann, Jr.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><B>Exhibition Curators:</B></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> Stephanie Haboush Plunkett and James J. Kimble, Ph.D.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><B>Digital/Video Installations:</B></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> Rich Bradway</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><B>Four Freedoms Curatorial Team:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Martin Mahoney, Mary Melius, Thomas Mesquita, Jana Purdy, Barbara Rundback, Joseph Tonetti, Venus Van Ness</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><B>Graphic Design/Fabrication:</B></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> Hans Teensma/Impress, GVH Studio</SPAN></SPAN></DIV></div>
HTMLText_8AF14C63_AA1B_E37A_41DE_FA74BA3DA9C6.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">Norman Rockwell: Imagining Freedom</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.81vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">The power of images to shape cultural narratives is revealed in this dynamic exhibition, which traces the origins and legacy of the Four Freedoms from the trials of the Great Depression and World War II to the Civil Rights movement of the 1960s, and the call for freedom today across racial, gender, ethnic, and religious lines. </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Norman Rockwell: Imagining Freedom</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> inspires conversation about our most pressing social concerns through the lenses of art and history, and invites us to consider how we can become allies in the creation of a more humane world.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Rockwell’s most iconic works are featured, including his </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Four Freedoms</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> paintings inspired by Franklin D. Roosevelt’s vision for a peaceful post-war world; </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>The Golden Rule</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">, the artist’s personal plea for unity; his appeals for human rights in </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>The Problem We All Live With</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> and </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Murder in Mississippi;</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> and </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>The Right to Know</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">, a petition for truth and transparency. Rockwell’s artworks join the paintings, drawings, photography, and writings of artists working across the decades for the cause of freedom—including Dorothea Lange, Gordon Parks, Arthur Rothstein, Mead Schaeffer, Arthur Szyk, Martha Sawyers, Langston Hughes, Thomas Lea, Boris Artzybasheff, and others. The exhibition also features the voices of contemporary artists, who present thought-provoking perspectives on freedom, justice, and democracy in our times.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Returning to Stockbridge following a six-city tour that has taken the exhibition to New York, Detroit, Washington DC, Normandy (France), Houston, and Denver, </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Norman Rockwell: Imagining Freedom</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> explores the indelible odyssey of the Four Freedoms, humanity’s greatest and most elusive ideals. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Norman Rockwell: Imagining Freedom is an exhibition organized by Norman Rockwell Museum, Stockbridge, MA.</SPAN></SPAN></DIV></div>
HTMLText_A172301B_DA12_93DC_41EB_86E9D72933FF.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">Norman Rockwell’s Four Freedoms - Overview</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><B>Narrated by: </B></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Jayne Atkinson</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">In the spring of 1942, Norman Rockwell decided to contribute to the war effort by illustrating Roosevelt’s Four Freedoms. Finding new ideas for paintings never came easily, but this was a greater challenge. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">While considering his options, Rockwell by chance attended a town meeting where a Vermont neighbor was met with respect when he rose among his fellow citizens to voice an unpopular view. That night the artist awoke with the realization that he could best paint the Four Freedoms from the perspective of his own experience, using everyday scenes as his guide. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Rockwell made some sketches and went to Washington to propose his ideas to the Ordnance Department of the US Army. Unfortunately, funding for a commission was not forthcoming, so instead Rockwell presented his concept to </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>The Saturday Evening Post.</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> The Post editor was extremely enthusiastic and gave Rockwell permission to interrupt his other work for the magazine to allow him time to complete the project. Once he received the commission, Rockwell experienced a “bad case of stage fright,” and it was more than two months before he even started. “It was so darned high-blown,” Rockwell said. “Somehow I just couldn’t get my mind around it.” Despite his early misgivings, the paintings were a phenomenal success. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_0242B20A_4203_E5B3_41CC_9662A3F10A01.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">Norman Rockwell’s Four Freedoms</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.81vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">In the spring of 1942, Norman Rockwell was working on a piece commissioned by the Ordnance Department of the US Army, a painting of a machine gunner in need of ammunition. Posters featuring </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Let’s Give Him Enough and On Time</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> were distributed to munitions factories throughout the country to encourage production. But Rockwell wanted to do more for the war effort and decided to illustrate Roosevelt’s Four Freedoms. Finding new ideas for paintings never came easily, but this was a greater challenge.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">While considering his options, Rockwell by chance attended a town meeting where a Vermont neighbor was met with respect when he rose among his neighbors to voice an unpopular view. That night the artist awoke with the realization that he could best paint the Four Freedoms from the perspective of his own experiences, using everyday scenes as his guide. Rockwell made some sketches and, accompanied by fellow </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Saturday Evening Post</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> artist Mead Schaeffer, went to Washington to propose his ideas.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">The timing was wrong—the Ordnance Department did not have the resources for another commission. Disappointed, Rockwell stopped at Curtis Publishing Company in Philadelphia on his way home and presented his concept to </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Post</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> editor Ben Hibbs. Hibbs immediately made plans to publish the illustrations, giving Rockwell permission to interrupt his cover work for a period of three months. He “got a bad case of stage fright,” though, and it was more than two months before he even began the project. “It was so darned high-blown,” Rockwell said. “Somehow I just couldn’t get my mind around it.” Despite his early misgivings, the paint-ings were a phenomenal success. After their publication, the magazine received thousands of requests for reprints, and in May 1943, the Post and the US Department of the Treasury announced a joint campaign to sell war bonds and stamps capitalizing on Rockwell’s vision.</SPAN></SPAN></DIV></div>
HTMLText_A70AB19C_DA16_74D5_41E3_AB972644C2F7.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">Pops Peterson: Reinventing Rockwell - Overview</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><B>Narrated by:</B></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> Jayne Atkinson</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">In his project entitled “Reinventing Rockwell,” artist Pops Peterson updates the Four Freedoms and other iconic Rockwell paintings to create a more inclusive and contemporary picture of America. His interpretation of these paintings recast Rockwell’s artworks with 21st century characters and events. He uses our familiarity with Rockwell’s works to draw critical attention to an expanded range of topics related to freedom today, including same sex marriage, police-involved violence and brutality, and contemporary gender politics.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_A1BE733F_DA16_B5D3_41D4_EE75F4444BD2.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">Rockwell in the Civil Rights Era - Overview</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><B>Narrated by: </B></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Jayne Atkinson</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">The 1960s marked an important turning point in Norman Rockwell’s artistic career. As evidenced in his </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Four Freedoms</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> paintings, Rockwell wanted to make a difference with his art, and as a trusted and highly marketable illustrator, he had the opportunity to do so. Humor and pathos—traits that made his </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Saturday Evening Post </I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">covers successful—were replaced by a new direct journalistic style.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">For decades, Rockwell had worked under editorial policies of </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> that restricted the portrayal of people of color in his illustrations. In 1963, Rockwell left the magazine to begin working with Look where he was able to create a more inclusive picture of America. Following the </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Golden Rule</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> (1961), a later work published by the </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Post</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">, Rockwell created a series of paintings for Look including </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>The Problem We All Live With </I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">(1965), </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Murder in Mississippi </I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">(1965) and </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>New Kids in the Neighborhood </I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">(1967). These works explored the nuances and complexities of contemporary life in a racially diverse country, and highlighted Rockwell’s longstanding belief in the democratic values of tolerance and equality. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_A148AE2A_DA12_AFFD_41D0_D85D29E98EC5.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">Rockwell’s Four Freedoms on Tour - Overview</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><B>Narrated by: </B></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Jayne Atkinson</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">After the publication of Norman Rockwell’s Four Freedoms in </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">, the magazine received thousands of requests for reprints. In May 1943, the Post and the US Department of the Treasury announced a joint campaign to sell war bonds and stamps capitalizing on Rockwell’s vision. Over four million posters and prints featuring Rockwell’s Four Freedoms were issued by the Post and the Office of War Information. Produced in several sizes and styles as single images or composites with boldly lettered messages, the reproductions were displayed in government buildings, factories, offices, stores, and schools. Larger posters were intended for display in post offices where people purchased war bonds and stamps.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">In partnership with the </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Post</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">, the US Treasury Department’s War Finance Division organized a traveling exhibition of Rockwell’s four paintings to promote the purchasing of war bonds and stamps. The exhibition includes a photo of Norman Rockwell pictured at the first stop of the tour at Hecht’s Department Store in Washington, DC. The exhibition traveled across the country to a total of 16 cities. The tour was a huge success, raising over $132 million in war bond sales and reaching 1.2 million war-weary viewers. Equally important was the elevation of Roosevelt’s Four Freedoms in the public consciousness and their emergence as democratic ideals worth fighting for.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_435312EB_3DDB_7179_41C0_1A16F7D05261.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">Rosie the Riveter and Women in the Work Force</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.81vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Rosie the Riveter emerged as an emblem of the working woman during World War II. She was the heart of a campaign aimed at recruiting female workers for defense industries. Visualized in the early 1940s by American illustrators J. Howard Miller and Norman Rockwell, Rosie represented the women who entered the workforce in unprece-dented numbers during the war. In 1943, when Rockwell painted his overalls-clad icon, more than 310,000 women were employed in the U.S. aircraft industry alone, making up sixty-five percent of its total workforce compared to just one percent in the pre-war years. As a popular song by Redd Evans and John Jacob Loeb recounted:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>All the day long whether rain or shine</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>She’s a part of the assembly line</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>She’s making history,</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>working for victory</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Rosie the Riveter</I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">By 1945, nearly one out of every four married women worked outside the home. Such gains were often temporary, however, as female workers were demobilized at war’s end to make way for returning servicemen. In the postwar years, Rosie the Riveter experienced a rebirth, coming to symbolize women’s rights and feminist causes.</SPAN></SPAN></DIV></div>
HTMLText_A178F04A_DA16_B3BD_41EA_A1BA446BB1EE.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">Spotlight: Murder in Mississippi - Overview</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><B>Narrated by:</B></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> Jayne Atkinson</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">This gallery presents Rockwell’s working process behind his dramatic painting </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Murder in Mississippi</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> (1965), based on the murder of three young civil rights workers in Philadelphia, Mississippi the previous year. The victims—James Chaney, Andrew Goodman, and Michael Schwerner—had been working to register Black Americans to vote after years of systemic disenfranchisement in the South. The three men were stopped by the police for speeding, then arrested, jailed, briefly released, and later abducted and shot at close range and buried. Initially declared missing, their bodies were later recovered, and an FBI investigation revealed that the murders had been carried out by members of the Ku Klux Klan, along with county and local police. The news of the murders sparked national outrage and helped gain support for the passage of the Civil Rights Act of 1964.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">In preparation for the painting, Rockwell did extensive research into the case. He collected news clippings, compiled photographs of the victims, and looked to images from art history and contemporary events for inspiration. He drew preparatory sketches and photographed models in different poses and light conditions. The resulting painting stands out from Rockwell’s previous work that almost always tells a complete story at a glance. It is much less detailed and the only color in the otherwise monochrome composition is the red blood on James Chaney’s shirt. Rockwell deliberately choose not to include the figures of the murderers, instead showing only their menacing shadows. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_548635BA_19D1_1493_41A7_80954B9A3D6C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">The Great Depression</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.81vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">The longest and most severe economic downturn of the twentieth century, the Great Depression, began on Black Tuesday with the stock market crash of October 29, 1929, and lasted for a decade. Though it originated in the United States, it fostered unemployment and uncertainty in almost every country in the world. Nationally, the situation represented the harshest adversity faced by Americans since the Civil War. By 1933, when President Franklin D. Roosevelt took office, a quarter of the labor force was without work, wages had fallen dramatically, and nearly half of the country’s banks had failed—with dire consequences for the poor and the wealthy across urban and rural communities.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">The photographs of the Farm Security Administration establish a gripping pictorial record of life at the time. Headed by Roy E. Stryker, this government agency employed such noted photographers as Walker Evans, Dorothea Lange, Gordon Parks, and Arthur Rothstein. Among their most compelling images are those created from 1937 to 1942, focusing on the lives of southern sharecroppers, and on migratory agricultural workers in the Midwest and western United States. As the scope of the project expanded, photographers began recording the American way of life more broadly, as well as mobilization efforts for World War II. Meanwhile, illustrators and cartoonists found ways to provide lighthearted reflections on difficult times, using pathos and humor to express a common humanity.</SPAN></SPAN></DIV></div>
HTMLText_C0E10F5E_EFFC_A8F2_41E1_E92CB8AEC02F.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">The War Generation</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.81vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">President Franklin D. Roosevelt famously told Americans in 1933 that “the only thing we have to fear is fear itself,” but the nation was justified in its concerns during that turbulent time. The stock market crash of 1929 had swiftly transformed the Roaring Twenties into the Great Depression. Banks closed their doors, bread lines became a common sight, and so-called Hoovervilles dotted the landscape. Jim Crow policies and racial inequality were facts of life for millions, and much of the nation’s grain belt became a dusty wasteland, fostering a mass exodus of destitute migrants seeking jobs that were no longer available. Dorothea Lange’s timeless photograph of a forlorn pea picker and her daughters came to represent a generation and a nation that seemed to have lost its way.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">The President and his New Deal team worked intensively to address the emergency, but they were simultaneously becoming concerned about the international situation. As they were well aware, much of the world shared in America’s economic misery, and by the mid-1930s a number of aggressive dictators in Europe and Asia—who addressed the global malaise by offering a kind of new fascism—had begun to emerge. Americans were overwhelmingly isolationist at the time, and concerned about solving their domestic problems first. FDR had to be content with speaking out against international lawlessness. Yet as the end of the decade neared, he also began to muse about the meaning of freedom on a worldwide scale.</SPAN></SPAN></DIV></div>
HTMLText_A7AB7BC3_DA16_94B3_41C8_F25357FAB022.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">Unity Project - Overview</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><B>Narrated by: </B></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Jayne Atkinson</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Organized by the Rockwell Museum, the Unity Project was a non-partisan “get out the vote” campaign for the 2020 Presidential election. The Museum commissioned six artists to create illustrations that could be reproduced as posters and digital content. Inspired by the legacy of Norman Rockwell and the democratic values in his work, the Unity Project aimed to encourage civic engagement and voter participation among contemporary Americans.    </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_6771AF7D_6639_FE1F_41D3_3177D0C64EE6.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Narrated By: Alice Carter</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Author, Illustrator, and Norman Rockwell Museum Board President</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>アリス・カーターによるナレーション付き</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>作家、イラストレーター、ノーマンロックウェル美術館理事長</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">During a career that spanned nearly sixty years, Jerry Aloysius Doyle’s editorial cartoons appeared in leading Philadelphia newspapers and, through syndication, in hundreds of other periodicals across the nation.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ほぼ60年間にわたるキャリアの最中に、ジェリーアロイシャスドイルの編集漫画は、フィラデルフィアの主要新聞に掲載され、シンジケーション（独立系放送番組）を通じて、数百の他の定期刊行物に全米で公開されました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">As an avid supporter of Franklin Roosevelt’s domestic and foreign policies, Doyle never caricatured the president, and always showed him in a heroic light.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">フランクリン・ルーズベルトの国内外の政策の熱心な支持者として、ドイルは大統領を決して欺くことはなく、常に彼を英雄的な光として見せました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">In “Roosevelt Favors Old Age Pensions,” Doyle pictures the President as the potential savior of an elderly couple, dressed formally in the clothes of a bygone era.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">「ルーズベルトが老齢年金を支持する」では、ドイルは大統領を老齢夫婦の潜在的救世主として描き、過去の時代の服を正式に着せています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Although obviously impoverished, they are trying to keep up appearances.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">明らかに貧困に陥っていますが、彼らは外観を維持しようとしています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">There is a fire in the grate and a rose on the mantle, but the window is cracked and the tablecloth patched.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">火格子に火があり、マントルにはバラがありますが、窓にはひびが入って、テーブルクロスは継ぎはぎがされています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">On the floor at their feet are two newspapers showing what their future might bring.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼らの足元の床には、未来がもたらすものを示す2つの新聞があります。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">One headline reads, “Roosevelt to Delay Old Age Pensions,” and the other, “Roosevelt Favors Old Age Pensions.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">1つの見出しは「ルーズベルトが老後年金を先延ばしする」であり、もう1つは「ルーズベルトが老齢年金を支持する」です。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Enshrined on the mantle (next to the rose) is a portrait of FDR labeled “Our President.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">マントル（バラの隣）には、「私たちの大統領」というラベルのルーズベルトの肖像画が飾られています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Roosevelt first proposed old age pensions when he was governor of New York, and the idea was an integral part of the New Deal.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ルーズベルト氏は、ニューヨークの知事であったときに老後年金を最初に提案し、この考えはニューディールの不可欠な部分でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">The sticking point was how to fund them.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">障害となる点は、それらの財源でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Any national insurance plan would have to be built up by contributions from workers’ wages—and there would not be enough money until 1942.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">すべての国家保険プランは、労働者の賃金からの拠出によって建設されなければならず、1942年までは十分な資金がありません。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Meanwhile, elderly citizens were suffering.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">一方、高齢者の市民は苦しんでいました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">The solution was Title One of the Social Security Act—a joint program between the States and the Federal Government to provide immediate old-age assistance.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">その解決策は、社会保障法の第1号でした。これは、州と連邦政府との間の共同プログラムであり、即時の老齢援助を提供するものでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">On August 14, 1935, President Roosevelt signed the bill, remarking as he laid down his pen, “a hope of many years standing is in large part fulfilled.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ルーズベルト大統領は、1935年8月14日、この法案に署名し、「長年にわたる希望が大部分達成された」と述べました。</SPAN></SPAN></DIV></div>
HTMLText_6787FBA4_66D9_662D_41D4_41B454DC7B8B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Narrated By: Alice Carter</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Author, Illustrator, and Norman Rockwell Museum Board President</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>アリス・カーターによるナレーション付き</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>作家、イラストレーター、ノーマンロックウェル美術館理事長</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">On September 29th, 1939, Germany and the Soviet Union reached an agreement to divide occupied Poland.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">1939年9月29日、ドイツとソ連は占領されたポーランドを分裂させる合意に達しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Hitler’s forces would take everything to the West of the Bug river and Stalin’s army would control everything to the East.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ヒトラーの部隊はバグ川の西側を全て占領し、スタ－リンの軍隊は東側の全てを支配します。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">The following day, September 30th, 1939, Hugh Hutton’s editorial cartoon, titled “The Funeral Oration,” appeared in the Philadelphia Inquirer.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">翌1939年9月30日、ヒュー・ハットンの編集漫画「葬儀の演説」が「フィラデルフィアインクワイアラー」に掲載されました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Hutton completed more than 3,800 editorial cartoons for the Inquirer during his long career.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ハットンは、彼の長いキャリアの間に「インクワイアラー」のため3,800以上の編集漫画を完成させました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">He rarely drew caricatures of celebrities and politicians, preferring to use allegorical figures to convey his ideas.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼はまれに有名人や政治家の似顔絵を描き、寓意的な数字を使って自分のアイディアを伝えようとした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">He typically drew a white-robed female to depict values like peace, justice, and truth.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼は通常、平和、正義、真実のような価値観を描くために白衣の女性を描きました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">In this case, these virtues have fallen face down, while the twin vultures of Germany and the Soviet Union gloat over their victory.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">この場合、これらの美徳はうつむきになり、ドイツとソ連の双子のコンドルは勝利を嘆きました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Hutton was born in Lincoln, Nebraska, on December 11, 1897.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ハットンは1897年12月11日、ネブラスカ州リンカーンで生まれました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">After attending the University of Minnesota for two years, he enlisted in the Army and served in World War I.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">2年間ミネソタ大学に通った後、彼は軍隊に入隊し、第一次世界大戦に就いた。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">When the war ended, he continued his education at the Minneapolis School of Art.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">戦争が終わったとき、彼はミネアポリス美術学校で教育を続けました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Following a career move to New York, he studied at the Art Students’ league and found a market for his editorial illustrations with United Features Syndicate.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ニューヨークにキャリアを移した後、彼はアートスチューデンツリーグで学び、ユナイテッドフューチャーシンジケートで彼の編集したイラストレーションの市場を見つけました 。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">In 1934, Hutton accepted his position at the Philadelphia Inquirer where he worked until his retirement in 1969.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">1934年、ハットンは「フィラデルフィアインクワイアラー」での職を見つけ、1969年に引退するまで働いていました。</SPAN></SPAN></DIV></div>
HTMLText_11F1C0B5_A4E2_93C9_41DA_EB54B029808F.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Narrated By: Alice Carter</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Author, Illustrator, and Norman Rockwell Museum Board President</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>アリス・カーターによるナレーション付き：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>作家、イラストレーター、ノーマンロックウェル美術館理事長</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Martha Sawyers was born in Corsicana, Texas, in 1902.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">マーサ・ソーヤーズは1902年にテキサス州コルシカナで生まれました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">She attended New York’s Art Students League for five years—until, as she put it, “They kicked me out and said I had to do something with what I knew.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼女はニューヨークのアート・スチューデント・リーグに5年間（そこを離れるまで）在籍し、「彼らは私を放り出して、自分が知り得たことで何かをしてくるようにと言いました。」と言っています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">“China Shall Have Our Help” is one of two posters Sawyers designed between 1942 and 1943 for United China Relief—an association of aid agencies dedicated to helping Chinese refugees during World War II.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">「China Shall Have Our Help（中国は私たちの助けを必要としている）」は、第二次世界大戦中に中国難民支援を目的とした援助機関の協会である「United China Relief（米国の中国救済）」のために、1942年から1943年の間にソイヤーズが設計した2つのポスターの1つです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Although Sawyers preferred to work in oil, deadlines often forced her to mix mediums—and as you can see in this poster, she sometimes combined oil, watercolor, nu-pastel and ordinary colored crayons to produce the effects she needed.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ソーヤーはオイルでの作業を好みましたが、しばしば締め切り期限に追われて、このポスターで見られるように、オイル、水彩、ニューパステル、通常の色付きのクレヨンを組み合わせたミックスを余儀なくされました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">This emotional painting of a refugee family replicates a scene Sawyers witnessed first hand.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">難民家族のこの感情的な絵は、ソイヤーズが最初に目撃した場面を再現しています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">In 1937, while traveling with her husband, illustrator William Ruesswig* she narrowly escaped the Japanese attack on China’s Marco Polo Bridge.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">1937年、彼女の夫でイラストレーターのウィリアム・ルースウィッグと一緒に旅行している間、彼女は中国のマルコポーロ橋への日本軍の攻撃を間近に逃れました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">When she returned to New York, an exhibition of paintings from her travels attracted positive attention, and Collier’s magazine commissioned her to record her impressions of Asia in a series of articles and illustrations.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼女がニューヨークに戻ったとき、彼女の旅行からの絵画の展示は肯定的な注目を集め、Collierの雑誌は彼女にアジアの印象を一連の記事やイラストで記録するよう依頼しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">During World War II, the intrepid Sawyers returned to Asia to cover the Pacific theater as an artist/correspondent for both Collier’s and Life magazines.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">第二次世界大戦中、勇敢なソーヤーはアジアに戻って、コリアーとライフ雑誌の両方のアーティスト/通信者として太平洋劇場をカバーしました。</SPAN></SPAN></DIV></div>
HTMLText_4FC7A928_6493_884F_41BC_F3F69DFEAEC1.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Narrated By: Allida M. Black</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Research Professor of History and International Affairs - The George Washington University</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>アリダブラックによるナレーション付き：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>ジョージ・ワシントン大学歴史・国際問題研究教授</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Everybody thinks the Four Freedoms with Norman Rockwell and the four iconic paintings and then the other half of the scale is they think of FDR’s landmark address.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">誰もが「4つの自由」とノーマン・ロックウェル、それと4つの象徴的な絵画をセットで考え、残りの半分はルーズベルトの画期的な取り組みを考えるものです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And Eleanor understood, as did FDR, but in a very different, gut level way, that you couldn’t be free to unless you were free from.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">そしてエレノアは、本人がそれから自由でなければ自由にはなれないことを、ルーズベルトがそうであったように、しかし本能的にまったく違う方法で理解していました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And so even before they could articulate the concept of the Four Freedoms, she would talk about freedom from hunger.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">そして、彼らが「4つの自由」という概念を明確にする前でさえ、彼女は飢えからの自由を話すことでしょう。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">She would talk about freedom from fear.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">恐怖からの自由についても話すでしょう。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">She would talk about freedom to dream.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">夢を見ることの自由についても話すことでしょう。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Now, that’s different language, but it’s the same principles, and it was Eleanor who really risked her personal safety in the United States to champion what this means.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">それは違う言葉表現かもしれませんが、同じ原則です。そして、これが意味するものを擁護するために米国での個人的な安全を実際に危険にさらしたのはエレノアでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">When she gets to the UN, she saw wounded all through Asia, all through Europe, all through the United States.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼女が国連に着いたころには、彼女はアジア全土、ヨーロッパ全土、米国全土で負傷者を見てきました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And the United Nations sends her to Holocaust camps, sends her to displacement camps.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">そして、国連は彼女をホロコーストキャンプに送り、彼女を強制収容キャンプに送ります。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">She ends up being responsible for really helping the world come up with a new vision to say that we are not going be defined forever by hate and racial superiority and religious bigotry and gender discrimination.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼女は、憎しみや人種的優位、宗教的偏見やジェンダーの差別によって永遠に定義されることはないと言う新たなビジョンを世界が生み出すのを本当に支援するという責任を果たしたのです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">We’ve got to give ourselves a new vision.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">私たちは自分自身に新しいビジョンを与えなければなりません。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And she took the Four Freedoms, and what she interpreted the Four Freedoms to mean, into that negotiating room.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">そして、彼女は4つの自由を手にして、4つの自由はその交渉部屋に入ることを意味すると解釈しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And I just want you all to think about this.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">そして、私は皆さんにこれについて考えて欲しいだけなのです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">It’s a dining room table size.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">それはダイニングルームのテーブルサイズです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">You know, there are 18 nations.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">そこには18カ国があるとしましょう。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">None of the people believe in the same god or if a god exists.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">誰も同じ神を信じておらず、また神が存在するかどうかも信じていません。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">They don’t believe that there’s private property or, you know, if money is good.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼らは、私的財産があるとは信じていません。もちろんお金が価値あればの話ですが。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">They don’t have the same concept of family.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼らは家族についての同じ概念を持っていません。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">They don’t have the same concept of citizenship.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼らは市民権について同じ概念を持っていません。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">The only thing they share is, “By god, we beat the Germans.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼らが共有する唯一のものは、「神によって、私たちはドイツ人を打ち負かす」ということです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And so she takes her innate commitment to freedom from fear, freedom of speech, freedom of worship, you know, freedom from want and puts them together in a way that keeps people at the table.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">そして彼女は、恐れからの自由、言論の自由、崇拝の自由、欲望からの自由への彼女の本質的な約束をもって、人々を交渉のテーブルに就かせるように一致させるのです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And the thing that’s so remarkable about her leadership is not only do we get the Universal Declaration of Human Rights, which I firmly believe are 30 examples of the Four Freedoms.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼女のリーダーシップについて非常に注目すべきことは、私たちが得られるものは4つの自由のうち30の実例であると確信している世界人権宣言を得るだけにとどまらないということです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">You know, I dare you to look at one of those articles and then look at one of Rockwell’s four paintings including the golden rule, including Ruby Bridges, and not see them throughout all the DNA of the paint.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">これらの記事の1つを見て、ルビーブリッジや金色律を含むロックウェルの4つの絵を見ると、絵のDNA全体を通してでなければ本当の意味でそれらを見ることはできないということです。</SPAN></SPAN></DIV></div>
HTMLText_F1DD573E_B2A9_DB80_41A1_7FCB101458C7.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Narrated By: Daisy Rockwell</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>デイジーロックウェルによるナレーション付き：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Artist and Author</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>アーティストと著者</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">I think it’s inspiring in the sense that we all have that potential within us to bring more to the world around us if we open our eyes more, and I think his eyes were opened also by, obviously . . . the passions of the Civil Rights movement inspired him as well.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">私たちがもっと目をこらせば、もっと多くのものを私たちの周りの世界にもたらす可能性を私たちすべてが持っているという意味のインスピレーションだと私は思います。彼の目も明らかに開かれたと思いますが、 市民権運動の情熱も彼に影響を与えました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">I mean it’s not like I ever sat down and asked him these things, but you can read that as part of the trajectory when you look at the changes in his paintings.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">これらのことを座ってゆっくり彼に尋ねたわけではありませんが、彼の絵画の変化を見ると、その軌跡の一部としてそれを読みとることができるということです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">It seems like that time changed a lot of people, and he was not immune, and I feel that narrative is still not known to a lot of the public, so I’m glad it will be part of the Four Freedoms show.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">その当時は多くの人が変わったと思いますが、彼は影響を受けないわけではなく、ナレーションはまだ多くの人に知られていなかったのだと私は思います。それが4つの自由ショーの一部となることを私はうれしく思います。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Because that is an evolution from the 40s to the 60s that he went through, and you can’t look at just one and not the other.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">それは40年代から60年代にかけて進化してきたものなので、ただ一つだけを見て、他を見ないことはできません。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">I definitely think that art can make people engage because when we have sort of severe problems in our society, part of the problem is we get stuck in our thinking.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">社会に深刻な問題を抱えている場合、問題の一部は私たちの考えに固執してしまうため、芸術は人々を関与させることができると確信しています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">People’s ideas get ossified, and it’s, you know, today even worse than it’s ever been, probably.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">人々のアイデアは骨化してしまい、おそらくこれまでよりも悪化しています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">People get stuck, and they can’t get each other out of these spaces. You know, there’s right and there’s wrong and there’s black and there’s white, and they can’t . . . so a job that the artist can do is break everything, you know, think of it as a china plate and the artist smashes it, and then glues it back together in another shape so that you can see it differently.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">人々は立ち往生し、これらの空間からお互いを得ることはできません。 あなたは知っている、間違っていると黒があり、白があり、できない。 。 。 アーティストが行うことができる仕事はすべてを壊している、あなたは知っている、それは中国のプレートと考えて、アーティストはそれを粉砕し、別の形でそれを一緒に戻って別の形で見ることができます。</SPAN></SPAN></DIV></div>
HTMLText_96322FDF_A7D7_7315_41E4_3DB1B999E724.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Narrated By: George Church III</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Docent and Volunteer - Norman Rockwell Museum</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>ジョージチャーチ3世によるナレーション付き</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>博士とボランティア - ノーマンロックウェル博物館</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">When World War II started and the Japanese bombed Pearl Harbor, I was in a movie with my dad.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">第二次世界大戦が始まり、日本が真珠湾を爆撃したとき、私は父と一緒に映画の中にいました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And then we saw, during the course of the beginning on this one occasion, we saw this piece of paper slide in between the lens and the light in the camera, in the projector.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">そして、私たちはこの出来事の初めに、プロジェクター内のレンズとカメラの光との間にこの紙のスライドが入るのを見ました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And it said the Japanese had bombed Pearl Harbor.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">そして、日本人が真珠湾を爆撃したと説明されました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">This has been reported by the US Army.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">これは米軍によって報告されています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">But anyway, that was my introduction to World War II.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">それはともかく、それは第二次世界大戦への私の序曲でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">It was after that that I started getting involved in the aircraft spotting work.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">それ以降、私は航空機の点検作業に携わり始めました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">The plane spotting was something I got into through a couple of other friends who were in my class in grammar school.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">航空機の点検作業は、私が小学校で同じクラスだった何人かの友人たちの中に入れてもらったものでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And . . . I could only go plane spotting on Saturdays because I was going to school Monday through Friday.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">そして、私は月曜日から金曜日まで学校に通っていたので、土曜日しか航空機の点検作業ができませんでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And I’d get up around 4:30 or quarter to 5, and have breakfast and get on my bicycle.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">私は約4:30か4:45には起床し、朝食を取って自転車で通いました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And I had to ride about three miles to get to the Miami Biltmore Hotel, which was in Coral Gables.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">コーラルゲーブルスにあるマイアミビルトモアホテルに行くためには、約3マイルは乗らなければなりませんでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And I had to be able to park my bike and then go into the lobby and then climb the stairs, and the elevator would take me up.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">着いたら自転車を止めて、ロビーに入ってから階段を登り、エレベーターで上に上がりました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And then, I got to the tower, and then I had to climb up into the tower where we had a spotting booth that was built inside the tower . . . of the hotel.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ホテルの塔に着いてから塔の中に建てられた点検作業ブースがある場所まで塔を登っていく必要がありました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And, but the building was the tallest building in Miami, and we were directly south of Miami International Airport.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">その建物はマイアミで一番高い建物で、私たちはマイアミ国際空港のすぐ南にいました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And that is where we did our plane spotting from there.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">そこが私たちが航空機を点検する場所でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And I worked the shift from 6:00 to 9:00 on Saturday mornings, and I had my plane spotter book with me.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">そして、私は土曜日の午前6時から9時までのシフトで作業を行いました。手元には航空機の点検書を持っていました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And I had a telephone.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">私は電話も持っていました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">I was with one other person, and between the two of us, we reported everything that we saw land and take off at Miami airport, and also planes that flew over that we would always log in and telephone about those as well.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">私はもう一人と一緒にいて、私たち2人でマイアミ空港の離着陸について見たすべてを報告しました。飛行機が飛び去ると私たちはいつも記録して、同様に電話していました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">The book has really been a treasure because it was the way I was able to connect, even at my . . . young age.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">この本は本当に宝物でした。なぜなら、この年若い私でも接続できる方法だったからです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Well, when the war started in December, I was 12 years old.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">さて、12月に戦争が始まったとき、私は12歳でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And I think it was just being . . . not being able to get involved in the service per se, but it was a connection for me, and that part of history.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">そして、それは、、サービスそのものに関わることはできませんが、それは私とのつながり、そしてその歴史の一部であったと思います。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And I just knew that that book was what validated my experience and made the point that I was involved in doing as much as I possibly could . . . during the course of the early part of the war.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">私はその本が私の経験を証するものであり、戦争初期の段階で私が可能な限り多くのことをすることに関わったという点を知っていました。</SPAN></SPAN></DIV></div>
HTMLText_F279BC43_A421_9372_41E2_D3E05A2129F1.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Narrated By: Irvin Ungar</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Founder and CEO - Historicana / Curator - The Arthur Szyc Society</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>アーヴィンアンガーによるナレーション付き：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>創設者兼CEO - ヒストリカナ/収集者 - アーサー・スジック協会</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">I’m delighted to introduce you to Arthur Szyk, who was a Polish Jewish artist born in Łódź, Poland, in 1894, in the same year as Norman Rockwell was born.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">1894年、ポーランドのウッチで生まれたポーランドのユダヤ人アーティスト、アーサー・スジック（Arthur Szyk）をご紹介しますが、彼はノーマン・ロックウェルと同じ年に生まれました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And Arthur Szyk came to America in 1940 as an immigrant and died 1951.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">アーサー・スジックは1940年に移民としてアメリカに渡り、1951年に亡くなりました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">When he ultimately arrived in America he saw himself as a one man army in this fight against Hitler.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼が最終的にアメリカに到着したとき、彼はヒトラーに対抗するこの戦いにおける一人の軍人として自分自身を見ていました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">He also considered himself to be FDR’s soldier in art (as he signed a few of his works).</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼はまた、自分が美術のFDR兵士であると考えていました（彼は作品のいくつかに署名しています）。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Arthur Szyk worked during World War II, fighting against the Axis and he worked also on behalf of the rescue of European Jewry.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">アーサー・スジックは第二次世界大戦中に枢軸軍と戦い、ヨーロッパユダヤ人の救助のためにも働きました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">He became very famous in America even though many people have forgotten who he was, what he accomplished during his lifetime, but he was as famous as famous could be.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">多くの人は彼が誰で、生涯を通じて何を達成したかも覚えていませんが、彼はアメリカでは非常に有名になり、有名人ほど有名であったかもしれません。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And to give you an idea of that, as you, the viewer, know, Norman Rockwell was illustrating the early 1940s, the covers of the Saturday Evening Post.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">また、読者がご存じのように、ノーマン・ロックウェルは、1940年代初めのサタデイイブニングポスト誌の表紙を描いていました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">At that time Arthur Szyk was illustrating the covers of Collier’s magazine.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">当時、アーサー・スジックは「Collier’s」誌の表紙を描いていました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">What was the circulation of the Saturday Evening Post?</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">サタデイイブニングポスト誌の部数はいくらだったでしょうか？</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">About three million people got each copy.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">約300万人がそれぞれのコピーを持っています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">How many people received each copy of Colliers?</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">どれほどの人が「Colliers」誌のコピーを受け取ったのでしょうか？</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Two and a half million.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">250万人です。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Let me talk about Arthur Szyk and the Four Freedoms.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">アーサー・スジックと「フォーフリーダム（四つの自由）」についてお話ししましょう。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">It begins with Arthur Szyk creating a series entitled Washington and his Times.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">それは、アーサー・スジックが「ワシントンと彼のタイムズ」というタイトルのシリーズを作り始めることから始まります。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">These are 38 paintings dealing George Washington and the American Revolution.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ジョージワシントンとアメリカ革命を扱う38の絵です。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Arthur Szyk completed those works in 1930, it was published as a portfolio in 1932.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">アーサー・スジックは1930年にこれらの作品を完成させ、1932年にポートフォリオとして出版されました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">In 1935, Arthur Szyk was exhibiting these works and they were purchased by the president of Poland, Mościcki, and in 1935 he presented these to Franklin Roosevelt as a gift, in a way to create closer relations between Poland and the United States virtually on the eve of World War II—the Nazis had been in power already.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">1935年にアーサー・スジックはこれらの作品を展示していましたが、ポーランドのMościcki社長が購入し、1935年には、第二次世界大戦の前夜（ナチスはすでに権力を握っていましたが）にポーランドと米国の関係をより緊密にするために、ギフトとしてフランシス・ルーズベルトにプレゼントされました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Roosevelt kept those in the White House and when Roosevelt gave his Four Freedoms speech in January of 1941, 38 paintings of freedom were hanging in the White House.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ルーズベルトはホワイトハウスでそれらを保持し、ルーズベルトが1941年1月に彼の「4つの自由」の演説をしたとき、自由の38の絵がホワイトハウスに飾られていました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And these were works by Arthur Szyk.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">これらはアーサー・スジックの作品でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Then Szyk set out, actually in 1942, to illustrate the Four Freedoms.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">その後、スジックは－実際には1942年に－「フォーフリーダム（四つの自由）」を描くことを立案しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">They were . . . really featured a medieval knight, almost fighting for freedom, that meaning all the freedoms had to be fought for and Szyk’s way was to use a medieval knight who would have a lance, a dagger, a sword, accompanying almost each one of them.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼らは自由のために戦っている中世の騎士に着目し－それはすべての自由が勝ち取らなければならないものであることを意味しますが－槍、短剣、剣及びそれに付随する全てを持つ中世の騎士を使用すること、それがスジックのやり方でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And these were reproduced in two formats.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">そしてこれらは2つの形式で再現されました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">One as poster stamps that were widely distributed as if one would distribute Easter Seals.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">1つは、イースターシールを配布するかのように広く配布されたポスタースタンプです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And secondly, they were reproduced as in large postcards and also distributed.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">そして二つ目は大きなはがきのように再現され、配布されました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">So this was Arthur Szyk’s connection to the Four Freedoms, both in terms of his artwork being in the White House when the speech was given, and then also, literally, to reproduce them as well.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">スピーチが行われたときに彼の作品がホワイトハウスに飾られたという点でも、それから文字通り、それらを再現するという点でも、これはアーサー・スジックと4つの自由とのつながりでした。</SPAN></SPAN></DIV></div>
HTMLText_BE59249F_3DF9_91D9_41C6_EB684B11FFCF.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Narrated By: James J. Kimble, Ph.D.</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Professor of Communication - College of Communication and the Arts</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Seton Hall University</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ジェームスJキンブル 博士によるナレーション付き</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">コミュニケーション准教授 - コミュニケーションアンドアートカレッジ</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">セトンホール大学</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">This press wire photograph is widely believed to have inspired J. Howard Miller’s “We Can Do It!” poster, commonly known today as “Rosie the Riveter.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">今日、「ロージー・リベッター」として一般に知られているこのプレス・ワイヤーの写真は、ハワード・ミラーの「We Can Do It！（わたしたちもできる）」ポスターにインスピレーションを与えたと広く信じられています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Starting in the 1980s, the black and white photograph came to be associated with Geraldine Hoff Doyle, a Michigan woman who believed that it featured an image of her working in a 1942 factory.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">1980年代には、1942年の工場で働いているイメージを特徴としていると信じられていたミシガン州の女性ジェラルディンホフドイルが、ある白黒写真と関連づけられていました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">However, the photograph is actually of a California woman named Naomi Parker, who was one of the first women to work in the machine shop at the Alameda Naval Air Station on San Francisco Bay.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">しかし、この写真は実際には、サンフランシスコ湾のアラメダ海軍航空基地の機械工場で働く初めての女性職員の一人だったナオミ・パーカーというカリフォルニア州の女性のものでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">While working at Alameda, Parker did indeed serve as a riveter, but also as a welder, a bucker, and a machinist (among dozens of other tasks related to the repair of the Navy’s war planes).</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">アラメダで働いている間、パーカーは実際にリベッターとして働いていただけでなく、（海軍の戦闘機の修理に関連する何十もの仕事の中で）溶接工、のこぎり工、機械工としても働いていました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">The photograph appeared in scores of American newspapers during 1942, earning Parker some fan mail and even a marriage proposal.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">この写真は、1942年にアメリカの新聞に掲載され、パーカーにはいくつかのファンメールと結婚の申し出が届きました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">However, it faded in public memory after the war, only resurging when Doyle, who saw it in a 1980s magazine, mistakenly came to believe that she was its subject.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">しかし、1980年誌でそれを見た人が誤ってドイルが主題だと思い込んでからというもの、それは戦後の大衆の記憶の中から消えていきました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">While the photograph’s connection to the “We Can Do It!” poster remains uncertain, as the artist Miller left very few records, there are a number of telling similarities between Parker’s appearance and the woman in the poster.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ミラー氏の記録はほとんど残っていないため、「We Can Do It！（わたしたちもできる）」ポスターとの関連は不明ですが、パーカーの姿とポスター中の女性には類似点がたくさんあります。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Moreover, the photograph did appear in a Pittsburgh newspaper, near Miller’s home during the 1940s, and so it is possible that he came across it and kept it for his collection of reference images.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">さらに、その写真は1940年代にミラーの家の近くのピッツバーグの新聞に掲載されたので、関連する画像を収集して保管していた可能性が</SPAN></SPAN></DIV></div>
HTMLText_B04A0197_6669_A2EB_41CF_BFE518A9C6BD.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Narrated By: Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Artist, Photographer and Journalist</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>節子ウィンチェスターによるナレーション付き：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>アーティスト、写真家、ジャーナリスト</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Following her success photographing laborers for the Farm Security Administration, the great documentary photographer Dorothea Lange was hired to record the process of removal and mass incarceration of citizens and non-citizens of Japanese ethnicity for the War Relocation Authority in March of 1942.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">1942年3月、戦争移住局の市民と非民族人の移住と大量収容の過程を記録するために、ドキュメンタリーフォトグラファーのドローテア・ランゲが牧場経営管理のための労働者の撮影に成功した。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">From the very first days, her photojournalism style and personal sympathies for the plight of these Americans conflicted with the demands of army officials.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">非常に最初の日から、彼女のフォトジャーナリズムスタイルと、これらのアメリカ人の窮状に対する個人的な同情は、軍関係者の要求と矛盾していました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Strictly taboo were pictures of machine guns in towers.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">厳重なタブーは、塔の中の機関銃の写真でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Also restricted were photos of barbed wire, armed guards, and any signs of resistance.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">また、有刺鉄線、武装した警備員の写真、抵抗の兆候も制限されていた。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">In her own words, she says: “I had a man following me all the time.” She was met with delays by officials asking for credentials, was made to account for every negative and every cent she spent, and was prohibited from talking to people in the camps.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼女は自分の言葉で言います：「私はいつも私のもとにいる男がいました」彼女は資格を求めている役人の遅れに会い、彼女が過ごしたすべてのマイナスと1セントを説明するようになっていて、 キャンプの人々。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">All prints were submitted for review and those considered inappropriate were marked ‘impounded” and the negatives embargoed for the duration of the war.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">全ての印刷物は審査のために提出され、不適切と見なされた印刷物は戦争中に「没収された」と表示され、ネガは禁輸された。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Lange took this photo of the Wanto Co. grocery store in Oakland, California, on March 13, 1942, nearly a month after FDR had signed Executive Order 9066, requiring the owner and his family to leave.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Langeは、カリフォルニア州オークランドのWanto Co.食料品店の写真を、1942年3月13日に、FDRが大統領令9066に署名してから約1ヵ月後に、所有者とその家族に去らせるよう要求した。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Tatsuro Masuda, the owner, was born in Oakland and newly married.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">オーナーの増田達郎はオークランドで生まれ、新たに結婚した。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">He told Lange, “I paid for it the day after Pearl Harbor.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼はランゲに言った、 "私は真珠湾の翌日にそれを支払った。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">He and his wife were sent to the Gila River concentration camp in Arizona.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼と彼の妻はアリゾナのギラ川強制収容所に送られました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">They never returned to the store.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼らは決して店に戻りませんでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">In the three months with the WRA, working nearly seven days a week, Lange managed to take nearly 850 images.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">週に7日間働くWRAの3ヶ月間で、ランゲは約850の画像を撮ることができました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">While many of her other photos for the government had gone on to become some of the most iconic images of the 20th Century, most of these remained virtually unseen until a book about them and Lange was published in 2006.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">政府のための彼女の他の写真の多くは、20世紀の最も象徴的なイメージの一部になっていましたが、これらのほとんどは、彼らに関する書籍と2006年にランゲが出版されるまで、ほとんど見られませんでした。</SPAN></SPAN></DIV></div>
HTMLText_FD8FD00B_6669_61FB_41D7_46775E8E6125.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Narrated By: Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Artist, Photographer and Journalist</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>節子ウィンチェスターによるナレーション付き：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>アーティスト、写真家、ジャーナリスト</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">On April 23, 1943, First Lady Eleanor Roosevelt paid a visit to the Gila River concentration camp in Arizona.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">1943年4月23日、大統領夫人エレノア・ルーズベルトがアリゾナ州のギラ川強制収容所を訪問しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">WRA photographer Francis Stewart took the photo of her, accompanied by Dillon Myer, National Director of the War Relocation Authority, as they are greeted by a crowd of enthusiastic inmates.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">WRAの写真家、フランシス・スチュワートは、熱心な受刑者の集まりに迎えられ、戦争強制収容局のディレクター、ディロン・マイヤー氏と一緒に、大統領夫人の写真を撮りました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Mrs. Roosevelt was one of the few in the FDR Administration to speak out publicly on behalf of loyal citizens and immigrants of Japanese ethnicity both before and after Pearl Harbor.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ルーズベルト夫人は、真珠湾の前後でも日系で（米国に）忠実な市民や移民のために公然と発言するという、ルーズベルト政権中の少数派の一人でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">She tried without success to dissuade the President from ordering mass removal, which she regarded as a violation of human rights and American ideals, and even invited Japanese Americans to the White House.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">夫人は、人権や米国の理想に反していると彼女がみなした大量強制退去を大統領に断念させることに成功しませんでしたが、日系アメリカ人をホワイトハウスに招待しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Her visit to the camp was in response to accusations by the local press that the federal government was coddling Japanese Americans in the camps.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">キャンプへの彼女の訪問は、連邦政府がキャンプで日系アメリカ人を甘やかせているという地元の報道からの告発に応えていました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Her aim was to tour the facilities and investigate those claims.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼女の目的は施設を見学し、それらの主張を調査することでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">She came away, highlighting the work the prisoners were doing for the war effort in the camouflage net and ship model factories and noted that the milk she tasted in the mess hall was sour—her way of responding to press reports that the prisoners were receiving better quality rations than other Americans.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼女は施設を離れてから、囚人が迷彩ネットと船モデル工場での戦争努力のためにやっていた作業を評価し、会食ホールで味わった牛乳は酸っぱいと指摘しました。これは囚人が他のアメリカ人よりも質の高い配給を受けていたという報道への対応の彼女の方法でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">The Los Angeles Times reported on her visit three days later in an article in which she described the living conditions as—while not indecent—”certainly not luxurious,” adding, “I wouldn’t like to live that way.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ロサンゼルス・タイムズ紙は、3日後、彼女が（劣悪ではない）生活条件を "確かに豪華ではない"と書いた記事で、「私はそのように生きていけない」と付け加えました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">She was also quoted as saying, “The sooner we get the young [native-born] Japanese out of the camps the better. Otherwise if we don’t look out we will create another Indian problem.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼女はまた、「若い（米国生まれの）日本人をこのキャンプからすぐに救い出さなければならない。もし私たちが目を覚まさなければ、もう一つのインディアン問題が生じるだろう」と述べたことが引用されています。</SPAN></SPAN></DIV></div>
HTMLText_07BEC2A9_666A_A627_41AE_EB18B4236B3D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Narrated By: Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Artist, Photographer and Journalist</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>節子ウィンチェスターによるナレーション付き：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>アーティスト、写真家、ジャーナリスト</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">This Ansel Adams image was taken in 1943, near Death Valley, California, in a camp called Manzanar.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">このアンセルアダムスの画像は、1943年、カリフォルニア州デスバレー近郊のマンザナールというキャンプで撮影されました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">It was one of ten American concentration camps built to imprison US citizens of Japanese ancestry and their immigrant parents.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">この画像は、両親が移民である日系米国市民を投獄するために建てられた10のアメリカの強制収容所の1つでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">It shows a man looking out at a vast open landscape in the foothills of the Sierras, the typical kind of vista Adams was known for as a photographer.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">それは、写真家として知られていたアダムスの代表的な種類の眺望であるシエラスの丘陵地帯の広大な風景を見渡す男をとらえています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">What it oddly misses is any barbed wire fences, guard towers, searchlights, soldiers with machine guns or any discomfiting scenes that may have hinted at the harsh conditions in which these people had been placed.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">奇妙なことに、有刺鉄線のフェンス、警備員タワー、サーチライト、機械銃を持った兵士、またはこれらの人々が置かれた過酷な状況を暗示していると思われる不快なシーンがあります。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Adams personally felt strongly that US citizens should not be treated this way by their own country and his first attempt at documentary photography was born of a desire: to show to his fellow Americans that these people were just like any other citizen, Born Free and Equal, as the book he would eventually compile and publish in 1944 would be titled.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">アダムズは米国市民が自分の国でこのように扱われるべきではないと個人的に強く感じました。彼のドキュメンタリー撮影の最初の試みは、仲間のアメリカ人に、これらの人々が他の市民と全く同じであることを示すことでした。彼が最終的に編集して1944年に出版された本が「（Born Free and Equal）自由で平等に生まれる」という題名にされたとおりです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">When the book came out, however, his aims were not appreciated by an American public which, still bogged down in war, did not forgive his sympathetic take on those imprisoned.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">しかし、この本が出版されたとき、まだ戦争の泥沼にはまっていた米国の世論は、投獄された人々に同情的な彼の態度を許すことができず、彼の目的は評価されませんでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">As a result, it is said that copies of his book were burned in protest. It’s also said that the government itself had bought thousands of copies and had them destroyed.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">その結果、彼の本のコピーは抗議活動で燃やされたと言われており、政府が何千ものコピーを買って処分したとも言われています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Whatever their fate, an original 1944 copy of this book is considered a rare find.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">その運命が何であれ、この本のオリジナルの1944年のコピーはまれな発見と認識されています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And there’s further irony: as antipathy towards Japanese Americans eased, so Adam’s photographs became controversial yet again, because this time, the government and the public rather than rejecting them, began using them as proof that conditions at the camps were anything but harsh or inhumane.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">さらに、日系アメリカ人に対する反感が緩和されたことで、アダムの写真は議論の余地が出てきました。なぜなら今回は政府と国民を拒絶するためではなく、キャンプでの条件が厳しいか非人道的であるという証拠として使われ始めたからです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Considered neither true documentary nor pure propaganda, these images lie somewhere in a kind of photographic nether world.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">真のドキュメンタリーでも純粋なプロパガンダでもないと考えられているこれらの画像は、写真家の世界のどこかに存在していると言えま</SPAN></SPAN></DIV></div>
HTMLText_ECF47175_6AFF_9587_41D5_479BF3CD31AF.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Narrated By: Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Deputy Director / Chief Curator - Norman Rockwell Museum</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>ステファニー・ハボース・プランケットによるナレーション付き</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>副所長/チーフキュレーター - ノーマンロックウェル博物館</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">As with many Americans in the mid 1960s, the Vietnam War was on Norman Rockwell's mind.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">1960年代半ばの多くのアメリカ人と同様に、ベトナム戦争はノーマンロックウェルの心にありました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">In 1966, he spent a week at Quantico Marine Base in Virginia taking photos of an experienced marine with a thought of designing an image for a poster that he had been commissioned to do.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">1966年、彼はヴァージニアのクオンティコ海兵隊基地で一週間、経験豊富な海洋の写真を撮り、ポスターのイメージをデザインしました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">But in March 1967, he wrote to the Marine Corps declining the assignment saying, "I just can't paint a picture unless I have my heart in it."</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">しかし、1967年3月、彼は「私の絵に心がない限り私は絵を描くことができません」と書き、海兵隊に任務を辞退する旨を申し出ました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">About a year later, Rockwell began work on The Right To Know, an editorial illustration for Look Magazine that was published in August of 1968.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">約1年後、ロックウェルは、1968年の8月に出版されたルックマガジンの編集イラスト「知る権利」の作業を開始しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Just months after the painting appeared, the New York Times reported that General Westmoreland had requested 206,000 additional troops to be sent to Vietnam, a story that the White House had tried to suppress.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">絵画が登場したわずか数ヶ月後、ニューヨークタイムズ紙はウェストモアランド将軍が、ベトナムに20万6000人の追加兵隊を派遣するよう要求していたと報道しました。これはホワイトハウスが封じ込もうと思っていた件でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">After troop escalation was reported, news of the My Lai Massacre broke, fueling growing descent against the war.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">兵力の増強が報告された後、マイライ大虐殺のニュースが報道され、戦争に対する反感が増しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Rockwell's political statement expressed the right of American citizens to understand their government's actions.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ロックウェルの政治声明は、政府の行動をアメリカ国民が理解する権利を表明しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Of his work during that period, Rockwell said, "I don't think my style has changed, but America has and hence, so has my subject matter. Lord knows we have problems, plenty of them, but we should also have great confidence in the present generation of young people who are, I think, the very best we have produced, long hair and all. Who is to say that one of these hippies won't be a genius of the future?"</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼は仕事の合間に、「私は自分のスタイルが変わったとは思わないが、私の主題はアメリカと同じだ。主は私たちに多くの問題があることを知っている。だが、私たちは若者の今の世代に大きな自信を持つべきだと思う。私が思うには、私たちが作り出した最高のもの、知識人、それら全て、これらのヒッピーのうちの1人でも未来の天才にはならないと誰が言えますか？」と言いました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">In his illustration, Rockwell presents a group of people of many races, ages, and political persuasions.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">イラストレーション中で、ロックウェルは、多くの人種、年齢、政治的一派の人々のグループを示しています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">His format of massing people from all walks of life was also used in two other works in this exhibition, a drawing created in 1953 relating to the United Nations and the peoples of the world, and in his famous Saturday Evening Post cover illustration, Golden Rule, published in 1961, which portrayed the peoples of the world united under the phrase, "Do onto others as you would have them do onto you."</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">この展覧会では、1953年に国連と世界の人々に関連して作成された絵画と、1961年に出版され彼の有名なサタデーイブニング ポスト紙の表紙イラストであるゴールデン・ルールの「己の欲するところを人に施せ」という言葉で世界の人々を一致させました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Norman Rockwell who was 74 years old when he painted this work, felt so strongly about this painting that he had included himself in the work on the far right side with his signature pipe in his mouth.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">この作品を描いたときに74歳だったノーマン・ロックウェルは、彼自身を含めて描いたこの作業に強い思いを感じて、口にパイプをくわえながら右端に自分のサインをしました。</SPAN></SPAN></DIV></div>
HTMLText_DE509C55_A4EE_7372_41E2_CF21061E5CDF.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Narrated By: Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Deputy Director / Chief Curator - Norman Rockwell Museum</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>ステファニー・ハボース・プランケットによるナレーション付き</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>副所長/チーフキュレーター - ノーマンロックウェル博物館</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">A close friend of Norman Rockwell's in Arlington, Vermont, illustrator Mead Schaeffer, adapted his approach to his work during the World War II years to satisfy wartime needs.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">バーモント州アーリントンのノーマン・ロックウェルの友人で、イラストレーターのミード・シェーファーは戦時中のニーズを満たすために、第二次世界大戦中に彼の仕事にアプローチしました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">He abandoned the romantic and literary themes that had been his focus and turned his attention to real people and places, embracing the repertorial direction of The Saturday Evening Post at the time.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼は自分が取り組んでいたロマンチックで文学的なテーマを放棄し、当時のサタデイイブニングポストのレパートリーの方向性を取り入れて、実際の人物や場所に注意を向けました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">In 1942, seeking ways to contribute their talents to the war effort, Rockwell and Schaeffer traveled to Washington, D.C., with sketches for some proposed projects and visited several government agencies.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ロックウェルとシェーファーは、彼らの才能を戦争努力に貢献する方法を模索するため、1942年、ワシントンDCに渡って、いくつかの提案されたプロジェクトをスケッチし、いくつかの政府機関を訪問しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Unfortunately, at the time no funds were available for their projects.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">残念なことに、当時、彼らのプロジェクトに使える資金がありませんでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">A bit dejected, on the way home they stopped in Philadelphia to see Saturday Evening Post editor, Ben Hibbs.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">少し落ち込んだ彼らは家に帰る途中、フィラデルフィアに立ち寄ってサタデイイブニングポストの編集者、ベン・ヒブスに会いました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Hibbs immediately embraced their ideas and commissioned them each to develop their paintings for publication.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ヒブスはすぐに彼らのアイデアを受け入れ、出版用に絵を作成するようそれぞれに依頼しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Schaeffer determined to create a series of armed forces commemorative covers highlighting the work of every military branch.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">シェーファーはすべての軍事支部の作業をハイライトする軍隊記念碑的カバーシリーズを創作することにしました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">He carefully researched his subjects and, with great technical proficiency, created heroic works that emphasized the professionalism and dedication of the American soldier in all circumstances.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼は慎重に自分の主題を研究し、優れた技術的能力で、あらゆる状況における米軍の専門性と献身性を強調した英雄的な作品を作りました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">His imagery was reassuring to the public during unstable times.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼の絵は、不安定な時期に大衆を安心させていました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">In one issue of the Saturday Evening Post, the February 20, 1943, publication, Schaeffer's and Rockwell's paintings actually overlapped.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">1943年2月20日のサタデイイブニングポストの1つの議題では、シェーファーとロックウェルの絵が実際にオーバーラップしていました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">In that issue Schaeffer's dynamic portrayal of a marine in battle appeared on the cover, and Rockwell's first Four Freedoms illustration, Freedom of Speech, appeared inside.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">その議題では、シェーファー作の戦闘における海兵隊のダイナミックな描写が表紙に現れ、ロックウェルの最初の「4つの自由」のイラストのうち「言論の自由」の絵がその中に登場しました。</SPAN></SPAN></DIV></div>
HTMLText_BC361400_3392_E3AA_417F_20F8A2EDE380.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Narrated By: Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Deputy Director / Chief Curator - Norman Rockwell Museum</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>ステファニー・ハボース・プランケットによるナレーション付き</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>副所長/チーフキュレーター - ノーマンロックウェル博物館</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Freedom of Worship posed a challenge for Rockwell, for he understood that religion was a deeply personal and sometimes delicate subject.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">宗教は非常に個人的で時にはデリケートな主題であることを彼は理解していたため、信教の自由はロックウェルにとって挑戦でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">He wanted to paint an image conveying unity despite differences, presenting a vision for a world without discrimination based upon is religious practice or belief.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼は差異があるにもかかわらず統一性を伝えられるイメージを描くことを望んだため、宗教上の習慣や信念に基づき且つ差別のない世界のビジョンを提示したのです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">His initial concept depicted an amicable scene in a country barbershop, in which a Jewish man is attended to by a barber, while a Catholic priest and an African American man wait their turn.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼の初期のコンセプトは、カトリックの司祭とアフリカ系アメリカ人の男が自分の順番を待つ間に、ユダヤ人の男が散髪してもらっている田舎の理髪店という親しみやすい場面を描きました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">But Rockwell found upon almost completing the image, that it presented a stereotypical view, so dissatisfied with this approach, he set it aside and started over again.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">しかし、絵はほぼ完成していましたが、ステレオタイプのビューを提示していたので、ロックウェルはこのアプローチには不満があり、別の場所に置いて、やり直しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">The final image that we see today focuses more on the concept of worship rather than the concept of religion and is composed of the profiles of eight heads in a shallow visual space.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">現在の最終的な絵は、宗教の概念ではなく礼拝の概念に焦点を当てており、浅い視覚空間に8つの頭部のプロファイルで構成されています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">The various figures represent people of different faiths in a moment of prayer.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">様々な数字は、祈りの時間の中における異なる信仰の人々を表しています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">The image was painted as in monochromatic hues to provide a sense of inclusion and unity.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">画像は単色の色相で描かれ、多様性の受け入れと統一感を与えています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Rockwell felt that in a composition, the positions and gestures of hands are second only to the expressive qualities of faces, as is exemplified in Freedom of Worship.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ロックウェルは、構図において、手の位置と身振りは、「信教の自由」の中に示されているように、顔の表情的な性質に次ぐものであると感じました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">The wording "Each according to the dictates of his own conscience." was a phrase that reflected Rockwell’s own thoughts on religion.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">「各自は自分の良心の指示に従うべし」という表現は、 ロックウェル自身の宗教思想を反映したフレーズでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">When asked where he had heard these words, Rockwell could not recall.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">どこでこれらの言葉を聞いたのか尋ねられたとき、ロックウェルは思い出すことができませんでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">In fact, the phrase exists in many state constitutions of the United State, and was also used by George Washington in a letter penned to the United Baptist Chamber of Virginia, in 1789.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">実際、このフレーズは、米国の多くの州の憲法に存在し、1789年にバージニア州の連合バプテスト協議会（United Baptist Chamber）に送られたジョージ・ワシントンの手紙でも使用されました。</SPAN></SPAN></DIV></div>
HTMLText_B9160B3F_3386_3622_41C3_4F1445F199A2.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Narrated By: Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Deputy Director / Chief Curator - Norman Rockwell Museum</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>ステファニー・ハボース・プランケットによるナレーション付き：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>副所長/チーフキュレーター - ノーマンロックウェル博物館</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Freedom from Fear was painted while Europe was under siege, as revealed in the headline of the newspaper held in the father's hand.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">父親の手に握られた新聞の見出しに示されているように、ヨーロッパが包囲されているときに「恐怖からの自由」が描かれました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Rockwell's intention was to convey the notion that all parents should be able to put their children to bed each night with the assurance of their safety.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ロックウェルの意図は、すべての保護者が子供の安全を保証しながら毎晩寝ることができるようにという概念を伝えることでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Here, a mother and father appear to check on their sleeping children as beautiful touches tell the story of a comfortable, middle-class life.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ここでは、中産階級の快適な人生の物語を美しいタッチで伝えるように、母親と父親が、眠っている子供たちをチェックしているように見えます。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Pictures, clothing, and toys are in the children's bedroom, though the children do share a single bed.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">写真、衣服、おもちゃが子供たちのベッドルームにありますが、子供たちは1つのベッドに一緒に横になっています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">A warm light shines from the first floor of their home, implying that this family has attained some fiscal security and the American dream.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">暖かい光が彼らの家の一階から輝き、この家族が経済的な安定とアメリカンドリームを達成したことを意味しています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Although Rockwell did not view Freedom from Fear as particularly strong, the painting has remained relevant and has struck a chord in response to notable world events.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ロックウェルは「恐怖からの自由」を特に強く示しませんでしたが、この絵は重要な世界の出来事に対応して関連性を保ち続けています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">After 9/11, The New York Times published Freedom from Fear on the front page of the paper, substituting Rockwell's heading with language referencing the attacks in New York, Washington, D.C., and Pennsylvania.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">9月11日以降、ニューヨーク・タイムズ紙は新聞の第1面に「恐怖からの自由」を載せ、ニューヨーク、ワシントンDC、ペンシルバニア州での攻撃に関するロックウェルの言葉を引用して見出しを付けました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">In response to riots resulting from racial violence around the country, many artists have reinterpreted Freedom from Fear, as well as Rockwell's iconic Problem We All Live With, to reflect those contemporary events and concerns.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">国内の人種差別的暴力によって引き起こされた暴動に対応して、多くの芸術家は、現代の出来事や懸念を反映するために、「共有すべき問題」と同様にロックウェルを象徴する「恐怖からの自由」を再解釈しました。</SPAN></SPAN></DIV></div>
HTMLText_62C682A6_339A_D622_41A9_836371AE5C88.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Narrated By: Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Deputy Director / Chief Curator - Norman Rockwell Museum</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>ステファニー・ハボース・プランケットによるナレーション付き：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>副所長/チーフキュレーター - ノーマンロックウェル博物館</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Freedom from Want was not as great a conceptual challenge as Rockwell's other two previous Four Freedoms paintings (Speech and Worship).</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">欠乏からの自由」は、ロックウェルの「4つの自由」の他の2つの絵画（言論と崇拝）と同じほど概念的な挑戦ではありませんでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">The piece was inspired by, and has since become a model for the All-American Thanksgiving.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">この作品はインスピレーションを受けて以来、全米の感謝祭の模範となっています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Though created as a composite with Rockwell's models posing for him in his studio at individual sessions, this family scene includes some of the artist's own neighbors and family members.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">個々のセッションで彼のスタジオで彼のためにポーズを取るロックウェルのモデルとのコンポジットとして作成されていますが、この家族のシーンにはアーティストの隣人や家族の一部が含まれています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Featured is Mrs. Thaddeus Wheaton, the family's cook, who supports a large holiday turkey, as well as Mary Barstow Rockwell, the artist's wife, and his mother Nancy Hill Rockwell who is seen on the right.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">注目されているのは、大きなホリデイターキー（七面鳥）を支えている家族の料理人であるタデウスウィートン夫人と、アーティストの妻であるメアリー・バーストウ・ロックウェルと、右側に見られる母親のナンシー・ヒル・ロックウェルです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Freedom from Want was published with an essay by the relatively unknown novelist and poet Carlos Bulosan, a Filipino immigrant to America, and a migrant worker who wrote on behalf of those enduring domestic hardship.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">「欠乏からの自由」は、比較的知られていない小説家であり詩人のカルロス・ブローサン（フィリピン系米国移民）と、国内の苦難を耐え忍ぶ人々のために書いた移民労働者によるエッセイで出版されました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">A counterpoint to the gentle representations in Rockwell's paintings, Bulosan's essay looked forward to a possible future in which those outside the social mainstream, migrant farm workers, union organizers, laborers, African-American victims of segregation, Asian, and Latino immigrants, might be allowed to experience true freedom.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ロックウェルの絵の穏やかな表現とは対照的に、ブローサンのエッセーは、社会の主流から離れた、移民農家労働者、労働組合主催者、労働者、アフリカ系アメリカ人の分離犠牲者、アジア人、ラテン系移民の真の自由を感じ取ることができました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Artistically, the work is highly regarded as an example of the mastery of the challenges of portraying visual texture in art, including the gleam of white china on white tablecloth, and the transparency of water in glasses.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">芸術的には、この作品は、白いテーブルクロスの上で白い陶磁器が輝いていることや、グラスの中の水の透明性が描かれていることなど、芸術における視覚的な質感を描くという課題を見事にクリアした例として高く評価されています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Despite Rockwell's general optimism, he had misgivings of having depicted such a large turkey when much of Europe was starving, overrun, and displaced as World War II raged.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ロックウェルは一般的には楽観主義ですが、その彼でも第二次世界大戦が勃発したときには、ヨーロッパの多くの国が飢えに苦しみ、限界に達し、避難しているときに、このような大きな七面鳥を描いたことに対する不安を抱いていました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Many critics acknowledge the over abundance of food depicted in this image, but also noted that the image displays family, conviviality, and security, and were of the opinion that abundance rather than mere sufficiency was the truest answer to the notion of want.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">多くの批評家は、この画像に描かれている食べ物が単に豊富だというだけでなく、家族、陽気さ、安全性を示すイメージがあり、単に十分というよりも豊富であることが、欠乏の概念に対する真の答えだと考えています。</SPAN></SPAN></DIV></div>
HTMLText_18E44361_3292_646B_41C8_F166580358E8.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Narrated By: Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Deputy Director / Chief Curator - Norman Rockwell Museum</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>ステファニー・ハボース・プランケットによるナレーション付き：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>副所長/チーフキュレーター - ノーマンロックウェル博物館</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">In this April 29, 1944 cover for The Saturday Evening Post, a man is literally charting war maneuvers as he listens to the radio and holds in his hands several maps that would represent the places where his own sons were stationed.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">1944年4月29日付のサタデイイブニングポスト誌のカバーには、ラジオを聴きながら自分の息子が駐留していた場所を表すいくつかの地図を手にする男が実際に戦術を描いている様子が載せられてます。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">The image is a detailed portrayal of what a parent's own experience might actually be during World War II.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">この画像は、第二次世界大戦中における親自身の経験が実際にどのようなものかを詳細に描いたものです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">We can see in the painting that the man has a flag with three blue stars, noting that each of his sons is engaged in the war.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">絵の中には、3つの青い星がついた旗があり、息子たちがそれぞれ戦争に従事していることがわかります。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">By their photographs, we learn that one is in the Army, one in the Navy, and one in the Air Corps.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">それらの写真では、陸軍に1人、海軍に1人、航空隊に1人がいることがわかります。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">If he had actually been listening to the radio at that time, he might come upon the music of the Glen Miller Orchestra, or perhaps even a show called You Can't Do Business With Hitler, which was a radio series written and produced by the Office of War Information.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">当時彼が実際にラジオを聴いていたのであれば、グレン・ミラー・オーケストラの音楽を聴いたかもしれず、「ヒットラーと取引はするな」という番組でさえ、恐らくは戦争情報局によって編集されたラジオシリーズでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">One of thousands of government propaganda plays that were broadcast to support the war effort.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">戦争努力を支えるために放送された数千の政府プロパガンダ劇の一つだったのです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Rockwell would typically use props that he had in his own studio in his paintings.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ロックウェルは彼の絵画の中で自分のスタジオで持っていた小道具を使うのが常でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">One of the objects that we identify here was Rockwell's own Windsor chair, which the man is seated on.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">私たちがここで特定している物体の1つは、ロックウェルが所有するウィンザーチェアで、男が座っています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">The Windsor chair that you see here is the actual type of chair that Rockwell typically painted on, though he did sometimes paint standing up.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ここでご覧になるウィンザーチェアは、ロックウェルが典型的に描いた椅子の実際のタイプです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">It was a chair that he actually took with him from studio to studio.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">それはスタジオからスタジオへ彼が実際に持ち運んだ椅子です。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">The image that you see here is actually the second that Rockwell created, on the concept of listening to news of the war.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">あなたがご覧になっている画像は、実際には、戦争のニュースを聞くというコンセプトで、ロックウェルが作成した2番目の画像です。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">The first was actually an unpublished image that Rockwell worked on in the winter of 1944, and that he and the Saturday Evening Post deemed unreadable.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">最初はロックウェルが1944年の冬に作成した未発表の画像であり、彼とサタデイイブニングポストは判読できない（無表情）と考えていました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">In it, we see a group of men gathered in a diner, and though they all appear to be very attentive, we are not exactly sure what they're listening to.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">そこでは食堂に集まった一群の男性が見うけられます。彼らはすべて非常に集中しているように見えますが、彼らが何を聞いているのか正確にはわかりません。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">If we look closely, in the upper right hand corner of the painting, there's a glowing light that comes from a playing radio.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">よく見ると、絵の右上隅には、放送中のラジオから放たれる光があります。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">As an illustrator for a mass published magazine, Rockwell had to tell his story very quickly, and his imagery had to appeal to a very vast audience.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">大量に出版された雑誌のイラストレーターとして、ロックウェルは急いでストーリーを伝えなければならず、彼の画像は非常に広大な聴衆にアピールしなければならなかったのです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">In this case, The War News is a beautiful painting, it did not communicate effectively in the way that Rockwell would have hoped, and so he chose to abandon this particular way of telling the story.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">このケースでは、「戦争ニュース」は美しい絵となってしまい、ロックウェルが望んでいた方法で効果的に伝えることができなかったので、彼はストーリーを伝えるこの特定の方法を放棄することを選びました。</SPAN></SPAN></DIV></div>
HTMLText_18E44361_3292_646B_41C8_F166580358E8.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Narrated By: Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Deputy Director / Chief Curator - Norman Rockwell Museum</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>ステファニー・ハボース・プランケットによるナレーション付き：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>副所長/チーフキュレーター - ノーマンロックウェル博物館</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">In this April 29, 1944 cover for The Saturday Evening Post, a man is literally charting war maneuvers as he listens to the radio and holds in his hands several maps that would represent the places where his own sons were stationed.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">1944年4月29日付のサタデイイブニングポスト誌のカバーには、ラジオを聴きながら自分の息子が駐留していた場所を表すいくつかの地図を手にする男が実際に戦術を描いている様子が載せられてます。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">The image is a detailed portrayal of what a parent's own experience might actually be during World War II.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">この画像は、第二次世界大戦中における親自身の経験が実際にどのようなものかを詳細に描いたものです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">We can see in the painting that the man has a flag with three blue stars, noting that each of his sons is engaged in the war.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">絵の中には、3つの青い星がついた旗があり、息子たちがそれぞれ戦争に従事していることがわかります。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">By their photographs, we learn that one is in the Army, one in the Navy, and one in the Air Corps.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">それらの写真では、陸軍に1人、海軍に1人、航空隊に1人がいることがわかります。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">If he had actually been listening to the radio at that time, he might come upon the music of the Glen Miller Orchestra, or perhaps even a show called You Can't Do Business With Hitler, which was a radio series written and produced by the Office of War Information.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">当時彼が実際にラジオを聴いていたのであれば、グレン・ミラー・オーケストラの音楽を聴いたかもしれず、「ヒットラーと取引はするな」という番組でさえ、恐らくは戦争情報局によって編集されたラジオシリーズでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">One of thousands of government propaganda plays that were broadcast to support the war effort.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">戦争努力を支えるために放送された数千の政府プロパガンダ劇の一つだったのです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Rockwell would typically use props that he had in his own studio in his paintings.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ロックウェルは彼の絵画の中で自分のスタジオで持っていた小道具を使うのが常でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">One of the objects that we identify here was Rockwell's own Windsor chair, which the man is seated on.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">私たちがここで特定している物体の1つは、ロックウェルが所有するウィンザーチェアで、男が座っています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">The Windsor chair that you see here is the actual type of chair that Rockwell typically painted on, though he did sometimes paint standing up.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ここでご覧になるウィンザーチェアは、ロックウェルが典型的に描いた椅子の実際のタイプです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">It was a chair that he actually took with him from studio to studio.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">それはスタジオからスタジオへ彼が実際に持ち運んだ椅子です。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">The image that you see here is actually the second that Rockwell created, on the concept of listening to news of the war.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">あなたがご覧になっている画像は、実際には、戦争のニュースを聞くというコンセプトで、ロックウェルが作成した2番目の画像です。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">The first was actually an unpublished image that Rockwell worked on in the winter of 1944, and that he and the Saturday Evening Post deemed unreadable.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">最初はロックウェルが1944年の冬に作成した未発表の画像であり、彼とサタデイイブニングポストは判読できない（無表情）と考えていました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">In it, we see a group of men gathered in a diner, and though they all appear to be very attentive, we are not exactly sure what they're listening to.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">そこでは食堂に集まった一群の男性が見うけられます。彼らはすべて非常に集中しているように見えますが、彼らが何を聞いているのか正確にはわかりません。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">If we look closely, in the upper right hand corner of the painting, there's a glowing light that comes from a playing radio.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">よく見ると、絵の右上隅には、放送中のラジオから放たれる光があります。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">As an illustrator for a mass published magazine, Rockwell had to tell his story very quickly, and his imagery had to appeal to a very vast audience.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">大量に出版された雑誌のイラストレーターとして、ロックウェルは急いでストーリーを伝えなければならず、彼の画像は非常に広大な聴衆にアピールしなければならなかったのです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">In this case, The War News is a beautiful painting, it did not communicate effectively in the way that Rockwell would have hoped, and so he chose to abandon this particular way of telling the story.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">このケースでは、「戦争ニュース」は美しい絵となってしまい、ロックウェルが望んでいた方法で効果的に伝えることができなかったので、彼はストーリーを伝えるこの特定の方法を放棄することを選びました。</SPAN></SPAN></DIV></div>
HTMLText_47AF7E2D_A42F_AEC6_41B0_EC3923FFB5E6.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Narrated By: Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Deputy Director / Chief Curator - Norman Rockwell Museum</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>ステファニー・ハボース・プランケットによるナレーション付き：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>副所長/チーフキュレーター - ノーマンロックウェル博物館</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">World War II was a fertile era for political cartoonists because passions ran high and the fate of the world was uncertain and at stake.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">愛国的な情熱が高まり、世界の先行きが不透明で危機に瀕していたため、第二次世界大戦中は政治漫画家の活躍した時代でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Boris Artzybasheff immigrated to the United States at the age of 20 from Russia, and, at the time, he spoke no English at all and reportedly arrived with just 17 cents in his pocket.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ボリスアルツィバシェフは20歳でロシアからアメリカに移住しましたが、当時は英語を全く話せず、ポケットにはわずか17セントしかない状態で到着したと伝えられています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">He was renowned for his ability as an illustrator to turn machines and inanimate objects into living beings, including the swastikas as seen here.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼は、ここに見られるようなスワスティカを含むような、機械や無生物を生き物に変えることができるイラストレーターとしての能力で有名でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">During World War II, he was an advisor to the Psychological Warfare branch of the Armed Forces, and as a profuse illustrator, even during that time, he did work for major publications, like Life, Fortune, and Time, for which he produced more than 200 covers.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">第二次世界大戦の間、彼は軍隊の心理戦争支部の顧問を務めていました。そして、その時代を過ごした偉大なイラストレーターとして、ライフ、フォーチュン、タイムのような主要な出版物上で200以上のカバーをプロデュースすることに携わりました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Witches' Sabbath, published in Life magazine in 1942, provided a focus on the artist viewpoint, and the image actually portrays Heinrich Himmler, Hermann Goring, and Joseph Goebbels leading members of the Nazi party and purveyors of Nazi propaganda as swastikas.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">1942年にライフ誌に掲載されたWitches 'Sabbath（魔女の安息日）は、アーティストの視点に焦点を当てたもので、ナチス党の指導者であるハインリヒ・ヒムラー、ヘルマンゴーリング、ジョセフ・ゲッベルスや、ナチス宣伝の援助者をスワスティカとして描いています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Artzybasheff and other political artists of the era sought to pull back the curtain on society's ills, an approach that differed from Rockwell's, who tended to provide more aspirational statements.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">アルツィバシェフなどの時代の政治家たちは、ロックウェルのものとは違ったアプローチで（より有望な声明を出す傾向がありましたが）社会の病気のカーテンを取りはらおうとしました。</SPAN></SPAN></DIV></div>
HTMLText_67AA2246_662A_E66C_41B8_37E4E99C0CA2.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Narrated By:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>James J. Kimble, Ph.D.</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Associate Professor of Communication - College of Communication and the Arts</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Seton Hall University</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>ジェームスJキンブル 博士によるナレーション付き</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>コミュニケーション准教授 - コミュニケーションアンドアートカレッジ</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>セトンホール大学</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">One of the most famous soldiers of World War II was not a real soldier.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">第二次世界大戦の最も有名な兵士の1人は本当の兵士ではありませんでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">His name was Willie Gillis, and he was the product of illustrator Norman Rockwell’s rich imagination.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼の名前はウィリー・ギリスであり、彼はイラストレーターのノーマンロックウェルの豊かな想像力の産物でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">This painting marks Gillis’s first public appearance, on the cover of the Saturday Evening Post on October 4th, 1941. In it, the artist shows us a boyish, innocent private in a lighter moment while engaged in boot camp at Fort Dix, New Jersey.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">この絵は1941年10月4日のサタデイイブニングポスト紙のカバーでギリスが初登場しています。その中でアーティストは無邪気な少年がニュージャージー州のフォート・ディックスのブート・キャンプに参加している間のひとときを表現しています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">The viewer quickly sees that Gillis has just received a care package from home, and that the package probably contains a few tasty gifts for a hard-working soldier from his loved ones.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">見る人はすぐにギリスが家から差し入れを受け取ったばかりであり、そのパッケージには愛する人から勤勉な兵士のためのおいしい贈り物が含まれている可能性があることがすぐに分かります。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">However, Gillis’s colleagues have also noticed the package, and their facial expressions indicate that they are thinking of relieving him of his new bounty.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">しかし、ギリスの同僚もパッケージに気付き、彼らはギリスのおいしい贈り物を狙っている表情をしています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Rockwell’s light-hearted cover was an instant hit, leading the Post to request more scenes from Private Gillis’s life.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ロックウェルの軽快な表紙は即座にヒットし、ポスト紙はギリスの生活のより多くの場面を要求しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">The artist agreed, and the character ultimately appeared in nearly a dozen Post covers, the last one in postwar 1946, showing the amiable Gillis going to college on the GI Bill, as so many of his real-life peers were also doing at the time.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">アーティストは同意し、そのキャラクターは最終的に複数回ポスト紙の表紙に登場しました。戦後1946年最後のポスト紙の表紙に登場し、現実の同輩の多くがその時にやっていたように、復員兵援護法案で大学に行く愉快なギリスを表現しています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">By then, the character’s fame was assured.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">それまでに、このキャラクターの名声が保証されました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">In fact, many of his young female fans came to regard him as a pin-up.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">実際、若い女性ファンの多くは、彼を有名人と見なすようになりました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">One of them, Natalie Barden, eventually met Robert Otis Buck, Willie’s real-life model, and married him.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">そのうちの1人、ナタリー・バーデンは、ウィリーの現実のモデルであるロバート・オーティス・バックに出会い彼と結婚しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_5ECE92FD_4688_BFF5_41BF_D909876A7398.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Narrated By:James J. Kimble, Ph.D.</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Professor of Communication - College of Communication and the Arts</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Seton Hall University</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ジェームスJキンブル 博士によるナレーション付き</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">コミュニケーション准教授 - コミュニケーションアンドアートカレッジ</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">セトンホール大学</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">In this wartime poster, commonly referred to today as “Rosie the Riveter,” the artist J. Howard Miller shows us a determined, confident woman flexing her muscles and confidently expressing her ability to complete the task at hand.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">この戦時のポスターは、現在では一般的に「ロージーリベッター」と呼ばれています。J ハワード・ミラーは自信に満ちた女性が自分の筋肉を鍛え、自分の仕事を完遂する能力があることを表現しています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Although today we tend to assume that this poster was famous during WWII, it actually was relatively unknown since it appeared for only two weeks (in February 1943) within Westinghouse munitions factories.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">今日では、このポスターは第二次世界大戦中に有名だと思われがちですが、実際にはウェスティンハウス社の軍需工場内でわずか2週間（1943年2月）だけ掲示されため、比較的知られていませんでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Once its two weeks were up, the posters were recycled due to wartime paper shortages.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">2週間後には、戦時中の紙不足のためにポスターがリサイクルされました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">During those two weeks, however, the poster modeled for Westinghouse laborers—both men and women—a gesture of solidarity common to the corporation’s workforce, affirming that every worker within Westinghouse was ready to complete their vital wartime mission.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">しかし、ウェスティングハウス社の労働者たち（男性と女性の両方）をモデルにしたポスターは、企業の労働力に共通の連帯感を持たせ、ウェスティングハウス社内のすべての労働者が重要な戦時作戦を完遂する準備ができていることを示しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Only two original copies of this poster are known to exist today.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">このポスターのオリジナルコピーは2枚しか存在しません。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Despite the scarcity of the originals, Miller’s image has gained worldwide fame since reemerging in the 1980s as part of anniversary observances of WWII.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">オリジナルの希少性にもかかわらず、ミラーのイメージは、第二次世界大戦の記念の一環として、1980年代に再出現して以来、世界的な名声を得ています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">It has also been endlessly parodied, ensuring its status as one of the most famous images of all time.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">それはまた、いつまでも最も有名なイメージの1つとしての地位を確保しており、無限に模索されています。</SPAN></SPAN></DIV></div>
HTMLText_133F05B1_43A3_703E_41C7_82B7BE3B860A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Narrated By:James J. Kimble, Ph.D.</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Professor of Communication - College of Communication and the Arts</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Seton Hall University</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ジェームスJキンブル 博士によるナレーション付き</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">コミュニケーション准教授 - コミュニケーションアンドアートカレッジ</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">セトンホール大学</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">In this wartime poster, commonly referred to today as “Rosie the Riveter,” the artist J. Howard Miller shows us a determined, confident woman flexing her muscles and confidently expressing her ability to complete the task at hand.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">この戦時のポスターは、現在では一般的に「ロージーリベッター」と呼ばれています。J ハワード・ミラーは自信に満ちた女性が自分の筋肉を鍛え、自分の仕事を完遂する能力があることを表現しています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Although today we tend to assume that this poster was famous during WWII, it actually was relatively unknown since it appeared for only two weeks (in February 1943) within Westinghouse munitions factories.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">今日では、このポスターは第二次世界大戦中に有名だと思われがちですが、実際にはウェスティンハウス社の軍需工場内でわずか2週間（1943年2月）だけ掲示されため、比較的知られていませんでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Once its two weeks were up, the posters were recycled due to wartime paper shortages.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">2週間後には、戦時中の紙不足のためにポスターがリサイクルされました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">During those two weeks, however, the poster modeled for Westinghouse laborers—both men and women—a gesture of solidarity common to the corporation’s workforce, affirming that every worker within Westinghouse was ready to complete their vital wartime mission.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">しかし、ウェスティングハウス社の労働者たち（男性と女性の両方）をモデルにしたポスターは、企業の労働力に共通の連帯感を持たせ、ウェスティングハウス社内のすべての労働者が重要な戦時作戦を完遂する準備ができていることを示しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Only two original copies of this poster are known to exist today.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">このポスターのオリジナルコピーは2枚しか存在しません。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Despite the scarcity of the originals, Miller’s image has gained worldwide fame since reemerging in the 1980s as part of anniversary observances of WWII.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">オリジナルの希少性にもかかわらず、ミラーのイメージは、第二次世界大戦の記念の一環として、1980年代に再出現して以来、世界的な名声を得ています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">It has also been endlessly parodied, ensuring its status as one of the most famous images of all time.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">それはまた、いつまでも最も有名なイメージの1つとしての地位を確保しており、無限に模索されています。</SPAN></SPAN></DIV></div>
HTMLText_428F58EB_6EBD_90FC_419A_70B5BA19699F.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Narrated By:Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Deputy Director / Chief Curator - Norman Rockwell Museum</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>ステファニー・ハボース・プランケットによるナレーション付き</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>副所長/チーフキュレーター - ノーマンロックウェル博物館</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Norman Rockwell's April 1st 1961, Saturday Evening Post cover, Golden Rule actually started out as a drawing.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ノーマン・ロックウェルの1961年4月1日、サタデイイブニングポストの表紙であるゴールデン・ルールは、実際には絵として始まりました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">In 1952 at the height of The Cold War and two years into the Korean War, Rockwell conceived an image of The United Nations as the world's hope for the future.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ロックウェルは1952年の冷戦と朝鮮戦争の2年間で、世界の未来への希望として「国連」のイメージを構想しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">His appreciation for the organization and its mission inspired a complex work portraying members of The United Nations' Security Council and 65 people representing the nations of the world.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">組織とその使命への感謝は、国連安全保障理事会のメンバーと世界の国々を代表する65人のメンバーを描いた複雑な作業に影響を与えました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">A study for an artwork that he originally intended to complete in painted form, researched and developed to the final drawing stage, the artist's United Nations piece never actually made it to canvas.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼がもともと絵を完成させようとしていたアートワークの研究で、最終的な描画段階まで研究されましたが、アーティストの国連の作品は、実際にキャンバス化されたことはありませんでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Of his work on The United Nations drawing, Rockwell said, "Like everyone else, I'm concerned with the world's situation and like everyone else, I'd like to contribute something to help. The only way I can contribute is through my pictures."</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ロックウェルは、国連画家としての活動の中で「他のみんなと同様に、私は世界の状況を懸念しており、他のみんなと同じように私は何か助けになることに貢献したいと思います。私が貢献できる唯一の方法は、私の絵画を通してです。」と言っています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">A perfectionist in his art, Rockwell went to elaborate lengths to create photographs that portrayed his concepts exactly and to find just the right models for his work.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">芸術の完璧主義者であるロックウェルは、彼のコンセプトを正確に描写し、彼の作品にちょうどよいモデルを見つけるための写真を作成するため入念に取り組みました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">He researched costumes and props and carefully orchestrated each element of the design to be photographed before putting paint to canvas.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼は衣装や小道具を研究し、絵画をキャンバスに入れる前に写真のデザインの各要素を慎重に調整しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Using his photographs as a reference, Rockwell worked with the details of composition and value in this richly detailed black and white drawing, created with Wolff pencil and charcoal.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ロックウェルは彼の写真を参考にして、ウォルフの鉛筆と木炭で作られた、この細かい黒と白の絵画の構成と価値の詳細を取り上げました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">"I take the making of the charcoal layouts very seriously." he said, "Too many novices, I believe, wait until they are on the canvas before trying to solve many of their problems. It is much better to wrestle with them ahead though studies."</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">「私は木炭のレイアウトの作成に非常に真剣に取り組んでいます。」「多くの初心者は、問題の多くを解決しようとする前に、キャンバス上に出るまで待っています。研究を重ねるうちに、彼らと取り組む方がずっと良い」と彼は述べています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Though he was dedicated to the concept of this work, he ultimately found it too complex to create as a final illustration and eventually, about seven years later, explored the possibility of a new approach which he took in Golden Rule.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼はこの作品のコンセプトに専念していましたが、最終的なイラストレーションを作成するにはあまりにも複雑すぎることが判明し、最終的には約7年後にゴールデンルールから取った新しいアプローチの可能性を模索しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Rockwell said, "One day I suddenly go the idea that The Golden Rule, do unto others as you would have them do unto you, was the subject I was looking for."</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ロックウェルは、「ある日、私は突然ゴールデン・ルールの〝己の欲するところを人に施せ”というアイデアがひらめき、それが私が探していたものだった。」と言いました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">In Golden Rule, Rockwell portrays four sets of mothers and their children.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ゴールデンルールでは、ロックウェルは4組の母親とその子供を描いています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">The one in the upper right hand corner actually represents his second wife Mary Barstow Rockwell who had passed away in 1959, two years before this image was published.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">右上隅にあるのは、この画像が出版される2年前の1959年に亡くなった2人目の妻メアリー バーストウ ロックウェルを描いています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Here she is united with her first grandchild, Geoffrey Rockwell, who she never actually had the opportunity to meet.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ここで彼女は彼女の最初の孫、ジェフリー ロックウェルと協力していますが、彼女は実際には会う機会はありませんでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Published almost six decades ago, Norman Rockwell's Golden Rule is one of his most iconic images, portraying our common humanity and reflecting Rockwell's own beliefs, which remain relevant for our times.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ほぼ60年前に出版されたノーマン・ロックウェルのゴールデン・ルールは、私たちの共通の人間性を描き、私たちの時代に関係するロックウェルの信念を反映した彼の最も象徴的なイメージの一つです。</SPAN></SPAN></DIV></div>
HTMLText_679913C7_66F6_A66C_41D3_C3375DD129EE.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Narrated by: Herman Eberhardt</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Supervisory Museum Curator - Franklin D.Roosevelt Presidential Library and Museum</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>ハーマンエーベルハートによるナレーション付き：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>監督美術館キュレーター - フランクリンD.ルーズベルト大統領図書館と博物館</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">The war in Europe was really looming over everyone in early 1941.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ヨーロッパにおける戦争は、1941年の初めに全ての人に迫っていました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Germany had swept through most of Western Europe in 1939 and 1940, and Great Britain was standing nearly alone in resisting the Axis onslaught, and the British were hanging on by a thread at this point.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ドイツは1939年と1940年に西ヨーロッパの大部分を席巻しました。そして、イギリスは枢軸軍の攻撃に抵抗してほぼ孤立おり、イギリス人はこの時点で宙ぶらりんでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">In fact, in late 1940, Winston Churchill had written a long letter to FDR in which he said that Britain was nearly bankrupt, and would soon be unable to pay for weapons that it was importing from the United States.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">実際には、1940年後半、ウィンストン・チャーチルはルーズベルトに長い手紙を書いており、英国はほぼ破産していて、まもなく米国から輸入している兵器の支払いができなくなると言いました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">That very dire message had led Roosevelt to dream up the idea of lend-lease, which would allow the US to lend or lease more materials to Great Britain without receiving payment for them.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">その非常に悲惨なメッセージは、米国が英国から支払いを受けずに英国にもっと多くの兵器を貸し出すことを可能にする方法をルーズベルトに思いつかせました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">FDR had first publicly discussed the concept or idea of lend-lease at a press conference in mid- December in 1940.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ルーズベルトは、1940年の12月中旬の記者会見で初めて、貸し借りのコンセプトやアイデアについて公的に議論しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Later that month on December 29th, he had delivered a famous fireside chat on the radio in which he asserted that the United States should become, what he called, the arsenal of democracy.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">その月の12月29日には、ラジオ番組中で有名な「炉端会議」を行い、米国は民主化の武器になるべきだと主張しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">The president planned to use his State of the Union address to argue for congressional passage of a lend-lease bill.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">大統領は、連邦議会の演説を使って、貸借法案の議会通過を主張しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">On the night of January 1, 1941, Roosevelt summoned three of his advisors—Harry Hopkins, Sam Rosenman, and Robert Sherwood—to his private study in the White House residence.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">1941年1月1日の夜、ルーズベルトはハリー・ホプキンス、サム・ローゼンマン、ロバート・シャーウッドの3人の顧問をホワイトハウスの住居での彼の私的研究会に召喚しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">They gathered there around FDR’s desk to work with him on the president’s annual State of the Union address to Congress, which was scheduled to be delivered on January 6th.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼らは、ルーズベルトの机の周りに集まって、1月6日に予定されていた大統領の連邦議会演説で彼と協働するよう話し合いました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">At one point during this editing session, FDR said that he had an idea for the closing section of the speech.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">この話し合い中のある時点で、ルーズベルトはスピーチの最終セクションのアイデアがすでにあると言いました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">As Sam Rosenman later recalled, the president leaned far back in his swivel chair, looked up at the ceiling, and then paused for a long while.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">サム・ローゼンマンが後に思い出していますが、大統領は回転式の椅子で後ろにのけぞり、天井を見上げてから、しばらくの間動きませんでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">As the seconds ticked by, the others in the room began to get a bit uncomfortable.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">時計の針の音だけが聞こえ、部屋にいた他の人たちは少し不快になり始めました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Then FDR suddenly leaned forward and slowly and deliberately dictated the Four Freedoms.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">そのとき、ルーズベルトは突然前のめりになり、わざとゆっくりめに、4つの自由を記録させたのです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">The president spoke at such a deliberate pace that Rosenman was able to take down everything he said word for word on a sheet in a yellow notepad.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">大統領はそのようなゆっくりしたペースだったので、ローゼンマンは黄色のメモ帳に大統領が語った言葉をすべて書き留めることができました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">That yellow sheet with Rosenman’s longhand notes is now housed at the Roosevelt Library.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ローゼンマンの縦長の黄色のメモ帳は、現在ルーズベルト図書館に収められています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And interestingly, if you compare the words on that yellow sheet to the final speech as it was delivered by the President to a joint session of Congress, it’s almost exactly as FDR dictated it.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">そして興味深いことに、その黄色のメモ帳の言葉と大統領が議会の合同会議に提出した最終的なスピーチとを比較すると、それはルーズベルトがそれを指示したのとほぼ同じです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">There are almost no changes.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ほとんど変更はなかったのです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_464DEDC8_697E_8C8C_41C8_2D3BBC4C50EC.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Narrated by: Mark Shulman</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>History Faculty - Sarah Lawrence College</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>マーク・シュルマンによるナレーション付き</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>歴史学部 - サラローレンスカレッジ</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Franklin Roosevelt’s package of Four Freedoms was an effort to articulate a vision for a post-war liberal order for security, for peace and prosperity as elements necessary for security just as much as the civil and political rights of freedom of religion and the freedom of expression.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">フランクリン ルーズベルトの４つの自由は、信教の自由と言論の自由の民主的および政治的権利と同じくらい安全保障に必要な要素として、平和と繁栄のための戦後の自由秩序のビジョンを明確にするための努力でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">The Four Freedoms were embraced in the Atlantic Charter that Roosevelt worked out with Churchill, and then they went into the DNA of the charter that the United Nations adopted in the summer of 1945.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ルーズベルトがチャーチルと協力した大西洋憲章には4つの自由が含まれていましたが、1945年の夏に国連が採択した憲章のDNAになりました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">By the summer of 1945, of course, President Roosevelt had passed away.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">1945年の夏までにルーズベルト大統領は亡くなりました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">The United States had a new president, one, perhaps, less worldly and in some ways more practical.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">米国にはおそらく世才のあまりない、実務に適した新しい大統領がいました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">A savvy politician, President Truman appointed Eleanor Roosevelt, the widow of Franklin, to serve as the chief of the committee that would draft a United Nations Universal Declaration of Human Rights.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">賢明な政治家であるトルーマン大統領は、フランクリンの未亡人エレノア ルーズベルトを、国連世界人権宣言を草案する委員長に任命しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Eleanor, Mrs. Roosevelt, working with a committee of distinguished scholars, diplomats, theorists, and statesmen from around the world, drafted this wonderful document, the Universal Declaration of Human Rights, and the United Nations adopted it on December 10th, 1948.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">1948年12月10日に国連は、エレノアルーズベルトと世界の著名な学者、外交官、理論家、政治家からなる委員会と協力して草案した世界人権宣言を採択しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">The Universal Declaration of Human Rights is the Four Freedoms writ large.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">世界人権宣言は4つの自由が大きく掲げられています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">The Preamble explicitly recognizes that the Four Freedoms have been adopted, have been recognized as the basis for a just postwar order.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">前文は、4つの自由が採用されたことを明確にし、戦後の秩序の基礎として認識されています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And then the Declaration itself proceeds to flesh out, to articulate, each of the elements that would really be necessary for a world in which the Four Freedoms are realized.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">そして4つの自由が実現される世界に本当に必要な要素のそれぞれを具体化し明瞭にすることを進める宣言です。</SPAN></SPAN></DIV></div>
HTMLText_67B8AE6B_6637_FE3B_41C5_871EB26E1D20.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Narrated by: Paul M. Sparrow</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Director - Franklin D.Roosevelt Presidential Library and Museum, Hyde Park, New York</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>ポール・M・スズロウによるナレーション付き：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>監督 - フランクリンD.ルーズベルト大統領図書館＆博物館、ハイドパーク、ニューヨーク</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">The relationship between President Roosevelt and Prime Minister Winston Churchill is truly extraordinary, and in some ways one of the most important partnerships in 20th century history, maybe in all of American history.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ルーズベルト大統領とウィンストン・チャーチル首相との関係は本当に特筆すべきことで、20世紀の歴史のなかで最も重要なパートナーシップの一つであり、米国の歴史においてはなおさらかもしれません。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Winston Churchill had been involved with the military in Great Britain from World War I as FDR had been.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ウィンストン・チャーチルはFDR（ルーズベルト）のように、第一次世界大戦から英国の軍隊に関わっていました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">He had very, very specific views on the structure of the world, and at that point he still believed the British empire was the most important political entity in the world, that it was unstoppable and he was not going to allow the British empire to come apart while he was in charge.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼は世界の体制について非常に具体的な見解を持っていましたが、その時点で彼は依然として大英帝国が世界で最も重要な政治体制であると信じており、そしてその流れは止められず、自分の在位中は英国の帝国が崩壊することを許さないと考えていました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">So when FDR and Churchill met in the secret rendezvous aboard the two great battleships, it was a coming of giants.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ですからルーズベルトとチャーチルが2つの巨大な戦艦に乗って秘密の場所で出会ったとき、それはまるで巨人の到来だったのです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">At that point, Churchill had been involved in defending the British Isles against the Nazi onslaught for a year, so he was immersed in the war and he knew that his survival depended on bringing America into the war.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">その時点でチャーチルは、ナチスの攻撃から英国の島々を守ることに1年間関わっていたので、彼は戦争に没頭すると共に、自分の政治生命が米国を戦争に引き込めるか否かに依存していることを知っていました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Roosevelt was still somewhat hesitant. He couldn’t commit publicly, but he also knew that eventually the United States was going to get in here and this is where they first really start drafting the foundation of what became the Four Freedoms.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ルーズベルトはやや躊躇していました。 彼は公表することはできませんでしたが、最終的には米国が参加せざるを得ないことを知っていました。そして、これが、本当に四つの自由となったものの基礎を立てるところとなったのです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Churchill of course, came to the United States several times during the war.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">もちろん、チャーチルは戦争中に数回米国にやってきました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">After Pearl Harbor he comes to the White House and stays there for several weeks living in one of the bedrooms, walking around the house in his bathrobe, drinking furiously, driving everyone crazy, and, you know, keeping FDR up til all hours of the night drinking and smoking, and Eleanor sort of frowning on the whole thing.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">パールハーバーの後、彼はホワイトハウスに来て、ベッドルームの1つに住んで数週間滞在し、バスローブで家の周りを歩いては激しく酒を飲み、誰もを困らせたものです。しかも夜の飲酒と喫煙までルーズベルトを放さず、エレノアの頭痛の種でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">But that was the way Churchill worked.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">しかし、それはチャーチルが用いた方法でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">He sort of encompassed everyone in his whirlwind of insanity, but always ended up with these incredibly brilliant ideas and really had a global vision.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼は狂気の渦の中にみんなを巻き込んでいましたが、いつでも信じられないほど華麗なアイデアに終始し、本当にグローバルなビジョンを持っていました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">So the two of them were just an extraordinary partnership and we’re very lucky that they were the two leaders who ended up facing, you know, the greatest crisis of the 20th century.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ですから2人は特別なパートナーシップを有しており、20世紀最大の危機に直面したときにこの2人の指導者がいたことは我々にとって非常に幸運だったのです。</SPAN></SPAN></DIV></div>
HTMLText_551A9D5B_7F14_0A98_41CF_49552784444D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Narrated by: Ruby Bridges</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>Civil Rights Activist and Author</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>ルビーブリッジによるナレーション付き</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;"><B>市民権活動家と作家</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">That particular day, when I was in the car being escorted to school, when we turned the corner, the streets were lined with protesters, and they were barricaded, because that's how the police had set it up.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">その日、私は車に乗せられてエスコートされながら学校に行くところで、車が角を曲がると、通りには抗議者が並んでいましたが、警察の計らいで、彼らはバリケードされてました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">There were policemen everywhere.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">そこらじゅうに警官がいました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Some were on horseback and motorcycles.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">そのうちの数人は馬とバイクに乗っていました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">All of that is what you see during Mardi Gras season to control the crowd and during a parade, so that is actually what I saw and I just assumed that I was in the middle of a parade, which I think about it today, and it was the innocence of a child.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">それはマーディ・グラスのシーズンに群衆をコントロールするために、パレード中にかつて実際に私が見たものと同じだったので、私は無邪気な子供のように自分がパレードの真っ只中にいると思っていました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">I think that protected me, not knowing.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">何も知らなかったことは私を保護したと思います。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">I remember being escorted straight to the principal’s office.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">私はまっすぐ校長室までエスコートされたことを覚えています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">I guess I was there, first day, to enroll.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">入学した最初の日はそこにいたと思います。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And I had already been enrolled, but to be escorted to my classroom, possibly meet my teacher, and to get started with my studies.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">私は既に入学登録されていましたが、私の教室までエスコートされ、おそらく教師に会い、私の勉強を始めることができました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">But I sat in the principal’s office actually all day with my mom that day, and I remember the Federal Marshals standing right outside the doors.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">しかし、私はその日お母さんと一緒に一日中校長室に座っていました。私は連邦警察官がドアの外に立っていたのを覚えています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">You could see them.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">そこにいるのが見えました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">You know, there were glass windows.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ガラスの窓がありましたから。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And the next thing that I saw was all of those people that had been standing outside rushing in, shoving and pushing and pointing at me through the windows.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">そして、私が次に見たことは、外に立っていた人々がすべて、駆け込んできて、もみあったり押し合ったりしながら窓越しに私を指差していることでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Their faces seemed very angry about something.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">その人たちの顔は何かについて非常に怒っていたようでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">It just seemed really busy and confusing to me.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">まるでとても忙しく、混乱しているように見えました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And I saw them pass the window, and when they would come back by the window, there were kids with them.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">私は彼らが窓のそばを通過するのを見ました。そして彼らがまた窓のそばに帰ってきたとき、彼らは子供を連れていました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And that happened all day long, back and forth.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">そしてそれは一日中繰り返し何度も起こったのです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Finally the bell rang, it was 3:00, and I remember someone entering the room and saying, “School is dismissed. You can leave.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ようやく最後に鐘が鳴るとそれは3時でした。誰かが部屋に入ってきて「授業は終わったので、ここから出てもいいですよ」言ったのを覚えています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And I distinctly remember that, because I thought to myself, “Wow, this school is easy,” not knowing that what was really happening is that parents rushed in to the school and went into every classroom and pulled out every child.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">実際に起きていたことは、生徒たちの両親が学校に駆け込んできて、すべての教室に入って、すべての子供たちを連れて帰ったということなど知らずに、「なんだ、学校って意外と簡単なんだ」と私は思っていたのを覚えています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">There were over 500 kids that actually left the building that day, and it was because I was there.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">その日、実際に校舎を離れた子供たちは500人以上いました。それは私がそこにいたからです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">So I had no idea that that was taking place right before my eyes.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">私はそれが自分の目の前で起こっているとは知りませんでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">The very next day, it was the same thing.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">その翌日も、状況は同じことでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Federal Marshals knocked on the door, and I got into the car with them.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">連邦警察官が我が家のドアをノックし、私は彼らと一緒に車に乗り込むのです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">They escorted me back to the school.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼らは学校まで私をエスコートしてくれました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">When we drove up that day, the crowds had almost doubled in size, because at that point, everybody knew.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">その日に私たちが到着したとき、群衆はほぼ倍増していました。その時には誰もが知っていたからです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">My mother said that that is the day she was the most nervous, because after she got home and watched television, she saw how the whole world was watching it.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">私の母は、家に帰ってテレビを見たとき世界中がこのことに注目しているのを見たので、その日は彼女がいままでで最も緊張した日だったと言っていました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">She said she would go home and pray until 3:00, hoping that her child would come home.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">母は家に帰ると、子供が無事に家に帰ってくることを願って、（下校時間の）3時までずっと祈っていたと言っていました。</SPAN></SPAN></DIV></div>
HTMLText_7FD09D2F_4AD4_DB92_41A1_CF0324FC95A1.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Narrated By: Douglas B. Dowd</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Professor of Art and American Culture Studies - Washington University in St. Louis</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ダグラス・B・ダウドによるナレーション付き</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">アート・アメリカ文化研究教授 - セントルイスのワシントン大学</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">In the years before television, people in the United States had two primary sources for getting information about how other people were living their lives, what they were wearing, what their houses looked like, even what basic products might look like.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">テレビが出現する前の数年間、米国の人々は、他の人々の生活様式や、身に着けるもの、家の外観、基本的な製品の外観などの情報を得るための2つの主要な情報源を持っていました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">They had two sources: the movies, and the magazines.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼らには映画と雑誌という2つの情報源がありました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">The magazines and the illustrators who worked for them really did paint a picture of how life was being lived in the society, or paint a picture of life a little better than it was being lived in the society so that it remained an aspirational standard: I could be that. I could have that. I could wear that.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">彼らのために仕事をしていた雑誌やイラストレーターは、人が社会でどのように生きているのかを描いたり、実際の社会での生活よりも少し理想的に絵を描いて、「自分もきっとそうなれる、きっとそれを持てる、きっとそれを着れる」という合理的な基準を印象付けました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Their persuasiveness and their power comes a lot from the visual presentation, from the type and the lettering, to obviously the illustration, and photography, too.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">それらの説得力とパワーは、視覚的なプレゼンテーション、タイプとレタリングから、明瞭なイラストレーションや写真撮影まで、多くのものからなっています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">When you think about it, if you took all the illustrations out of those magazines, no one would have read them.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">考えてみると、もしそれらの雑誌からすべてのイラストレーションを取った場合、恐らく誰も読まないでしょう。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">People have always thought that publishing is always about the content.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">出版は常にコンテンツ次第だと人々は常に考えてきました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">Actually, the way it’s packaged and presented and shown has a great deal to do with how people respond to it.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">実際、パッケージ化される方法、提示される方法、及び表示される方法は、人々がどのようにそれに反応するのかと大きく関係しています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">In the history of the newspaper business, good presentation, like using typography at bigger sizes to create visual hierarchies, that was called self-advertising, in kind of a sneering way.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">新聞ビジネスの歴史では、ビジュアルヒエラルキーを生成するためにより大きなサイズでタイポグラフィを使用するような良いプレゼンテーションは、冷笑的なやり方で、自家広告と呼ばれていました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">So, the people who were in charge of the content have often pooh-poohed the visual presentation, but actually, it’s really important and it always has been.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">ですから、コンテンツを担当していた人々は、しばしばビジュアルプレゼンテーションを嘲笑っていましたが、実際には、それは本当に重要であり、常にそうだったのです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And the persuasiveness of those publications is powerfully visual.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">そして、それらの出版物の説得力は非常に強く、視覚的です。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">And the pictures of the people and the stuff they’re doing and the stuff they’re wearing and the portrait of life that emerges are at the heart of their appeal.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;">そして、スタッフの写真、彼らがしていることや彼らが着ているもの、そこに表現される人生のポートレートこそが彼らの魅力の源なのです。</SPAN></SPAN></DIV></div>
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HTMLText_E3746C15_6AFE_9387_41D6_6EE7B69C2100.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Bill Scovill (1914 - 1997)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Reference Photos for </SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Golden Rule</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">, 1961</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Norman Rockwell Museum Collection, Norman Rockwell Art Collection Trust</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">© 1961 Norman Rockwell Family Agency. All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">In these photos, we witness Rockwell's work to get paint on canvas, starting with the initial drawing, incrementally painting the faces in, adding the stenciled text, and finally the finishing touches.</SPAN></SPAN></DIV></div>
HTMLText_679913C0_66F6_A664_41CB_E3EAB99E6C28.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>艺术家、摄影师兼记者</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">1943年4月23日，第一夫人埃莉诺罗斯福走访了亚利桑那的希拉河集中营。WRA摄影师弗兰西斯斯图尔特（Francis Stewart）拍摄了她和陪同的国家战时指挥中心主任狄龙迈尔（Dillon Myer）的照片，记录了她们受到广大被囚者欢迎的画面。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">罗斯福夫人是罗斯福执政期间, 在珍珠港事件发生前后为数不多愿为爱国公民和日裔美国公民发声的少数几人之一。她曾试图阻止总统下达大规模驱逐令，虽然并没有成功；她认为这是对人权与公民理念的侵犯，甚至邀请了日裔美国公民进入白宫。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">她之所以访问集中营，是因为当地媒体有指责联邦政府娇惯营中日裔美国人的言论。她的目的是巡视这些营地并调查出现这些言论的原因。离开营地后，她特地强调了被囚者在伪装网和和船模工厂为战争所做的贡献，并提到她在食堂尝到的牛奶是酸的——以此回应媒体认为被囚者在狱中所过生活比普通美国民众好的报道。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">三天后，《洛杉矶时报》在一篇文章中报道了她的这次巡视，文中她形容营内生活条件（虽称不上不妥）“绝算不上奢华”，并补充：“至少我不愿这样生活。”她的言论也被引用：“我们越早让年轻[本土]日本裔民众走出集中营越好。否则，我们一不小心就会导致又一个印第安问题。”</SPAN></SPAN></DIV></div>
HTMLText_67677A42_6659_6665_41CB_46936C03697C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>艺术家、摄影师兼记者</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">1943年4月23日，第一夫人埃莉诺罗斯福走访了亚利桑那的希拉河集中营。WRA摄影师弗兰西斯斯图尔特（Francis Stewart）拍摄了她和陪同的国家战时指挥中心主任狄龙迈尔（Dillon Myer）的照片，记录了她们受到广大被囚者欢迎的画面。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">罗斯福夫人是罗斯福执政期间, 在珍珠港事件发生前后为数不多愿为爱国公民和日裔美国公民发声的少数几人之一。她曾试图阻止总统下达大规模驱逐令，虽然并没有成功；她认为这是对人权与公民理念的侵犯，甚至邀请了日裔美国公民进入白宫。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">她之所以访问集中营，是因为当地媒体有指责联邦政府娇惯营中日裔美国人的言论。她的目的是巡视这些营地并调查出现这些言论的原因。离开营地后，她特地强调了被囚者在伪装网和和船模工厂为战争所做的贡献，并提到她在食堂尝到的牛奶是酸的——以此回应媒体认为被囚者在狱中所过生活比普通美国民众好的报道。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">三天后，《洛杉矶时报》在一篇文章中报道了她的这次巡视，文中她形容营内生活条件（虽称不上不妥）“绝算不上奢华”，并补充：“至少我不愿这样生活。”她的言论也被引用：“我们越早让年轻[本土]日本裔民众走出集中营越好。否则，我们一不小心就会导致又一个印第安问题。”</SPAN></SPAN></DIV></div>
HTMLText_AF9A4D4B_666A_A27B_41C2_61D84CC478B2.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>艺术家、摄影师兼记者</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">1943年4月23日，第一夫人埃莉诺罗斯福走访了亚利桑那的希拉河集中营。WRA摄影师弗兰西斯斯图尔特（Francis Stewart）拍摄了她和陪同的国家战时指挥中心主任狄龙迈尔（Dillon Myer）的照片，记录了她们受到广大被囚者欢迎的画面。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">罗斯福夫人是罗斯福执政期间, 在珍珠港事件发生前后为数不多愿为爱国公民和日裔美国公民发声的少数几人之一。她曾试图阻止总统下达大规模驱逐令，虽然并没有成功；她认为这是对人权与公民理念的侵犯，甚至邀请了日裔美国公民进入白宫。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">她之所以访问集中营，是因为当地媒体有指责联邦政府娇惯营中日裔美国人的言论。她的目的是巡视这些营地并调查出现这些言论的原因。离开营地后，她特地强调了被囚者在伪装网和和船模工厂为战争所做的贡献，并提到她在食堂尝到的牛奶是酸的——以此回应媒体认为被囚者在狱中所过生活比普通美国民众好的报道。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">三天后，《洛杉矶时报》在一篇文章中报道了她的这次巡视，文中她形容营内生活条件（虽称不上不妥）“绝算不上奢华”，并补充：“至少我不愿这样生活。”她的言论也被引用：“我们越早让年轻[本土]日本裔民众走出集中营越好。否则，我们一不小心就会导致又一个印第安问题。”</SPAN></SPAN></DIV></div>
HTMLText_6771AF75_6639_FE2F_41D2_40847E6DEF21.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>艺术家、摄影师兼记者</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">1943年4月23日，第一夫人埃莉诺罗斯福走访了亚利桑那的希拉河集中营。WRA摄影师弗兰西斯斯图尔特（Francis Stewart）拍摄了她和陪同的国家战时指挥中心主任狄龙迈尔（Dillon Myer）的照片，记录了她们受到广大被囚者欢迎的画面。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">罗斯福夫人是罗斯福执政期间, 在珍珠港事件发生前后为数不多愿为爱国公民和日裔美国公民发声的少数几人之一。她曾试图阻止总统下达大规模驱逐令，虽然并没有成功；她认为这是对人权与公民理念的侵犯，甚至邀请了日裔美国公民进入白宫。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">她之所以访问集中营，是因为当地媒体有指责联邦政府娇惯营中日裔美国人的言论。她的目的是巡视这些营地并调查出现这些言论的原因。离开营地后，她特地强调了被囚者在伪装网和和船模工厂为战争所做的贡献，并提到她在食堂尝到的牛奶是酸的——以此回应媒体认为被囚者在狱中所过生活比普通美国民众好的报道。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">三天后，《洛杉矶时报》在一篇文章中报道了她的这次巡视，文中她形容营内生活条件（虽称不上不妥）“绝算不上奢华”，并补充：“至少我不愿这样生活。”她的言论也被引用：“我们越早让年轻[本土]日本裔民众走出集中营越好。否则，我们一不小心就会导致又一个印第安问题。”</SPAN></SPAN></DIV></div>
HTMLText_6787FB96_66D9_66EA_41D9_3EB154166278.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>艺术家、摄影师兼记者</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">1943年4月23日，第一夫人埃莉诺罗斯福走访了亚利桑那的希拉河集中营。WRA摄影师弗兰西斯斯图尔特（Francis Stewart）拍摄了她和陪同的国家战时指挥中心主任狄龙迈尔（Dillon Myer）的照片，记录了她们受到广大被囚者欢迎的画面。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">罗斯福夫人是罗斯福执政期间, 在珍珠港事件发生前后为数不多愿为爱国公民和日裔美国公民发声的少数几人之一。她曾试图阻止总统下达大规模驱逐令，虽然并没有成功；她认为这是对人权与公民理念的侵犯，甚至邀请了日裔美国公民进入白宫。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">她之所以访问集中营，是因为当地媒体有指责联邦政府娇惯营中日裔美国人的言论。她的目的是巡视这些营地并调查出现这些言论的原因。离开营地后，她特地强调了被囚者在伪装网和和船模工厂为战争所做的贡献，并提到她在食堂尝到的牛奶是酸的——以此回应媒体认为被囚者在狱中所过生活比普通美国民众好的报道。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">三天后，《洛杉矶时报》在一篇文章中报道了她的这次巡视，文中她形容营内生活条件（虽称不上不妥）“绝算不上奢华”，并补充：“至少我不愿这样生活。”她的言论也被引用：“我们越早让年轻[本土]日本裔民众走出集中营越好。否则，我们一不小心就会导致又一个印第安问题。”</SPAN></SPAN></DIV></div>
HTMLText_96AB3DE6_666B_622D_41C0_A9B5351113FA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>艺术家、摄影师兼记者</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">1943年4月23日，第一夫人埃莉诺罗斯福走访了亚利桑那的希拉河集中营。WRA摄影师弗兰西斯斯图尔特（Francis Stewart）拍摄了她和陪同的国家战时指挥中心主任狄龙迈尔（Dillon Myer）的照片，记录了她们受到广大被囚者欢迎的画面。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">罗斯福夫人是罗斯福执政期间, 在珍珠港事件发生前后为数不多愿为爱国公民和日裔美国公民发声的少数几人之一。她曾试图阻止总统下达大规模驱逐令，虽然并没有成功；她认为这是对人权与公民理念的侵犯，甚至邀请了日裔美国公民进入白宫。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">她之所以访问集中营，是因为当地媒体有指责联邦政府娇惯营中日裔美国人的言论。她的目的是巡视这些营地并调查出现这些言论的原因。离开营地后，她特地强调了被囚者在伪装网和和船模工厂为战争所做的贡献，并提到她在食堂尝到的牛奶是酸的——以此回应媒体认为被囚者在狱中所过生活比普通美国民众好的报道。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">三天后，《洛杉矶时报》在一篇文章中报道了她的这次巡视，文中她形容营内生活条件（虽称不上不妥）“绝算不上奢华”，并补充：“至少我不愿这样生活。”她的言论也被引用：“我们越早让年轻[本土]日本裔民众走出集中营越好。否则，我们一不小心就会导致又一个印第安问题。”</SPAN></SPAN></DIV></div>
HTMLText_E376BC10_6AFE_939D_41A8_2B7451B408E2.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>讲述人：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>副总监/总策展人 - 诺曼洛克威尔博物馆</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">诺曼洛克威尔的1961年4月1日《星期六晚报》封面作品——《黄金法则》其实最开始只是一张素描画。1952年，正值冷战高峰期且朝鲜战争已爆发两年，洛克威尔构思了联合国一图，并将其作为世界未来的希望。这幅描绘联合国安理会成员和65位各国代表的旷世杰作的创作灵感来自于他对该组织及其使命的欣赏。这幅他原本打算以绘画形式完成的艺术作品，从研究和发展到最后作画阶段，洛克威尔的《联合国》从未搬上画布。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">洛克威尔在提到他的《联合国》作品时说：“我和其他人一样，关注世界态势，也希望像其他人一样贡献自己的力量。我能恭献力量的唯一方式就是我的画。”作为艺术上的完美主义者，洛克威尔会精心研磨能够准确描绘其思想的照片，直到找到最合适的创作模型。他仔细研究服装和道具，并在将颜料涂上画布之前仔细策划设计细节并拍照。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">洛克威尔以他的照片为参考，在这幅用Wolff铅笔和炭棒创造而成、细节丰富的黑白画上不断完善其构图和价值内含。“我很重视炭描构图。”他说，“我觉得太多初学者都等到要在帆布上画画了才开始尝试解决各种问题。提前研究并解决问题会好得多。”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">尽管为这幅作品的创意付出许多努力，但他最后发现这个想法过于复杂，无法创作成完整插画，七年之后，他转而探索运用《黄金法则》中的新方法的可能性。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">洛克威尔说：“我有一天突然想到《黄金法则》——己所不欲，勿施于人——正是我一直寻求的主题。”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">在《黄金法则》中，洛克威尔描绘了四对母子。右上角的那位其实是他的第二任妻子玛丽巴斯托洛克威尔，于1959年去世；两年后，这幅作品出版。在画中，她与第一个孙子杰弗里洛克威尔聚在一起，但实际上他们并没有见过面。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">洛克威尔的《黄金法则》发表于近60年前，是他最具代表性的画作之一，描绘了普遍人性，更反映了依然与我们时代息息相关的洛克威尔自身的信念。</SPAN></SPAN></DIV></div>
HTMLText_BDE0F8A4_A753_3D2B_41B4_0B081210F520.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">讲述人：</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Stephanie Haboush Plunkett</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">副总监/总策展人 - 诺曼洛克威尔博物馆</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">展览的这一板块更多关注生活中的小乐趣，这也是大萧条时期美国杂志非常受欢迎的主题，因为当时许多人都无法花大量的钱来进行娱乐活动。我们在1936年《星期六晚报》这幅封面插图中可以看到，一群人聚在理发店里一起唱歌，共度欢乐时光。理发店四重唱和大众唱歌娱乐的概念在19世纪90年代非常受欢迎，并一直持续到大萧条时期。在画中，洛克威尔真正开始展现他对人物形象的喜爱、生动的面部表情、画中人物的许多美好特质以及与每个人物相关联的手势。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">场景非常美好，还有另一位曾为《星期六晚报》及其它杂志社供稿的重要插画家。右手边的这位是沃尔特比奇汉弗莱（Walter Beach Humphrey），他脸上的胡子一半被剃光，另一半抹着剃须膏。他的手上还拿着一本名叫《警务报》的刊物，我们大概会以为这是一本讲述美国警察活动的刊物，但它实际上是一本讲述生活阴暗面故事的绅士杂志。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">1936年洛克威尔创作这幅插画时住在纽约州的新罗谢尔，当时那里是全国插画师最多的城市。新罗谢尔距离百老汇仅45分钟路程，因此艺术家可以享受田园气息更加浓郁的乡村生活，尽管在新罗谢尔与艺术相关的活动也不少。搭乘短途火车即可到达纽约市，因此住在那里的插画师们可以轻松把自己的作品送到出版商手上。</SPAN></SPAN></DIV></div>
HTMLText_ABC33C80_88C8_BDE9_41DC_D8F8F316997A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:30px;font-family:'Lato';"><B><I>Norman Rockwell: Imagining Freedom</I></B></SPAN></SPAN></DIV></div>
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letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;"><B>アーティスト、写真家、ジャーナリスト</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">On April 23, 1943, First Lady Eleanor Roosevelt paid a visit to the Gila River concentration camp in Arizona.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">1943年4月23日、大統領夫人エレノア・ルーズベルトがアリゾナ州のギラ川強制収容所を訪問しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">WRA photographer Francis Stewart took the photo of her, accompanied by Dillon Myer, National Director of the War Relocation Authority, as they are greeted by a crowd of enthusiastic inmates.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">WRAの写真家、フランシス・スチュワートは、熱心な受刑者の集まりに迎えられ、戦争強制収容局のディレクター、ディロン・マイヤー氏と一緒に、大統領夫人の写真を撮りました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">Mrs. Roosevelt was one of the few in the FDR Administration to speak out publicly on behalf of loyal citizens and immigrants of Japanese ethnicity both before and after Pearl Harbor.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">ルーズベルト夫人は、真珠湾の前後でも日系で（米国に）忠実な市民や移民のために公然と発言するという、ルーズベルト政権中の少数派の一人でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">She tried without success to dissuade the President from ordering mass removal, which she regarded as a violation of human rights and American ideals, and even invited Japanese Americans to the White House.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">夫人は、人権や米国の理想に反していると彼女がみなした大量強制退去を大統領に断念させることに成功しませんでしたが、日系アメリカ人をホワイトハウスに招待しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">Her visit to the camp was in response to accusations by the local press that the federal government was coddling Japanese Americans in the camps.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">キャンプへの彼女の訪問は、連邦政府がキャンプで日系アメリカ人を甘やかせているという地元の報道からの告発に応えていました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">Her aim was to tour the facilities and investigate those claims.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">彼女の目的は施設を見学し、それらの主張を調査することでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">She came away, highlighting the work the prisoners were doing for the war effort in the camouflage net and ship model factories and noted that the milk she tasted in the mess hall was sour—her way of responding to press reports that the prisoners were receiving better quality rations than other Americans.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">彼女は施設を離れてから、囚人が迷彩ネットと船モデル工場での戦争努力のためにやっていた作業を評価し、会食ホールで味わった牛乳は酸っぱいと指摘しました。これは囚人が他のアメリカ人よりも質の高い配給を受けていたという報道への対応の彼女の方法でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">The Los Angeles Times reported on her visit three days later in an article in which she described the living conditions as—while not indecent—”certainly not luxurious,” adding, “I wouldn’t like to live that way.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">ロサンゼルス・タイムズ紙は、3日後、彼女が（劣悪ではない）生活条件を "確かに豪華ではない"と書いた記事で、「私はそのように生きていけない」と付け加えました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">She was also quoted as saying, “The sooner we get the young [native-born] Japanese out of the camps the better. Otherwise if we don’t look out we will create another Indian problem.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">彼女はまた、「若い（米国生まれの）日本人をこのキャンプからすぐに救い出さなければならない。もし私たちが目を覚まさなければ、もう一つのインディアン問題が生じるだろう」と述べたことが引用されています。</SPAN></SPAN></DIV></div>
HTMLText_6771AF76_6639_FE2D_41D9_75636683C6E9.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;"><B>Narrated By: Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;"><B>Artist, Photographer and Journalist</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;"><B>節子ウィンチェスターによるナレーション付き：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;"><B>アーティスト、写真家、ジャーナリスト</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">On April 23, 1943, First Lady Eleanor Roosevelt paid a visit to the Gila River concentration camp in Arizona.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">1943年4月23日、大統領夫人エレノア・ルーズベルトがアリゾナ州のギラ川強制収容所を訪問しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">WRA photographer Francis Stewart took the photo of her, accompanied by Dillon Myer, National Director of the War Relocation Authority, as they are greeted by a crowd of enthusiastic inmates.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">WRAの写真家、フランシス・スチュワートは、熱心な受刑者の集まりに迎えられ、戦争強制収容局のディレクター、ディロン・マイヤー氏と一緒に、大統領夫人の写真を撮りました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">Mrs. Roosevelt was one of the few in the FDR Administration to speak out publicly on behalf of loyal citizens and immigrants of Japanese ethnicity both before and after Pearl Harbor.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">ルーズベルト夫人は、真珠湾の前後でも日系で（米国に）忠実な市民や移民のために公然と発言するという、ルーズベルト政権中の少数派の一人でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">She tried without success to dissuade the President from ordering mass removal, which she regarded as a violation of human rights and American ideals, and even invited Japanese Americans to the White House.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">夫人は、人権や米国の理想に反していると彼女がみなした大量強制退去を大統領に断念させることに成功しませんでしたが、日系アメリカ人をホワイトハウスに招待しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">Her visit to the camp was in response to accusations by the local press that the federal government was coddling Japanese Americans in the camps.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">キャンプへの彼女の訪問は、連邦政府がキャンプで日系アメリカ人を甘やかせているという地元の報道からの告発に応えていました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">Her aim was to tour the facilities and investigate those claims.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">彼女の目的は施設を見学し、それらの主張を調査することでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">She came away, highlighting the work the prisoners were doing for the war effort in the camouflage net and ship model factories and noted that the milk she tasted in the mess hall was sour—her way of responding to press reports that the prisoners were receiving better quality rations than other Americans.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">彼女は施設を離れてから、囚人が迷彩ネットと船モデル工場での戦争努力のためにやっていた作業を評価し、会食ホールで味わった牛乳は酸っぱいと指摘しました。これは囚人が他のアメリカ人よりも質の高い配給を受けていたという報道への対応の彼女の方法でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">The Los Angeles Times reported on her visit three days later in an article in which she described the living conditions as—while not indecent—”certainly not luxurious,” adding, “I wouldn’t like to live that way.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">ロサンゼルス・タイムズ紙は、3日後、彼女が（劣悪ではない）生活条件を "確かに豪華ではない"と書いた記事で、「私はそのように生きていけない」と付け加えました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">She was also quoted as saying, “The sooner we get the young [native-born] Japanese out of the camps the better. Otherwise if we don’t look out we will create another Indian problem.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">彼女はまた、「若い（米国生まれの）日本人をこのキャンプからすぐに救い出さなければならない。もし私たちが目を覚まさなければ、もう一つのインディアン問題が生じるだろう」と述べたことが引用されています。</SPAN></SPAN></DIV></div>
HTMLText_AF9AAD4C_666A_A27D_41D8_B950E8C6693E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;"><B>Narrated By: Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;"><B>Artist, Photographer and Journalist</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;"><B>節子ウィンチェスターによるナレーション付き：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;"><B>アーティスト、写真家、ジャーナリスト</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">On April 23, 1943, First Lady Eleanor Roosevelt paid a visit to the Gila River concentration camp in Arizona.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">1943年4月23日、大統領夫人エレノア・ルーズベルトがアリゾナ州のギラ川強制収容所を訪問しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">WRA photographer Francis Stewart took the photo of her, accompanied by Dillon Myer, National Director of the War Relocation Authority, as they are greeted by a crowd of enthusiastic inmates.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">WRAの写真家、フランシス・スチュワートは、熱心な受刑者の集まりに迎えられ、戦争強制収容局のディレクター、ディロン・マイヤー氏と一緒に、大統領夫人の写真を撮りました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">Mrs. Roosevelt was one of the few in the FDR Administration to speak out publicly on behalf of loyal citizens and immigrants of Japanese ethnicity both before and after Pearl Harbor.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">ルーズベルト夫人は、真珠湾の前後でも日系で（米国に）忠実な市民や移民のために公然と発言するという、ルーズベルト政権中の少数派の一人でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">She tried without success to dissuade the President from ordering mass removal, which she regarded as a violation of human rights and American ideals, and even invited Japanese Americans to the White House.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">夫人は、人権や米国の理想に反していると彼女がみなした大量強制退去を大統領に断念させることに成功しませんでしたが、日系アメリカ人をホワイトハウスに招待しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">Her visit to the camp was in response to accusations by the local press that the federal government was coddling Japanese Americans in the camps.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">キャンプへの彼女の訪問は、連邦政府がキャンプで日系アメリカ人を甘やかせているという地元の報道からの告発に応えていました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">Her aim was to tour the facilities and investigate those claims.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">彼女の目的は施設を見学し、それらの主張を調査することでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">She came away, highlighting the work the prisoners were doing for the war effort in the camouflage net and ship model factories and noted that the milk she tasted in the mess hall was sour—her way of responding to press reports that the prisoners were receiving better quality rations than other Americans.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">彼女は施設を離れてから、囚人が迷彩ネットと船モデル工場での戦争努力のためにやっていた作業を評価し、会食ホールで味わった牛乳は酸っぱいと指摘しました。これは囚人が他のアメリカ人よりも質の高い配給を受けていたという報道への対応の彼女の方法でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">The Los Angeles Times reported on her visit three days later in an article in which she described the living conditions as—while not indecent—”certainly not luxurious,” adding, “I wouldn’t like to live that way.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">ロサンゼルス・タイムズ紙は、3日後、彼女が（劣悪ではない）生活条件を "確かに豪華ではない"と書いた記事で、「私はそのように生きていけない」と付け加えました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">She was also quoted as saying, “The sooner we get the young [native-born] Japanese out of the camps the better. Otherwise if we don’t look out we will create another Indian problem.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">彼女はまた、「若い（米国生まれの）日本人をこのキャンプからすぐに救い出さなければならない。もし私たちが目を覚まさなければ、もう一つのインディアン問題が生じるだろう」と述べたことが引用されています。</SPAN></SPAN></DIV></div>
HTMLText_96ABDDE6_666B_622D_41CC_A2737F3E0A5D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;"><B>Narrated By: Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;"><B>Artist, Photographer and Journalist</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;"><B>節子ウィンチェスターによるナレーション付き：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;"><B>アーティスト、写真家、ジャーナリスト</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">On April 23, 1943, First Lady Eleanor Roosevelt paid a visit to the Gila River concentration camp in Arizona.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">1943年4月23日、大統領夫人エレノア・ルーズベルトがアリゾナ州のギラ川強制収容所を訪問しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">WRA photographer Francis Stewart took the photo of her, accompanied by Dillon Myer, National Director of the War Relocation Authority, as they are greeted by a crowd of enthusiastic inmates.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">WRAの写真家、フランシス・スチュワートは、熱心な受刑者の集まりに迎えられ、戦争強制収容局のディレクター、ディロン・マイヤー氏と一緒に、大統領夫人の写真を撮りました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">Mrs. Roosevelt was one of the few in the FDR Administration to speak out publicly on behalf of loyal citizens and immigrants of Japanese ethnicity both before and after Pearl Harbor.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">ルーズベルト夫人は、真珠湾の前後でも日系で（米国に）忠実な市民や移民のために公然と発言するという、ルーズベルト政権中の少数派の一人でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">She tried without success to dissuade the President from ordering mass removal, which she regarded as a violation of human rights and American ideals, and even invited Japanese Americans to the White House.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">夫人は、人権や米国の理想に反していると彼女がみなした大量強制退去を大統領に断念させることに成功しませんでしたが、日系アメリカ人をホワイトハウスに招待しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">Her visit to the camp was in response to accusations by the local press that the federal government was coddling Japanese Americans in the camps.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">キャンプへの彼女の訪問は、連邦政府がキャンプで日系アメリカ人を甘やかせているという地元の報道からの告発に応えていました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">Her aim was to tour the facilities and investigate those claims.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">彼女の目的は施設を見学し、それらの主張を調査することでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">She came away, highlighting the work the prisoners were doing for the war effort in the camouflage net and ship model factories and noted that the milk she tasted in the mess hall was sour—her way of responding to press reports that the prisoners were receiving better quality rations than other Americans.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">彼女は施設を離れてから、囚人が迷彩ネットと船モデル工場での戦争努力のためにやっていた作業を評価し、会食ホールで味わった牛乳は酸っぱいと指摘しました。これは囚人が他のアメリカ人よりも質の高い配給を受けていたという報道への対応の彼女の方法でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">The Los Angeles Times reported on her visit three days later in an article in which she described the living conditions as—while not indecent—”certainly not luxurious,” adding, “I wouldn’t like to live that way.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">ロサンゼルス・タイムズ紙は、3日後、彼女が（劣悪ではない）生活条件を "確かに豪華ではない"と書いた記事で、「私はそのように生きていけない」と付け加えました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">She was also quoted as saying, “The sooner we get the young [native-born] Japanese out of the camps the better. Otherwise if we don’t look out we will create another Indian problem.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">彼女はまた、「若い（米国生まれの）日本人をこのキャンプからすぐに救い出さなければならない。もし私たちが目を覚まさなければ、もう一つのインディアン問題が生じるだろう」と述べたことが引用されています。</SPAN></SPAN></DIV></div>
HTMLText_6787FB97_66D9_66EB_41D5_9423A5FB5207.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;"><B>Narrated By: Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;"><B>Artist, Photographer and Journalist</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;"><B>節子ウィンチェスターによるナレーション付き：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;"><B>アーティスト、写真家、ジャーナリスト</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">On April 23, 1943, First Lady Eleanor Roosevelt paid a visit to the Gila River concentration camp in Arizona.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">1943年4月23日、大統領夫人エレノア・ルーズベルトがアリゾナ州のギラ川強制収容所を訪問しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">WRA photographer Francis Stewart took the photo of her, accompanied by Dillon Myer, National Director of the War Relocation Authority, as they are greeted by a crowd of enthusiastic inmates.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">WRAの写真家、フランシス・スチュワートは、熱心な受刑者の集まりに迎えられ、戦争強制収容局のディレクター、ディロン・マイヤー氏と一緒に、大統領夫人の写真を撮りました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">Mrs. Roosevelt was one of the few in the FDR Administration to speak out publicly on behalf of loyal citizens and immigrants of Japanese ethnicity both before and after Pearl Harbor.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">ルーズベルト夫人は、真珠湾の前後でも日系で（米国に）忠実な市民や移民のために公然と発言するという、ルーズベルト政権中の少数派の一人でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">She tried without success to dissuade the President from ordering mass removal, which she regarded as a violation of human rights and American ideals, and even invited Japanese Americans to the White House.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">夫人は、人権や米国の理想に反していると彼女がみなした大量強制退去を大統領に断念させることに成功しませんでしたが、日系アメリカ人をホワイトハウスに招待しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">Her visit to the camp was in response to accusations by the local press that the federal government was coddling Japanese Americans in the camps.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">キャンプへの彼女の訪問は、連邦政府がキャンプで日系アメリカ人を甘やかせているという地元の報道からの告発に応えていました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">Her aim was to tour the facilities and investigate those claims.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">彼女の目的は施設を見学し、それらの主張を調査することでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">She came away, highlighting the work the prisoners were doing for the war effort in the camouflage net and ship model factories and noted that the milk she tasted in the mess hall was sour—her way of responding to press reports that the prisoners were receiving better quality rations than other Americans.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">彼女は施設を離れてから、囚人が迷彩ネットと船モデル工場での戦争努力のためにやっていた作業を評価し、会食ホールで味わった牛乳は酸っぱいと指摘しました。これは囚人が他のアメリカ人よりも質の高い配給を受けていたという報道への対応の彼女の方法でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">The Los Angeles Times reported on her visit three days later in an article in which she described the living conditions as—while not indecent—”certainly not luxurious,” adding, “I wouldn’t like to live that way.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">ロサンゼルス・タイムズ紙は、3日後、彼女が（劣悪ではない）生活条件を "確かに豪華ではない"と書いた記事で、「私はそのように生きていけない」と付け加えました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">She was also quoted as saying, “The sooner we get the young [native-born] Japanese out of the camps the better. Otherwise if we don’t look out we will create another Indian problem.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">彼女はまた、「若い（米国生まれの）日本人をこのキャンプからすぐに救い出さなければならない。もし私たちが目を覚まさなければ、もう一つのインディアン問題が生じるだろう」と述べたことが引用されています。</SPAN></SPAN></DIV></div>
HTMLText_679913C0_66F6_A664_41B7_B1A924436C71.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;"><B>Narrated By: Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;"><B>Artist, Photographer and Journalist</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;"><B>節子ウィンチェスターによるナレーション付き：</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;"><B>アーティスト、写真家、ジャーナリスト</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">On April 23, 1943, First Lady Eleanor Roosevelt paid a visit to the Gila River concentration camp in Arizona.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">1943年4月23日、大統領夫人エレノア・ルーズベルトがアリゾナ州のギラ川強制収容所を訪問しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">WRA photographer Francis Stewart took the photo of her, accompanied by Dillon Myer, National Director of the War Relocation Authority, as they are greeted by a crowd of enthusiastic inmates.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">WRAの写真家、フランシス・スチュワートは、熱心な受刑者の集まりに迎えられ、戦争強制収容局のディレクター、ディロン・マイヤー氏と一緒に、大統領夫人の写真を撮りました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">Mrs. Roosevelt was one of the few in the FDR Administration to speak out publicly on behalf of loyal citizens and immigrants of Japanese ethnicity both before and after Pearl Harbor.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">ルーズベルト夫人は、真珠湾の前後でも日系で（米国に）忠実な市民や移民のために公然と発言するという、ルーズベルト政権中の少数派の一人でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">She tried without success to dissuade the President from ordering mass removal, which she regarded as a violation of human rights and American ideals, and even invited Japanese Americans to the White House.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">夫人は、人権や米国の理想に反していると彼女がみなした大量強制退去を大統領に断念させることに成功しませんでしたが、日系アメリカ人をホワイトハウスに招待しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">Her visit to the camp was in response to accusations by the local press that the federal government was coddling Japanese Americans in the camps.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">キャンプへの彼女の訪問は、連邦政府がキャンプで日系アメリカ人を甘やかせているという地元の報道からの告発に応えていました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">Her aim was to tour the facilities and investigate those claims.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">彼女の目的は施設を見学し、それらの主張を調査することでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">She came away, highlighting the work the prisoners were doing for the war effort in the camouflage net and ship model factories and noted that the milk she tasted in the mess hall was sour—her way of responding to press reports that the prisoners were receiving better quality rations than other Americans.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">彼女は施設を離れてから、囚人が迷彩ネットと船モデル工場での戦争努力のためにやっていた作業を評価し、会食ホールで味わった牛乳は酸っぱいと指摘しました。これは囚人が他のアメリカ人よりも質の高い配給を受けていたという報道への対応の彼女の方法でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">The Los Angeles Times reported on her visit three days later in an article in which she described the living conditions as—while not indecent—”certainly not luxurious,” adding, “I wouldn’t like to live that way.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">ロサンゼルス・タイムズ紙は、3日後、彼女が（劣悪ではない）生活条件を "確かに豪華ではない"と書いた記事で、「私はそのように生きていけない」と付け加えました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">She was also quoted as saying, “The sooner we get the young [native-born] Japanese out of the camps the better. Otherwise if we don’t look out we will create another Indian problem.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">彼女はまた、「若い（米国生まれの）日本人をこのキャンプからすぐに救い出さなければならない。もし私たちが目を覚まさなければ、もう一つのインディアン問題が生じるだろう」と述べたことが引用されています。</SPAN></SPAN></DIV></div>
HTMLText_E3685C11_6AFE_939F_41D6_39646A72EBBE.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;"><B>Narrated By:Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;"><B>Deputy Director / Chief Curator - Norman Rockwell Museum</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;"><B>ステファニー・ハボース・プランケットによるナレーション付き</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;"><B>副所長/チーフキュレーター - ノーマンロックウェル博物館</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">Norman Rockwell's April 1st 1961, Saturday Evening Post cover, Golden Rule actually started out as a drawing.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">ノーマン・ロックウェルの1961年4月1日、サタデイイブニングポストの表紙であるゴールデン・ルールは、実際には絵として始まりました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">In 1952 at the height of The Cold War and two years into the Korean War, Rockwell conceived an image of The United Nations as the world's hope for the future.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">ロックウェルは1952年の冷戦と朝鮮戦争の2年間で、世界の未来への希望として「国連」のイメージを構想しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">His appreciation for the organization and its mission inspired a complex work portraying members of The United Nations' Security Council and 65 people representing the nations of the world.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">組織とその使命への感謝は、国連安全保障理事会のメンバーと世界の国々を代表する65人のメンバーを描いた複雑な作業に影響を与えました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">A study for an artwork that he originally intended to complete in painted form, researched and developed to the final drawing stage, the artist's United Nations piece never actually made it to canvas.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">彼がもともと絵を完成させようとしていたアートワークの研究で、最終的な描画段階まで研究されましたが、アーティストの国連の作品は、実際にキャンバス化されたことはありませんでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">Of his work on The United Nations drawing, Rockwell said, "Like everyone else, I'm concerned with the world's situation and like everyone else, I'd like to contribute something to help. The only way I can contribute is through my pictures."</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">ロックウェルは、国連画家としての活動の中で「他のみんなと同様に、私は世界の状況を懸念しており、他のみんなと同じように私は何か助けになることに貢献したいと思います。私が貢献できる唯一の方法は、私の絵画を通してです。」と言っています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">A perfectionist in his art, Rockwell went to elaborate lengths to create photographs that portrayed his concepts exactly and to find just the right models for his work.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">芸術の完璧主義者であるロックウェルは、彼のコンセプトを正確に描写し、彼の作品にちょうどよいモデルを見つけるための写真を作成するため入念に取り組みました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">He researched costumes and props and carefully orchestrated each element of the design to be photographed before putting paint to canvas.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">彼は衣装や小道具を研究し、絵画をキャンバスに入れる前に写真のデザインの各要素を慎重に調整しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">Using his photographs as a reference, Rockwell worked with the details of composition and value in this richly detailed black and white drawing, created with Wolff pencil and charcoal.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">ロックウェルは彼の写真を参考にして、ウォルフの鉛筆と木炭で作られた、この細かい黒と白の絵画の構成と価値の詳細を取り上げました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">"I take the making of the charcoal layouts very seriously." he said, "Too many novices, I believe, wait until they are on the canvas before trying to solve many of their problems. It is much better to wrestle with them ahead though studies."</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">「私は木炭のレイアウトの作成に非常に真剣に取り組んでいます。」「多くの初心者は、問題の多くを解決しようとする前に、キャンバス上に出るまで待っています。研究を重ねるうちに、彼らと取り組む方がずっと良い」と彼は述べています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">Though he was dedicated to the concept of this work, he ultimately found it too complex to create as a final illustration and eventually, about seven years later, explored the possibility of a new approach which he took in Golden Rule.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">彼はこの作品のコンセプトに専念していましたが、最終的なイラストレーションを作成するにはあまりにも複雑すぎることが判明し、最終的には約7年後にゴールデンルールから取った新しいアプローチの可能性を模索しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">Rockwell said, "One day I suddenly go the idea that The Golden Rule, do unto others as you would have them do unto you, was the subject I was looking for."</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">ロックウェルは、「ある日、私は突然ゴールデン・ルールの〝己の欲するところを人に施せ”というアイデアがひらめき、それが私が探していたものだった。」と言いました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">In Golden Rule, Rockwell portrays four sets of mothers and their children.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">ゴールデンルールでは、ロックウェルは4組の母親とその子供を描いています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">The one in the upper right hand corner actually represents his second wife Mary Barstow Rockwell who had passed away in 1959, two years before this image was published.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">右上隅にあるのは、この画像が出版される2年前の1959年に亡くなった2人目の妻メアリー バーストウ ロックウェルを描いています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">Here she is united with her first grandchild, Geoffrey Rockwell, who she never actually had the opportunity to meet.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">ここで彼女は彼女の最初の孫、ジェフリー ロックウェルと協力していますが、彼女は実際には会う機会はありませんでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">Published almost six decades ago, Norman Rockwell's Golden Rule is one of his most iconic images, portraying our common humanity and reflecting Rockwell's own beliefs, which remain relevant for our times.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">ほぼ60年前に出版されたノーマン・ロックウェルのゴールデン・ルールは、私たちの共通の人間性を描き、私たちの時代に関係するロックウェルの信念を反映した彼の最も象徴的なイメージの一つです。</SPAN></SPAN></DIV></div>
HTMLText_BCCDB4B5_A751_3514_41CB_EE68ECBBCA06.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">Narrated By:</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">ナレーション付き</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">Stephanie Haboush Plunkett</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">ステファニー・ハボース・プランケット</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">Deputy Director / Chief Curator - Norman Rockwell Museum</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">副所長/チーフキュレーター - ノーマンロックウェル博物館</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">This section of the exhibition looks at life's small pleasures, which were especially popular subjects in American magazines during the Great Depression, when many people really did not have the means to spend a lot of money for entertainment.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">展覧会のこのセクションでは、多くの人がエンターテインメントのために多くのお金を費やす手段を持っていなかった大恐慌時のアメリカ雑誌で特に人気だった生活の小さな楽しみを見せています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">What we're seeing here in the wonderful 1936 cover illustration for The Saturday Evening Post are a group of men who have gathered in a barbershop and are just having a wonderful time singing together.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">私たちがここに見ているのは、1936年のサタデーイブニングポスト紙用の素晴らしいカバー・イラストで、理髪店に集まって一緒に歌を歌って楽しい時間を過ごしている男性のグループです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">The concept of the barbershop quartet and amateur singing in general really became popular in the 1890’s and continued right up through the Depression.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">理髪店カルテットとアマチュア歌唱のコンセプトは、不景気の中1890年代に人気を博しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">Here, Rockwell, really gets to show off the thing that he so enjoyed about people, animated facial expressions, lots of wonderful idiosyncrasies in his characters, and even hand gestures that connect each of the figures to each other.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">ここでは、ロックウェルは、本当に人々が楽しんでいたこと、アニメーションの表情、素敵な素質のキャラクター、さらにはそれぞれの人物をつなぐ手のジェスチャーを披露しています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">It's a great scene that actually includes another important illustrator, who also illustrated for the Post and other magazines.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">ポスト紙や他の雑誌のイラストレーターとしても活躍している素晴らしいイラストレーターです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">Walter Beach Humphrey is seen on the right hand side, his face half-shaved, half-covered with shaving cream.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">ウォルター・ビーチハンフリーは右側に見え、彼の顔の半分は剃られ、半分はシェービングクリームで覆われています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">He holds a publication called the Police Gazette, which we might imagine to tell us about the activities of the American policemen, but instead was actually a gentleman's magazine that had stories about the darker side of life.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">彼は、「警察官報」という出版物を持っていて、アメリカの警察官の活動について私たちに伝えるような雑誌をイメージするかもしれませんが、実際には、人生の暗い一面に関する物語を扱った紳士誌でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">When Rockwell did this piece in 1936, he was living in New Rochelle, New York, which, at the time, had the highest per capita number of illustrators of any city in the entire nation.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">ロックウェルが1936年にこの作品を作ったとき、彼はニューヨークのニューロシェルに住んでいましたが、その当時は、全国のどの都市も一人当たりのイラストレーターの人数が一番多い頃でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">New Rochelle had the advantage of being 45 minutes from Broadway, and so artists could enjoy a more bucolic rural existence, though New Rochelle certainly had its share of activity.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">ニューロシェルはブロードウェイから45分という長所があったので、活動のシェアもありましたが、芸術家たちは田舎の農村の存在も楽しむことができました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">It was a short train ride from New York City, so illustrators living there could actually deliver their work very easily to their publishers.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;">それはニューヨーク市から電車ですぐだったので、そこに住んでいるイラストレーターは実際に彼らの作品を出版社に簡単に届けることができました。</SPAN></SPAN></DIV></div>
HTMLText_6C90BACE_6D96_B228_41D8_38A70E5E9406.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B><I>1943 Stamp Cover—Four Freedoms</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Printed envelope with stamps, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">postmarked February 12, 1943 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Courtesy of the Franklin D. Roosevelt Library &amp; Museum, Hyde Park, NY</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_6CA08315_6DB5_521F_41CA_6A965F027402.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B><I>1944 Roosevelt Presidential Campaign Sticker</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Paper and adhesive</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Courtesy of Franklin D. Roosevelt Library and Museum, Hyde Park, NY, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gift of John Vargo</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Franklin D. Roosevelt was the only president to have served more than two terms in United States history. In 1944, he won reelection, but his physical health steadily declined, and he died in April 1945, less than three months into his fourth term in office. Harry S. Truman was Roosevelt’s Vice President at the time, and his successor.</SPAN></SPAN></DIV></div>
HTMLText_B3DAA984_CA29_B67E_41DD_78E0D982BA74.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B><I>Altman Masterpiece</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Advertisement for B. Altman, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Vogue</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, September 15, 1943 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Here, a fashion model in a tailored suit is photographed with Norman Rockwell’s </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Speech</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> and </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Worship.</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> The paintings were widely reproduced as posters to spur the sale of war bonds.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_6CA5AC91_6DBF_5611_41D3_B2FCC59A0AD6.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B><I>Cigarette Holder</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">c. 1945</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Band inscribed “To the Father of the Four Freedoms, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Master-Builder of Glorious America and Free Humility,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> Alexander Isserman, FDR” </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Amber with gold band</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Courtesy of Franklin D. Roosevelt Library and Museum, Hyde Park, NY, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Bequest of Franklin D. Roosevelt</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">President Franklin D. Roosevelt was frequently seen and photographed with a cigarette and holder clenched in his teeth. Generally held at a forty-five degree angle, it became a symbol of presidential confidence. This is one of the many cigarette holders that were gifted to Roosevelt, but it is unique in its inscription relating to the Four Freedoms.</SPAN></SPAN></DIV></div>
HTMLText_B3E16C74_6C7F_B6FD_41BE_401438DD5FB8.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B><I>Franklin D. Roosevelt Ashtray</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Royal Fenton, Staffordshire, England, c. 1941 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">China</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Franklin D. Roosevelt Presidential Library</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">and Museum, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Bequest of Franklin D. Roosevelt</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Among many commemorations of the Atlantic Charter meeting in 1941, this ashtray is part of a smoke set that was presented to President Roosevelt on February 13, 1943 by Albert A. Arditti, President of Edward P. Paul &amp; Co., Inc.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_B71C5B81_6C75_5216_41C7_6DD5B2083526.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B><I>Franklin D. Roosevelt and Winston Churchill </I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B><I>Atlantic Charter Meeting Cigarette Box</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">c.1941</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Ceramic</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Courtesy of Franklin D. Roosevelt Library and Museum, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Hyde Park, NY</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">After the August 14, 1941 signing of the Atlantic Charter, many objects were designed to commemorate the event, from cigarette boxes, plates, and thimbles to specially minted coins.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_7C65F789_3B94_038E_41AD_47D3E0B36B94.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B><I>Freedom from Fear </I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">By: Stephen Vincent Benét</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">What do we mean when we say “freedom from fear”? It isn’t just a formula or a set of words. It’s a look in the eyes and a feeling in the heart and a thing to be won against odds. It goes to the roots of life — to a man and a woman and their children and the home they can make and keep.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Fear has walked at man’s heels through many ages — fear of wild beasts and wilder nature, fear of the inexplicable gods of thunder and lightning, fear of his neighbor man.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He saw his rooftree burned with fire from heaven — and did not know why. He saw his children die of plague — and did not know why. He saw them starve, he saw them made slaves. It happened — he did not know why. Those things had always happened.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Then he set himself to find out — first one thing, then another. Slowly, through centuries, he fought his battle with fear. And wise men and teachers arose to help him in the battle.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">His children and he did not have to die of plague. His children and he did not have to make human sacrifices to appease the wrath of inexplicable gods. His children and he did not have to kill the stranger just because he was a stranger. His children and he did not have to be slaves. And the shape of Fear grew less.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No one man did this by himself. It took many men and women, over many years. It took saints and martyrs and prophets — and the common people. It started with the first fire in the first cave — the fire that scared away the beasts of the night. It will not end with the conquest of far planets.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Since our nation began, men and women have come here for just that freedom — freedom from the fear that lies at the heart of every unjust law, of every tyrannical exercise of power by one man over another man. They came from every stock — the men who had seen the face of tyranny, the men who wanted room to breathe and a chance to be men. And the cranks and the starry-eyed came, too, to build Zion and New Harmony and Americanopolis and the states and cities that perished before they lived — the valuable cranks who push the world ahead an inch. And a lot of it never happened, but we did make a free nation.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“How are you ever going to live out there, stranger?”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“We’ll live on weevily wheat and the free air.” If they had the free air, they’d put up with the weevily wheat.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">So, in our corner of the world, and for most of our people, we got rid of certain fears. We got rid of them, we got used to being rid of them. It took struggle and fighting and a lot of working things out. But 130 million people lived at peace with one another and ran their own government. And because they were free from fear, they were able to live better, by and large and on the whole, than any 130 million people had lived before. Because fear may drive a burdened man for a mile, but it is only freedom that makes his load light for the long carry.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">And meanwhile around us the world grew smaller and smaller. If you looked at it on the school maps, yes, it looked like the same big world with a big, safe corner for us. But all the time invention and mechanical skill were making it smaller and smaller. When the Wright brothers made their first flights at Kittyhawk, the world shrank. With those first flights, the world began to come together, and distant nations to jostle their neighbor nations.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Now, again in our time, we know Fear — armed Fear, droning through the sky. It’s a different sound from the war whoop and the shot in the lonesome clearing, and yet it is much the same for all of us. It is quiet in the house tonight and the children are asleep. But innocence, good will, distance, peaceable intent, will not keep those children safe from the fear in the sky. No one man can keep his house safe in a shrunken world. No one man can make his own clearing and say “This is mine. Keep out.” And yet, if the world is to go on, if man is to survive and prosper, the house of man must be kept safe.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">So, what do we mean by “freedom from fear”?</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">We do not mean freedom from responsibility — freedom from struggle and toil, from hardship and danger. We do not intend to breed a race wrapped in cotton wool, too delicate to stand rough weather. In any world of man that we can imagine, fear and the conquest of fear must play a part.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">But we have the chance, if we have the brains and the courage, to destroy the worst fears that harry man today — the fear of starving to death, the fear of being a slave, the fear of being stamped into the dust because he is one kind of man and not another, the fear of unprovoked attack and ghastly death for himself and for his children because of the greed and power of willful and evil men and deluded nations.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">It will not be easy to destroy those fears. No one man can do it alone. No one nation can do it alone. It must be all men.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">It is not enough to say, “Here, in our country, we are strong. Let the rest of the world sink or swim. We can take care of ourselves.” That may have been true at one time, but it is no longer true. We are not an island in space, but a continent in the world. While the air is the air, a bomb can kill your children and mine. Fear and ignorance a thousand miles away may spread pestilence in our own town. A war between nations on the other side of the globe may endanger all we love and cherish.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">War, famine, disease are no longer local problems or even national problems. They are problems that concern the whole world and every man. That is a hard lesson to learn, and yet, for our own survival, we must learn it.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">A hundred and sixty-odd years ago, we, as a nation, asserted that all men were created equal, that all men were entitled to life, liberty, and the pursuit of happiness. Those were large assertions, but we have tried to live up to them. We have not always succeeded; we have often failed. But our will and desire as a nation have been to live up to them.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Now, in concert with other free nations, we say that those children you see and other children like them all over the world shall grow to manhood and womanhood free from fear. We say that neither their minds nor their bodies shall be cramped or distorted or broken by tyranny and oppression. We say they shall have a chance, and an equal chance, to grow and develop and lead the lives they choose to lead, not lives mapped out for them by a master. And we say that freedom for ourselves involves freedom for others — that it is a universal right, neither lightly given by providence nor to be maintained by words alone, but by acts and deeds and living.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">We who are alive today did not make our free institutions. We got them from the men of the past, and we hold them in trust for the future. Should we put ease and selfishness above them, that trust will fail and we shall lose all, not a portion or a degree of liberty, but all that has been built for us and all that we hope to build. Real peace will not be won with one victory. It can be won only by long determination, firm resolve, and a wish to share and work with other men, no matter what their race or creed or condition. And yet, we do have the choice. We can have freedom from fear.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Here is a house, a woman, a man, their children. They are not free from life and the obligations of life. But they can be free from fear. All over the world, they can be free from fear. And we know they are not yet free.</SPAN></SPAN></DIV></div>
HTMLText_7FBFC2FE_3BAD_FD82_41CB_CB8FC3A2B799.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B><I>Freedom from Want</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">By Carlos Bulosan</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">If you want to know what we are, look upon the farms or upon the hard pavements of the city. You usually see us working or waiting for work, and you think you know us, but our outward guise is more deceptive than our history.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Our history has many strands of fear and hope, that snarl and converge at several points in time and space. We clear the forest and the mountains of the land. We cross the river and the wind. We harness wild beast and living steel. We celebrate labor, wisdom, peace of the soul.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">When our crops are burned or plowed under, we are angry and confused. Sometimes we ask if this is the real America. Sometimes we watch our long shadows and doubt the future. But we have learned to emulate our ideals from these trials. We know there were men who came and stayed to build America. We know they came because there is something in America that they needed, and which needed them.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">We march on, though sometimes strange moods fill our children. Our march toward security and peace is the march of freedom — the freedom that we should like to become a living part of. It is the dignity of the individual to live in a society of free men, where the spirit of understanding and belief exist; of understanding that all men are equal; that all men, whatever their color, race, religion or estate, should be given equal opportunity to serve themselves and each other according to their needs and abilities.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">But we are not really free unless we use what we produce. So long as the fruit of our labor is denied us, so long will want manifest itself in a world of slaves. It is only when we have plenty to eat — plenty of everything — that we begin to understand what freedom means. To us, freedom is not an intangible thing. When we have enough to eat, then we are healthy enough to enjoy what we eat. Then we have the time and ability to read and think and discuss things. Then we are not merely living but also becoming a creative part of life. It is only then that we become a growing part of democracy.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">We do not take democracy for granted. We feel it grow in our working together — many millions of us working toward a common purpose. If it took us several decades of sacrifices to arrive at this faith, it is because it took us that long to know what part of America is ours.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Our faith has been shaken many times, and now it is put to question. Our faith is a living thing, and it can be crippled or chained. It can be killed by denying us enough food or clothing, by blasting away our personalities and keeping us in constant fear. Unless we are properly prepared, the powers of darkness will have good reason to catch us unaware and trample our lives.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The totalitarian nations hate democracy. They hate us because we ask for a definite guaranty of freedom of religion, freedom of expression, and freedom from fear and want. Our challenge to tyranny is the depth of our faith in a democracy worth defending. Although they spread lies about us, the way of life we cherish is not dead. The American Dream is only hidden away, and it will push its way up and grow again.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">We have moved down the years steadily toward the practice of democracy. We become animate in the growth of Kansas wheat or in the ring of Mississippi rain. We tremble in the strong winds of the Great Lakes. We cut timbers in Oregon just as the wild flowers blossom in Maine. We are multitudes in Pennsylvania mines, in Alaskan canneries. We are millions from Puget Sound to Florida. In violent factories, crowded tenements, teeming cities. Our numbers increase as the war revolves into years and increases hunger, disease, death, and fear.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">But sometimes we wonder if we are really a part of America. We recognize the mainsprings of American democracy in our right to form unions and bargain through them collectively, our opportunity to sell our products at reasonable prices, and the privilege of our children to attend schools where they learn the truth about the world in which they live. We also recognize the forces which have been trying to falsify American history — the forces which drive many Americans to a corner of compromise with those who would distort the ideals of men that died for freedom.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Sometimes we walk across the land looking for something to hold on to. We cannot believe that the resources of this country are exhausted. Even when we see our children suffer humiliations, we cannot believe that America has no more place for us. We realize that what is wrong is not in our system of government, but in the ideals which were blasted away by a materialistic age. We know that we can truly find and identify ourselves with a living tradition if we walk proudly in familiar streets. It is a great honor to walk on the American earth.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">If you want to know what we are, look at the men reading books, searching in the dark pages of history for the lost word, the key to the mystery of living peace. We are factory hands, field hands, mill hands, searching, building, and molding structures. We are doctors, scientists, chemists, discovering and eliminating disease, hunger, and antagonism. We are soldiers, Navy men, citizens, guarding the imperishable dream of our fathers to live in freedom. We are the living dream of dead men. We are the living spirit of free men.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Everywhere we are on the march, passing through darkness into a sphere of economic peace. When we have the freedom to think and discuss things without fear, when peace and security are assured, when the futures of our children are ensured — then we have resurrected and cultivated the early beginnings of democracy. And America lives and becomes a growing part of our aspirations again.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">We have been marching for the last 150 years. We sacrifice our individual liberties, and sometimes we fail and suffer. Sometimes we divide into separate groups and our methods conflict, though we all aim at one common goal. The significant thing is that we march on without turning back. What we want is peace, not violence. We know that we thrive and prosper only in peace.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">We are bleeding where clubs are smashing heads, where bayonets are gleaming. We are fighting where the bullet is crashing upon armorless citizens, where the tear gas is choking unprotected children. Under the lynch trees, amidst hysterical mobs. Where the prisoner is beaten to confess a crime he did not commit. Where the honest man is hanged because he told the truth.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">We are the sufferers who suffer for natural love of man for another man, who commemorate the humanities of every man. We are the creators of abundance.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">We are the desires of anonymous men. We are the subways of suffering, the well of dignities. We are the living testament of a flowering race.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">But our march to freedom is not complete unless want is annihilated. The America we hope to see is not merely a physical but also a spiritual and an intellectual world. We are the mirror of what America is. If America wants us to be living and free, then we must be living and free. If we fail, then America fails.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">What do we want? We want complete security and peace. We want to share the promises and fruits of American life. We want to be free from fear and hunger.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">If you want to know what we are — we are marching!</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_1638EB5B_387C_0C82_41B6_C5C8D7E1C4ED.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B><I>Freedom of Speech</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">By: Booth Tarkington</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In a small chalet on the mountain road from Verona to Innsbruck, two furtive tourists sat, pretending not to study each other. Outdoors, the great hills rose in peace that summer evening in 1912; indoors, the two remaining patrons, both young, both dusty from the road, sat across the room from each other, each supping at his own small table</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">One was a robustly active figure, dark, with a bull head; the other was thin and mouse-haired. It was somewhat surprising to see him take from his knapsack several sketches in watercolor. Upon this, the dark young traveler, who’d been scribbling notes in a memorandum book, decided to speak.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“You’re a painter, I see.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“Yes,” the insignificant one replied, his small eyes singularly hard and cold. “You, sir, I take to be a writer?”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The dark young man brought his glass of red wine and his plate of cheese and hard sausage to the painter’s table. “You permit?” he asked as he sat down. “By profession I am a journalist.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“An editor, I think,” the watercolor painter responded. “I might guess that you’ve written editorials not relished by the authorities.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“Why do you guess that?”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“Because,” the painter said, “when other guests were here, a shabby man slipped in and whispered to you. A small thing, but I observed it, though I am not a detective.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“Not a detective,” the dark young man repeated.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“And yet perhaps dangerously observant. This suggests that possibly you do a little in a conspiratorial way yourself.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“Why do you say that?”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“Because of your appearance. You’re precisely a person nobody would notice, but you have an uneasy yet coldly purposeful eye. And because behind us it’s only a step over the mountain path to Switzerland, where political refugees are safe.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“Yes, no doubt fortunately for you!” The mouse-haired painter smiled. “As for me, I am in no trouble with the authorities, but I admit that I have certain ideas.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“I was sure you have.” The journalist drank half his wine. “Ideas? With such men as you and me, that means ambitions. Socialism, of course. That would be a first step only toward what we really want. Am I right?”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“Here in this lonely place” — the painter smiled faintly — “it is safe to admit that one has dazzling thoughts. You and I, strangers and met by chance, perceive that each in his own country seeks an extreme amount of success. That means power. That is what we really want. We are two queer men. Should we both perhaps be rightly thought insane?”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“Greatness is easily mistaken for insanity,” the swarthy young man said.  </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“Greatness is the ability to reduce the most intricate facts to simple terms. For instance, take fighting. Success is obtained by putting your enemy off his guard, then striking him where he is weakest — in the back, if possible. War is as simple as that.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“Yes, and so is politics,” the painter assented absently as he ate some of the fruit that formed his supper. “Our mutual understanding of greatness helps to show that we are not lunatics, but only a simple matter of geography is needed to prove our sanity.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“Geography?” The journalist didn’t follow this thought. “How so?”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“Imagine a map.” The painter ate a grape. “Put yourself in England, for instance, and put me and my dazzling ideas into that polyglot zoo, the United States of America. You in England can bellow attacks on the government till you wear out your larynx, and some people will agree with you and some won’t, and that is all that would happen. In America I could do the same. Do you not agree?”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“Certainly,” the journalist said. “In those countries the people create their own governments. They make them what they please, and so the people really are the governments. They let anybody stand up and say what he thinks. If they believe he’s said something sensible, they vote to do what he suggests. If they think he is foolish, they vote no. Those countries are poor fields for such as you and me, because why conspire in a wine cellar to change laws that permit themselves to be changed openly?”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“Exactly.” The watercolor painter smiled his faint strange smile. “Speech is the expression of thought and will. Therefore, freedom of speech means freedom of the people. If you prevent them from expressing their will in speech, you have them enchained, an absolute monarchy. Of course, nowadays he who chains the people is called a dictator.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“My friend!” the dark young man exclaimed.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“We understand each other. But where men cannot speak out, they will whisper. You and I will have to talk out of the sides of our mouths until we have established the revolutions we contemplate. For a moment, suppose us successful. We are dictators, let us say. Then in our turn do we permit no freedom of speech? If we don’t, men will talk out of the sides of their mouths against us. So they may overthrow us in turn. You see the problem?”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“Yes, my friend. Like everything else, it is simple. In America or England, so long as governments actually exist by means of freedom of speech, you and I could not even get started; and when we shall have become masters of our own countries, we shall not be able to last a day unless we destroy freedom of speech. The answer is this: We do destroy it.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“But how?”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“By means of a purge.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“Purge?” The word seemed new to the journalist. “What is that?”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Once more was seen the watercolor painter’s peculiarly icy smile. “My friend, if I had a brother who talked against me, either out of the side of his mouth or the front of it, and lived to run away, he might have to leave his wife and child behind him. A purge is a form of carbolic acid that would include the wife and child.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“I see.” The dark youth looked admiring, but shivered slightly. “On the one hand, then, there is freedom of speech, and on the other this fatal acid you call a purge. The two cannot exist together in the same country. The people of the earth can take their choice, but you and I can succeed only where we persuade them to choose the purge. They would be brainless to make such a choice — utterly brainless!”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“On the other hand,” said the painter, “many people can be talked into anything, even if it is terrible for themselves. I shall flatter all the millions of my own people into accepting me and the purge instead of freedom.”</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He spoke with a confidence so monstrous in one of his commonplace and ungifted appearance that the other stared aghast. At this moment, however, a shrill whistle was heard outside. Without another word the dark young man rose, woke the landlord, paid his score and departed hurriedly.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The painter spoke to the landlord: “That fellow seems to be some sort of shady character, rather a weak one. Do you know him?”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“Yes and no,” the landlord replied. “He’s in and out, mainly after dark. One meets all sorts of people in the Brenner Pass. You might run across him here again, yourself, someday. I don’t know his whole name, but I have heard him called ‘Benito,’ my dear young Herr Hitler.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_0CAE9F3E_3BB4_0482_41C4_06D4532D8450.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B><I>Freedom of Worship</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">By: Will Durant</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Down in the valley below the hill where I spend my summers is a little white church whose steeple has been my guiding goal in many a pleasant walk.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Often, as I passed the door on weekdays when all was silent there, I wished that I might enter, sit quietly in one of the empty pews, and feel more deeply the wonder and the longing that had built such chapels — temples and mosques and great cathedrals — everywhere on the earth.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Man differs from the animal in two things: He laughs, and he prays. Perhaps the animal laughs when he plays, and prays when he begs or mourns; we shall never know any soul but our own, and never that. But the mark of man is that he beats his head against the riddle of life, knows his infinite weakness of body and mind, lifts up his heart to a hidden presence and power, and finds in his faith a beacon of heartening hope, a pillar of strength for his fragile decency.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">These men of the fields, coming from afar in the uncomfortable finery of a Sabbath morn, greeting one another with bluff cordiality, entering to worship their God in their own fashion — I think, sometimes, that they know more than I shall ever find in all my books. They have no words to tell me what they know, but that is because religion, like music, lives in a world beyond words, or thoughts, or things. They have felt the mystery of consciousness within themselves, and will not say that they are machines. They have seen the growth of the soil and the child, they have stood in awe amid the swelling fields, in the humming and teeming woods, and they have sensed in every cell and atom the same creative power that wells up in their own striving and fulfillment. Their unmoved faces conceal a silent thankfulness for the rich increase of summer, the mortal loveliness of autumn and the gay resurrection of the spring. They have watched patiently the movement of the stars, and found in them a majestic order so harmoniously regular that our ears would hear its music were it not eternal. Their tired eyes have known the ineffable splendor of earth and sky, even in tempest, terror, and destruction; and they have never doubted that in this beauty some sense and meaning dwell. They have seen death, and reached beyond it with their hope.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">And so they worship. The poetry of their ritual redeems the prose of their daily toil; the prayers they pray are secret summonses to their better selves; the songs they sing are shouts of joy in their refreshened strength. The commandments they receive, through which they can live with one another in order and peace, come to them as the imperatives of an inescapable deity, not as the edicts of questionable men. Through these commands they are made part of a divine drama, and their harassed lives take on a scope and dignity that cannot be canceled out by death.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">This little church is the first and final symbol of America. For men came across the sea not merely to find new soil for their plows but to win freedom for their souls, to think and speak and worship as they would. This is the freedom men value most of all; for this they have borne countless persecutions and fought more bravely than for food or gold. These men coming out of their chapel — what is the finest thing about them, next to their undiscourageable life? It is that they do not demand that others should worship as they do, or even that others should worship at all. In that waving valley are some who have not come to this service. It is not held against them; mutely these worshipers understand that faith takes many forms, and that men name with diverse words the hope that in their hearts is one.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">It is astonishing and inspiring that after all the bloodshed of history, this land should house in fellowship a hundred religions and a hundred doubts. This is with us an already ancient heritage; and because we knew such freedom of worship from our birth, we took it for granted and expected it of all mature men. Until yesterday, the whole civilized world seemed secure in that liberty.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">But now suddenly, through some paranoiac mania of racial superiority, or some obscene sadism of political strategy, persecution is renewed, and men are commanded to render unto Caesar the things that are Caesar’s, and unto Caesar the things that are God’s. The Japanese, who once made all things beautiful, begin to exclude from their realm every faith but the childish belief in the divinity of their emperor. The Italians, who twice littered their peninsula with genius, are compelled to oppress a handful of hunted men. The French, once honored in every land for civilization and courtesy, hand over desolate refugees to the coldest murderers that history has ever known. The Germans, who once made the world their debtors in science, scholarship, philosophy, and music, are prodded into one of the bitterest persecutions in all the annals of savagery by men who seem to delight in human misery, who openly pledge themselves to destroy Christianity, who seem resolved to leave their people no religion but war, and no God but the state.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">It is incredible that such reactionary madness can express the mind and heart of an adult nation. A man’s dealings with his God should be a sacred thing, inviolable by any potentate. No ruler has yet existed who was wise enough to instruct a saint; and a good man who is not great is a hundred times more precious than a great man who is not good. Therefore, when we denounce the imprisonment of the heroic Niemoller, the silencing of the brave Faulhaber, we are defending the freedom of the German people as well as of the human spirit everywhere. When we yield our sons to war, it is in the trust that their sacrifice will bring to us and our allies no inch of alien soil, no selfish monopoly of the world’s resources or trade, but only the privilege of winning for all peoples the most precious gifts in the orbit of life — freedom of body and soul, of movement and enterprise, of thought and utterance, of faith and worship, of hope and charity, of a humane fellowship with all men.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">If our sons and brothers accomplish this, if by their toil and suffering they can carry to all mankind the boon and stimulus of an ordered liberty, it will be an achievement beside which all the triumphs of Alexander, Caesar, and Napoleon will be a little thing. To that purpose they are offering their youth and their blood. To that purpose and to them we others, regretting that we cannot stand beside them, dedicate the remainder of our lives.</SPAN></SPAN></DIV></div>
HTMLText_E4807E9C_6C95_7250_41D3_3CB4C1730710.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B><I>Reading Copy</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>of Roosevelt’s Message to Congress (Four Freedoms Speech)</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">January 6, 1941</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Franklin D. Roosevelt Library and Museum, Hyde Park, NY</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">On Monday, January 6, 1941—eleven months before the Japanese attack at Pearl Harbor—Roosevelt delivered his Message to Congress. The thirty-six-minute address was carried live by domestic radio networks, and was translated into six languages for broadcast across the world. The international audience was important to the White House, as the text’s main emphasis was the Lend-Lease bill. In Roosevelt’s view, this military aid for nations resisting international aggression was essential. The Four Freedoms peroration served as a vision of the postwar world that could emerge if those nations—with the assistance of the United States—were to be victorious.</SPAN></SPAN></DIV></div>
HTMLText_E5038C72_6CF6_D6D2_41B5_6A805B953ACC.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B><I>Sixth Draft</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>of Roosevelt’s Message to Congress </I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">(Four Freedoms Speech), </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">January 6, 1941</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Franklin D. Roosevelt Library and Museum, Hyde Park, NY</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">As the 1941 Message to Congress evolved, the president and his team carefully edited the speech text for content and flow. In this draft (the sixth, counting an unnumbered intermediate version), the Four Freedoms passage began to reflect a more definable goal. The speech writers struck out the words </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>everywhere</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> and </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>anywhere</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> as well as the word </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>international</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> (twice). World and the related phrases</SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I> everywhere in the world</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> and </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>anywhere in the world</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> replaced them. These changes gave the passage a more percussive sense of repetition, and made the president’s goals more concrete.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_E46F5F6C_6C8D_52EA_41D1_8F255D8D068D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B><I>The Atlantic Charter</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Office of War Information, U. S. Government Printing Office </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Poster</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Norman Rockwell Museum, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gift of William W. Hargreaves</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Roosevelt administration publicized the Atlantic Charter widely, but although the document was widely recognized, few Americans actually read it. Norman Rockwell, expecting to be inspired by the text, instead found it “platitudinous” and was unable “to get beyond the first paragraph.” Others were upset that only two of the president’s Four Freedoms— Freedom from Want and Freedom from Fear—had made it into the document. This poster, disseminated by the Office of War Information in 1943, suggests that the White House continued to promote the virtues of the Atlantic Charter long after the nation was at war.</SPAN></SPAN></DIV></div>
HTMLText_6CA7D7B6_6DBA_F212_41BE_88C5932B2C51.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B><I>U.S. #933 5¢ FDR and Four Freedoms</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Postage stamp block, issued January 30, 1946 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Bureau of Engraving and Printing, Washington D. C. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gift of Henry H. Williams</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">After FDR’s death in April 1945, the US Postal Service made plans to issue four new stamp series—the so-called Roosevelt Memorial stamps—to commemorate his service to the nation and the world. The fourth issue was this five- cent Four Freedoms stamp. It was released on January 30,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1946, the late president’s 64th birthday. By superimposing all four of the freedoms over an image of the world, the stamp presented a visual echo of FDR’s January 1941 address, which suggested that the Four Freedoms should thrive “everywhere in the world.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_B79F4218_6C75_D235_41CB_469D6E0A7386.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B><I>Winston Churchill Ashtray</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Royal Fenton, Staffordshire, England, c. 1941 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">China</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Franklin D. Roosevelt Presidential Library</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">and Museum, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Bequest of Franklin D. Roosevelt</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_F54CC117_6C8F_4E3E_41D9_7DE71E31AF88.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Albert Gold (1916–2006) </B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Immigrant Family Dinner</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, c. 1939 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Watercolor on board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Eisenstat Collection of American Illustration, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Courtesy of Alice Carter and Courtney Granner</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">This scene of an immigrant family sharing a simple meal exemplifies the Depression-era art of Albert Gold, whose sensitive portrayals of people’s daily lives were mainstays of his art. In 1942, Gold was awarded the coveted Prix de Rome for a painting of three circus cooks at work. He was drafted into the Army that year, and later became one of three official combat artists in Europe during World War II. Discharged in 1945, he went on to teach at the Philadelphia Museum School of Industrial Art, now the University of the Arts, for 37 years.</SPAN></SPAN></DIV></div>
HTMLText_8952FDD0_B4CB_79AF_41E6_08E532789EA2.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Alexander Liberman (1912–1999)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>United We Win</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Poster</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Roosevelt administration understood the critical need for a unified industrial effort on the home front. However, segregation and racism in the 1940s presented formidable obstacles to that goal. Munitions production slowed, for instance, when some white factory laborers refused to work alongside African Americans. This poster, designed by editor, photographer, and sculptor Alexander Liberman, was issued by the War Manpower Commission to address the problem directly. It depicts an integrated work team concerned, not about skin color, but about winning the war.</SPAN></SPAN></DIV></div>
HTMLText_4235C7ED_5B24_B659_4180_A5B5E0B5FE5E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Alfred Charles Parker (1906–1985)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Mother and Daughter Changing Tire</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Ladies’ Home Journal</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, March 1943 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tearsheet</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gift of Kit Parker</SPAN></SPAN></DIV></div>
HTMLText_436C874C_5B24_B65F_41C0_56D0A75880C9.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Alfred Charles Parker (1906–1985)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Mother and Daughter Ice Skating</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1939</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Ladies’ Home Journal</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, February 1939 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tearsheet</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gift of Kit Parker</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_426C108F_5B3F_CAD9_41C6_D2D6596E35C8.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Alfred Charles Parker (1906–1985)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Mother and Daughter Soldier’s Homecoming</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1945</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Ladies’ Home Journal</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, July 1945 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tearsheet</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gift of the Rosenbaum Family, RC.1989.12.1</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_7FD72D2B_4AD4_DB92_4194_EA95D73734C8.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Alfred Charles Parker (1906–1985)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Mother and Daughter Swimmers,</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> 1940</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Ladies’ Home Journal</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, July 1940 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gouache on board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of D.B. Dowd Modern Graphic History Library, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Washington University in St. Louis</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">A founder of the modern glamour aesthetic, Al Parker defined the progressive look and feel of published imagery at a time of sweeping change, when following the Great Depression, Americans sought symbols of hope on the pages of periodicals. His innovative artworks created for mass- appeal women’s magazines like </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Ladies’ Home Journal</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Good Housekeeping</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, and </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Cosmopolitan</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> captivated upwardly mobile readers, reflecting and influencing the values and aspirations of women and their families during and after World War II.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_4299F043_5B25_CA49_41C0_703E836E6C43.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Alfred Charles Parker (1906–1985)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Mother and Daughter Wrapping Christmas Presents</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1939 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Ladies’ Home Journal</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, December 1939</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tearsheet</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gift of Kit Parker</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_40661558_5B24_CA47_41A4_764589F055A4.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Alfred Charles Parker (1906–1985)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Mother, Daughter, and Infant Son</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1947</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Ladies’ Home Journal</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, September 1947</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tearsheet</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, Gift of Kit Parker</SPAN></SPAN></DIV></div>
HTMLText_4C6F80B6_5B2D_4ACB_41CA_996A8BCA5DF2.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Alfred Charles Parker (1906–1985)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Mother, Daughter, and Son</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1950 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gouache on board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of D.B. Dowd Modern Graphic History Library, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Washington University in St. Louis</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">When the first of Al Parker’s mother and daughter covers for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Ladies’ Home Journal </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">appeared in February 1939, they created a sensation and inspired a matching outfit fashion trend. Over the next thirteen years, Parker’s mothers and daughters celebrated holiday traditions, shared a love of sport, and played their part during World War II. In July 1945, they welcomed their returning soldier and signaled the start of the baby boomer generation. By that December, two knitted booties—one pink and one blue—were already underway, and in 1946 a son was born.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_94BE1204_C9EA_9A7E_41CF_51E124247B4E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Alfred T. Palmer (1906–1993)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Four Freedoms and Arsenal of Democracy Posters</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, February 1942 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Library of Congress: Prints &amp; Photographs Division, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Washington, D. C., LC-USE6-D-004848</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">This large photographic display designed by French graphic designer Jean Carlu highlighted the </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Four Freedoms</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> on one side and FDR’s </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Arsenal of Democracy </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">on the other. It was installed in Washington, DC, in November 1941, and as seen here, was displayed in New York City in the winter of 1942.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_BCB90959_C688_CB19_41B8_732D551A1699.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Allen Hurlburt (1910-1983)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Letter from Look Art Director - Allen Hurlburt - to Norman Rockwell</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">February 21, 1966</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_0BA7526F_4833_1253_41CA_1A8A09E6D695.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Allen Saalburg (1899 - 1987)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Remember December 7th!</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1942</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Poster illustration for the Office of War Information,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">U.S. Government Printing Office Poster</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The attack on Pearl Harbor impacted the consciousness of mid-century Americans more forcefully than any other single event during World War II. Posters such as this, depicting a tattered flag at half mast, kept the memory of December 7, 1941 alive.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">It's interesting to note that this poster was portrayed by Rockwell on the back wall of his </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Shuffleton's Barbershop</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> painting. Though </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Shuffleton's</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> was completed in 1950, it would not have been unusual for World War II era posters to remain on display in shops and public buildings after the war, and </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Remember Dec. 7! </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">was a well-known slogan to the American public.  </SPAN></SPAN></DIV></div>
HTMLText_A032D33B_C689_3F19_4194_2DB8FFA61811.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Anna C. Frank</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Letter to Norman Rockwell regarding the “Committee of 100” </I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>NAACP Legal Defense and Educational Fund</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In this letter, Anna C. Frank thanks Rockwell for allowing </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Murder in Mississippi </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">to be reproduced for distribution as a fundraising premium for the NAACP’s Legal Defense and Educational Fund.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_07B982A5_666A_A62F_419B_99D6AB8B05B6.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Ansel Adams (1902-1984)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Tom Kobayashi, Landscape, South Fields, Manzanar</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Farm Security Administration - </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Office of War Information Photograph Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Library of Congress, Washington, D. C., LC-A351-3-M-19</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">On February 19, 1942, two months after the bombing of Pearl Harbor and more than a year after his Four Freedoms speech, President Franklin D. Roosevelt signed Executive Order 9066 authorizing the internment of people of Japanese descent. By June of that year, more than 120,000 people of all ages had been relocated to remote internment camps.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">This photograph of Thomas Kobayashi (1916-2018) was taken at the Manzanar War Relocation Center in California, one of ten concentration camps where Japanese Americans were interned during World War II. A champion of the poor, Kobayashi collected food and clothing for people in need, and volunteered for the U.S. Army’s 442nd Infantry Battalion, a Japanese-American unit. In the Military Intelligence Service, he decoded intercepted Japanese messages, and in 2012, received the Congressional Gold Medal in honor of his distinguished service. Kobayashi died at 101 years of age.</SPAN></SPAN></DIV></div>
HTMLText_918628B9_6D8F_5E68_41D9_E7FF6A2E795E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Arnold Machin (1911–1999)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>It Can Be Done, It Must Be Done, It Will Be Done</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1942 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Franklin D. Roosevelt Cameo Mug,  Wedgewood, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Barlaston, England</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Ceramic</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Franklin D. Roosevelt Presidential Library and Museum, Gift of the Mayborn Museum</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Wedgwood’s mission to combine its export with a patriotic commitment to the alliance between Britain and America was displayed in the work of talented designer Arnold Machin. As a conscientious objector, Machin spent the war years at Barlaston. Among his debut pieces were representations of Churchill and Roosevelt, and in 1942, these were incorporated into designs for two mugs in white on lavender embossed queen’s ware. The exercise revived the long tradition of using ceramic art to promote praiseworthy causes.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_F279EC3C_A421_9316_41C8_BD4508EE722E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Arthur Szyk (1894–1951)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Arsenal of Democracy II</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1942 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Pen, ink and graphite on paper </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of Raziel Ungar</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In this drawing, Szyk describes FDR’s vision of American industry as an “arsenal of democracy” that arms the Allies with military supplies. The work challenges and inspires American workers to forge and fortify weapons of freedom.</SPAN></SPAN></DIV></div>
HTMLText_DEF02AA6_A4E6_F7DE_41D8_E4ACDDA0F8F1.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Arthur Szyk (1894–1951)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Four Freedoms,</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> c. 1940’s</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Issued by the Emergency Committee to Save the Jewish People of Europe</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Sheet of stamps</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The prolific and gifted Polish Jewish illustrator Arthur Szyk was passionate about Roosevelt’s Four Freedoms and considered himself the president’s Soldier in Art. His </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Four Freedoms</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> images reflect his spirit as a fighting artist—the central figure in all four paintings is a medieval knight. The swords, daggers, and lances acknowledge that freedom must be defended, and the shield emblazoned with stars and stripes calls upon the United States to be its guardian. Szyk’s </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Four Freedoms</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> images were widely circulated in sheets of stamps and oversized postcards.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_6C9BDB4F_6D8A_F204_41A5_82CD0AA7033F.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Atlantic Charter Medallion </B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1941 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Turner &amp; Simpson, Ltd., Birmingham, England </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Silver over bronze</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Franklin D. Roosevelt Presidential Library</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">and Museum, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gift of Eleanor Roosevelt</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In addition to profiles of King George VI and Queen Elizabeth, this commemorative piece features likenesses of President Roosevelt and Prime Minister Churchill with United States and British flags, on the reverse.</SPAN></SPAN></DIV></div>
HTMLText_C38D8B21_6C96_F213_41C9_761845656497.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Ben Eisenstat (1915–2001)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Briquebec Normandy</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, June 1944 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Graphite on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Eisenstat Collection of American Illustration, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Courtesy of Alice Carter and Courtney Granner</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Artist and soldier Ben Eisenstat landed with his unit on Utah Beach, the code name for one of the five sectors of the Allied invasion of German-occupied France in Normandy. This drawing of Briquebec, located twenty-seven miles from the landing site, is one of the first of many drawings that he completed during his military service in Europe.</SPAN></SPAN></DIV></div>
HTMLText_89999B01_B4C9_9AB2_41B5_C05B421226B0.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Ben Shahn (1898–1969)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Give ‘em the stuff to fight with . . . Work for Freedom!</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1942 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Poster illustration for the Office of War Information,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">U.S. Government Printing Office </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Poster</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">As the Allied victory in World War II gradually become more certain, the Soviet Union’s Joseph Stalin was moved to salute “American production, without which this war would have been lost.” Wartime posters targeting munitions workers typically tried to motivate laborers by personalizing the war and by making it clear that the role of the factory worker was as important as the role of the soldier. John Falter was a popular</SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I> Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> illustrator who contributed to the war effort through his art.</SPAN></SPAN></DIV></div>
HTMLText_88C3122C_B4D6_8AC7_41E1_F2B70110A2EB.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Ben Shahn (1898–1969)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>This is Nazi Brutality</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1942</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Office of War Information, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">U. S. Government Printing Office Poster</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">This poster by social realist Ben Shahn was inspired by atrocities in Lidice, a Czech mining village that was destroyed in retaliation for the 1942 shooting of a Nazi official. It was designed to instill fear of Nazi brutality and make clear that losing the war to the Axis powers would be a global catastrophe.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_8881A59F_B4DA_89C0_41E1_758A8B63EA09.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Ben Shahn (1898–1969)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>We French workers warn you . . . defeat means slavery, starvation, death,</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> 1942</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Office of War Information, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">U. S. Government Printing Office Poster</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In this iconic poster by social realist, Ben Shahn, four French workers, head and shoulders visible with their hands above their heads, move from right to left past a stone wall bearing a red Official Vichy Decree concerning forced labor for Frenchmen.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_E50B4E15_6CBE_B23C_41B4_567099CA502C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Bernhardt Walter and Ernst Hofmann</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>A group of elderly Jews from Subcarpathian Rus sit alongside the train on the ramp at Auschwitz-Birkenau. In time these people will be put on trucks and driven to the gas chamber, </I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">May 1944</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">United States Holocaust Memorial Museum, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">courtesy of Yad Vashem, Israel </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">During the course of World War II, Nazis led by Adolf Hitler murdered nearly six million European Jews. President Roosevelt’s record in relationship to this genocide will be debated by scholars and historians for years to come. Some criticize Roosevelt’s approach to refugee issues and policies before and during World War II. Others contextualize his actions more broadly, pointing to the American public’s pre-war isolationism and anti-Semitism, strict immigration and quota laws that had wide public and Congressional support, and military reach that for much of the war limited the Allies’ ability to reach Jews trapped behind enemy lines.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In a December 13, 1942 radio broadcast heard by millions, popular newsman Edward R. Murrow described “a horror beyond what imagination can grasp . . . there are no longer ‘concentration camps’—we must speak now only of ‘extermination camps.’” Four days later, the United States joined ten other Allied governments in issuing a solemn public declaration condemning Nazi Germany’s “bestial policy of cold-blooded extermination” of the Jews. Roosevelt believed that the surest way to stop the killing of innocent civilians was to defeat Hitler’s Germany as quickly and decisively as possible. Critics say that his “win the war” discounted the possibility many may have been rescued. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">This image is part of the Auschwitz Album, the only known pictorial evidence of the extermination process inside Auschwitz II-Birkenau, the German extermination camp in occupied Poland. The photographers were two SS men, the director and deputy director of the camp’s Erkennungsdienst, or identification service. </SPAN></SPAN></DIV></div>
HTMLText_E1762849_B4BE_86A3_41B5_A6033B24DC5F.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Boris Artzybasheff (1899–1965)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Adolf Hitler, German Chancellor and Führer</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1945 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Time</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, May 7, 1945 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gouache on board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">This penetrating portrait of Adolf Hitler appeared on the cover of </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Time</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> just a week after the German Chancellor’s suicide, with his longtime companion, Eva Braun. For publication, Artzybasheff’s image was overlaid with a bloody letter X in reference to his heinous deeds. The final battles of the European Theatre of World War II, and the German surrender to the Allies, took place in late April and early May 1945.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_E04F4A0B_B4BB_BAA0_41E5_A02BE57D50CE.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Boris Artzybasheff (1899–1965)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Emperor Hirohito of Japan</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1945</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Time</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, May 21, 1945 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gouache on board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Hirohito was emperor of Japan from 1926 until his death in 1989. He took over at a time of rising democratic sentiment, but his country soon turned toward ultra-nationalism and militarism. During World War II, Japan attacked nearly all of its Asian neighbors, allied itself with Nazi Germany, and launched a surprise assault on the U.S. naval base at Pearl</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Harbor. Though Hirohito later portrayed himself as a virtually powerless constitutional monarch, he played an active role in the war effort. After Japan’s surrender in 1945, he became a figurehead with no political power.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_E7AAF6A4_B4B7_8BE7_41E3_C04B86DBAFC8.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Boris Artzybasheff (1899–1965)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Heinrich Himmler, Nazi Gestapo Chief (1936–1945)</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Time</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, October 11, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gouache on board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Courtesy of the Syracuse University Art Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">During World War II, Artzybasheff worked with the Psychological Warfare Branch of the State Department. His stark portrayals of politicians and military leaders shed light on the issues that governed the course of the conflict. Heinrich Himmler was one of the most powerful men in Nazi Germany and one of the people directly responsible for the Holocaust. Artzybasheff worked with the Psychological Warfare Branch of the State Department, and created war bonds poster illustrations for the Office of War Information.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_9B18ADE3_CA1A_E9BB_418D_35519B1AAC9C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Boris Artzybasheff (1899–1965)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Heinrich Himmler, Nazi Gestapo Chief (1936–1945)</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Time</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, October 11, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gouache on board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Courtesy of the Syracuse University Art Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">During World War II, Artzybasheff worked with the Psychological Warfare Branch of the State Department. His stark portrayals of politicians and military leaders shed light on the issues that governed the course of the conflict. Heinrich Himmler was one of the most powerful men in</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Nazi Germany and one of the people directly responsible for the Holocaust. Artzybasheff worked with the Psychological Warfare Branch of the State Department, and created war bonds poster illustrations for the Office of War Information.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_94BB3209_C9EA_9A76_41D3_F1B6E43C29A1.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Boris Artzybasheff (1899–1965)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Heinrich Himmler, Nazi Gestapo Chief (1936–1945)</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Time</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, October 11, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gouache on board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Courtesy of the Syracuse University Art Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">During World War II, Artzybasheff worked with the Psychological Warfare Branch of the State Department. His stark portrayals of politicians and military leaders shed light on the issues that governed the course of the conflict. Heinrich Himmler was one of the most powerful men in</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Nazi Germany and one of the people directly responsible for the Holocaust. Artzybasheff worked with the Psychological Warfare Branch of the State Department, and created war bonds poster illustrations for the Office of War Information.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_A2782E2C_CA29_AA8D_41E3_D050FE03CA5C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Boris Artzybasheff (1899–1965)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Speaking of Pictures . . . Swastikas Make Ghoulish Symbols</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1942 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Life</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, September 14, 1942, pp. 10–11</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Magazine</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">World War II was a fertile era for political cartoonists. Russian émigré and artist Boris Artzybasheff came to the United States at the age of twenty and painted more than 200 cover illustrations for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Time</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> magazine, contributing also to </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Life</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> and </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Fortune</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">. In the 1940s, he often represented evil in the form of serpents, reptiles, and flying prehistoric birds in the shape of swastikas, with Hitler and his minions portrayed as harbingers of doom.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_47A0EE25_A42F_AEC6_41BC_B4A91F571B21.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Boris Artzybasheff (1899–1965)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Witches’ Sabbath</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1942</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Life</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, September 14, 1942, p. 11 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gouache on board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Courtesy of the Syracuse University Art Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In Artzybasheff’s </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Witches’ Sabbath</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, Hitler oversees a grotesque world filled with living swastikas. As described in the work’s caption, “Creatures of Hitler’s turgid nightmare swamp are a medal-heavy Göring, a prating Goebbels, a smirking Himmler and, trapped by swastika, a simian Pierre Laval.” Vehemently anti-Fascist, Artzybasheff sought to pull back the curtain on society’s ills, an approach that differed from Rockwell’s aspirational visual statements.</SPAN></SPAN></DIV></div>
HTMLText_980B4DC2_56A5_038C_41C0_FB86A3E5CB5D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Carlton F. Wells</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Correspondence to Norman Rockwell regarding </I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Four Freedoms</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">February 28, 1943 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Handwritten letter on </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>University Club</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> letterhead </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Carlton F. Wells of Ann Arbor, Michigan, like many Americans, had relatives in the service. In a complimentary message to Rockwell, he wrote, “Your great pictures will do much to keep America’s head high and its purpose true.”</SPAN></SPAN></DIV></div>
HTMLText_6CAEF427_6D8A_B635_41B0_8A6BB9617025.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Daniel Stern</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Bill of Rights</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1942</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Franklin D. Roosevelt Four Freedoms Poster</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Franklin D. Roosevelt Presidential Library and Museum, Received through exchange from H. E. Walden</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In this image, Franklin D. Roosevelt is writing at a desk in close proximity to a poster by Howard Chandler Christy featuring Lady Liberty and four freedoms derived from the Bill of Rights. Ratified in 1791, the first ten amendments to the Constitution make up the Bill of Rights. Written by James Madison, the amendments list specific prohibitions on governmental power, in response to the call for greater constitutional protection for individual liberties, including Freedom of Speech, Freedom of Assembly, Freedom of Worship, and Freedom of the Press.</SPAN></SPAN></DIV></div>
HTMLText_6CA35AE9_6DBB_F233_41A8_FEC147A9D0B1.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>David Karp (1905–1944)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Voice of the Four Freedoms</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1944</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Published by Freedom Distributors, New York Poster</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Courtesy of Franklin D. Roosevelt  Library  and  Museum, Hyde Park, NY, Bequest of the Estate of Franklin D. Roosevelt</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Produced soon after the death of Franklin D. Roosevelt on April 12, 1945—just months before World War II ended in an Allied victory—this poster features a 1944 Four Freedoms illustration by David Karp and a photo of the president by Pach Brothers, one of the oldest photographic firms in New York City.</SPAN></SPAN></DIV></div>
HTMLText_B04B1192_6669_A2E5_41C3_D6876D8710DC.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Dorothea Lange (1895–1965)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>A large sign reading “I am an American” placed in the window of a store, at Eighth and Franklin Streets [Oakland, CA], on December 8, the day after Pearl Harbor</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, March 1942</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Farm Security Administration - </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Office of War Information Photograph Collection (Library of Congress), </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Washington, D. C., LC-USZ62-23602</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In the tense weeks after Japan’s December 7, 1941 attack on Pearl Harbor, many Americans—particularly those on the Pacific Coast—feared enemy attack. Sensational media reports created a heightened sense of anxiety, and under pressure from military and political leaders, President Roosevelt issued Executive Order 9066 on February 19, 1942. Understood today as a serious violation of human rights, the order led to the incarceration of 120,000 people of Japanese descent, including approximately 80,000 American citizens, during World War II.</SPAN></SPAN></DIV></div>
HTMLText_96A8FDEA_666B_6225_41D5_50FEF9C22729.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Dorothea Lange (1895–1965)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Civilian exclusion order #5, posted at First and Front streets, directing removal by April 7 of persons of Japanese ancestry, from the first San Francisco section to be affected by evacuation,</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> April 1942</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital reproduction.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Library of Congress Prints and Photographs Division </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Washington, D.C. 20540 USA, LC-USZ62-34565</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">These posters, photographed in San Francisco by Dorothea Lange, document the evacuation orders given to people of Japanese descent prior to their internment. Lange was hired by the War Relocation Authority to document the forced removal of people from their homes and businesses as orderly and humane. She accepted the assignment but disagreed with Roosevelt’s decision to intern American citizens, and tried to capture the confusion and distress of the evacuees. Though she hoped her photographs would encourage a change of course, the majority were censored and never published during the war. </SPAN></SPAN></DIV></div>
HTMLText_6771AF7C_6639_FE1D_41B8_2A3C83C46B21.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Alice Carter</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Autorin, Illustratorin and Vorstandsvorsitzende des Norman Rockwell Museum</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Während ihrer Karriere, die nahezu 70 Jahre umfasste, erschienen die redaktionellen Karikaturen von Jerry Aloysius Doyle in führenden Zeitungen Philadelphias und, obgleich eine Syndikation, landesweit in hunderten anderen Zeitschriften. Als begeisterte Verfechterin von Franklin Roosevelts Innen- und Außenpolitik karikierte Doyle niemals den Präsidenten und stellte ihn immer in heroischem Licht dar.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In „Roosevelt Favors Old Age Pensions (Roosevelt befürwortet Altersversorgung)“, bildet Doyle den Präsidenten als potentiellen Retter eines älteren Ehepaars ab, dass die förmliche Kleidung einer vergangenen Zeit trägt. Obgleich offensichtlich verarmt, versuchen Sie den Anschein zu wahren. Im Kamin brennt ein Feuer und eine Rose steht auf dem Kaminsims, aber das Fenster ist gesprungen und das Tischtuch zusammengeflickt. Auf dem Boden zu ihren Füssen befinden sich zwei Zeitungen, auf denen gezeigt wird, wie ihre Zukunft aussehen könnte. Eine Überschrift lautet: „Roosevelt verschiebt die Altersversorgung“ und die andere lautet „Roosevelt befürwortet die Altersversorgung“. Auf dem Kaminsims ist (neben der Rose) ein Porträt von FDR aufbewahrt, beschriftet mit „Unser Präsident“.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Roosevelt schlug zum ersten Mal eine Altersversorgung vor, als er Governeur von New York war und dieser Gedanke war ein Bestandteil des New Deals. Der Knackpunkt war die Finanzierung. Jeder nationale Versicherungsplan müsste aus Beiträgen der Arbeiterlöhne kommen — und bis 1942 würde es nicht genug Geld geben. Inzwischen litten die älteren Mitbürger. Die Lösung war Title One des Social Security Acts — ein gemeinsames Programm zwischen den Bundesstaaten und der Bundesregierung, um eine sofortige Altershilfe bereitzustellen. Am 14. August 1935 unterzeichnete Präsident Roosevelt das Gesetz, und während er seine Feder niederlegte merkte er an „die Hoffnung langjähriger Arbeit geht zu einem großen Teil in Erfüllung.“</SPAN></SPAN></DIV></div>
HTMLText_6787FBA2_66D9_6625_41D8_86A6478F0550.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Alice Carter</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Autorin, Illustratorin und Vorstandsvorsitzende des Norman Rockwell Museums</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Am 29. September 1939 vereinbarten Deutschland und die Sowjetunion die Aufteilung des besetzten Polens. Hitlers Truppen würden alles westlich des Flusses Bug erhalten und Stalins Armee sollte alles östlich davon kontrollieren.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Am folgenden Tag, dem 30. September 1939, erschien im </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Philadelphia Inquirer Hugh</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> Huttons redaktionelle Karikatur mit dem Titel „Die Grabrede“. Hutton zeichnete im Laufe seiner Karriere für den Inquirer mehr als 3.800 redaktionelle Karikaturen. Er zeichnete selten Karikaturen von Berühmtheiten und Politikern und bevorzugte zur Vermittlung seiner Ideen allegorische Figuren. Typischerweise zeichnete er eine weiß gekleidete Frau, um Werte wie Frieden, Gerechtigkeit oder Wahrheit darzustellen. In diesem Falle sind die Tugenden mit dem Gesicht zur Erde gefallen, während die Zwillings-Geier Deutschland und die Sowjetunion sich hämisch über ihren Sieg freuen.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Hutton wurde in Lincoln, Nebraska, am 11. Dezember 1897 geboren. Nach einem zweijährigen Besuch der Universität Minnesota trat er in die Armee ein und diente während des Ersten Weltkriegs. Nach Kriegsende setze er seine Ausbildung an der Minneapolis School of Art fort.Ein nächster Karriereschritt brachte ihn nach New York. Er studierte an der Art Students’ League und fand mit United Features Syndicate einen Markt für seine redaktionellen Karikaturen.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Im Jahr 1934 nahm Hutton die Stelle beim Philadelphia Inquirer an, für den er bis zu seiner Pensionierung im Jahre 1969 arbeitete.</SPAN></SPAN></DIV></div>
HTMLText_11F2E0B3_A4E2_93C9_4186_2B34DF46B334.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Alice Carter</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Autorin, Illustratorin und Vorstandsvorsitzende des Norman Rockwell Museums</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Martha Sawyers wurde in Corsicana, Texas, im Jahr 1902 geboren. Sie besuchte fünf Jahre lang die New York Art Students League bis -wie sie es sagte: „Sie schmissen mich raus und sagten, ich solle etwas tun, von dem ich Bescheid weiß.“</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“China Shall Have Our Help (China soll unsere Hilfe erhalten)” ist eines von zwei Plakaten, die Sawyers zwischen 1942 und 1943 für United China Relief entwarf — einem Zusammenschluss von Hilfswerken, die sich der Unterstützung chinesischer Flüchtlinge während des Zweiten Weltkriegs widmeten. Obgleich Sawyers das Arbeiten mit Ölfarbe bevorzugte, zwangen Abgabefristen sie häufig, die Medien zu mischen — und wie Sie bei diesem Plakat sehen können, kombinierte Sie manchmal Öl, Wasserfarben, Pastellfarben und normale Farbstifte, um die Effekte zu erzeugen, die sie benötigte.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Dieses emotionale Gemälde einer Flüchtlingsfamilie bildet eine Szene nach, die Sawyers aus erster Hand gesehen hat. Im Jahr 1937, während einer Reise mit ihrem Mann, dem Zeichner William Ruesswig*, entkam sie nur knapp dem Angriff der Japaner auf Chinas Marco Polo Brücke. Als sie nach New York zurückkehrte, zog eine Ausstellung der Gemälde von ihren Reisen die positive Aufmerksamkeit auf sich und die Zeitschrift </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Collier's</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> gab ihr den Auftrat, ihre Eindrücke von Asien in einer Reihe von Artikeln und Illustrationen wiederzugeben. Während des Zweiten Weltkriegs, kehrte die unerschrockene Sawyers nach Asien zurück, um das Pazifik-Theater als Künstlerin/Korrespondentin sowohl für die Zeitschriften </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Collier‘s</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> und </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Life</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> zu erfassen.</SPAN></SPAN></DIV></div>
HTMLText_4FC66927_6493_8841_41C5_1F321B7E99F5.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Allida M. Black</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Professorin für Geschichte und internationale Angelegenheiten - Die George Washington University</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Jeder glaubt, die Vier Freiheiten mit Norman Rockwell und die vier ikonischen Gemälde und dann die andere Hälft der Skala sei FDR’s landmark address.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Und Eleanor verstand, wie auch FDR, aber auf eine andere, mehr instinktive Art, dass man nicht frei sein konnte, ehe man nicht von etwas befreit ist. Und noch bevor das Konzept der Vier Freiheiten formuliert werden konnte, sprach sie über das frei sein von Hunger. Sie sprach von der Freiheit vor Furcht. Sie sprach über die Freiheit zu träumen. Das ist natürlich eine andere Sprache, aber es sind dieselben Prinzipien und Eleanor war es, die wirklich ihre persönliche Sicherheit in den Vereinigten Staaten riskierte, um das zuwas das bedeutet.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Als sie sich mit den Vereinten Nationen befasste, sah sie Verwundete in ganz Asien, in ganz Europa, in den gesamten Vereinigten Staaten. Und die Vereinigten Nationen schickten sie zu den Holocaust-Lagern, schickten sie zu den displacement camps. Sie wurde verantwortlich dafür, der ganzen Welt zu helfen eine neue Vision zu erlangen und sagen zu können, wir bestimmen uns nicht für immer über Hass und die Überlegenheit von Rassen und religiöse Bigotterie und Diskriminierung der Geschlechter. Wir müssen uns eine neue Vision geben.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Und sie nahm Die vier Freiheiten und wie sie die Bedeutung diese Vier Freiheiten interpretierte, mit in den Verhandlungsraum. Und ich möchte, dass Sie dies alles bedenken. Es hat die Grösse eines Esszimmertisches und da sind 18 Nationen. Keine dieser Personen glaubt an den gleichen Gott oder ob es einen Gott gibt. Sie glauben nicht an Privatbesitz oder ob Geld eine gute Sache sei. Sie haben nicht das gleiche Familienkonzept. Sie haben nicht das gleiche Konzept von Staatsbürgerschaft. Das Einzige, was sie teilen ist: „Wir werden auf alle Fälle die Deutschen schlagen”. Und so nimmt sie die ihr innewohnende Verpflichtung zur Freiheit ( innate commitment) von Furcht, Freiheit der Rede, Freiheit der Religion, die Freiheit von Bedürftigkeit (want)und verbindet sei auf eine Weise, die die Menschen veranlassten, an diesem Tisch zu bleiben.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Und das, was an ihrer Führung so bemerkenswert ist, ist nicht nur ob wir die allgemeine Menschenrechtserklärung erhalten, von denen ich der festen Ansicht bin, dass es sich dabei um 30 Beispiele der Vier Freiheiten handelt. Ich möchte, dass Sie sich einen dieser Artikel ansehen und und sich dann eines von Rockwell vier Gemälden einschliesslich der goldenen Regel, darunter Ruby Bridges ansehen und sie nicht durch die Ganze DNA der Farbe sehen.</SPAN></SPAN></DIV></div>
HTMLText_1B1FC34E_3292_65B6_41C0_2B1E5C8F2576.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Brian Allen</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Amerikanischer Kunstgelehrter</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Bei Freedom of Speech handelt es sich um eines der wenigen von Rockwell gemalten Bilder, die auf einer wahren Begebenheit beruhen.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Arlington hatte eine Sekundarschule, die in den 1920er-Jahren gebaut wurde und 1940 einem Brand zum Opfer fiel. Die Stadt sah sich schlagartig vor die Aufgabe gestellt, zu entscheiden, ob man eine neue Sekundarschule bauen oder die Kinder in die Sekundarschulen der umliegenden Städte schicken sollte. Es gab eine Gesinnungsgemeinschaft in der Stadt, die Gelder für die Errichtung einer neuen Sekundarschule bereitstellen wollte, und dazu war die Genehmigung der Bürgerversammlung erforderlich.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In den meisten Städten Vermonts, wie auch in den meisten Städten der übrigen Neuenglandstaaten, kommt jedem Stimmberechtigten, jedem Grundstückseigentümer eine gesetzgebende Funktion in der Bürgerversammlung als Stadtregierung zu. Jeder Stimmberechtigte hat das Recht, zur Bürgerversammlung zu kommen und über die Bereitstellung von Geldern abzustimmen – in diesem Fall für die Sekundarschule.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Jim Edgerton, ein ortsansässiger Landwirt, erhob sich bei der Bürgerversammlung und sprach sich gegen das Vorhaben, Geld für den Bau einer neuen Sekundarschule auszugeben, aus. Man befand sich gerade in der Wirtschaftskrise, die Rohstoffpreise waren im Keller, und Jim Edgerton kam für seine monatlich anfallenden Rechnungen auf, indem er Milch verkaufte. Er war zwar nicht arm, spürte jedoch den Druck wie jeder andere auch während der Wirtschaftskrise in Vermont. Und deshalb reagierte er auf höhere Steuern äußerst empfindlich.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Der Augenblick, den Rockwell sich ausgesucht hat, war jener Moment, als Edgerton gerade sagte, was er dachte und die Leute ihm zuhörten – andere Stimmberechtige, andere Gesetzgeber, die ihm respektvoll lauschten.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Auch wenn es Jim Edgerton war, der tatsächlich sprach, war er nicht der Typ, nach dem Rockwell eigentlich suchte, um die Themen der einzelnen Personen, die über ein unabhängiges Stimmrecht und eine Stimme in der Bürgerversammlung verfügten, hervorzuheben. Tatsächlich war er darauf aus, jemanden zu finden, der aussah wie Abraham Lincoln. Er war auf der Suche nach einem Allerweltsgesicht. Und so zog er Carl Hess als Modell heran, der eine Tankstelle in der Stadt führte; Carl Hess besaß nämlich genau jenes Aussehen, nach dem Rockwell auf der Suche gewesen war.</SPAN></SPAN></DIV></div>
HTMLText_1B1FC34E_3292_65B6_41C0_2B1E5C8F2576.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Brian Allen</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Amerikanischer Kunstgelehrter</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Bei Freedom of Speech handelt es sich um eines der wenigen von Rockwell gemalten Bilder, die auf einer wahren Begebenheit beruhen.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Arlington hatte eine Sekundarschule, die in den 1920er-Jahren gebaut wurde und 1940 einem Brand zum Opfer fiel. Die Stadt sah sich schlagartig vor die Aufgabe gestellt, zu entscheiden, ob man eine neue Sekundarschule bauen oder die Kinder in die Sekundarschulen der umliegenden Städte schicken sollte. Es gab eine Gesinnungsgemeinschaft in der Stadt, die Gelder für die Errichtung einer neuen Sekundarschule bereitstellen wollte, und dazu war die Genehmigung der Bürgerversammlung erforderlich.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In den meisten Städten Vermonts, wie auch in den meisten Städten der übrigen Neuenglandstaaten, kommt jedem Stimmberechtigten, jedem Grundstückseigentümer eine gesetzgebende Funktion in der Bürgerversammlung als Stadtregierung zu. Jeder Stimmberechtigte hat das Recht, zur Bürgerversammlung zu kommen und über die Bereitstellung von Geldern abzustimmen – in diesem Fall für die Sekundarschule.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Jim Edgerton, ein ortsansässiger Landwirt, erhob sich bei der Bürgerversammlung und sprach sich gegen das Vorhaben, Geld für den Bau einer neuen Sekundarschule auszugeben, aus. Man befand sich gerade in der Wirtschaftskrise, die Rohstoffpreise waren im Keller, und Jim Edgerton kam für seine monatlich anfallenden Rechnungen auf, indem er Milch verkaufte. Er war zwar nicht arm, spürte jedoch den Druck wie jeder andere auch während der Wirtschaftskrise in Vermont. Und deshalb reagierte er auf höhere Steuern äußerst empfindlich.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Der Augenblick, den Rockwell sich ausgesucht hat, war jener Moment, als Edgerton gerade sagte, was er dachte und die Leute ihm zuhörten – andere Stimmberechtige, andere Gesetzgeber, die ihm respektvoll lauschten.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Auch wenn es Jim Edgerton war, der tatsächlich sprach, war er nicht der Typ, nach dem Rockwell eigentlich suchte, um die Themen der einzelnen Personen, die über ein unabhängiges Stimmrecht und eine Stimme in der Bürgerversammlung verfügten, hervorzuheben. Tatsächlich war er darauf aus, jemanden zu finden, der aussah wie Abraham Lincoln. Er war auf der Suche nach einem Allerweltsgesicht. Und so zog er Carl Hess als Modell heran, der eine Tankstelle in der Stadt führte; Carl Hess besaß nämlich genau jenes Aussehen, nach dem Rockwell auf der Suche gewesen war.</SPAN></SPAN></DIV></div>
HTMLText_1B1FC34E_3292_65B6_41C0_2B1E5C8F2576.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Brian Allen</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Amerikanischer Kunstgelehrter</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Bei Freedom of Speech handelt es sich um eines der wenigen von Rockwell gemalten Bilder, die auf einer wahren Begebenheit beruhen.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Arlington hatte eine Sekundarschule, die in den 1920er-Jahren gebaut wurde und 1940 einem Brand zum Opfer fiel. Die Stadt sah sich schlagartig vor die Aufgabe gestellt, zu entscheiden, ob man eine neue Sekundarschule bauen oder die Kinder in die Sekundarschulen der umliegenden Städte schicken sollte. Es gab eine Gesinnungsgemeinschaft in der Stadt, die Gelder für die Errichtung einer neuen Sekundarschule bereitstellen wollte, und dazu war die Genehmigung der Bürgerversammlung erforderlich.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In den meisten Städten Vermonts, wie auch in den meisten Städten der übrigen Neuenglandstaaten, kommt jedem Stimmberechtigten, jedem Grundstückseigentümer eine gesetzgebende Funktion in der Bürgerversammlung als Stadtregierung zu. Jeder Stimmberechtigte hat das Recht, zur Bürgerversammlung zu kommen und über die Bereitstellung von Geldern abzustimmen – in diesem Fall für die Sekundarschule.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Jim Edgerton, ein ortsansässiger Landwirt, erhob sich bei der Bürgerversammlung und sprach sich gegen das Vorhaben, Geld für den Bau einer neuen Sekundarschule auszugeben, aus. Man befand sich gerade in der Wirtschaftskrise, die Rohstoffpreise waren im Keller, und Jim Edgerton kam für seine monatlich anfallenden Rechnungen auf, indem er Milch verkaufte. Er war zwar nicht arm, spürte jedoch den Druck wie jeder andere auch während der Wirtschaftskrise in Vermont. Und deshalb reagierte er auf höhere Steuern äußerst empfindlich.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Der Augenblick, den Rockwell sich ausgesucht hat, war jener Moment, als Edgerton gerade sagte, was er dachte und die Leute ihm zuhörten – andere Stimmberechtige, andere Gesetzgeber, die ihm respektvoll lauschten.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Auch wenn es Jim Edgerton war, der tatsächlich sprach, war er nicht der Typ, nach dem Rockwell eigentlich suchte, um die Themen der einzelnen Personen, die über ein unabhängiges Stimmrecht und eine Stimme in der Bürgerversammlung verfügten, hervorzuheben. Tatsächlich war er darauf aus, jemanden zu finden, der aussah wie Abraham Lincoln. Er war auf der Suche nach einem Allerweltsgesicht. Und so zog er Carl Hess als Modell heran, der eine Tankstelle in der Stadt führte; Carl Hess besaß nämlich genau jenes Aussehen, nach dem Rockwell auf der Suche gewesen war.</SPAN></SPAN></DIV></div>
HTMLText_F1DDB73D_B2A9_DB80_41C6_F410D36745D6.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Daisy Rockwell</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Künstlerin und Autorin</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Ich denke, dies ist in der Hinsicht anregend, da wir alle in uns das Potential tragen, der uns umgebenden Welt mehr zu geben, falls wir unsere Augen stärker öffnen, und ich denke, die Augen wurden offensichtlich auch geöffnet durch . . . auch die Leidenschaft der Bürgerrechtsbewegung hat ihn inspiriert. Also damit meine ich nicht, ich hätte mich mit ihm zusammengesetzt und ihn diese Dinge gefragt, aber man kann dies als eine Teil des Verlaufs lesen, wenn man sich die Veränderungen in seinen Gemälden ansieht. Es scheint, als hätte die Zeit viele Menschen verändert und er war dagegen nicht immun. Meinem Empfinden nach ist dieses Narrativ einer breiten Öffentlichkeit noch immer nicht bekannt und daher bin ich froh, dass es Teil unserer Ausstellung Die vier Freiheiten sein wird. Denn dieses ist eine Entwicklung, die er in den 40-er bis in die 60-er Jahren durchgemacht hat und man kann sich nicht einfach das eine und nicht das andere ansehen.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Für mich ist es offensichtlich, dass Menschen durch Kunst aktiviert werden können, denn wenn wir in unserer Gesellschaft schwerwiegende Probleme haben, dann ist es ein Teil des Problems, dass wir in unserem Denken festgefahren sind. Die Ideen der Menschen verknöchern, und wissen Sie, vielleicht ist das heute noch schlimmer als jemals zuvor. Die Menschen sind festgefahren und sie können sich gegenseitig nicht aus diesen Räumen befreien. Sie wissen schon, da gibt es richtig und falsch und da ist schwarz und weiß und sie vermögen nicht . . . eine Arbeit, die die Künstler daher leisten kann ist es, alles aufzubrechen. Man sieht etwas als einen Porzellanteller und der Künstler zerschlägt ihn und klebt ihn danach wieder in einer anderen Form zusammen, damit man ihn anders sehen kann.</SPAN></SPAN></DIV></div>
HTMLText_7FD0ED2E_4AD4_DB92_41BA_293B8496FD13.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Douglas B. Dowd</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Professor für Kunst und amerikanische Kultur an der Washington University in St. Louis</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In den Jahren, als es noch kein Fernsehen gab, hatten die Menschen in den Vereinigten Staaten zwei Hauptquellen, aus denen sie ihre Informationen bezogen, wie andere Menschen lebten, welche Kleidung sie trugen, wie ihre Häuser aussahen und selbst darüber, wie Grundprodukte wohl aussahen. Sie hatten zwei Quellen –das Kino und die Zeitschriften. Die Zeitschriften und die Illustratoren, die für sie arbeiteten, ließen tatsächlich ein Bild davon entstehen, wie das Leben in der Gesellschaft geführt wurde, bzw. das Bild eines Lebens, das ein wenig besser war als in der Realität, sodass es ein erstrebenswertes Vorbild blieb: </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Das könnte ich sein. Das könnte mir gehören. Diese Kleidung könnte ich tragen</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Ihre Überzeugungskraft und Energie ist in einem hohen Maße auf die optische Darstellung zurückzuführen, auf die Schrift und die Buchstaben, und selbstverständlich auf die Illustrationen und Fotos. Genau genommen hätte diese Zeitschriften niemand gelesen, hätte man alle Illustrationen daraus entfernt. Die Leute haben immer geglaubt, dass es beim Publizieren stets um den Inhalt geht. In Wirklichkeit ist die Art, wie dieser Inhalt verpackt, präsentiert und dargestellt wird, in hohem Maße dafür verantwortlich, wie die Leute darauf reagieren.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In der Geschichte des Zeitungsgeschäfts nannte man eine gute Präsentation – etwa die Nutzung größerer Schriften zur Schaffung optischer Hierarchien – Eigenwerbung, und das mit einem leicht spöttischem Unterton. Diejenigen, die für den Inhalt verantwortlich waren, haben also die optische Präsentation oft als bedeutungslos abgetan – tatsächlich aber ist sie durchaus wichtig und war es schon immer. Und die Überzeugungskraft dieser Druckwerke ist überaus visuell. Und die Bilder von den Menschen und das, was sie tun, und das, was sie tragen, und das Porträt des Lebens, das dabei entsteht, sind das Herzstück ihrer Anziehungskraft.</SPAN></SPAN></DIV></div>
HTMLText_96311FDD_A7D7_7315_41A9_96B12043BE04.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>George Church III</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Dozent und Ehrenamtlicher - Norman Rockwell Museum</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Als der Zweite Weltkrieg begann und die Japaner Pearl Harbor bombardierten, war ich mit meinem Vater im Kino. Und dann sahen wir bei dieser Gelegenheit während des Filmbeginns ein Stück Papier, dass beim Projektor zwischen das Objektiv und das Licht der Kamera geschoben wurde. Und darauf stand, dass die Japaner Pearl Harbor bombardiert hätten. Dies war von der US-Armee berichtet worden.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Es war meine erste Begegnung mit dem Zweiten Weltkrieg. Nach diesem Ereignis begann ich mich an der Flugzeugbeobachtung zu beteiligen. Das Beobachten von Flugzeugen war etwas, zu dem mich ein paar andere Freunde gebracht hatten, die in meiner Klasse im Gymnasium waren. Und . . . ich konnte nur samstags Flugzeuge beobachten, da ich von Montag bis Freitag zur Schule ging. Ich stand gegen 4.30 Uhr oder ein Viertel vor 5 Uhr auf, frühstückte und nahm mein Fahrrad. Und ich musste ungefähr drei Meilen fahren, um zum Miami Biltmore Hotel zu gelangen, das sich in Coral Gables befand. Ich musste mein Fahrrad abstellen, dann in die Lobby gehen, die Treppen hinaufsteigen und der Fahrstuhl brachte mich nach oben. Und dann gelangte ich zum Turm und musste den Turm hinaufsteigen, wo wir einen Beobachtungsstand hatten, der in den Turm des Hotels eingebaut war. Das Gebäude war das höchste in Miami und wir befanden uns direkt südlich vom Miami International Airport. Das war der Ort, von dem aus wir Flugzeuge beobachteten.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Ich arbeitete in der Schicht von 6.00 bis 9.00 Uhr an den Samstagmorgen und hatte mein Flugzeugbeobachterbuch bei mir. Und ich hatte ein Telefon. Mit mir war da noch eine andere Person und wir beide berichteten über alles, was wir am Miami Flughafen landen und abheben sahen und auch die Flugzeuge, die darüber hinwegfolgen. Da loggten wir uns immer ein und berichteten auch telefonisch über diese.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Das Buch war ein wirklicher Schatz, denn es war die Möglichkeit, durch die ich eine Verbindung herstellen konnte, selbst in meinem jungen Alter. Als der Krieg im Dezember begann, war ich 12 Jahre alt. Und ich denke, er begann gerade erst . . . ich konnte nicht in den Militärdienst eintreten, aber dieses war eine Verbindung für mich und zu diesem Teil der Geschichte. Und ich wusste einfach, dass das Buch das war, was mein Erlebnis bestätigte und darauf hinwies, dass ich beteiligt war und so viel leistete, wie mir das möglich war . . . während der ersten Hälfte des Krieges.</SPAN></SPAN></DIV></div>
HTMLText_679913C6_66F6_A66C_41CF_1A9740139F85.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Herman Eberhardt</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Aufsichtsführender Museumsdirektor - Franklin D.Roosevelt Presidential Library and Museum</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Der Krieg in Europa lag Anfang 1941 drohend über jedermann. Deutschland war über fast das ganze westliche Europa in den Jahren 1939 und 1940 hinweggefegt und Großbritannien stand nahezu alleine in seinem Widerstand gegen die Achsenmächte da und die Briten hingen zu dem Zeitpunkt an einem seidenen Faden. Tatsächlich hatte Winston Churchill gegen Ende 1940 einen langen Brief an FDR geschrieben, in dem er angab, Britannien sei nahezu bankrott und würde bald seine Waffen nicht mehr bezahlen können, die es aus den Vereinigten Staaten importierte.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Das war eine katastrophale Nachricht, die Roosevelt zur Idee des Leih- und Pachtgesetzes veranlasste, welches es den Vereinigten Staaten ermöglichte, Großbritannien mehr Materialien zu leihen oder zu vermieten, ohne von ihm Zahlungen zu erhalten. FDR hatte zum ersten Mal öffentlich das Konzept oder die Idee des Leih- und Pachtgesetzes auf einer Pressekonferenz Mitte Dezember 1940 öffentlich diskutiert. Später in diesem Monat, am 29. Dezember hatte er ein berühmtes Kamingespräch über Radio senden lassen, in dem er ausführte, dass die Vereinigten Staaten das werden sollten, was er ein Arsenal der Demokratie nannte. Der Präsident plante, dies bei seiner Rede zur Nation anzusprechen, um für die Verabschiedung des Leih- und Pachtgesetzes durch den Kongress zu argumentieren.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In der Nacht zum 1. Januar 1941 beorderte Roosevelt drei seiner Berater, Harry Hopkins, Sam Rosenman und Robert Sherwood — in sein privates Studio im Weißen Haus. Sie versammelten sich um den Schreibtisch von FDR, um dort mit ihm an des Präsidenten Rede zur Nation vor dem Kongress zu arbeiten, die am 6. Januar gehalten werden sollte.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Zu diesem Zeitpunkt, während dieser Editiersitzung, meinte FDR, er habe eine Idee für den abschließenden Teil der Rede. Wie sich Sam Rosenman später erinnerte, lehnte sich der Präsident weit in seinem Drehstuhl zurück, schaute an die Decke und hielt dann für eine Weile inne. Während die Sekunden vergingen, begannen sich die anderen im Raum etwas unbehaglich zu fühlen. Dann lehnte sich FDR plötzlich nach vorn und diktierte langsam und konzentriert die Vier Freiheiten. Der Präsident sprach in einem so überlegten Tempo, dass Rosenman in der Lage war, alles, was gesagt wurde, Wort für Wort auf einem gelben Notizblock niederzuschreiben. Dieses gelbe Blatt, mit Notizen in Rosenmans normaler Handschrift, befindet sich jetzt in der Roosevelt Bibliothek. Und interessanterweise, wenn man die Wörter auf dem gelben Blatt, mit denen der abschließenden Rede vergleicht, die der Präsident vor dem versammelten Kongress hielt, so entsprechen sie fast exakt denen, die der Präsident diktierte. Es gibt fast keine Änderungen.</SPAN></SPAN></DIV></div>
HTMLText_F27F7C41_A421_936E_41D4_7F81C0CA655E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Irvin Ungar</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Gründer und CEO - Historicana / Kurator - Die Arthur Szyc Gesellschaft</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Ich freue mich, Ihnen Arthur Szyk vorstellen zu dürfen, einen polnisch-jüdischen Künstler der im Jahr 1894 in Łódź, Polen, geboren wurde, im gleichen Jahr wie Norman Rockwell. Arthur Szyk kam im Jahre 1940 als Einwanderer nach Amerika und starb 1951.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Als er schließlich in Amerika ankam, verstand er sich als eine Ein-Mann-Armee im Kampf gegen Hitler. Er betrachtete sich auch als einen FDR-Soldaten der Kunst (während dieser ein paar seiner Arbeiten signierte).</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Arthur Szyk arbeitete während des Zweiten Weltkriegs, kämpfte gegen die Achsenmächte und arbeitete im Auftrag der Rettung europäischer Juden.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Er wurde in Amerika sehr berühmt, auch wenn viele Menschen vergessen haben, wer er war, was er während seiner Lebzeiten erreicht hatte, aber er war so berühmt, wie man nur berühmt sein konnte. Und um Ihnen, dem/der BetrachterIn, davon eine Vorstellung zu geben, sollte Sie wissen, dass Norman Rockwell, der in den frühen 1940-er Jahren illustriert wurde, auf dem Titelblatt der Saturday Evening Post zu sehen war. Zu der Zeit illustriert Arthur Szyk die Titelseiten der Zeitschrift Colliers. Wie hoch war damals die Auflage der Saturday Evening Post? Etwa drei Millionen Menschen erhielten eine Ausgabe. Wie viele Menschen erhielten eine Ausgabe des Colliers? Zwei und eine halbe Million.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Lassen Sie mich von Arthur Szyk und den vier Freiheiten erzählen. Es begann damit, dass Arthur Szyk eine Reihe schuf, die Washington and his Times [Washington und seine Zeit] genannt wurde. Es handelt sich dabei um 38 Gemälde, die von George Washington und der amerikanischen Revolution handeln. Arthur Szyk vollendete diese Arbeiten im Jahr 1930, sie wurden als ein Portfolio im Jahr 1932 veröffentlicht. 1935 stellte Arthur Szyk diese Arbeiten aus und sie wurden vom Präsidenten Polens, Mościcki, erworben, der diese im Jahre 1935 Franklin Roosevelt als Geschenk überreichte, um dadurch eine engere Beziehung zwischen Polen und den Vereinigten Staaten zu schaffen, praktisch am Vorabend des Zweiten Weltkriegs — die Nazis hatten bereits die Macht ergriffen.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Roosevelt behielt die Werke im Weißen Haus und als Roos Freiheiten-Rede hielt, waren 38 Gemälde der Freiheit im Weißen Haus aufgehängt. Und das waren Arbeiten von Arthur Szyk.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Dann begann Szyk tatsächlich im Jahre 1942 die Vier Freiheiten zu illustrieren. Sie waren . . . stellten wirklich einen mittelalterlichen Ritter dar, fast im Kampf für die Freiheit, was besagte, dass man um alle Freiheiten kämpfen muss und Szyks Ansatz war es, einen mittelalterlichen Ritter zu verwenden, der eine Lanze, einen Dolch, ein Schwert trug und der fast jede der Freiheiten begleitete. Diese Arbeiten wurden in zwei Formaten erstellt. Das eine Format waren Werbemarken, die eine weite Verbreitung erfuhren, als würde man Easter Seals verbreiten. Und das zweite Format war ihre Reproduktion in großen Postkarten, die ebenfalls verbreitet wurden.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Das also war Arthur Szyks Verbindung zu den Vier Freiheiten, sowohl was seine Kunstwerke im Weißen Haus betraf, als jene Rede gehalten wurde, und danach auch buchstäblich bei deren Reproduktion.</SPAN></SPAN></DIV></div>
HTMLText_133FB5B0_43A3_703E_41C0_70A9CB0441D2.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>James J. Kimble, Ph.D.</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Professor der Kommunikation - College of Communication and the Arts</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Seton Hall University</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Auf diesem Plakat aus der Kriegszeit, das heute häufig “Rosie the Riveter” genannt wird, zeigt uns der Künstler J. Howard Miller eine entschlossene, zuversichtliche Frau, die ihre Muskeln spielen lässt und selbstbewusst ihre Fähigkeit, die anstehende Arbeit auszuführen, zum Ausdruck bringt. Obgleich wir heute annehmen, dieses Plakat sei während des Zweiten Weltkriegs weithin bekannt gewesen, so war es eigentlich eher unbekannt, da es nur zwei Wochen lang (im Februar 1943) in den Westinghouse Munitionsfabriken zu sehen war. Nachdem Plakate zwei Wochen lang ausgehängt worden waren, recycelte man sie während des Krieges aufgrund der Papierknappheit. In diesen zwei Wochen formte das Plakat für die Arbeiter von Westinghouse — für Männer wie für Frauen — eine Geste der Solidarität, die der Belegschaft des Unternehmens gemein war und durch die bekräftigt wurde, dass jeder Arbeiter bei Westinghouse bereit war, seinen/ihren wichtigen Kriegsauftrag zu vollenden. Man kennt heute nur zwei Originale dieses Plakats. Trotz der Seltenheit des Originals erlangte das Bild Millers weltweiten Ruhm, seit es in den 1980-er Jahren als Teil einer Jahresfeier zum Zweiten Weltkrieg wiederaufgetaucht war. Es ist auch endlos parodiert worden, was seinen Status als eines der berühmtesten Bilder aller Zeiten sicherstellt.</SPAN></SPAN></DIV></div>
HTMLText_67AA2245_662A_E66C_41CA_36BF1563F3CA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>James J. Kimble, Ph.D.</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Professor der Kommunikation - College of Communication and the Arts</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Seton Hall University</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Einer der berühmtesten Soldaten des Zweiten Weltkriegs war kein realer Soldat. Er hieß Willie Gillis und war das Produkt des großen Einfallsreichtums des Zeichners Norman Rockwell. Dieses Gemälde markiert das erste öffentliche Erscheinen von Gillis auf dem Titelbild der Saturday Evening Post am 4. Oktober 1941. Auf diesem Bild zeigt uns der Künstler einen jungenhaften, unschuldigen Gefreiten während eines der leichteren Momente im Ausbildungslager Fort Dix, New Jersey. Der Betrachter sieht schnell, dass Gillis gerade ein Verpflegungspaket von Zuhause erhalten hat und dass dieses Paket vermutlich ein paar leckere Geschenke seiner Lieben für den hart arbeitenden Soldaten enthält. Allerdings haben auch Gillis Kollegen das Paket bemerkt und der Ausdruck ihrer Gesichter zeigt ihre Überlegungen, wie sie ihn um sein gerade erhaltendes Geschenk erleichtern könnten. Dieses unbeschwerte Titelbild von Rockwell wurde sofort ein Hit und veranlasste die Post, weitere Szenen aus dem Leben des Gefreiten Gillis zu verlangen. Der Künstler willigte ein und diese Figur erschien schließlich auf nahezu einem Dutzend Titelblättern der Post das letzte nach dem Krieg im Jahr 1946, das den liebenswerten Gillis dabei zeigte, wie er mit Hilfe des GI Bill das College besucht, wie es zu dieser Zeit so viele seiner Kameraden aus dem echten Leben taten. Damals war der Ruhm dieser Figur bereits gefestigt. Tatsächlich schätzten ihn viele seiner jungen weiblichen Fans bereits als Pin-up. Eine von ihnen, Natalie Barden, traf sogar Robert Otis Buck, das echte Modell des Willie, und heiratete ihn.</SPAN></SPAN></DIV></div>
HTMLText_BFA6549D_3DF9_91D9_41BE_DA2A948613C8.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>James J. Kimble, Ph.D.</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Professor der Kommunikation - College of Communication and the Arts</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Seton Hall University</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Von dieser telegrafisch übertragenen Pressefotografie wird weitgehend angenommen, dass sie J. Howard Millers Plakat „We Can Do It! (Wir schaffen das!)“, heute allgemein bekannt unter dem Namen „Rosie the Riveter (Rosie die Nieterin) inspiriert hat. Ab den 1980-er Jahren assoziierte man die Schwarzweißfotografie mit Geraldine Hoff Doyle, einer Frau aus Michigan, die glaubte, dies würde ein Bild von ihr im Jahr 1942 bei der Arbeit in einer Fabrik zeigen. Tatsächlich zeigt diese Fotografie eine Frau aus Kalifornien mit Namen Naomi Parker, einer der ersten Frauen, die in der Maschinenwerkstatt bei der Alameda Luftbase am San Francisco Bay arbeitete. Während ihrer Arbeit in Alameda, arbeitete Parker tatsächlich als Nieterin, aber auch als Schweißerin und als Mechanikerin (neben Dutzend anderen Aufgaben in Zusammenhang mit der Reparatur von Kriegsflugzeugen der Marine). Die Fotografie erschien im Jahre 1942 in mehreren amerikanischen Zeitungen, was Parker einige Fanpost bescherte und sogar einen Heiratsantrag. Allerdings verblasste es nach dem Krieg im öffentlichen Bewusstsein und lebte erst wieder auf, als Doyle, die es in einer Zeitschrift der 1980-er Jahre sah, fälschlicherweise glaubte, sie sei Gegenstand des Bildes. Während die Verbindung des Fotografen zum Plakat “We Can Do It!” im Ungewissen bleibt, da der Künstler Miller nur sehr wenige Aufzeichnungen hinterließ, gibt es eine Reihe vielsagender Gemeinsamkeiten zwischen dem Erscheinungsbild Parkers und der Frau auf dem Plakat. Darüber hinaus erschien das Bild in den 1940-er Jahren in der Nähe von Millers Zuhause in einer Pittsburgher Zeitschrift. Es ist daher möglich, dass er darauf gestoßen ist und es in seiner Sammlung von Referenzbildern aufbewahrte.</SPAN></SPAN></DIV></div>
HTMLText_464E2DC7_697E_8C84_41D5_46E4EFF93907.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Mark Shulman</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Historische Fakultät – Sarah Lawrence College</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Franklin Roosevelts „Four Freedoms“-Paket diente dem Zweck, die Vision einer liberalen Ordnung der Sicherheit, des Friedens und des Wohlstands für die Zeit nach dem Krieg zu formulieren – Elemente, die für die Sicherheit ebenso wichtig waren wie die bürgerlichen und politischen Rechte der Religions- und Ausdrucksfreiheit.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Die vier Freiheiten wurden in die Atlantik-Charta aufgenommen, die Roosevelt mit Churchill zusammen ausarbeitete, und gingen danach in die im Sommer 1945 unterzeichnete Gründungsurkunde der Vereinten Nationen ein. Bis zum Sommer 1945 allerdings war Präsident Roosevelt bereits verstorben. Die Vereinigten Staaten hatten einen neuen Präsidenten – einen, der vielleicht etwas weniger weltgewandt, dafür aber in mancherlei Hinsicht praxisnaher war. Präsident Truman, ein versierter Politiker, bestellte Eleanor Roosevelt, die Witwe von Franklin D. Roosevelt, zur Vorgesetzten jener Kommission, die einen Entwurf für die Allgemeine Erklärung der Menschenrechte der Vereinten Nationen.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Eleanor Roosevelt verfasste gemeinsam mit einer Kommission aus angesehenen Gelehrten, Diplomaten, Theoretikern und Staatsmännern aus aller Welt dieses wunderbare Dokument, die Allgemeine Erklärung der Menschenrechte, und die Vereinte Nationen verabschiedeten sie am 10. Dezember 1948. Die vier Freiheiten kommen in der Allgemeinen Erklärung der Menschenrechte klar zum Ausdruck. In der Präambel wird ausdrücklich darauf hingewiesen, dass die vier Freiheiten übernommen werden und als Grundlage für eine gerechte Nachkriegsordnung anerkannt werden. Auch die Erklärung selbst konkretisiert und definiert sämtliche Elemente, die in einer Welt, in der man die vier Freiheiten realisieren will, unverzichtbar sind.</SPAN></SPAN></DIV></div>
HTMLText_67B8AE6A_6637_FE25_41B5_637FC5C9A809.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Paul M. Sparrow</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Direktor - Franklin D.Roosevelt Presidential Library and Museum, Hyde Park, New York</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Die Beziehung zwischen Präsident Roosevelt und Premierminister Winston Churchill ist wirklich außergewöhnlich und in gewisser Hinsicht eine der wichtigsten Partnerschaften in der Geschichte des 20. Jahrhunderts, vielleicht sogar in der gesamten amerikanischen Geschichte. Winston Churchill war im Ersten Weltkrieg in der Armee Großbritanniens, ebenso wie FDR. Er hatte außerordentlich spezielle Ansichten über die Gestaltung der Welt und zu dem Zeitpunkt glaubte er noch, das britische Empire sei die wichtigste politische Macht der Welt, dass sie durch nichts aufzuhalten sei und er es nicht zulassen würde, dass das britische Empire auseinanderfiel, solange er die Verantwortung dafür trüge.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Als daher FDR und Churchill sich zu einer geheimen Verabredung an Bord der zwei großen Schachtschiffe trafen, war es ein Zusammentreffen von Giganten. Zu diesem Zeitpunkt war Churchill seit einem Jahr an der Verteidigung der britischen Inseln gegen den Ansturm der Nazis beteiligt. Er war also in den Krieg eingebunden und wusste, dass sein Überleben von der Einbeziehung Amerikas in den Krieg abhing. Roosevelt war noch immer eher zögernd. Er konnte sich nicht öffentlich verpflichten, wusste aber, dass die Vereinigten Staaten letztendlich darin einwilligen würden und damals begannen sie zuerst das Fundament zu skizzieren, was dann Die vier Freiheiten geworden sind.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Churchill besuchte natürlich während des Krieges mehrmals die Vereinigten Staaten. Nach dem Angriff auf Pearl Harbor kam er ins Weiße Haus und blieb dort mehrere Wochen, wohnte in einem der Schlafzimmer, lief in seinem Bademantel ums Haus, trank unmäßig, fuhr noch verrückter und hielt FDR die ganze Nacht über trinkend und rauchend wach und Eleanor runzelte bei dem Ganzen ziemlich die Stirn. Aber das war die Art und Weise, wie Churchill arbeitete. Gewissermaßen bezog er jeden in den Wirbel seines Wahnsinns mit ein, hatte am Ende aber immer diese unglaublich brillanten Ideen und verfügte in der Tat über eine weltweite Vision. Die beiden waren einfach außerordentliche Partner und wir können uns sehr glücklich schätzen, dass sie die beiden Führer waren, die am Ende, wie Sie wissen, der größten Krise des 20. Jahrhunderts gegenüberstanden.</SPAN></SPAN></DIV></div>
HTMLText_551BAD5A_7F14_0A98_41B9_F123C90FD465.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Ruby Bridges Hall</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Bürgerrechtsaktivistin und Autorin</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Als ich an diesem speziellen Tag mit dem Auto zur Schule gebracht wurde und wir gerade um die Ecke bogen, waren die Straßen von Demonstranten gesäumt und abgesperrt, denn so hatte die Polizei es eingerichtet. Überall waren Polizisten, manche davon auf Pferden oder Motorrädern. So etwas sieht man sonst in der Faschingszeit, wenn die Menge unter Kontrolle gehalten werden muss, oder während einer Parade. Und weil ich genau das gesehen habe, glaubte ich, mich bloß mitten in einer Parade zu befinden – so denke ich heute darüber – und es war die Unschuld eines Kindes. Ich glaube, diese Unwissenheit hat mich damals beschützt.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Ich weiß noch, dass ich direkt in das Direktorat eskortiert worden bin. Vermutlich war ich dort, um eingeschult zu werden, es war ja mein erster Tag. Und ich hätte nach meiner Einschulung wohl zu meinem Klassenzimmer gebracht werden sollen, um vielleicht meine Lehrerin kennenzulernen und mit dem Unterricht zu beginnen. Tatsächlich aber saß ich an jenem Tag mit meiner Mutter den ganzen Tag lang im Direktorat, und ich erinnere mich an die Federal Marshals, die direkt vor der Tür standen. Man konnte sie sehen, es gab nämlich Glasfenster.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Und das nächste, was ich sah, war, dass all diese Leute, die vorher draußen gestanden hatten, hereinstürmten und drängelten und schubsten und durch die Fenster auf mich deuteten. Sie sahen aus, als wären sie über irgendetwas sehr verärgert und es wirkte alles sehr hektisch und verwirrend auf mich. Ich sah, wie sie am Fenster vorbeigingen, und als sie wieder zurückkamen, hatten sie Kinder bei sich. Das ging den ganzen Tag lang so weiter, hin und her.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Endlich läutete die Glocke – es war 15:00 Uhr – und ich weiß noch, dass jemand in den Raum kam und sagte: „Der Unterricht ist beendet. Du kannst gehen.“ Daran erinnere ich mich genau, weil ich bei mir dachte: „Donnerwetter, diese Schule ist ja einfach.“ Ich wusste nicht, dass in Wirklichkeit die Eltern in die Schule stürmten und alle Kinder aus den Klassenzimmern herausholten. Tatsächlich haben an diesem Tag über 500 Kinder das Gebäude verlassen, und ich war der Grund dafür. Ich hatte also keine Ahnung, was sich da direkt vor meinen Augen abspielte.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Am folgenden Tag war es genau das Gleiche. Federal Marshals klopften an die Tür und ich stieg mit ihnen ins Auto. Wieder begleiteten sie mich zur Schule. Als wir an diesem Tag ankamen, war die Menschenmenge beinahe doppelt so groß, weil zu diesem Zeitpunkt jeder schon Bescheid wusste.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Meine Mutter sagte, das war der Tag, an dem sie am nervösesten war, weil sie, nachdem sie nach Hause gekommen war und ferngesehen hatte, sah, dass die ganze Welt das Geschehen beobachtete. Sie sagte, dass sie jedes Mal nach Hause ging und bis 15:00 Uhr betete, in der Hoffnung, dass ihr Kind nach Hause kommen würd</SPAN></SPAN></DIV></div>
HTMLText_B0491195_6669_A2EF_41CE_A97ED129538D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Künstlerin, Fotografin und Journalistin</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Als Folge des Erfolgs der von ihr fotografierten Arbeiter für die Farm Security Administration, wurde die große Dokumentarfotografin Dorothea Lange angestellt, um für die War Relocation Authority im März 1942 den Prozess der Deportation und Massenverhaftung von Bürgern und Nicht-Bürgern japanisch-ethnischer Zugehörigkeit aufzuzeichnen. Vom ersten Tag an kollidierten der Stil ihres Fotojournalismus und ihre persönlichen Sympathien für die Not dieser Amerikaner mit den Forderungen der Beamten des Militärs. Streng untersagt waren Bilder von Maschinengewehren in den Türmen. Ebenfalls eingeschränkt wurden Aufnahmen von Stacheldraht, bewaffneten Wachen und irgendwelche Zeichen von Widerstand. Sie selbst sagte: „Mir folgte die ganze Zeit über ein Mann.“ Sie erfuhr Verzögerungen durch Beamte, die Bescheinigungen verlangte, wurde für jedes Negativ und jeden von ihr ausgegebenen Cent zur Rechenschaft gezogen und ihr wurde untersagt, mit den Menschen des Lagers zu sprechen. Alle Drucke waren zur Prüfung vorzulegen und diejenigen, die als unangemessen angesehen wurden, als „beschlagnahmt“ markiert und die Negative für die Dauer des Krieges beschlagnahmt.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Dorothea Lange brachte dieses Foto am 13. März 1942 zum Wanto Co. Lebensmittelgeschäft in Oakland, Kalifornien, beinahe einen Monat, nachdem FDR den Executive Order 9066 unterzeichnet hatte, der von dem Besitzer und seiner Familie verlangte, dass sie gehen müssten. Tatsuro Masuda, der Besitzer, war in Oakland geboren und frisch verheiratet. Er erzählte Lange: „Ich habe am Tag nach Pearl Harbor für das Geschäft bezahlt.“ Er und seine Frau wurden in das Konzentrationslager Gila River in Arizona geschickt. Sie sind nie wieder zu dem Geschäft zurückgekehrt.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In den drei Monate bei der WRA, während sie nahezu 7 Tage die Woche arbeitete, war es Lange möglich, fast 850 Bilder aufzunehmen. Während ihre anderen Fotos für die Regierung zu den aussagekräftigsten Bildern des 20. Jahrhunderts gehören, blieben die meisten dieser Bilder so gut wie verborgen, bis ein Buch über sie und Lange im Jahre 2006 veröffentlicht wurde.</SPAN></SPAN></DIV></div>
HTMLText_FD8CE00A_6669_61E5_41D2_3D07D722A8D8.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Künstlerin, Fotografin und Journalistin</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Am 23. April 1943 besuchte die First Lady Eleanor Roosevelt das Konzentrationslager Gila River in Arizona. Der WRA Fotograf Francis Stewart nahm das Foto von ihr in Begleitung von Dillon Myer, National Director der War Relocation Authority, auf, während sie von einer Menge Häftlinge enthusiastisch begrüßt wurden.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Frau Roosevelt war eine der wenigen in der FDR Administration, die sich öffentlich für loyale Bürger und Einwanderer japanischer Herkunft sowohl vor und nach Pearl Harbor aussprach. Sie versuchte ohne Erfolg den Präsidenten von der Anordnung der Massendeportation abzuhalten, in der sie eine Verletzung der Menschenrechte und der amerikanischen Ideale sah und sie lud sogar japanische Amerikaner ins Weiße Haus ein.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Ihr Besuch im Lager war eine Antwort auf die Anklagen der örtlichen Presse, die Bundesregierung würde japanische Amerikaner in den Lagern verhätscheln. Ihr Ziel war es, diese Einrichtungen zu besuchen und jene Behauptungen zu untersuchen. Sie kehrte zurück, hob die Arbeit, die die Gefangenen für die Kriegsanstrengungen in den Fabriken für Tarnnetze und Schiffmodelle leisteten, hervor und merkte an, dass die Milch, die sie in der Messe probiert hatte, sauer schmeckte— ihre Art, um auf die Presseberichte zu reagieren, die Gefangenen erhielten Rationen in besserer Qualität als andere Amerikaner.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Die Los Angeles Times berichtete drei Tage später von ihrem Besuch in einem Artikel, in dem sie die Lebensbedingungen, wenn auch nicht als anstößig, so doch als „bestimmt nicht luxuriös“ beschrieb und sie fügte hinzu, „ich würde so nicht leben wollen“. Man zitierte auch ihre Aussage: “Je früher wir die jungen [gebürtigen] Japaner aus diesen Lagern herausbekommen, desto besser. Wenn wir nicht aufpassen, schaffen wir sonst noch ein weiteres Indianerproblem.”</SPAN></SPAN></DIV></div>
HTMLText_07BF92A8_666A_A625_4193_EE17A103D7C0.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Künstlerin, Fotografin und Journalistin</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Diese Bild von Ansel Adams wurde im Jahr 1943, nahe des Death Valley, Kalifornien, in einem Lager mit Namen Manzanar aufgenommen. Es war eines der zehn amerikanischen Konzentrationslager, die erbaut worden waren, um US-amerikanische Bürger japanischer Herkunft und ihre zugewanderten Eltern gefangen zu halten.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Es zeigt einen Mann, der in die weite, offene Landschaft der Foothills der Sierras hinausschaut, die typische Art Ausblick, für die Adams als Fotograf bekannt war. Was seltsamerweise fehlt sind Stacheldrahtzäune, Wachtürme, Scheinwerfer, Soldaten mit Maschinengewehren oder irgendwelche beunruhigenden Szenen, die einen Hinweis darauf geben könnten, unter welchen harten Bedingungen diese Menschen hier leben mussten.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Adams empfand persönlich sehr stark, dass US-amerikanische Bürger von ihrem eigenen Land nicht auf diese Weise behandelt werden sollten und sein erster Versuch einer Dokumentarfotografie entstand aus dem Wunsch, seinen amerikanischen Mitbürgern zu zeigen, dass dieses Menschen wie alle anderen Bürger waren, Born Free and Equal [Frei und gleich geboren], wie der Titel des Buchs besagte, das er schließlich 1944 fertigstellte und veröffentlichte.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Als das Buch erschien, wurden seine Intentionen allerdings von der amerikanischen Öffentlichkeit, die noch immer im Krieg verhaftet war, nicht anerkannt. Man vergab ihm seine sympathisierende Einstellung gegenüber jenen Gefangenen nicht. Es wird berichtet, Exemplare seines Buchs seien aus Protest verbrannt worden. Es wird auch berichtet, die Regierung selbst habe tausende Exemplare aufgekaufte und sie dann vernichten lassen. Was immer ihr Schicksal war, eine Originalausgaben dieses Buchs von 1944 wird als seltener Fund angesehen. Und es gibt noch eine weitere Ironie: Als sich die Antipathie gegenüber den japanischen Amerikanern legte, waren Adams Fotografien erneut umstritten. Dieses Mal aber nicht deshalb, weil Regierung und Öffentlichkeit sie zurückwies, sondern man begann, sie als einen Beweis dafür zu verwenden, dass die Bedingungen in jenen Lagern alles andere als hart und unmenschlich gewesen seien. In Anbetracht dessen, dass es sich bei den Fotografien weder um echte Dokumentation noch um reine Propaganda handelt, sind diese Bilder irgendwo in einer Art fotografischem Niemandsland angesiedelt.</SPAN></SPAN></DIV></div>
HTMLText_62C672A5_339A_D626_41C6_1B443873B812.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stellvertretende Leiterin / Chefkuratorin – Norman Rockwell Museum</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom from Want</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> war keine so große konzeptionelle Herausforderung wie die beiden vorausgehenden Gemälde aus Rockwells</SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I> Four Freedoms-Reihe (Speech und Worship – Rede und Glauben)</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">. Das Werk war vom typisch amerikanischen Thanksgiving inspiriert und hat sich seitdem zu einer Vorlage dafür entwickelt.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Obwohl diese Familienszene als Kompositum entstanden ist, für das Rockwells Modelle in separaten Sitzungen in seinem Atelier posierten, sind darauf einige Nachbarn und Familienmitglieder des Künstlers zu sehen. Mit dabei sind Mrs. Thaddeus Wheaton, die Köchin der Familie, wie sie einen großen Festtagstruthahn aufträgt, Mary Barstow Rockwell, die Gattin des Künstlers, und seine Mutter Nancy Hill Rockwell, die auf der rechten Seite zu sehen ist.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Freedom from Want wurde zusammen mit einem Essay des relativ unbekannten Autoren und Dichters Carlos Bulosan veröffentlicht, einem philippinischen Einwanderer und Wanderarbeiter, der im Namen derer schrieb, die zu Hause Entbehrungen erleiden mussten. Als Kontrapunkt zu den sanften Darstellungen auf Rockwells Gemälden blickte Bulosans Essay einer möglichen Zukunft entgegen, in der jene außerhalb des gesellschaftlichen Mittelfelds, Wanderlandarbeiter, Gewerkschaftsorganisatoren, Hilfsarbeiter, afroamerikanische Opfer der Rassentrennung sowie asiatische und lateinamerikanische Einwanderer vielleicht die Möglichkeit erhalten würden, echte Freiheit zu erleben.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Aus künstlerischer Sicht ist das Werk ein hoch angesehenes Beispiel für die meisterhafte Darstellung visueller Texturen, wie etwa dem Schimmer weißen Porzellans auf weißem Tischtuch oder der Transparenz von Wasser in Gläsern.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rockwells allgemeinem Optimismus zum Trotz regten sich in ihm Bedenken, weil er in einer Zeit, in der der Zweite Weltkrieg wütete und ein Großteil Europas hungerte, überrollt und vertrieben wurde, einen so großen Truthahn gemalt hatte. Viele Kritiker bestätigten die übertriebene Fülle an Speisen auf diesem Bild, wiesen aber auch darauf hin, dass darauf Familie, Geselligkeit und Sicherheit zur Schau gestellt werden, und waren der Meinung, dass Fülle, und nicht eine gerade nur ausreichende Menge, die wirkungsvollste Antwort auf die Vorstellung von Not sei.</SPAN></SPAN></DIV></div>
HTMLText_BC36B3FE_3392_E456_41AE_FF46266427D2.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stellvertretende Leiterin / Chefkuratorin – Norman Rockwell Museum</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Worship </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">stellte für Rockwell eine Herausforderung dar, weil ihm bewusst war, dass Religion eine zutiefst private und manchmal auch heikle Angelegenheit ist. Er wollte ein Bild malen, das Eintracht trotz bestehender Unterschiede vermittelte und die Vision einer Welt präsentierte, auf der es keine Diskriminierung wegen religiöser Praktiken oder des religiösen Glaubens gibt.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Sein ursprüngliches Konzept zeigte eine friedliche Szene in einem ländlichen Frisörladen, in dem ein jüdischer Mann von einem Frisör bedient wird, während ein katholischer Priester und ein Afroamerikaner warten, bis sie an der Reihe sind. Kurz vor der Fertigstellung des Bildes gewann Rockwell jedoch den Eindruck, dass es eine stereotype Sichtweise präsentierte, und so nahm er, unzufrieden mit seinem Ansatz, davon Abstand und begann noch einmal von vorn.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Das endgültige Bild, das wir heute sehen, konzentriert sich stärker auf das Konzept des Glaubens als auf das Konzept der Religion und zeigt die Profilansichten von acht Köpfen in einem Bildraum mit geringer Tiefe. Die verschiedenen Personen stellen Menschen unterschiedlichen Glaubens beim Gebet dar. Das Bild wurde in monochromen Farbschattierungen gemalt, um ein Gefühl der Eingliederung und Einheit zu vermitteln.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rockwell war der Auffassung, dass in einer Komposition die Körperhaltungen und Gesten im Vergleich zur Ausdrucksqualität der Gesichter nur zweitrangig sind, wie am Beispiel von Freedom of Worship deutlich wird. Die Formulierung „Each according to the dictates of his own conscience“ („Jeder nach den Geboten, die sein eigenes Gewissen ihm auferlegt“) gab Rockwells eigene Gedanken zum Thema Religion wieder. Als er gefragt wurde, wo er diese Worte gehört habe, konnte Rockwell sich nicht daran erinnern. Tatsächlich kommt dieser Satz in vielen Verfassungen US-amerikanischer Bundesstaaten vor und wurde auch von George Washington in einem Brief verwendet, den er 1789 an die United Baptist Chamber of Virginia (Kammer der vereinigten Baptisten von Virginia) schrieb.</SPAN></SPAN></DIV></div>
HTMLText_47AE2E2B_A42F_AEC2_41E1_59C5E2ACCA77.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stellvertretende Leiterin / Chefkuratorin – Norman Rockwell Museum</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Der Zweite Weltkrieg war eine ergiebige Ära für politische Karikaturisten, da die Emotionen hochkochten und das Schicksal der Welt auf dem Spiel stand. Boris Artzybasheff immigrierte im Alter von 20 Jahren aus Russland in die Vereinigten Staaten. Er sprach zu dieser Zeit kein Wort Englisch und hatte, als er dort ankam, angeblich nur 17 Cent in der Tasche. Er war als Illustrator für seine Fähigkeit berühmt, Maschinen und unbeseelte Objekte in lebendige Wesen zu verwandeln – wie auch die Hakenkreuze, die man hier sieht.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Während des Zweiten Weltkriegs fungierte er als Berater der Abteilung Psychologische Kriegsführung der Streitkräfte, und als bildgewaltiger Illustrator arbeitete er selbst während dieser Zeit für bedeutende Druckwerke wie </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Life, Fortune </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">und</SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I> Time,</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> für die er mehr als 200 Titelseiten gestaltete. Das Werk Witches' Sabbath, das 1942 in der Zeitschrift </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Life</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> veröffentlicht wurde, stellt die Sichtweise des Künstlers in den Mittelpunkt, und das Bild zeigt eigentlich Heinrich Himmler, Hermann Göring und Joseph Goebbels, die führenden Mitglieder der Nazi-Partei und Lieferanten der Nazi-Propaganda, in Gestalt von Hakenkreuzen.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Artzybasheff und andere politische Künstler dieser Ära versuchten, einen Einblick in die sozialen Missstände zu gewähren – ein Ansatz, der sich von jenem Rockwells insofern unterschied, als dieser in seiner künstlerischen Aussage eher auf den sozialen Aufstieg bedacht war.</SPAN></SPAN></DIV></div>
HTMLText_DE530C53_A4EE_7376_41CE_669A29906F80.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stellvertretende Leiterin / Chefkuratorin – Norman Rockwell Museum</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Ein enger Freund von Norman Rockwell in Arlington (US-Bundesstaat Vermont), der Illustrator Mead Schaeffer, adaptierte seinen Arbeitsansatz in den Jahren des Zweiten Weltkriegs, um auf die in der Kriegszeit herrschenden Bedürfnisse einzugehen. Er ließ die romantischen und literarischen Themen, auf die er sich bislang konzentriert hatte, hinter sich, und wandte seine Aufmerksamkeit realen Menschen und Orten zu, wobei er sich die damalige journalistische Ausrichtung der Saturday Evening Post zu eigen machte.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1942 reisten Rockwell und Schaeffer in der Absicht, mit ihrem Talent einen Beitrag zu den Kriegsanstrengungen zu leisten, nach Washington D. C. und wurden mit ein paar Skizzen für Projektvorschläge im Gepäck bei mehreren verschiedenen Behörden vorstellig. Unglücklicherweise fehlten jedoch damals für ihre Projekte die Mittel. Einigermaßen niedergeschlagen machten die beiden auf der Heimreise in Philadelphia Halt, um dem Herausgeber der Saturday Evening Post, Ben Hibbs, einen Besuch abzustatten. Hibbs war von ihren Ideen sofort begeistert und beauftragte sie mit der Ausarbeitung ihrer Gemälde, um sie zu veröffentlichen.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Schaeffer beschloss, eine Reihe von Titelbildern zum Gedenken an die Streitkräfte zu erschaffen, in der er die Arbeit jeder Teilstreitkraft hervorheben wollte. Er stellte sorgfältige Recherchen zu seinen Themen an und kreierte mit großem technischem Können heroische Werke, die die Professionalität und Einsatzfreude des amerikanischen Soldaten in allen Lebenslagen hervorhoben. In diesen unsicheren Zeiten hatte seine Bildsprache eine beruhigende Wirkung auf die Öffentlichkeit. In einer Ausgabe der Saturday Evening Post, der Publikation vom 20. Februar 1943, überschnitten sich die Gemälde von Schaeffer und Rockwell sogar. In dieser Ausgabe erschien Schaeffers lebhafte Darstellung eines Marinesoldaten in der Schlacht auf dem Titelblatt, während Rockwells erste Illustration aus der Four Freedoms-Reihe, Freedom of Speech (Freiheit der Rede), im Heftinneren zu finden war.</SPAN></SPAN></DIV></div>
HTMLText_B919BB3D_3386_3626_41AE_0EEEEB6A332F.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stellvertretende Leiterin / Chefkuratorin – Norman Rockwell Museum</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Freedom from Fear wurde gemalt, als Europa sich gerade im Belagerungszustand befand, wie aus der Schlagzeile der Zeitung hervorgeht, die der Vater in der Hand hält. Rockwells Intention war es, die Vorstellung zu vermitteln, dass alle Eltern in der Lage sein sollten, ihre Kinder jeden Abend im festen Vertrauen auf ihre Sicherheit zu Bett zu bringen.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Hier scheinen eine Mutter und ein Vater nach ihren schlafenden Kindern zu sehen, während liebevolle Berührungen die Geschichte eines behaglichen Mittelklasselebens erzählen. Obwohl die Kinder sich ein Bett teilen, befinden sich doch Bilder, Kleidungsstücke und Spielsachen in ihrem Schlafzimmer. Ein warmes Licht scheint aus dem Erdgeschoss ihres Zuhauses herauf, was darauf hindeutet, dass diese Familie ein gewisses Maß an finanzieller Sicherheit erreicht hat und der „amerikanische Traum“ für sie wahr geworden ist.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Obwohl Rockwell selbst Freedom from Fear nicht als besonders gewichtig ansah, ist das Gemälde relevant geblieben und hat vor dem Hintergrund eines denkwürdigen Weltgeschehens Anklang gefunden. Nach dem 11. September 2001 veröffentlichte die New York Times Freedom from Fear auf ihrer Titelseite und ersetzte Rockwells Titel durch Verweise auf die Angriffe in New York, Washington D. C. und Pennsylvania.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Als Reaktion auf die Unruhen, die aus der rassistisch motivierten Gewalt überall im Land hervorgingen, haben viele Künstler Freedom from Fear, ebenso wie Rockwells symbolträchtiges Gemälde Problem We All Live With (Das Problem, mit dem wir alle leben) neu interpretiert, um den Ereignissen und Anliegen der damaligen Zeit Rechnung zu tragen.</SPAN></SPAN></DIV></div>
HTMLText_5ECB82E6_4688_BE17_4191_05741B35042C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stellvertretende Leiterin / Chefkuratorin – Norman Rockwell Museum</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">J. C. Leyendecker war ein berühmter amerikanischer Illustrator, der rund 20 Jahre älter als Norman Rockwell war. Als Rockwell berühmt wurde, war Leyendecker der populärste Illustrator bei der </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">. Er lebte in New Rochelle und war ein Nachbar von Norman Rockwell, der immer wieder herumerzählte, er würde hinter J. C. Leyendecker herlaufen, um zu erfahren, was dieser sich in den Schaufenstern ansah und was er wohl auf seinem nächsten </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">-Titelbild zu malen gedachte. Die beiden wurden enge Freunde.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Eine von J. C. Leyendeckers bedeutendsten Leistungen war sein </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Neujahrsbaby</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, das von der amerikanischen Öffentlichkeit weithin anerkannt wurde, da es von der </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Saturday Evening Poat </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">tatsächlich von 1907 bis 1943 veröffentlicht worden war und diese das Jahr grundsätzlich mit einem Ausblick auf das, was kommen würde, begann. Leyendecker erschuf ein pausbäckiges Kind, das gleichzeitig unschuldig und weise aussah und sich viele nationale Fragen, vom Stimmrecht der Frauen bis hin zur Prohibition, und natürlich die Hochs und Tiefs auf dem Aktienmarkt der 1930er-Jahre, ansah.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1940 waren die Vereinigten Staaten vom Krieg nicht unmittelbar betroffen. Er wütete in Übersee, und auf diesem Bild trägt das </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Neujahrsbaby</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> tatsächlich eine Gasmaske und hält einen Schirm in Anspielung auf den britischen Premierminister Neville Chamberlain, dessen Friedenszusagen sich in unserer Zeit nicht bewahrheiten sollten. Zum Zeitpunkt dieser Veröffentlichung hatte die </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> mehr als drei Millionen wöchentliche Abonnenten, und das Druckwerk behauptete, dass jede Ausgabe von durchschnittlich zehn Leuten gelesen werde, ob in privaten Haushalten, Arztpraxen oder in anderen öffentlichen Gebäuden. Das Magazin war so berühmt, dass die Illustratoren sogar den Titelkopf zum Teil verdecken konnten und trotzdem jeder sofort wusste, dass es sich hierbei um die </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Saturday Evening Post </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">handelte.</SPAN></SPAN></DIV></div>
HTMLText_428848E9_6EBD_90FC_41C8_6B179BDD7553.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stellvertretende Leiterin / Chefkuratorin – Norman Rockwell Museum</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwells Saturday Evening Post-Titelblatt vom 1. April 1961, Golden Rule (Goldene Regel), entstand ursprünglich als Zeichnung. 1952, am Höhepunkt des Kalten Krieges und zwei Jahre nach Beginn des Koreakrieges, entwarf Rockwell ein Bild von den Vereinten Nationen als Zukunftshoffnung für die Welt. Seine Wertschätzung für diese Organisation und ihre Mission dienten ihm als Inspiration für ein komplexes Werk, auf dem Mitglieder des Sicherheitsrates der Vereinten Nationen und 65 Personen, die die Nationen der Welt repräsentieren, dargestellt sind. Als Studie für ein Kunstwerk, welches der Künstler ursprünglich als Gemälde geplant und bis zur endgültigen Fassung ausrecherchiert und zeichnerisch fertig ausgeführt hatte, schaffte es United Nations allerdings niemals wirklich auf die Leinwand.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Über seine Arbeit an der Zeichnung The United Nations sagte Rockwell: „Wie jeder andere auch bin ich über die Lage der Welt besorgt, und wie jeder andere auch möchte ich etwas beitragen, um zu helfen. Die einzige Möglichkeit für mich, etwas beizutragen, sind meine Bilder.“ Als Perfektionist in seiner Kunst nahm Rockwell beträchtliche Mühen auf sich, um Fotografien zu erstellen, die seinen Vorstellungen genau entsprachen und um genau die richtigen Modelle für sein Werk zu finden. Er stellte Recherchen über die Kostüme und Requisiten an und inszenierte jedes einzelne Designelement, das fotografiert werden sollte, bevor er Farbe auf die Leinwand bringen wollte.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Mithilfe seiner Fotografien setzte Rockwell die Einzelheiten von Komposition und Wert gezielt ein, um diese detailreiche Schwarzweiß-Zeichnung mit einem Wolff-Zeichenstift und Kohle herzustellen. „Ich nehme die Anfertigung der Kohleentwürfe sehr ernst“, meinte er. „Zu viele Neulinge warten meiner Meinung nach, bis sie bei der Leinwand angelangt sind, bevor sie versuchen, viele ihrer Probleme zu lösen. Weit besser ist es, sich mithilfe von Studien bereits im Vorhinein darum zu kümmern.“</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Obwohl er sich hingebungsvoll mit dem Konzept für sein Werk befasste, fand er es letztlich zu komplex, um daraus eine endgültige Illustration zu erschaffen. Etwa sieben Jahre später erforschte er die Möglichkeit eines neuen Ansatzes, dem er schließlich in seinem Werk Golden Rule (Goldene Regel) folgte.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rockwell sagte: „Eines Tages wurde mir plötzlich klar, dass die goldene Regel „Was du nicht willst, das man dir tu', das füg' auch keinem andern zu“ das Thema war, nach dem ich gesucht hatte.“</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In seinem Werk Golden Rule porträtiert Rockwell vier Mütter mit ihren Kindern. Die eine in der rechten oberen Ecke ist seine zweite Frau Mary Barstow Rockwell, die 1959, zwei Jahre vor der Veröffentlichung dieses Bildes, verstorben war. Hier ist sie mit ihrem ersten Enkelkind, Geoffrey Rockwell, vereint, das sie in Wirklichkeit nie kennenlernen konnte.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwells Werk Golden Rule, das vor nahezu sechs Jahrzehnten veröffentlicht wurde, ist eines seiner symbolträchtigsten Bilder, reflektiert es doch unsere gemeinsame Menschheit und Rockwells eigene Überzeugungen, die auch in der heutigen Zeit noch relevant sind.</SPAN></SPAN></DIV></div>
HTMLText_ECF5E174_6AFF_9585_41D3_8879E1436E60.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stellvertretende Leiterin / Chefkuratorin – Norman Rockwell Museum</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Wie auch viele andere Amerikaner beschäftigte den Künstler Norman Rockwell Mitte der 1960er-Jahre der Vietnamkrieg. 1966 verbrachte er eine Woche in der Marinebasis Quantico in Virginia und schoss Fotos von einem erfahrenen Marinesoldaten, um ein Bild für ein Plakat zu entwerfen, mit dessen Gestaltung er beauftragt worden war. Im März 1967 aber schrieb er an das Marinekorps, dass er den Auftrag ablehne: „Ich kann einfach kein Bild malen, wenn ich nicht selbst mit dem Herzen dabei bin.“</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Ungefähr ein Jahr später begann Rockwell mit der Arbeit an seinem Werk </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Right To Know (Das Recht auf Information)</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, einer redaktionellen Illustration für die Zeitschrift </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, die im August 1968 veröffentlicht wurde. Nur Monate, nachdem das Gemälde erschienen war, meldete die New York Times, dass General Westmoreland die Entsendung weiterer 206 000 Soldaten nach Vietnam gefordert hatte, eine Geschichte, die man im Weißen Haus gern für sich behalten hätte.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Nachdem von der Truppenausweitung berichtet worden war, verbreitete sich die Nachricht über das Massaker von My Lai, was den wachsenden Unmut gegen den Krieg noch weiter anheizte. Rockwells politische Stellungnahme brachte das Recht der amerikanischen Bürger zum Ausdruck, über die Vorgehensweise und die Absichten der Regierung informiert zu werden. Über seine Arbeit in dieser Zeit äußerte sich Rockwell folgendermaßen: „Ich glaube nicht, dass sich mein Stil verändert hat, aber Amerika hat es und so auch mein Thema. Wir haben weiß Gott Probleme genug, aber wir sollten auch Vertrauen in die heutige Generation junger Menschen haben, die, wie ich finde, das Beste ist, was wir hervorgebracht haben – lange Haare hin oder her. Wer kann sagen, ob sich unter diesen Hippies nicht ein zukünftiges Genie befindet?“</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In seiner Illustration stellt Rockwell eine Gruppe von Menschen verschiedener Rassen, Altersklassen und politischer Überzeugungen dar. Dieses Format, bei dem er Menschen aus allen Gesellschaftsschichten versammelte, findet sich auch bei zwei anderen Werken dieser Ausstellung wieder – einer Zeichnung aus dem Jahr 1953 im Zusammenhang mit den Vereinten Nationen und den Völkern der Erde und bei seiner berühmten Titelblatt-Illustration für die </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Saturday Evening Post, Golden Rule (Goldene Regel)</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, die 1961 veröffentlicht wurde und die Völker der Welt porträtierte, vereint unter dem Spruch „Do onto others as you would have them do onto you“ („Was du nicht willst, das man dir tu', das füg' auch keinem andern zu“).</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell, der 74 Jahre alt war, als er dieses Bild malte, bedeutete das Gemälde so viel, dass er sich selbst auf dem Werk darstellte – ganz rechts mit der für ihn typischen Pfeife im Mund.</SPAN></SPAN></DIV></div>
HTMLText_6D9E48AC_473C_44FF_41BB_3D9C7072DAC4.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Esther Bubley (1921–1998)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Cincinnati, Ohio. “Red” Cochran, a Greyhound bus driver, and his family eating Sunday dinner,</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> September 1942</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Farm Security Administration—Office of War Information </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Photograph Collection (Library of Congress), Washington, D. C.,</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Esther Bubley was one of America’s leading photojournalists during the mid-twentieth century, when career options for women were limited. She worked at the Office of War Information in Washington, D.C., and at Standard Oil in New York City, documenting modern industry and the lives of ordinary people in a fast-changing world. From the early 1940s to the late 1960s, she also freelanced for national magazines, producing forty photo-essays for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Life</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, and a dozen more for the Ladies’ Home Journal’s famous series, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>How America Lives</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">.</SPAN></SPAN></DIV></div>
HTMLText_FD923007_6669_61EB_41A2_89E6D170F02F.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Francis Stewart (1909–1992)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Mrs. Eleanor Roosevelt Accompanied by Dillon Myer, National Director of the War Relocation Authority, visit the Gila Relocation Center, Arizona</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, April 23, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">National Archives and Records Administration Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In 1943, Eleanor Roosevelt visited the internment camp at Gila River, and though the War Relocation Authority used this and other photographs as propaganda, she chose to speak out for confined Japanese Americans. In her syndicated daily newspaper column, she lauded the efforts of the inmates to grow their own food, combat the harsh desert climate, and police and educate themselves. But in an interview published in the </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Los Angeles Times</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> three days after her visit, she strongly recommended that the camps be closed as soon as possible.  Though Eleanor Roosevelt was a champion for human rights and the Four Freedoms, this was her most open public expression of opposition during the war.</SPAN></SPAN></DIV></div>
HTMLText_B37C0A33_CA2A_AA9B_41BC_B5B9A6DF0187.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Frederic Stanley (1892–1967)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>What Did You Do Today...For Freedom</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The American Home</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Magazine Publishers of America, March 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tearsheet</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_BF58E0A5_C698_F928_41DD_E330A3C2B02D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>George Stanley</B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">June 16, 1965</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Letters to </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> Editor Regarding </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Murder in Mississippi</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Letters from the public to editor Gardner Cowles of </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> reflected a variety of reactions to Rockwell’s </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Murder in Mississippi</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">. Bette L. Stern wrote: “I have hung both article and illustration on my living room wall as a constant reminder of man’s inhumanity to man.” George D. Stanley felt that Rockwell’s painting had done the south an injustice. “Is it impossible for anyone, except a Southerner, to realize the tremendous strides being made to correct our own bigoted society?” he asked. </SPAN></SPAN></DIV></div>
HTMLText_AA3A8784_AB6C_90C3_41B8_E1292F0DAEBC.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Gino Boccasile (1901–1952)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>La Germania è Vermente Vostra Amica </I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>(Germany is Truly Your Friend)</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1944</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Poster</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">A supporter of Italian dictator Benito Mussolini, illustrator Gino Boccasile produced propaganda material for his government. As the tide of war turned against fascism, he became a supporter of the German puppet state, RSI (Repubblica Sociale Italiana), established by Mussolini in Northern and Central Italy. Boccasile enlisted in the Italian SS Division, created recruitment and propaganda posters, and was imprisoned for a time after the war for collaborating with fascists.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_AA4D5587_AB25_B0CD_41B9_3BF9A40CF51C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Gordon Parks (1912–2006)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Portrait of Langston Hughes</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Farm Security Administration—Office of War Information </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Photograph Collection </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Library of Congress, Washington, D. C.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In 1942, author, journalist, and activist Langston Hughes gave poetic voice to the African-American campaign for a “Double Victory” against fascism abroad and white supremacy and racism at home. In his poem </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>How about it, Dixie</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, he wrote:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The President’s Four Freedoms </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Appeal to me.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">I would like to see those Freedoms </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Come to be.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">If you believe</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In the Four Freedoms, too, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Then share ’em with me— </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Don’t keep ’em all for you. . . .</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Looks like by now </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Folks ought to know </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">It’s hard to beat Hitler </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Protecting Jim Crow.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Freedom’s not just</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">To be won Over There.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">It means Freedom at home, too— </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Now—right here!</SPAN></SPAN></DIV></div>
HTMLText_BD5B2552_6C9B_7636_41D5_1936ABA15913.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Hans Sönnke</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>German Invasion of Poland</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1939 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Getty Images</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">On September 1, 1939, Germany initiated a massive invasion of its neighbor, Poland. Of particular interest to Adolph Hitler and his war planners was the Free City of Danzig, which had been separated from Germany after World War I—with Poland gaining the right to administer the city’s significant seaport. The forced separation produced great resentment within Germany, and as result the reviled border installations were among the first targets of the invaders. In this photo- graph, German troops are destroying the control barrier that had forced automobile traffic going from Germany into Danzig to halt for border customs. Professional local photographer Hans Sönnke documented the outbreak of the war in Danzig that day.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_2C97018A_B74D_089D_41E6_C9528518E833.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Hector Rondon (1933–1984)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Aid from the Padre</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, June 2, 1962</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tear sheet of photograph</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">As no one had yet reported the exact details of the murder when Rockwell began his painting, he borrowed from Hector Rondon’s 1963 Pulitzer Prize–winning news photo “Aid from the Padre” for the pose of Michael Schwerner holding James Chaney. Rockwell later wrote a note to himself to remember to tell </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> art director Allen Hurlburt he had used Rondon’s photo.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_89A4011E_B4D9_86D2_41E1_412522BE1EFB.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Henry Koerner (1915–1991)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>United We Are Strong, United We Will Win</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Poster</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Through the Lend-Lease program, the United States supplied the Allies with both food and munitions. However, in the face of rationing back home, critics often questioned the necessity of such exports—as well as the wartime alliance with the Soviet Union, widely regarded with hostility by Americans. The Office of War Information used posters like this one to dramatize the importance of cooperation and support among the Allies. Through proximity, artist Henry Koerner features the so-called Big Three (the United States, the United Kingdom, and the Soviet Union) firing their weaponry in a unison with a number of additional allied nations.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_6787FBA0_66D9_6625_4184_20DBAD60E5DA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Hugh M. Hutton (1897–1976)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Funeral Oration for Poland</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1939</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Editorial cartoon for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Philadelphia Inquirer</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, September 20, 1939</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Lithographic crayon on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Eisenstat Collection of American Illustration, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">on loan from Alice A. Carter and Courtney Granner</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">American cartoonist Hugh M. Hutton worked at the </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Philadelphia Inquirer</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> for more than thirty years, exercising freedom of expression in powerful visual commentary addressing social and political issues. Born in Lincoln, Nebraska, he served in the armed forces during World War I. In </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Funeral Oration for Poland</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, Hutton employs recognizable symbols to comment upon the invasion of Poland, which began on September 1, 1939, marking the beginning of World War II. In the work, a motionless woman lying face down is closely observed by predatory buzzards representing Germany and the Soviet Union.</SPAN></SPAN></DIV></div>
HTMLText_F27F7C3F_A421_9312_41D0_958F3F0854F6.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Irvin Ungar</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Fundador y CEO - Historicana / Curador - The Arthur Szyk Society</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>(Sociedad de Arthur Szyk)</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Estoy encantado de presentarles a Arthur Szyk, un artista judío polaco nacido en Łódź, Polonia,</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">en 1894, que es el mismo año en que nació Norman Rockwell. Arthur Szyk llegó a Estados Unidos en 1940 como inmigrante y murió en 1951.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cuando finalmente llegó a Estados Unidos se vio a sí mismo como un ejército de un solo hombre en esta lucha contra Hitler. También se consideró a sí mismo como el soldado de FDR en arte (y así firmó algunas de sus obras).</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Arthur Szyk trabajó durante la Segunda Guerra Mundial, luchando contra el Eje y también trabajó en nombre del rescate de los judíos europeos.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Se hizo muy famoso en Estados Unidos a pesar de que muchas personas han olvidado quién era y lo que logró durante su vida, pero era tan famoso como podría serlo. Y para darle una idea de eso, como usted, el espectador, sabe, Norman Rockwell estaba ilustrando a principios de la década de 1940, las portadas del Saturday Evening Post. En ese momento, Arthur Szyk estaba ilustrando las portadas de la revista de Collier’s. ¿Cuál fue la circulación del Saturday Evening Post Alrededor de tres millones de personas obtuvieron cada copia. ¿Cuántas personas recibieron cada copia de Collier’s? Dos millones y medio.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Déjame hablar sobre Arthur Szyk y las Cuatro Libertades. Comienza con Arthur Szyk creando una serie titulada Washington and his Times (Washington y Sus Tiempos). Estas son 38 pinturas que tratan sobre George Washington y la Revolución Americana. Arthur Szyk completó esos trabajos en 1930, se publicó como una cartera en 1932. En 1935, Arthur Szyk exhibía estas obras y fueron compradas por el presidente de Polonia, Mościcki, y en 1935 se las regaló a Franklin Roosevelt para crear unas relaciones más estrechas entre Polonia y los Estados Unidos virtualmente en vísperas de la Segunda Guerra Mundial, con los nazis ya en el poder.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Roosevelt mantuvo a aquellas en la Casa Blanca y cuando Roosevelt pronunció su discurso de las Cuatro Libertades en enero de 1941, 38 pinturas de la libertad colgaban en la Casa Blanca. Y estas fueron obras de Arthur Szyk.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Luego Szyk partió, en realidad en 1942, para ilustrar las Cuatro Libertades. Ellos eran . . . realmente presentaba a un caballero medieval, casi luchando por la libertad, eso significaba que todas las libertades tenían que ser protegidas y el camino de Szyk era usar un caballero medieval que tuviera una lanza, una daga, una espada, que acompañara a casi todos ellos. Y estos fueron reproducidos en dos formatos. Uno como sellos de carteles que se distribuyeron ampliamente como si uno distribuiría Easter Seals. Y, en segundo lugar, se reprodujeron como tarjetas postales grandes y también se distribuyeron.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Así que esta fue la conexión de Arthur Szyk con las Cuatro Libertades, tanto en términos de su obra de arte en la Casa Blanca cuando se pronunció el discurso, y luego también, literalmente, para reproducirlos también.</SPAN></SPAN></DIV></div>
HTMLText_6C98E50D_6D96_D61D_41D8_B70E7841657B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>J. Harvey Delaney</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Atlantic Charter and Four Freedoms Ashtray</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Wood, glass, metal, and plastic</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Franklin D. Roosevelt Presidential Library and Museum,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Bequest of Franklin D. Roosevelt</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">This ashtray made with materials gathered from the White House, was presented to President Roosevelt by maker J. Harvey Delaney of Washington, D.C. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Its inscription reads: “Franklin D. Roosevelt/President/of the United Stated, Winston Churchill/Prime Minister/of Great Britain, May 11, 1943/The White House/Washington, D.C., and Mackenzie King/Prime Minister/of Canada.”</SPAN></SPAN></DIV></div>
HTMLText_133CB5AC_43A3_7026_41CD_7B1702E663F1.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>J. Howard Miller (1918–2004)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>We Can Do It! </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Poster illustration for Westinghouse for the War Production </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Co-Ordinating Committee</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">National Archives and Records Administration,Washington, D. C.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Pittsburgh graphic artist J. Howard Miller created this poster for display in Westinghouse’s industrial facilities for a two- week period in February 1943. One in a series of in-house motivational images, it portrays a confident woman wearing blue overalls and a red bandanna. Her upraised fist would have been meaningful to the original Westinghouse viewers, since a similar gesture was used as a symbol of solidarity in the corporation’s labor force. Westinghouse did not employ riveters; the woman’s affirming statement likely referred to the broader wartime task of providing support for the nation’s fighting forces.</SPAN></SPAN></DIV></div>
HTMLText_6EB6A1B2_46D4_44EB_41CF_A9443AFF4666.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>J.C. Leyendecker (1874–1951)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>1932 Baby New Year Charting</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">December 13, 1932</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tearsheet</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gift of William W. Hargreaves</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Illustrator J. C. Leyendecker’s most iconic images, created for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> from 1907 to 1943, were his New Year’s babies—chubby infants who looked ahead to the joys and challenges of the coming year. These symbolic figures were an annual  tradition  for  Americans,  who  anticipated each new baby’s arrival.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_688401CD_46D4_44B9_41A7_F658AD0357E9.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>J.C. Leyendecker (1874–1951)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>1935 Baby New Year Balances the Budget</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">January 5, 1935</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tearsheet</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gift of William W. Hargreaves</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Inspired by the events of the day, Leyendecker’s New Year’s babies took on an array of issues, from women’s suffrage and women in politics to balancing the budget during the Great Depression, seen here. Leyendecker was twenty years Rockwell’s senior, an early inspiration who also became a friend.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_513172D7_4688_BE35_41C6_941A764A08E9.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>J.C. Leyendecker (1874–1951)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>1940 Baby New Year Ready for War</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">December 30, 1939</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tearsheet</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gift of William W. Hargreaves</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Though the nation was at peace in 1940, Americans were concerned about involvement in the European conflict. No longer a picture of innocence, this New Year’s baby has his bags packed, and is ready to take action at a moment’s notice. Wearing a gas mask and clutching an umbrella, the child references British Prime Minister Neville Chamberlain, whose assurances of “peace in our time” proved illusory.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_6D9EE723_472C_4DE9_41CA_8E70B803677C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>J.C. Leyendecker (1874–1951)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>1941 New Year’s Baby Warring Fist</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">January 4, 1941 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tearsheet</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gift of William W. Hargreaves</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_6EF0CC70_472B_DC67_41A0_61DC263F8FF2.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>J.C. Leyendecker (1874–1951)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>1942 New Year’s Baby No Trespassing</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">January 3, 1942 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tearsheet</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gift of William W. Hargreaves</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_6D19A87B_4734_C459_41BA_202FDF3603B7.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>J.C. Leyendecker (1874–1951)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>1943 Baby New Year at War</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">January 2, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tearsheet</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gift of William W. Hargreaves</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_6771AF79_6639_FE27_41AF_F78B92E4712C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Jerry Aloysius Doyle (1898–1986)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Roosevelt Favors Old Age Pensions</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, c. 1935</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Editorial cartoon for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Philadelphia Record</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, c. 1935 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Lithographic crayon and ink on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Eisenstat Collection of American Illustration, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">on loan from Alice A. Carter and Courtney Granner</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">After Franklin D. Roosevelt became president in 1933, millions of hopeful Americans wrote to him offering advice and requesting help. Appeals for old-age pensions were especially frequent and often quite poignant. As governor of New York, Roosevelt signed an Old Age Pension Bill, an action popular with voters as evidenced in this cartoon. On August 14, 1935, the Social Security Bill became law, promising a plan for social insurance as a safeguard “against the hazards and vicissitudes of life.”</SPAN></SPAN></DIV></div>
HTMLText_6CAB32B7_6D8B_B214_41C9_9C2B0D6BFADC.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Jo Davidson (1883–1952)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Franklin D. Roosevelt</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1934</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Baked clay with gold-bronze patina</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of New-York Historical Society, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">purchase, Softer-Jarvis Fund</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">One of the most renowned American sculptors of the twentieth century, Jo Davidson spent his career creating likenesses of many world figures. In December 1933, he arrived in Washington D.C. at the invitation of Sara Roosevelt to create a bust of her son, President Franklin D. Roosevelt, who had been elected that year. Davidson completed the piece quickly and went on to create others, which were admired by the president and his family.</SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I> “President Roosevelt won me completely with his charm, his beautiful voice and his freedom from constraint,”</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> Davidson said. </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>“He had an unshakable faith in man…. In Roosevelt’s tremendous relief program, the artist too was included . . .”</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> In 1936, small busts of Roosevelt by the sculptor were presented as gifts to prominent supporters during his reelection campaign.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_F225F957_C9EA_B69B_41E3_811D79B01069.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>John Collier (1913–1992)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Four Freedoms textile designed and sold by Jay Thorpe, </I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>New York</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Library of Congress: Farm Security Administration-Office of War Information Photograph Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Washington, D.C., LC-USW3-023559-C</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_6D5EAF06_4734_5DAB_41CB_4D3292CE5239.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>John Collier, Jr. (1913–1992)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Provincetown, Massachusetts.</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Family of a Portuguese Dory Fisherman, </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Spring 1942 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Library of Congress, Prints and Photographs Division, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Washington, D. C., LC-USW3-002070-C</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_AC72EA37_CA2B_EA9B_41D5_BD705E488582.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>John Falter (1910–1982)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>By His Deeds . . . Measure Yours</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, c. 1942</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Advertising illustration for Magazine Publishers of America </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Published in </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Coronet</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, January 1943, p. 96</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Magazine</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_911A2367_A96C_904D_41D1_7D33372972E1.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>John Falter (1910–1982)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>By His Deeds . . . Measure Yours</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, c. 1942</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Advertising illustration for Magazine Publishers of America </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Published in </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Coronet</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, January 1943, p. 96</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Nebraska State Historical Society</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Public-service advertisements of World War II urged civilians to actively support the war effort by reminding them of the life and death struggles that faced the military. This painting compares the soldier’s sacrifice to that of Jesus. The fallen soldier’s head is wrapped in barbed wire that recalls the crown of thorns, and a broken fence on the upper right forms the shape of a cross. A popular </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Saturday Evening Post </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">illustrator, Falter created numerous advertisements and art for more than three hundred recruiting posters. He enlisted in the US Navy in 1943, and was promoted from chief boatswain’s mate to lieutenant on special assignment as an artist. His final rank was chief petty officer.</SPAN></SPAN></DIV></div>
HTMLText_6C9E792D_6D8D_BE09_41D3_59CA489FE8E0.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Julio Kilenyi (1885–1959)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Four Freedoms Victory, Franklin D. Roosevelt Medal </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Robbins Metallic Guild, Attleboro, MA, c. 1944</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gold</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Franklin D. Roosevelt Presidential Library and Museum, Bequest of Franklin D. Roosevelt</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">This commemorative coin by Hungarian-born American sculptor and metallic artist, Julio Kilenyi, is inscribed on the reverse: “Victory. Freedom of Speech, Freedom of Worship, Freedom from Fear, Freedom from Want. Awarded for outstanding contribution to victory to Franklin D. Roosevelt.”</SPAN></SPAN></DIV></div>
HTMLText_19EA8E56_5D56_29DE_41CE_201F6EF80DDA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>La vida de Franklin D. Roosevelt, 32o presidente de los Estados Unidos, 1943</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Libro de historietas publicado por la Oficina de Información de Guerra,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Escaneo digital</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Los Archivos Nacionales en College Park, Maryland</SPAN></SPAN></DIV></div>
HTMLText_19EAB27C_5D5A_F9D2_41C8_08A4588FC802.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>La vie de Franklin D. Roosevelt, 32e président des États-Unis, 1943</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Bande dessinée publiée par l'Office of War Information,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Numérisation numérique</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Les Archives nationales de College Park, Maryland</SPAN></SPAN></DIV></div>
HTMLText_729AD280_B8FD_088C_41BB_B76FFF40A591.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Louie Lamone (1918–2007) </B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Preliminary drawing for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Murder in Mississippi </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">by Norman Rockwell, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">March 28–April 5, 1965</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital print from archival negative</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Art Collection Trust</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1965 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rockwell prepared this drawing of Schwerner, Chaney, and Goodman for the final version of the painting. He inclined the figure of James Chaney to emphasize the seriousness of his condition. In the early stage of the drawing, Schwerner strongly resembles Jarvis Rockwell, who posed for the picture. Rockwell gradually made the drawing look more like Schwerner.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_1E1A9A0F_B737_3B94_41B3_5AAF5F7658D5.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Louie Lamone (1918–2007)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Jarvis Rockwell poses as Michael Schwerner; Oliver McCary poses as James Chaney</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, March 20, 1965 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Reference photos</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Art Collection Trust, Studio Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1965 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rockwell’s son Jarvis served as one of his models. The artist’s studio, ordinarily bathed in north light, was darkened with shades. Spotlights were brought in to create cast shadows.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_075BC5AA_B8D5_089C_41D3_A85E9AF50DD6.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Louie Lamone (1918–2007)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Jarvis Rockwell poses as Michael Schwerner; Oliver McCary poses as James Chaney</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, March 20, 1965 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Reference photos</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Art Collection Trust, Studio Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1965 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rockwell’s son Jarvis served as one of his models. The artist’s studio, ordinarily bathed in north light, was darkened with shades. Spotlights were brought in to create cast shadows.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_075BE5AE_B8D5_0894_41E6_BCA76D8074A6.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Louie Lamone (1918–2007)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Jarvis Rockwell poses as Michael Schwerner; Oliver McCary poses as James Chaney</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, March 20, 1965 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Reference photos</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Art Collection Trust, Studio Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1965 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV></div>
HTMLText_1F249DAD_B8D2_F897_41E2_3C12F71F86F0.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Louie Lamone (1918–2007)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Jarvis Rockwell poses as Michael Schwerner; Oliver McCary poses as James Chaney</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, March 20, 1965 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Reference photos</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Art Collection Trust, Studio Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1965 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Louie Lamone (1918–2007)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Kittridge (Kit) Hudson poses as Andrew Goodman</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, March 20, 1965</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Reference photo</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Art Collection Trust, Studio Collectio</SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>n</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1965 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV></div>
HTMLText_1E05AA10_B737_3B8C_41E5_EBBE7F763F41.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Louie Lamone (1918–2007)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Jarvis Rockwell poses as Michael Schwerner; Oliver McCary poses as James Chaney</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, March 20, 1965 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Reference photos</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Art Collection Trust, Studio Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1965 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Louie Lamone (1918–2007)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Kittridge (Kit) Hudson poses as Andrew Goodman</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, March 20, 1965</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Reference photo</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Art Collection Trust, Studio Collectio</SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>n</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1965 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_7BBDE388_B8F3_089D_41B0_DF54E3ADDE0D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Louie Lamone (1918–2007)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Kittridge (Kit) Hudson poses as Andrew Goodman</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, March 20, 1965</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Reference photo</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Art Collection Trust, Studio Collectio</SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>n</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1965 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV></div>
HTMLText_92E61940_C7B9_4B67_41C2_359FC5897FC8.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Louie Lamone (1918–2007)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Kittridge (Kit) Hudson poses as Andrew Goodman</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, March 20, 1965</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Reference photo</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Art Collection Trust, Studio Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1965 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV></div>
HTMLText_92E8093E_C7B9_4B1B_41E3_D91743C77112.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Louie Lamone (1918–2007)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Kittridge (Kit) Hudson poses as Andrew Goodman</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, March 20, 1965</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Reference photo</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Art Collection Trust, Studio Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1965 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_7BBD3384_B8F3_0895_41A8_4FE6B0C02574.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Louie Lamone (1918–2007)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Kittridge (Kit) Hudson poses as Andrew Goodman</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, March 20, 1965</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Reference photos</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, Norman Rockwell Art Collection Trust, Studio Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1965 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In addition to these photos of Kittridge Hudson, Rockwell also did lighting and shadow studies on a number of props that would be referenced in the final image. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_8ED5017F_C789_7B19_41E8_9AA65016C55E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Louie Lamone (1918–2007)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Norman Rockwell poses his hand for Murder in Mississippi</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">March 1965</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Polaroid reference photo</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Art Collection Trust, Studio Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1965 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV></div>
HTMLText_8ECBE17D_C789_7B18_4177_D6D927727D30.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Louie Lamone (1918–2007)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Norman Rockwell poses his hand for Murder in Mississippi</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, March 1965</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Polaroid reference photo</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Art Collection Trust, Studio Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1965 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Blood—human blood, at Rockwell’s insistence—was procured from a concealed source and applied to a shirt that represented the shirt Michael Schwerner was wearing when he was killed. Rockwell himself posed in the blood-stained short, probably not wanting to ask anyone else to wear it. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_8D40D9F3_C789_4B29_41B7_4915A9515EA8.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Louie Lamone (1918–2007)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Norman Rockwell with Murder in Mississippi</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1965</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital print from archival negative</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Art Collection Trust, Studio Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1965 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV></div>
HTMLText_886445B1_B4DE_89C3_41D0_5656DD949013.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Martha Sawyers (1902–1988)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>United China Relief</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, c. 1944 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">United China Relief Foundations,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">U.S. Government Printing Office Poster</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Eisenstat Collection of American Illustration, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">on loan from Alice Carter and Courtney Granner</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_11F0A0AE_A4E2_93DA_41D3_EFF310A3CC18.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Martha Sawyers (1902–1988)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>United China Relief</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, c. 1944</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Poster illustration for the United China Relief Foundations </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gouache on board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Eisenstat Collection of American Illustration, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">on loan from Alice Carter and Courtney Granner</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Martha Sawyers was born and raised in Cuero, Texas. After moving to New York City to study at the Art Students League, she moved farther afield to a region that had long fascinated her: the Far East. She settled in Beijing but returned to the United States after Japan’s 1937 invasion of China and was commissioned by such magazines as </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Collier’s</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> and </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Liberty</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> to focus on the Asian subjects she cared so deeply about. Toward the end of World War II, Sawyers returned to China as a US Army war correspondent. This sensitive portrayal of a Chinese family suffering the impacts of war appeared on a United China Relief Foundations poster. Aid to the war-torn country was a popular cause in the United States.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_B1733B99_C6F8_CF19_41DE_FCBC89ABDB53.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Mary Allison</B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">June 23, 1965</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Letters to </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> Editor Regarding </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Murder in Mississippi</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Letters from the public to editor Gardner Cowles of </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> reflected a variety of reactions to Rockwell’s </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Murder in Mississippi</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">. Bette L. Stern wrote: “I have hung both article and illustration on my living room wall as a constant reminder of man’s inhumanity to man.” George D. Stanley felt that Rockwell’s painting had done the south an injustice. “Is it impossible for anyone, except a Southerner, to realize the tremendous strides being made to correct our own bigoted society?” he asked. </SPAN></SPAN></DIV></div>
HTMLText_AA461BB7_AB27_B0CD_41D3_C4D99F759A69.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Mead Schaeffer (1898-1980)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Flight Controller on Aircraft Carrier</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">June 12, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">United Services Automobile Association (USAA), San Antonio, TX</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1943 SEPS: Licensed by Curtis Licensing, Indianapolis, IN. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_AA4307FA_AB1D_9044_41D4_662D70EF6443.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Mead Schaeffer (1898-1980)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Medical Corps</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1944</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">November 6, 1944</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">United Services Automobile Association (USAA), San Antonio, TX</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1944 SEPS: Licensed by Curtis Licensing, Indianapolis, IN. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Illustrator Mead Schaeffer’s careful research and technical proficiency, combined with his instinctive sense of design and ability to portray action, are reflected in his armed forces commemorative cover series for the </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, highlighting the work of every military branch. His emphasis on the heroism and professionalism of the American soldier reassured the public during unstable times.</SPAN></SPAN></DIV></div>
HTMLText_AA48D795_AB2C_B0CC_41D1_04D90A584844.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Mead Schaeffer (1898-1980)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Naval Lookout</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1942</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">November 7, 1942 Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">United Services Automobile Association (USAA), San Antonio, TX</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1942 SEPS: Licensed by Curtis Licensing, Indianapolis, IN. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_DE551C50_A4EE_7372_41D7_B0385AE02F03.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Mead Schaeffer (1898-1980)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Paratrooper</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1942</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">September 12, 1942</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">United Services Automobile Association (USAA), San Antonio, TX</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1942 SEPS: Licensed by Curtis Licensing, Indianapolis, IN. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell and Mead Schaeffer were neighbors and friends who shared models and scrutinized each other’s work. Both artists sought to contribute their talents to the war effort and traveled together to present their wartime sketches to government official in Washington, D.C. After being turned down, they stopped in Philadelphia to see </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> editor Ben Hibbs, who commissioned their work. Schaeffer abandoned the romantic and literary themes that had been his focus before the war, and embraced instead the reportorial spirit of the </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">.</SPAN></SPAN></DIV></div>
HTMLText_6771AF7B_6639_FE1B_41A8_F81635A031F8.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Alice Carter</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Autora, Ilustradora, y presidenta de la Junta del Museo de Norman Rockwell</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Durante una carrera que abarcó casi sesenta años, las caricaturas editoriales de Jerry Aloysius Doyle aparecieron en los principales periódicos de Filadelfia y, a través de la sindicación, en cientos de otras publicaciones periódicas en todo el país. Como partidario ferviente de las políticas internas y externas de Franklin Roosevelt, Doyle nunca caricaturizó al presidente, y siempre lo mostró con una luz heroica.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">En "Roosevelt Favors Old Age Pensions", Doyle describe al presidente como el potencial salvador de una pareja de ancianos, vestida formalmente con la ropa de una época pasada. Aunque obviamente están empobrecidos, están tratando de mantener las apariencias. Hay un fuego en la chimenea y una rosa en el manto, pero la ventana está rajada y el mantel está remendado. En el suelo, a sus pies, hay dos periódicos que muestran lo que puede traerles su futuro. Uno de los titulares dice: “Roosevelt to Delay Old Age Pensions" (Roosevelt retrasará las pensiones de vejez) y el otro, "Roosevelt Favors Old Age Pensions” (“Roosevelt favorece las pensiones de vejez). Engastado en el manto (junto a la rosa) hay un retrato de FDR con la leyenda "Nuestro presidente".</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Roosevelt propuso por primera vez las pensiones de vejez cuando era gobernador de Nueva York, y la idea era una parte integral del New Deal (Nuevo Trato).El problema era cómo financiarlos. Cualquier plan de seguro nacional tendría que acumularse con las contribuciones de los salarios de los trabajadores, y no habría suficiente dinero hasta 1942. Mientras tanto, los ciudadanos de la tercera edad estaban sufriendo. La solución fue el Título Uno de la Ley de Seguridad Social, un programa conjunto entre los Estados y el Gobierno Federal para proporcionar asistencia inmediata a la vejez. El 14 de agosto de 1935, el presidente Roosevelt firmó el proyecto de ley, señalando mientras dejaba su pluma, "la esperanza de muchos años se cumple en gran parte".</SPAN></SPAN></DIV></div>
HTMLText_6787FBA1_66D9_6627_41D0_158FD3686C43.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Alice Carter</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Autora, Ilustradora, y presidenta de la Junta del Museo de Norman Rockwell</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">El 29 de septiembre de 1939, Alemania y la Unión Soviética llegaron a un acuerdo para dividir Polonia ocupada. Las fuerzas de Hitler tomarían todo al oeste del río Bug y el ejército de Stalin controlaría todo hacia el este.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Al día siguiente, 30 de septiembre de 1939, apareció la caricatura editorial de Hugh Hutton, titulada "The Funeral Oration", en el </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Philadelphia Inquirer</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">. Hutton completó más de 3,800 caricaturas editoriales para The Inquirer durante su larga carrera. Rara vez dibujaba caricaturas de celebridades y políticos, y prefería usar figuras alegóricas para transmitir sus ideas. Por lo general, dibujaba a una mujer vestida de blanco para representar valores como la paz, la justicia y la verdad. En este caso, estas virtudes han caído boca abajo, mientras que los buitres gemelos de Alemania y la Unión Soviética se regodean con su victoria.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Hutton nació en Lincoln, Nebraska, el 11 de diciembre de 1897. Después de asistir a la Universidad de Minnesota durante dos años, se alistó en el ejército y sirvió en la Primera Guerra Mundial. Cuando la guerra terminó, continuó su educación en el Minneapolis School of Art. Tras un cambio de carrera a Nueva York, estudió en la Liga de Estudiantes de Arte y encontró un mercado para sus ilustraciones editoriales con United Features Syndicate.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In 1934, Hutton aceptó su puesto en el Philadelphia Inquirer, donde trabajó hasta su jubilación en 1969.</SPAN></SPAN></DIV></div>
HTMLText_11F250B1_A4E2_93C9_41DE_5BF58DB2D7A3.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Alice Carter</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Autora, Ilustradora, y presidenta de la Junta del Museo de Norman Rockwell</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Martha Sawyers nació en Corsicana, Texas, en 1902. Asistió a la Liga de Estudiantes de Arte de Nueva York durante cinco años, hasta que, según dijo ella, "me echaron y dijeron que tenía que hacer algo con lo que sabía".</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">"China Shall Have Our Help" es uno de los dos afiches que Sawyers diseñó entre 1942 y 1943 para United China Relief, una asociación de agencias de ayuda dedicada a ayudar a los refugiados chinos durante la Segunda Guerra Mundial. Aunque Sawyers prefirió trabajar en el petróleo, las fechas límites a menudo la obligaban a mezclar medios, y como puede ver en este afiche, a veces combina óleo, acuarela, nupastel y lápices de colores ordinarios para producir los efectos que necesitaba.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Esta pintura emocional de una familia refugiada reproduce una escena que Sawyers presenció de primera mano. En 1937, mientras viajaba con su marido, el ilustrador William Ruesswig*, escapó por poco del ataque japonés contra el puente Marco Polo de China. Cuando regresó a Nueva York, una exposición de pinturas de sus viajes atrajo una atención positiva, y la revista </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Collier's</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> le encargó que registrara sus impresiones de Asia en una serie de artículos e ilustraciones. Durante la Segunda Guerra Mundial, la intrépida Sawyers regresó a Asia para cubrir el teatro del Pacífico como artista / corresponsal de las revistas </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Collier's</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> y </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Life</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">.</SPAN></SPAN></DIV></div>
HTMLText_4FC6D925_6493_8841_41CA_83774359CB79.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Allida M. Black</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Profesor de Investigación de Historia y Asuntos Internacionales - The George Washington University (Universidad de George Washington)</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Todo el mundo piensa que </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Four Freedoms</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> (Las Cuatro Libertades) de Norman Rockwell y las cuatro pinturas icónicas y luego, en la otra mitad de la escala es que piensan en el discursohistórica de FDR.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Y Eleanor entendió, al igual que Franklin Delano Roosevelt, pero de una manera muy diferente y a nivel intuitivo, que no se podría ser “libre a” a menos que fuera “libre de.” Y así, incluso antes de que pudieran articular el concepto de las Cuatro Libertades, ella hablaría sobre la libertad del hambre. Ella hablaría sobre la libertad del miedo. Ella hablaría sobre la libertad de soñar. Ahora, ese es un lenguaje diferente, pero son los mismos principios, y fue Eleanor quien realmente arriesgó su seguridad personal en los Estados Unidos para defender lo qué esto significa.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cuando llega a la ONU, vio heridos en toda Asia, en toda Europa, en todos los Estados Unidos. Y las Naciones Unidas la envían a campamentos del Holocausto, la envían a campos de desplazados. Ella termina siendo la responsable de ayudar realmente al mundo a presentar una nueva visión para decir que no vamos a ser definidos para siempre por el odio y la superioridad racial y el fanatismo religioso y la discriminación de género. Tenemos que darnos una nueva visión.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Y tomó las Cuatro Libertades, y lo que ella interpretó como las Cuatro Libertades, a esa sala de negociaciones. Y solo quiero que todos piensen en esto. Es un tamaño de mesa de comedor. Ya sabes, hay 18 naciones. Ninguna de las personas cree en el mismo dios o si existe un dios. No creen que haya propiedad privada o, ya sabes, si el dinero es bueno. Ellos no tienen el mismo concepto de familia. Ellos no tienen el mismo concepto de ciudadanía. Lo único que comparten es: "Por Dios, vencimos a los alemanes". Y ella asume su compromiso innato con la libertad del miedo, la libertad de expresión, la libertad de culto, y ya sabes, la libertad de la penuria y los une de una manera tal que mantiene a las personas en la mesa.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Y lo que es tan notable acerca de su liderazgo no es solo obtener la Declaración Universal de Derechos Humanos, que creo firmemente que son 30 ejemplos de las Cuatro Libertades. Sabes, te desafío a mirar uno de esos artículos y luego mirar una de las cuatro pinturas de Rockwell, incluida la Regla de Oro, incluyendo Ruby Bridges, y no verlas a lo largo de todo el ADN de la pintura.</SPAN></SPAN></DIV></div>
HTMLText_13F1FFFC_12DC_6BB1_41A8_F7086C50D9EA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Brian Allen</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Erudito de arte americano</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">En el caso de Freedom of Speech, es una de las pocas imágenes que Rockwell hizo que se basó en algo que realmente sucedió.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Arlington tenía una escuela secundaria que se construyó en la década de 1920, y en 1940 hubo un incendio, y la escuela secundaria se quemó. Así que inmediatamente hubo una necesidad en la ciudad de decidir si se debería construir una nueva escuela secundaria o enviar a los niños para las escuelas secundarias de las ciudades vecinas. Entonces hubo un movimiento en la ciudad para destinar dinero para construir una nueva escuela secundaria y eso requirió la aprobación en asamblea popular.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">La mayoría de las ciudades de Vermont, la mayoría de las ciudades de Nueva Inglaterra, la forma de gobierno de asamblea popular invierte en cada votante, cada propietario tiene el papel de legislador. Cada votante tiene el derecho de asistir a la asamblea popular y votar sobre la destinación del dinero, en este caso para la escuela secundaria.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Jim Edgerton, que era agricultor en la ciudad, se levantó en la asamblea popular y habló en contra del esfuerzo por gastar dinero para construir una nueva escuela secundaria. Fue durante la Depresión, el precio de las materias primas se había desplomado y él pagaba sus cuentas todos los meses vendiendo leche. Él no era pobre, pero estaba sintiendo un pellizco como todos durante la Depresión en Vermont. Y eso lo llevó a ser muy consciente de impuestos más altos.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rockwell eligió el momento cuando Edgerton decía lo que pensaba, y la gente lo escuchaba: otros votantes, otros legisladores que lo escuchaban con respeto.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">A pesar de que Jim Edgerton fue quien realmente estaba hablando, él no era del tipo que Rockwell buscaba subrayar los temas de cada persona que tiene un voto independiente y voz en la asamblea popular. Estaba buscando a alguien que se pareciera a Abe Lincoln, y eso es lo que él buscaba. Él estaba buscando un hombre común. Y entonces usó a Carl Hess como modelo, y Carl Hess tenía una gasolinera en la ciudad; tenía el aspecto que Rockwell buscaba.</SPAN></SPAN></DIV></div>
HTMLText_F1DE273B_B2A9_DB80_41C2_24F796C51303.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Daisy Rockwell</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Artista and Autora</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Creo que es inspirador en el sentido de que todos tenemos ese potencial dentro de nosotros para traer más al mundo que nos rodea si abrimos nuestros ojos más, y creo que sus ojos también se abrieron, obviamente. . . las pasiones del movimiento de Derechos Civiles también lo inspiraron. Quiero decir que no es como si alguna vez me hubiera sentado y le hubiera preguntado estas cosas, pero puedes leer eso como parte de la trayectoria cuando mires los cambios en sus pinturas. Parece que ese momento cambió a mucha gente, y él no era inmune, y creo que la narrativa todavía no es conocida por gran parte del público, así que me alegro de que sea parte del programa Four Freedoms (Las Cuatro Libertades). Porque esa es una evolución desde los años 40 hasta los 60 que atravesó, y no se puede ver solo uno y no el otro.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Definitivamente creo que el arte puede hacer que las personas participen porque cuando tenemos problemas serios en nuestra sociedad, parte del problema es que nos quedamos atrapados en nuestro pensamiento. Las ideas de la gente se osifican, y es, ya sabes, hoy incluso peor de lo que ha sido alguna vez, probablemente. La gente se atasca y no pueden separarse de estos espacios. Ya sabes, está bien y está mal y hay negro y blanco, y no pueden. . . así que un trabajo que el artista puede hacer es romperlo todo, ya sabes, pensar en él como un plato de porcelana y el artista lo rompe, y luego lo pega de nuevo en otra forma para que pueda verlo de manera diferente.</SPAN></SPAN></DIV></div>
HTMLText_7FD18D2C_4AD4_DB96_41B1_5813149EBFAD.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Douglas B. Dowd</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Profesor de Arte y Estudios de Cultura Estadounidense-Universidad de Washington en St. Louis</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">En los años previos a la televisión, las personas en los Estados Unidos tenían dos fuentes principales para obtener información sobre cómo otras personas vivían sus vidas, qué vestían, cómo eran sus casas e incluso cómo productos básicos parecían ser. Tenían dos fuentes: las películas y las revistas. Las revistas y los ilustradores que trabajaban para ellos realmente pintaban una imagen de cómo se vivía la vida en la sociedad, o pintaban una imagen de la vida un poco mejor de lo que se vivía en la sociedad, de modo que seguía siendo un estándar aspiracional: </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Podría ser eso. Podría tener eso. Podría usar eso.</I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Su persuasión y su poder provienen en gran medida de la presentación visual, del tipo y las letras, hasta obviamente la ilustración y la fotografía. Cuando lo piensas, si sacas todas las ilustraciones de esas revistas, nadie las habría leído. La gente siempre ha pensado que publicar siempre trata sobre el contenido. En realidad, la forma en que se empaqueta, se presenta y se muestra tiene mucho que ver con la forma en que las personas responden.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">En la historia del negocio de los periódicos, una buena presentación, como utilizar la tipografía en tamaños más grandes para crear jerarquías visuales, se llamaba auto publicidad, en una forma de burla. Entonces, las personas que estaban a cargo del contenido a menudo han despreciado la presentación visual, pero en realidad, es realmente importante y siempre lo ha sido. Y la persuasión de esas publicaciones es poderosamente visual. Y las imágenes de las personas y las cosas que están haciendo y las cosas que llevan puestas y el retrato de la vida que emerge son el centro de su atractivo.</SPAN></SPAN></DIV></div>
HTMLText_96320FDC_A7D7_731B_41AF_116CF5B094D6.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>George Church III</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Docente y voluntario - Norman Rockwell Museum</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cuando comenzó la Segunda Guerra Mundial y los japoneses bombardearon Pearl Harbor, yo estaba en un cine con mi padre. Y luego vimos, durante el curso del comienzo en esta ocasión, deslizarse, en el proyector, un trozo de papel entre el lente y la luz de la cámara. Y se leía: “los japoneses habían bombardeado Pearl Harbor. Esto ha sido informado por el Ejército de los EE. UU.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Pero, de todos modos, esa fue mi introducción a la Segunda Guerra Mundial. Fue después de eso que comencé a involucrarme en el trabajo de detección de aviones. El avistamiento de aviones fue algo en el que me metí a través de un par de otros amigos que estaban en mi clase en la escuela primaria. Y... Solo podía ir a detectar aviones los sábados porque iba a la escuela de lunes a viernes. Me levantaba alrededor de las 4:30 o 4:45, desayunaba y subía a mi bicicleta. Tuve que andar unas tres millas para llegar al Miami Biltmore Hotel, que estaba en Coral Gables. Y, tenía que poder estacionar mi bicicleta y luego ir al vestíbulo y luego subir las escaleras, y el ascensor me llevaría. Luego, llegué a la torre, y luego tuve que subir a la torre donde teníamos una cabina de observación que se construyó dentro de la torre. . . del hotel. Y el edificio era el más alto de Miami, y estábamos directamente al sur del Aeropuerto Internacional de Miami. Y desde ahí era donde hacíamos nuestros avistamientos.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Yo trabajaba el turno de 6:00 a 9:00 los sábados por la mañana, y tenía conmigo mi libro para observación de aviones. Yo tenía un teléfono y estaba con otra persona, y entre los dos, informamos todo lo que veíamos aterrizar y despegar en el aeropuerto de Miami, y también los aviones que sobrevolaban que entrabábamos en la bitácora y telefoneábamos sobre ellos.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">El libro realmente ha sido un tesoro porque fue la forma en que pude conectarme, incluso a mí …temprana edad. Bueno, cuando la guerra comenzó en diciembre, yo tenía 12 años. Y creo que fue solo. . . el no poder involucrarme en el servicio per se, pero fue una conexión para mí y esa parte de la historia. Y simplemente sabía que ese libro era lo que validaba mi experiencia e hizo hincapié en que estaba involucrado en hacer todo lo que podía. . . durante el curso de la primera parte de la guerra.</SPAN></SPAN></DIV></div>
HTMLText_679913C5_66F6_A66C_41D9_301B90C7941E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Herman Eberhardt</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Curador Supervisor del Museo - Biblioteca y Museo Presidencial Franklin D. Roosevelt</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">La guerra en Europa se avecinaba sobre todos a principios de 1941. Alemania había barrido la mayor parte de Europa occidental en 1939 y 1940, y Gran Bretaña se encontraba casi sola para resistir el ataque del Eje, y los británicos se aferraron a un hilo en ese momento. De hecho, a fines de 1940, Winston Churchill había escrito una larga carta a FDR en la que decía que Gran Bretaña estaba casi en bancarrota y que pronto no podría pagar las armas que importaba de los Estados Unidos.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Ese mensaje tan terrible le había llevado a Roosevelt a soñar con la idea de prestar y arrendar, lo que le permitiría a los Estados Unidos prestar o arrendar más materiales a Gran Bretaña sin recibir pago por ellos. FDR había discutido públicamente primero el concepto o idea de prestar y arrendar en una conferencia de prensa a mediados de diciembre de 1940. Más tarde ese mes el 29 de diciembre, pronunció una famosa charla informal en la radio en la que afirmó que Estados Unidos debería convertirse en lo que él llamó, “el arsenal de la democracia”. El presidente planeó usar su discurso del Estado de la Unión para argumentar a favor de la aprobación por parte del Congreso de un proyecto de ley de préstamo y arrendamiento.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">En la noche del 1 de enero de 1941, Roosevelt convocó a tres de sus asesores, Harry Hopkins, Sam Rosenman y Robert Sherwood, a su estudio privado en la residencia de la Casa Blanca. Se reunieron en torno al escritorio de FDR para trabajar con él en su discurso anual del Estado de la Unión al Congreso, que debía entregarse el 6 de enero.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">En un momento durante esta sesión de edición, FDR dijo que tenía una idea para la sección de cierre del discurso. Como Sam Rosenman recordó más tarde, el presidente se recostó en su silla giratoria, miró hacia el techo y luego se detuvo por un largo rato. A medida que pasaban los segundos, los demás en la habitación comenzaron a sentirse un poco incómodos. Entonces FDR de repente se inclinó hacia adelante y de manera lenta y deliberada dictó las Cuatro Libertades. El presidente habló a un ritmo tan deliberado que Rosenman pudo escribir todo lo que él dijo palabra por palabra en una hoja de papel de una libreta amarilla. Esa hoja amarilla con notas a mano de Rosenman ahora se encuentra en la Biblioteca Roosevelt. Y, curiosamente, si comparas las palabras en esa hoja amarilla con el discurso final dado por el presidente a una sesión conjunta del Congreso, es casi exactamente como lo dicta el FDR. Casi no hay cambios.</SPAN></SPAN></DIV></div>
HTMLText_133C35AF_43A3_7022_41BE_9EFEFA41C8BB.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>James J. Kimble, Ph.D.</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Profesor de Comunicación - Facultad de Comunicación y Artes</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Seton Hall University</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">En este afiche de tiempos de guerra, conocido comúnmente como “Rosie la remachadora”("Rosie the Riveter"), el artista J. Howard Miller nos muestra a una mujer decidida y segura que flexiona sus músculos y expresa con confianza su capacidad para completar la tarea que tiene entre manos. Aunque hoy tendemos a suponer que este afiche fue famoso durante la Segunda Guerra Mundial, en realidad era relativamente desconocido, ya que apareció durante solo dos semanas (en febrero de 1943) en las fábricas de municiones de Westinghouse. Después pasadas las dos semanas, los afiches se reciclaron debido a la escasez de papel en tiempos de guerra. Durante esas dos semanas, sin embargo, el afiche modeló a los trabajadores de Westinghouse, tanto a hombres como mujeres, un gesto de solidaridad común a la fuerza laboral de la corporación, afirmando que cada trabajador de Westinghouse estaba listo para completar su vital misión de guerra. Solo se sabe que existen dos copias originales de este afiche hoy. A pesar de la escasez de los originales, la imagen de Miller ha ganado fama mundial desde que reapareció en la década de 1980 como parte de las celebraciones de aniversario de la Segunda Guerra Mundial. También ha sido parodiada sin cesar, asegurando su estado como una de las imágenes más famosas de todos los tiempos.</SPAN></SPAN></DIV></div>
HTMLText_BFA6649A_3DF9_91DB_41BD_275880C188ED.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>James J. Kimble, Ph.D.</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Profesor de Comunicación - Facultad de Comunicación y Artes</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Seton Hall University</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Se cree ampliamente que esta fotografía de prensa enviada por cable inspiró el afiche "We Can Do It!" (¡Juntos Podemos!) de J. Howard Miller, comúnmente conocido hoy como "Rosie the Riveter" (Rosie la remachadora). A partir de la década de 1980, la fotografía en blanco y negro se asoció con Geraldine Hoff Doyle, una mujer de Michigan que creía que mostraba una imagen de ella trabajando en una fábrica de 1942. Sin embargo, la fotografía es en realidad de una mujer de California llamada Naomi Parker, que fue una de las primeras mujeres en trabajar en el taller de máquinas en la Estación Aérea Naval de Alameda en la Bahía de San Francisco. Mientras trabajaba en Alameda, Parker sí sirvió como remachadora, pero también como soldadora, empalmadora y maquinista (entre otras muchas tareas relacionadas con la reparación de los aviones de guerra de la Armada). La fotografía apareció en decenas de periódicos estadounidenses en 1942, lo que le valió a Parker algunos correos de admiradores e incluso una propuesta de matrimonio. Sin embargo, se desvaneció en la memoria pública después de la guerra, y solo resurgió cuando Doyle, que lo vio en una revista de los 80, erróneamente llegó a creer que ella era su tema.Si bien la conexión de la fotografía con el cartel "We Can Do It!" sigue siendo incierta, ya que el artista Miller dejó muy pocas anotaciones, hay una serie de similitudes entre la apariencia de Parker y la mujer en el afiche. Además, la fotografía apareció en un periódico de Pittsburgh, cerca de la casa de Miller durante la década de 1940, por lo que es posible que la encontrara y la conservara para su colección de imágenes de referencia.</SPAN></SPAN></DIV></div>
HTMLText_67AA2244_662A_E66C_41C2_2F5F28955651.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>James J. Kimble, Ph.D.</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Profesor de Comunicación - Facultad de Comunicación y Artes</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Seton Hall University</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Uno de los soldados más famosos de la Segunda Guerra Mundial no era un verdadero soldado. Se llamaba Willie Gillis y era el producto de la rica imaginación del ilustrador Norman Rockwell. Esta pintura marca la primera aparición pública de Gillis, en la portada del Saturday Evening Post el 4 de octubre de 1941. En ella, el artista nos muestra a un inocente y adolescente recluta en un momento liviano mientras participa en el campo de entrenamiento en Fort Dix, Nueva Jersey. El espectador rápidamente ve que Gillis acaba de recibir un paquete desde su casa, y que el paquete probablemente contenga algunos sabrosos obsequios de sus seres queridos para un soldado trabajador. Sin embargo, los colegas de Gillis también han notado el paquete, y sus expresiones faciales indican que están pensando en liberarlo de su nueva abundancia. La alegre portada de Rockwell fue un éxito instantáneo, lo que llevó al Post a solicitar más escenas de la vida del soldado Gillis. El artista estuvo de acuerdo, y el personaje finalmente apareció en casi una docena de portadas, la última fue en la posguerra de 1946, mostrando a un amigable Gillis yendo a la universidad pagada por el GI Bill (Subsidio Educativo para Exmilitar Veterano), como muchos de sus compañeros de la vida real también estaban haciendo en ese momento. Para entonces, la fama del personaje estaba asegurada. De hecho, muchas de sus jóvenes admiradoras llegaron a considerarlo como un pin-up. Una de ellas, Natalie Barden, finalmente conoció a Robert Otis Buck, el modelo de la vida real de Willie, y se casó con él.</SPAN></SPAN></DIV></div>
HTMLText_464E9DC5_697E_8C84_41C0_4F05B2CA6777.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Mark Shulman</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Facultad de historia - Sarah Lawrence College</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">El paquete de las Cuatro Libertades de Franklin Roosevelt fue un esfuerzo para articular una visión de un orden liberal de posguerra para la seguridad, la paz y la prosperidad como elementos necesarios para la seguridad, así como los derechos civiles y políticos de la libertad de religión y la libertad de expresión.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Las Cuatro Libertades fueron aceptadas en la Carta del Atlántico que Roosevelt hizo con Churchill, y luego entraron en el ADN de la carta que las Naciones Unidas adoptaron en el verano de 1945. En el verano de 1945, por supuesto, el presidente Roosevelt había fallecido. Los Estados Unidos tenía un nuevo presidente, uno, quizás, menos mundano y, de alguna manera, más práctico. El inteligente presidente Truman nombró a Eleanor Roosevelt, la viuda de Franklin, como jefa del comité que redactaría la Declaración Universal de los Derechos Humanos de las Naciones Unidas.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Eleanor, la Sra. Roosevelt, trabajando con un comité de distinguidos académicos, diplomáticos, teóricos y estadistas de todo el mundo, redactaron este documento maravilloso, la Declaración Universal de los Derechos Humanos, y las Naciones Unidas lo aprobaron el 10 de diciembre de 1948. La Declaración Universal de los Derechos Humanos es las Cuatro Libertades escritas a lo grande. El Preámbulo reconoce explícitamente que las Cuatro Libertades han sido adoptadas, han sido reconocidas como la base para una orden justa de posguerra. Y luego, la propia Declaración procede a desarrollar, articular, cada uno de los elementos que serían realmente necesarios para un mundo en el que se realizan las Cuatro Libertades.</SPAN></SPAN></DIV></div>
HTMLText_67B8AE68_6637_FE25_4180_43275B10EB90.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Paul M. Sparrow</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Director - Biblioteca y Museo Presidencial Franklin D. Roosevelt, Hyde Park, Nueva York</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">La relación entre el presidente Roosevelt y el primer ministro Winston Churchill es verdaderamente extraordinaria, y de alguna manera una de las asociaciones más importantes en la historia del siglo XX, tal vez en toda la historia de los Estados Unidos. Winston Churchill había estado involucrado con el ejército en Gran Bretaña desde la Primera Guerra Mundial como FDR lo había sido. Tenía puntos de vista muy, muy específicos sobre la estructura del mundo, y en ese momento todavía creía que el imperio británico era la entidad política más importante del mundo, que era imparable y que no iba a permitir que el imperio británico se viniera abajo mientras él estaba a cargo.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Así que, cuando FDR y Churchill se encontraron en la cita secreta a bordo de los dos grandes buques de guerra, fue una reunión de gigantes. En ese momento, Churchill había estado involucrado en la defensa de las Islas Británicas contra la embestida nazi durante un año, por lo que estaba inmerso en la guerra y sabía que su supervivencia dependía de traer a Estados Unidos a la guerra. Roosevelt todavía estaba algo indeciso. No podía comprometerse públicamente, pero también sabía que eventualmente los Estados Unidos iban a entrar aquí y aquí es donde empezaron realmente a diseñar los cimientos de lo que se convirtieron en las Cuatro Libertades.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Churchill por supuesto, vino a los Estados Unidos varias veces durante la guerra. Después de Pearl Harbor, llega a la Casa Blanca y se queda allí varias semanas viviendo en uno de los dormitorios, caminando por la casa en bata de baño, bebiendo furiosamente, volviendo loco a todos, y, ya sabes, manteniendo a FDR despierto hasta todas las horas del día, y Eleanor frunciendo el ceño por todo el asunto. Pero esa era la forma en que Churchill trabajaba. De alguna forma abarcó a todos en su torbellino de locura, pero siempre terminó con estas ideas increíblemente brillantes y realmente tenía una visión global. Así que los dos fueron solo una asociación extraordinaria y tenemos mucha suerte de que fueran los dos líderes que terminaron enfrentando, ya sabes, la mayor crisis del siglo XX.</SPAN></SPAN></DIV></div>
HTMLText_551AED59_7F14_0A98_41D4_BA854817DA65.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Ruby Bridges Hall</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Activista de los Derechos Civiles y Autora</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Ese día en particular, cuando estaba en el automóvil siendo escoltada a la escuela, cuando doblamos en la esquina, las calles estaban llenas de manifestantes, y estaban cerradas con barricadas, porque así es como la policía la había preparado. Había policías por todos lados. Algunos estaban en caballos y motocicletas. Todo eso es lo que ves durante la temporada del Mardi Gras para controlar a la multitud y durante un desfile, así que eso fue realmente lo que vi, y simplemente asumí que estaba en medio de un desfile, y hoy que lo pienso, era la inocencia de una niña. Creo que eso me protegió, el no saber.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Recuerdo haber sido escoltada directamente a la oficina del director. Creo que estaba allí, el primer día, para inscribirme. Y ya había sido inscrita, pero para ser escoltada a mi salón de clases, posiblemente conocer a mi maestra y comenzar mis estudios. Pero me senté en la oficina del director todo el día con mi madre ese día, y recuerdo a los Agentes Federales estar parados afuera. Podías verlos. Ya sabes, había ventanas de cristal.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Y lo siguiente que vi fue a todas esas personas que habían estado afuera apresurándose, empujándose y apuntándome a través de las ventanas. Sus rostros parecían muy enojados por algo. Me parecía muy apresurado y confuso. Y los vi pasar por la ventana, y cuando regresaron por la ventana, había niños con ellos. Y eso sucedió todo el día, de aquí para allá.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Finalmente sonó la campana, eran las 3:00, y recuerdo a alguien entrando a la habitación, diciendo, "La escuela se acabó. Puedes irte." Y recuerdo eso claramente, porque pensé para mí misma, "Wow, esta escuela es fácil", sin saber que lo que realmente estaba sucediendo es que los padres entraron deprisa a la escuela y entraron a cada salón de clases y sacaron a cada niño. Hubo más de 500 niños que en realidad abandonaron el edificio ese día, y fue porque yo estaba allí. Así que no tenía idea de que eso estaba sucediendo ante mis ojos.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Al día siguiente, fue lo mismo. Los Agentes Federales tocaron a la puerta y yo subí al auto con ellos. Me acompañaron a la escuela. Cuando llegamos ese día, la multitud casi había duplicado su tamaño, porque en ese momento, todos lo sabían.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Mi madre dijo que ese fue el día en que estaba más nerviosa, porque después que llegó a la casa y miró la televisión, vio cómo todo el mundo lo estaba viendo. Dijo que fue a la casa y rezó hasta las 3:00, con la esperanza de que su hija volviera a casa.</SPAN></SPAN></DIV></div>
HTMLText_B0492194_6669_A2ED_41B8_FBFF743FB2DD.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Artista, Fotógrafa y Periodista</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Después de su éxito fotografiando a los trabajadores de la Administración de Seguridad Agrícola, la gran fotógrafa documental Dorothea Lange fue contratada para registrar el proceso de deportación y encarcelamiento masivo de ciudadanos y no ciudadanos de origen étnico japonés para la Autoridad de Reubicación de Guerra en marzo de 1942. Desde el principio, durante los primeros días, su estilo de fotoperiodismo y su simpatía personal por la difícil situación de estos estadounidenses entraron en conflicto con las demandas de los oficiales del ejército. Estrictamente tabú eran imágenes de ametralladoras en torres. También se restringieron las fotos de alambre de púas, guardias armados y cualquier señal de resistencia. En sus propias palabras, ella dice: "un hombre me seguía todo el tiempo". Se encontró con demoras por parte de los funcionarios que pedían credenciales, y se le exigía explicación de cada negativo y cada centavo que gastaba, y se le prohibió hablar con personas en los campamentos. Todas las copias se enviaron para su revisión y las que se consideraron inapropiadas se marcaron como "incautadas" y los negativos se embargaron durante la duración de la guerra.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Lange tomó esta foto de la tienda de comestibles Wanto Co. en Oakland, California, el 13 de marzo de 1942, casi un mes después de que FDR firmara la Orden Ejecutiva 9066, exigiendo que el propietario y su familia desalojaran el lugar. Tatsuro Masuda, el propietario, nació en Oakland y se había casado recientemente. Le dijo a Lange, "pagué por esto el día después de Pearl Harbor". Él y su esposa fueron enviados al campo de concentración del río Gila en Arizona. Nunca regresaron a la tienda.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">En los tres meses con la WRA, trabajando casi siete días a la semana, Lange logró tomar casi 850 imágenes. Si bien muchas de sus otras fotos para el gobierno se convirtieron en algunas de las imágenes más icónicas del siglo XX, la mayoría de ellas permanecieron prácticamente invisibles hasta que se publicó un libro sobre ellas y Lange en 2006.</SPAN></SPAN></DIV></div>
HTMLText_FD8DB009_6669_61E7_41D7_05B414AAF67E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Artista, Fotógrafa y Periodista</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">El 23 de abril de 1943, la Primera Dama Eleanor Roosevelt visitó el campo de concentración del río Gila en Arizona. El fotógrafo de WRA Francis Stewart tomó la foto de ella, acompañado por Dillon Myer, director nacional de War Relocation Authority, mientras son recibidos por una multitud de reclusos entusiastas.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">La Sra. Roosevelt fue una de las pocas en la administración de FDR de hablar públicamente en nombre de los ciudadanos leales e inmigrantes de origen étnico japonés, tanto antes como después de Pearl Harbor. Intentó, sin éxito, disuadir al presidente de ordenar la expulsión masiva, que consideraba una violación de los derechos humanos y los ideales estadounidenses, e incluso invitó a los estadounidenses de origen japonés a la Casa Blanca.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Su visita al campamento fue en respuesta a las acusaciones de la prensa local de que el gobierno federal estaba mimando a los estadounidenses de origen japonés en los campamentos. Su objetivo era recorrer las instalaciones e investigar esas afirmaciones. Ella salió, destacando el trabajo que los prisioneros estaban haciendo para el esfuerzo bélico en las fábricas de red de camuflaje y modelos de barcos y notó que la leche que probaba en el comedor era agria: esa fue su forma de responder a los informes de prensa que los prisioneros estaban recibiendo mejor raciones de calidad que otros estadounidenses.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">El diario Los Ángeles Times informó sobre su visita tres días más tarde en un artículo en el que describió las condiciones de vida como -si bien no indecentes- "ciertamente no lujosas", y agregó: "No me gustaría vivir de esa manera". Ella también fue citada diciendo que "Cuanto antes saquemos a los jóvenes [nativos] japoneses de los campamentos, mejor. De lo contrario, si no estamos vigilantes, crearemos otro problema indio ."</SPAN></SPAN></DIV></div>
HTMLText_07B252A6_666A_A62D_41D3_E6234293D958.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Artista, Fotógrafo y Periodista</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Esta imagen de Ansel Adams fue tomada en 1943, cerca de Death Valley, California, en un campamento llamado Manzanar. Fue uno de los diez campos de concentración estadounidenses construidos para encarcelar a ciudadanos estadounidenses de ascendencia japonesa y sus padres inmigrantes.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Se muestra a un hombre mirando un vasto paisaje abierto en las estribaciones de las Sierras, el típico tipo de vista por la que Adams era conocido como fotógrafo. Lo que extrañamente falta es cualquier valla de alambre de púas, torres de vigilancia, reflectores, soldados con ametralladoras o cualquier escena desagradable que pueda haber insinuado las duras condiciones en que se había colocado a estas personas.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Adams sintió personal y fuertemente que los ciudadanos estadounidenses no deberían ser tratados de esta manera por su propio país y su primer intento de fotografía documental nació de un deseo: mostrarles a sus conciudadanos que estas personas eran como cualquier otro ciudadano, Nacido Igual y Libre, ya que el libro que finalmente compilaría y publicaría en 1944 se titularía así.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Sin embargo, cuando salió el libro, sus objetivos no fueron apreciados por un público estadounidense que, todavía empantanado en la guerra, no perdonó su actitud compasiva hacia los encarcelados. Como resultado, se dice que copias de su libro fueron quemadas en protesta. También se dice que el propio gobierno había comprado miles de copias y las había destruido. Cualquiera que sea su destino, una copia original de 1944 de este libro se considera un hallazgo raro. Y más irónico aun: a medida que disminuía la antipatía hacia los estadounidenses de origen japonés, las fotografías de Adam volvieron a ser controvertidas, porque esta vez el gobierno y el público en vez de rechazarlos comenzaron a usarlos como prueba de que las condiciones en los campos no eran duras o inhumanas.No se consideran documentales verdaderos ni propaganda pura porque, estas imágenes se encuentran en algún tipo de inframundo fotográfico.</SPAN></SPAN></DIV></div>
HTMLText_62C5E2A4_339A_D626_41BD_36941E6D2306.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Directora Adjunta/Curadora Jefe - Museo Norman Rockwell</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom from Want</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> no fue un reto conceptual tan grande como las otras dos pinturas previas de </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Four Freedoms (Speech [Expresión] y Worship [Cultos]) </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">de Rockwell. La pieza fue inspirada en ello, y desde entonces se ha convertido en un modelo para el Día de Acción de Gracias de todos los Estados Unidos.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Aunque se creó como un compuesto con los modelos de Rockwell posando para él en su estudio en sesiones individuales, esta escena familiar incluye algunos de los vecinos y miembros de la familia del artista. Se veian la Sra. Thaddeus Wheaton, la cocinera de la familia, que apoya a un gran pavo de día festivo, y Mary Barstow Rockwell, la esposa del artista, y su madre, Nancy Hill Rockwell, a quien se ve a la derecha.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Freedom from Want fue publicado con un ensayo del novelista y poeta relativamente desconocido Carlos Bulosan, un inmigrante filipino en los Estados Unidos, y un trabajador migrante que escribió en nombre de aquellos que sufren privaciones domésticas. Un contrapunto a las representaciones suaves en las pinturas de Rockwell, el ensayo de Bulosan esperaba un posible futuro en el que aquellos fuera de la corriente social, trabajadores agrícolas migrantes, organizadores sindicales, trabajadores, víctimas afroamericanas de la segregación, inmigrantes asiáticos y latinos, podrían ser permitido experimentar la verdadera libertad.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Artísticamente, el trabajo es considerado como un ejemplo del dominio de los desafíos de retratar la textura visual en el arte, incluido el brillo de la porcelana blanca sobre el mantel blanco y la transparencia del agua en los vasos.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">A pesar del optimismo general de Rockwell, tenía dudas sobre haber representado a un pavo tan grande cuando gran parte de Europa estaba muriendo de hambre, invadida y desplazada a medida que se desencadenaba la Segunda Guerra Mundial. Muchos críticos reconocen la abundancia de comida representada en esta imagen, pero también notaron que la imagen muestra familia, cordialidad y seguridad, y opinaban que la abundancia más que la mera suficiencia era la respuesta más verdadera a la noción de necesidad.</SPAN></SPAN></DIV></div>
HTMLText_ECF52173_6AFF_9583_41C2_DD8AB097A797.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Directora Adjunta/Curadora Jefe - Museo Norman Rockwell</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Al igual que con muchos estadounidenses a mediados de la década de 1960, la guerra de Vietnam estaba en la mente de Norman Rockwell. En 1966, pasó una semana en la base de marina de Quantico en Virginia tomando fotos de un infante de marina experimentado con la idea de diseñar una imagen para un póster que le habían encargado. Pero en marzo de 1967, escribió al Infantería de Marina declinando la tarea diciendo, "No puedo pintar una imagen a menos que tenga mi corazón en ella".</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Alrededor de un año después, Rockwell comenzó a trabajar en </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Right To Know</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, una ilustración editorial para la revista </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> que se publicó en agosto de 1968. Pocos meses después de que apareciera la pintura, el New York Times informó que el general Westmoreland había solicitado 206,000 tropas adicionales para ser enviadas a Vietnam, una historia que la Casa Blanca había intentado reprimir.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Después de que se informó de la escalada de tropas, las noticias de la masacre de My Lai fueron dadas, alimentando el creciente disentimiento en contra de la guerra. La declaración política de Rockwell expresaba el derecho de los ciudadanos estadounidenses a comprender las acciones de su gobierno. De su trabajo durante ese período, Rockwell dijo: "No creo que mi estilo haya cambiado, pero Estados Unidos sí y, por lo tanto, también mi tema. Dios sabe que tenemos problemas, muchos de ellos, pero también debemos tener una gran confianza en la generación actual de jóvenes que, creo, son lo mejor que hemos producido, con pelo largo y todo. ¿Quién puede decir que uno de estos hippies no será un genio del futuro?</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">En su ilustración, Rockwell presenta un grupo de personas de muchas razas, edades y convicciones políticas. Su formato de juntar personas de todos los ámbitos de la vida también se utilizó en otras dos obras de esta exposición, un dibujo creado en 1953 sobre las Naciones Unidas y los pueblos del mundo, y en su famosa ilustración de la portada del </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Golden Rule (Regla de Oro)</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, publicado en 1961, que retrata a los pueblos del mundo unidos bajo la frase, "Haz a los demás lo que quieras que te hagan".</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell, que tenía 74 años cuando pintó esta obra, tenía tanta confianza en esta pintura que se había incluido en el trabajo en el extremo derecho con su exclusiva pipa en la boca.</SPAN></SPAN></DIV></div>
HTMLText_B918EB3C_3386_3626_41C6_73D5D6597AEC.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Directora Adjunta/Curadora Jefe - Museo Norman Rockwell</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Freedom from Fear se pintó mientras Europa estaba sitiada, como se revela en la cabecera del periódico sostenido en la mano del padre. La intención de Rockwell era transmitir la idea de que todos los padres deberían poder acostar a sus hijos cada noche con la garantía de su seguridad.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Aquí, una madre y un padre parecen checar a sus hijos mientras duermen, ya que hermosos toques cuentan la historia de una vida cómoda y de clase media. Las imagenes, la ropa y los juguetes están en el dormitorio de los niños, aunque los niños comparten una cama individual. Una luz cálida brilla desde el primer piso de su hogar, lo que implica que esta familia ha logrado cierta seguridad fiscal y el sueño americano.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Aunque Rockwell no vio Freedom from Fear como particularmente fuerte, la pintura ha seguido siendo relevante y ha tocado la fibra sensible en respuesta a eventos mundiales notables. Después del 11 de septiembre, The New York Times publicó Freedom from Fear en la primera página del periódico, sustituyendo el encabezado de Rockwell por un lenguaje que hace referencia a los ataques en Nueva York, Washington, DC, y Pensilvania.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">En respuesta a los disturbios resultantes de la violencia racial en todo el país, muchos artistas han reinterpretado Freedom from Fear, así como el icónico The Problem We All Live With (El problema con el que todos vivimos) de Rockwell, para reflejar esos eventos y preocupaciones contemporáneos.</SPAN></SPAN></DIV></div>
HTMLText_5135C2DF_4688_BE35_419D_DC0F893BDC65.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Directora Adjunta/Curadora Jefe - Museo Norman Rockwell</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">J.C. Leyendecker era un famoso ilustrador estadounidense que era unos 20 años mayor que Norman Rockwell, y cuando Rockwell llegó a la fama, Leyendecker era el ilustrador más popular que trabajaba para el </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Saturday Evening Post.</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> Vivía en New Rochelle, y era vecino de Norman Rockwell, y Rockwell solía hablar sobre el hecho de que realmente seguiría a J.C. Leyendecker para ver qué podría estar mirando en las vitrinas, qué podría estar pensando pintar para su próxima portada del </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, y los dos se hicieron muy amigos íntimos.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Uno de los logros más importantes de J.C. Leyendecker fue su </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>New Year’s Baby</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, que fue ampliamente reconocido por el público estadounidense porque </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>New Year's Baby</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> había sido publicado por el </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> de 1907 a 1943, y básicamente comenzó el año con un vistazo a lo que estaba por venir. Leyendecker creó un niño gordito que era a la vez inocente, y también sabio, y que examinó muchos temas nacionales desde el sufragio de las mujeres hasta la prohibición y, sin duda, los altibajos de la bolsa durante la década de 1930.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Aquí en 1940 la guerra no había tocado a los Estados Unidos. Estaba furiosa en el extranjero, y en esta imagen, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>New Year’s Baby</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> usa una máscara de gas y sostiene un paraguas que en realidad hace referencia al primer ministro británico, Neville Chamberlain, cuyas garantías de paz en nuestro tiempo en realidad no llegaron a existir. En el momento en que se publicó, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> tenía más de tres millones de suscriptores semanales, y la publicación afirmaba que cada número era leído por aproximadamente 10 personas, independientemente de si la revista se recogía en el hogar de cada persona o en el consultorio de un médico u otro edificio público. La revista era tan famosa que los ilustradores incluso fueron capaces de interrumpir la cabecera sin ningún problema en términos de reconocimiento de que este era en realidad el </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">.</SPAN></SPAN></DIV></div>
HTMLText_428FC8E7_6EBD_90F4_41C6_47ED31E3AE1E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Directora Adjunta/Curadora Jefe - Museo Norman Rockwell</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">La portada del Saturday Evening Post del 1 de abril de 1961 de Norman Rockwell, Golden Rule en realidad comenzó como un dibujo. En 1952, en el apogeo de la Guerra Fría y dos años después de la Guerra de Corea, Rockwell concibió una imagen de las Naciones Unidas como la esperanza mundial para el futuro. Su aprecio por la organización y su misión inspiró una obra compleja que retrata a los miembros del Consejo de Seguridad de las Naciones Unidas y a 65 personas que representan a las naciones del mundo. Un estudio para una obra de arte que originalmente tenía la intención de completar en forma pintada, investigó y desarrolló hasta la etapa de dibujo final, la pieza de United Nations del artista nunca llegó a la realidad.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Sobre su trabajo en el dibujo de The United Nations, Rockwell dijo, "Al igual que todos los demás, me preocupa la situación mundial y, como todos los demás, me gustaría aportar algo para ayudar. La única forma en que puedo contribuir es a través de mis imágenes." Un perfeccionista</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Usando sus fotografías como referencia, Rockwell trabajó con los detalles de la composición y el valor en este dibujo en blanco y negro ricamente detallado, creado con lápiz y carbón Wolff. "Me tomo la elaboración de los diseños de carbón muy en serio," él dijo: "Demasiados novatos, creo, esperan hasta que estén sobre el lienzo antes de tratar de resolver muchos de sus problemas. Es mucho mejor luchar con ellos antes con los estudios ".</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">A pesar de que estaba dedicado al concepto de este trabajo, finalmente descubrió que era demasiado complejo para crearlo como una ilustración final y, finalmente, unos siete años más tarde, exploró la posibilidad de un nuevo enfoque que adoptó en Golden Rule.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rockwell dijo: "Un día, de repente, llegué a la idea de que The Golden Rule -- hacer a los demás lo que quisieras que te hicieran -- era el tema que estaba buscando".</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">En The Golden Rule, Rockwell retrata cuatro grupos de madres y sus hijos. El que está en el rincón superior derecho en realidad representa a su segunda esposa, Mary Barstow Rockwell, que falleció en 1959, dos años antes de que se publicara esta imagen. Aquí está junto a su primer nieto, Geoffrey Rockwell, a quien nunca tuvo la oportunidad de conocer.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Publicado casi seis décadas atrás, The Golden Rule de Norman Rockwell es una de sus imágenes más emblemáticas, retratando nuestra humanidad común y reflejando las propias creencias de Rockwell, que siguen siendo relevantes para nuestros tiempos.</SPAN></SPAN></DIV></div>
HTMLText_DE53DC52_A4EE_7376_41DC_27DA3B86FC5D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Directora Adjunta/Curadora Jefe - Museo Norman Rockwell</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Un amigo cercano de Norman Rockwell en Arlington, Vermont, el ilustrador Mead Schaeffer adaptó su enfoque a su trabajo durante los años de la Segunda Guerra Mundial para satisfacer las necesidades de tiempos de guerra. Abandonó los temas románticos y literarios que habían sido su foco y centró su atención en personas y lugares reales, abrazando la dirección repertorial del Saturday Evening Post en ese momento.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">En 1942, buscando maneras de contribuir con sus talentos al esfuerzo bélico, Rockwell y Schaeffer viajaron a Washington, DC, con bocetos de algunos proyectos propuestos y visitaron varias agencias gubernamentales. Desafortunadamente, en ese momento no había fondos disponibles para sus proyectos. Un poco abatidos, en el camino a casa se detuvieron en Filadelfia para ver al editor de Saturday Evening Post, Ben Hibbs. Hibbs de inmediato abrazó sus ideas y les encargó a cada una de ellos desarrollar sus pinturas para su publicación.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Schaeffer decidió crear una serie de portadas conmemorativas de las fuerzas armadas destacando el trabajo de cada rama militar. Investigó cuidadosamente sus temas y, con gran habilidad técnica, creó obras heroicas que enfatizaban el profesionalismo y la dedicación del soldado estadounidense en todas las circunstancias. Sus imágenes fueron tranquilizadoras para el público durante tiempos inestables. En un número del Saturday Evening Post, la publicación del 20 de febrero de 1943, las pinturas de Schaeffer y Rockwell se superpusieron. En ese número apareció en la portada la representación dinámica de Schaeffer de un infante de marina en la batalla, y apareció adentro la primera ilustración de Four Freedoms (Cuatro Libertades), Freedom of Speech (Libertad de expresión), de Rockwell.</SPAN></SPAN></DIV></div>
HTMLText_BC37E3FD_3392_E45A_41C6_40C5F5BBB88B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Directora Adjunto / Conservadora General – Museo Norman Rockwell</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Worship</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> representaba un desafío para Rockwell, ya que entendía que la religión era un tema profundamente personal y, a veces, delicado. Quería pintar una imagen que transmitiera la unidad a pesar de las diferencias, presentando una visión de un mundo sin discriminación basada en la práctica o creencia religiosa.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Su concepto inicial representaba una escena amistosa en una barbería rural, en la que un judío es atendido por un barbero, mientras que un sacerdote católico y un afroamericano esperaban su turno. Pero Rockwell descubrió casi terminando la imagen, que esta presentaba una visión estereotípica, entonces insatisfecho con este enfoque, la dejó de lado y comenzó de nuevo.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">La imagen final que vemos hoy se centra más en el concepto de culto que en el concepto de religión y está compuesta por los perfiles de ocho cabezas en un espacio visual poco profundo. Las diversas figuras representan personas de diferentes creencias en un momento de oración. La imagen fue pintada en tonos monocromáticos para proporcionar una sensación de inclusión y unidad.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rockwell pensaba que, en una composición, las posiciones y los gestos de las manos son secundarios después de las cualidades expresivas de los rostros, como se ejemplifica en Freedom of Worship. La frase "Cada uno de acuerdo con los dictados de su propia conciencia" era una frase que reflejaba los propios pensamientos de Rockwell sobre la religión. Cuando se le preguntó dónde había escuchado estas palabras, Rockwell no pudo recordar. De hecho, la frase existe en muchas constituciones estatales de los Estados Unidos, y también fue utilizada por George Washington en una carta escrita a la United Baptist Chamber of Virginia, en 1789.</SPAN></SPAN></DIV></div>
HTMLText_1B1C8346_3292_65B6_41C3_C0A4E1159294.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Directora Adjuntoa/Curadora Jefe - Museo Norman Rockwell</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">En esta capa del The Saturday Evening Post del 29 de abril de 1944, un hombre está literalmente trazando maniobras de guerra mientras escucha la radio y tiene en sus manos varios mapas que representarían los lugares donde sus propios hijos estaban en misiones. La imagen es una representación detallada de lo que la propia experiencia de un padre podría ser durante la Segunda Guerra Mundial. Podemos ver en la pintura que el hombre tiene una bandera con tres estrellas azules, y señala que cada uno de sus hijos está involucrado en la guerra. Por sus fotografías, nos enteramos de que uno está en el Ejército, uno en la Marina de Guerra y uno en la Fuerza Aérea.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Si en realidad hubiera estado escuchando la radio en ese momento, podría toparse con la música de la Orquesta Glen Miller, o tal vez incluso un programa llamado "No se puede hacer negocios con Hitler", que era una serie de radio escrita y producida por Oficina de Información de Guerra de Estados Unidos. Una de las miles de obras de propaganda del gobierno que se transmitieron para apoyar el esfuerzo de guerra.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rockwell usualmente usaba accesorios que tenía en su propio estudio en sus pinturas. Uno de los objetos que identificamos aquí fue la silla Windsor de Rockwell, en la que el hombre está sentado. La silla Windsor que ves aquí es el tipo de silla en que Rockwell normalmente pintaba, aunque a veces pintaba de pie. Era una silla que en realidad llevó consigo de estudio en estudio.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">La imagen que ves aquí es en realidad la segunda que creó Rockwell, sobre el concepto de escuchar las noticias de la guerra. La primera fue en realidad una imagen inédita en la que Rockwell trabajó en el invierno de 1944, y que él y el Saturday Evening Post consideraron ilegible. En ella, vemos a un grupo de hombres reunidos en un restaurante, y aunque todos parecen estar muy atentos, no estamos exactamente seguros de lo que están escuchando. Si miramos de cerca, en el rincón superior derecho de la pintura, hay una luz brillante que proviene de una radio en reproducción. Como ilustrador de una revista de publicación masiva, Rockwell tuvo que contar su historia muy rápidamente, y sus imágenes tuvieron que atraer a un público muy vasto. En este caso, War News es una pintura hermosa, pero no se comunicó efectivamente de la forma en que Rockwell habría esperado, por lo que optó por abandonar esta manera particular de contar la historia.</SPAN></SPAN></DIV></div>
HTMLText_1B1C8346_3292_65B6_41C3_C0A4E1159294.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Directora Adjuntoa/Curadora Jefe - Museo Norman Rockwell</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">En esta capa del The Saturday Evening Post del 29 de abril de 1944, un hombre está literalmente trazando maniobras de guerra mientras escucha la radio y tiene en sus manos varios mapas que representarían los lugares donde sus propios hijos estaban en misiones. La imagen es una representación detallada de lo que la propia experiencia de un padre podría ser durante la Segunda Guerra Mundial. Podemos ver en la pintura que el hombre tiene una bandera con tres estrellas azules, y señala que cada uno de sus hijos está involucrado en la guerra. Por sus fotografías, nos enteramos de que uno está en el Ejército, uno en la Marina de Guerra y uno en la Fuerza Aérea.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Si en realidad hubiera estado escuchando la radio en ese momento, podría toparse con la música de la Orquesta Glen Miller, o tal vez incluso un programa llamado "No se puede hacer negocios con Hitler", que era una serie de radio escrita y producida por Oficina de Información de Guerra de Estados Unidos. Una de las miles de obras de propaganda del gobierno que se transmitieron para apoyar el esfuerzo de guerra.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rockwell usualmente usaba accesorios que tenía en su propio estudio en sus pinturas. Uno de los objetos que identificamos aquí fue la silla Windsor de Rockwell, en la que el hombre está sentado. La silla Windsor que ves aquí es el tipo de silla en que Rockwell normalmente pintaba, aunque a veces pintaba de pie. Era una silla que en realidad llevó consigo de estudio en estudio.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">La imagen que ves aquí es en realidad la segunda que creó Rockwell, sobre el concepto de escuchar las noticias de la guerra. La primera fue en realidad una imagen inédita en la que Rockwell trabajó en el invierno de 1944, y que él y el Saturday Evening Post consideraron ilegible. En ella, vemos a un grupo de hombres reunidos en un restaurante, y aunque todos parecen estar muy atentos, no estamos exactamente seguros de lo que están escuchando. Si miramos de cerca, en el rincón superior derecho de la pintura, hay una luz brillante que proviene de una radio en reproducción. Como ilustrador de una revista de publicación masiva, Rockwell tuvo que contar su historia muy rápidamente, y sus imágenes tuvieron que atraer a un público muy vasto. En este caso, War News es una pintura hermosa, pero no se comunicó efectivamente de la forma en que Rockwell habría esperado, por lo que optó por abandonar esta manera particular de contar la historia.</SPAN></SPAN></DIV></div>
HTMLText_4ED7A413_7F14_1A68_41D1_145636D71858.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrador: </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Durante las décadas de 1950 y 1960, en todos los Estados Unidos los niños se encontraban en el frente de la batalla por la desegregación escolar. En su primera ilustración para la revista Look, mi padre pudo plasmar visualmente un tema de gran importancia para él: los derechos civiles. Esta pequeña estudiante marcha al paso de los alguaciles federales que la protegen, pasando por un tomate arrojado sobre la pared, dejando una violenta mancha de apariencia sangrienta.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Pasando por el epíteto racial garabateado en la pared, pasando por las provocaciones de una multitud invisible que hacen que sea preciso que la niña sea protegida, ella sigue adelante, todas las mañanas, tal vez durante semanas, con estoica dignidad. La inspiración de esta obra pudo haber sido una niña real de Nueva Orleans, Ruby Bridges. Ruby fue la primera, y en esa época, la única menor afronorteamericana que asistía la escuela primaria William Frantz, que hasta entonces había acogido únicamente niños de raza blanca.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tenía que ser protegida en su camino a la escuela todas las mañanas. En señal de protesta, los padres mantuvieron a sus hijos en casa, por lo que Ruby fue la única estudiante en su clase, durante el resto del año escolar.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Mujer: [inglés] The texture in this painting is very raw–</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">La textura de esta obra es muy cruda. Podemos sentir casi físicamente la acera de cemento, la pared de cemento. La paleta de colores es muy neutral, lo que permite que los detalles de color resalten bajo nuestra vista — el rojo del tomate, las bandas amarillas en los brazos de los alguaciles. Pero en la pintura lo que resalta con gran fuerza es la blancura del vestido de la niña, el contraste, la pureza y su increíble valor e inocencia, en esta imagen.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Narrador: En una entrevista realizada en 1970, mi padre explica que los tiempos habían cambiado para el hombre que había pintado la vida como el deseaba que fuera.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell: [inglés] The Post covers I did were–</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Narrador: Las portadas que realice para el Post, era para un estilo de Estados Unidos maravilloso, en donde todos amaban al prójimo y lo indeseable era ocultado disimuladamente, y no se hablaba de ello y ahora todo ha salido a relucir, a la luz del día.</SPAN></SPAN></DIV></div>
HTMLText_13F20D4E_12DF_ACD1_41A2_21CDF4397011.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrated By: Brian Allen</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>American Art Scholar</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>ブライアンアレンによるナレーション付き</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>アメリカ美術学者</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In the case of Freedom of Speech, it’s one of the few pictures that Rockwell did that was based on something that really happened.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">「言論の自由」の場合、それはロックウェルが実際に起こった出来事に基づいて描いた数少ない絵の一つです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Arlington had a high school that was built in the 1920s, and in 1940 there was a fire, and the high school burned down.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">アーリントンには、1920年代に建設された高校がありましたが、1940年に火事があり、同高校は焼失してしまいました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">So there was immediately a need in town to decide whether to build a new high school, whether to send kids to neighboring towns for high school.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">ですから、新しい高校を作るか、生徒たちを近くの町に通わせるかどうかをすぐに決める必要がありました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">So there was a movement in town to appropriate money to build a new high school and that required the approval of the town meeting.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">そのため、新しい高校を建設するためのお金を調達するための運動があり、それはタウンミーティングの承認を必要としました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Most towns in Vermont, most towns in New England, the town meeting form of government invests in every voter, every property owner the role of legislator.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">バーモント州のほとんどの町、ニューイングランドのほとんどの町、すべての有権者に政府のタウンミーティング用紙が配られ、すべての財産所有者が議員の役割を果たします。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Every voter has the right to come to the town meeting and vote on the appropriation of money, in this case for the high school.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">すべての有権者は、タウンミーティングに出席しーこのケースでは高校のためにー、お金の使途について投票する権利を持っています。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Jim Edgerton who was a farmer in town, he got up at the town meeting, and he spoke against the effort to spend money to build a new high school.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">町の農夫であったジムエッゲートンはタウンミーティングに出席し、新しい高校を建設するためにお金を使うことに反対しました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">It was during the depression, the price of commodities had plummeted and he paid his bills every month by selling milk.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">それは不況の間、商品の価格が急落したため、彼は毎月牛乳を売って請求書の支払いをしていたからです。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He wasn’t poor, but he was feeling a pinch as everybody was during the depression in Vermont.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">彼は貧乏人ではありませんでしたが、バーモント州の不況の間に誰もが実感したように、彼はピンチを感じていました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">And that lead him to be very conscious of higher taxes.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">ですから彼は税金が上がることを非常に意識するようになりました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The instant that Rockwell picked was that moment where Edgerton was saying what he thought, and people were listening to him—other voters, other legislators listening to him respectfully.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">ロックウェルが選んだ瞬間は、エッゲートンが彼が思ったことを言っている間、人々が彼の話を聞いている- 他の有権者や他の議員が彼を尊重して聞いている－瞬間でした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Even though Jim Edgerton was the one who was actually speaking, he wasn’t the type that Rockwell was looking to underscore the themes of each person having an independent vote and voice at the town meeting.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">実際に話していたのはジムエッゲートンでしたが、タウンミーティングで独立した投票と意見を持つ各人のテーマを強調するためにロックウェルが探していたタイプではありませんでした。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He was looking for someone who looked like Abe Lincoln, and that’s what he was after.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">彼は、リンカーンのように見える人を探していて、後で実際にそうしました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He was looking for an everyman.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">彼は普通の人を探していました。</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">And so he used Carl Hess as the model, and Carl Hess ran a gas station in town; he just had the look that Rockwell was after.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">そして彼はモデルとしてカールヘスを使い、カールヘスは町のガソリンスタンドを開業しました。彼はちょうどロックウェルが後になって使っているルックスを持っていました。</SPAN></SPAN></DIV></div>
HTMLText_6771AF7A_6639_FE25_41C7_A3CD26AE9550.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrated By:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Alice Carter</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Author, Illustrator, and Norman Rockwell Museum Board President</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">During a career that spanned nearly sixty years, Jerry Aloysius Doyle’s editorial cartoons appeared in leading Philadelphia newspapers and, through syndication, in hundreds of other periodicals across the nation. As an avid supporter of Franklin Roosevelt’s domestic and foreign policies, Doyle never caricatured the president, and always showed him in a heroic light.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In “Roosevelt Favors Old Age Pensions,” Doyle pictures the President as the potential savior of an elderly couple, dressed formally in the clothes of a bygone era. Although obviously impoverished, they are trying to keep up appearances. There is a fire in the grate and a rose on the mantle, but the window is cracked and the tablecloth patched. On the floor at their feet are two newspapers showing what their future might bring. One headline reads, “Roosevelt to Delay Old Age Pensions,” and the other, “Roosevelt Favors Old Age Pensions.” Enshrined on the mantle (next to the rose) is a portrait of FDR labeled “Our President.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Roosevelt first proposed old age pensions when he was governor of New York, and the idea was an integral part of the New Deal. The sticking point was how to fund them. Any national insurance plan would have to be built up by contributions from workers’ wages—and there would not be enough money until 1942. Meanwhile, elderly citizens were suffering. The solution was Title One of the Social Security Act—a joint program between the States and the Federal Government to provide immediate old-age assistance. On August 14, 1935, President Roosevelt signed the bill, remarking as he laid down his pen, “a hope of many years standing is in large part fulfilled.”</SPAN></SPAN></DIV></div>
HTMLText_11F170B1_A4E2_93C6_41D9_7371DED68670.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrated By:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Alice Carter</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Author, Illustrator, and Norman Rockwell Museum Board President</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Martha Sawyers was born in Corsicana, Texas, in 1902. She attended New York’s Art Students League for five years—until, as she put it, “They kicked me out and said I had to do something with what I knew.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“China Shall Have Our Help” is one of two posters Sawyers designed between 1942 and 1943 for United China Relief—an association of aid agencies dedicated to helping Chinese refugees during World War II. Although Sawyers preferred to work in oil, deadlines often forced her to mix mediums—and as you can see in this poster, she sometimes combined oil, watercolor, nu-pastel and ordinary colored crayons to produce the effects she needed.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">This emotional painting of a refugee family replicates a scene Sawyers witnessed first hand. In 1937, while traveling with her husband, illustrator William Ruesswig she narrowly escaped the Japanese attack on China’s Marco Polo Bridge. When she returned to New York, an exhibition of paintings from her travels attracted positive attention, and </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Collier’s</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> magazine commissioned her to record her impressions of Asia in a series of articles and illustrations. During World War II, the intrepid Sawyers returned to Asia to cover the Pacific theater as an artist/correspondent for both </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Collier’s</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> and </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Life</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> magazines.</SPAN></SPAN></DIV></div>
HTMLText_6787FBA1_66D9_6627_419D_EBF65FBC89FC.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrated By:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Alice Carter</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Author, Illustrator, and Norman Rockwell Museum Board President</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">On September 29th, 1939, Germany and the Soviet Union reached an agreement to divide occupied Poland. Hitler’s forces would take everything to the West of the Bug river and Stalin’s army would control everything to the East.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The following day, September 30th, 1939, Hugh Hutton’s editorial cartoon, titled “The Funeral Oration,” appeared in </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Philadelphia Inquirer.</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> Hutton completed more than 3,800 editorial cartoons for the Inquirer during his long career. He rarely drew caricatures of celebrities and politicians, preferring to use allegorical figures to convey his ideas. He typically drew a white-robed female to depict values like peace, justice, and truth. In this case, these virtues have fallen face down, while the twin vultures of Germany and the Soviet Union gloat over their victory.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Hutton was born in Lincoln, Nebraska, on December 11, 1897. After attending the University of Minnesota for two years, he enlisted in the Army and served in World War I. When the war ended, he continued his education at the Minneapolis School of Art. Following a career move to New York, he studied at the Art Students’ league and found a market for his editorial illustrations with United Features Syndicate.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In 1934, Hutton accepted his position at </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Philadelphia Inquirer</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> where he worked until his retirement in 1969.</SPAN></SPAN></DIV></div>
HTMLText_4FC5B925_6493_8841_41C0_A956C1452AB9.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrated By:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Allida M. Black</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Research Professor of History and International Affairs - The George Washington University</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Everybody thinks the </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Four Freedoms</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> with Norman Rockwell and the four iconic paintings and then the other half of the scale is they think of FDR’s landmark address.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">And Eleanor understood, as did FDR, but in a very different, gut level way, that you couldn’t be free to unless you were free from. And so even before they could articulate the concept of the </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Four Freedoms</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, she would talk about freedom </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>from</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> hunger. She would talk about freedom from fear. She would talk about freedom to dream. Now, that’s different language, but it’s the same principles, and it was Eleanor who really risked her personal safety in the United States to champion what this means.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">When she gets to the UN, she saw wounded all through Asia, all through Europe, all through the United States. And the United Nations sends her to Holocaust camps, sends her to displacement camps. She ends up being responsible for really helping the world come up with a new vision to say that we are not going be defined forever by hate and racial superiority and religious bigotry and gender discrimination. We’ve got to give ourselves a new vision.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">And she took the </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Four Freedoms</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, and what she interpreted the Four Freedoms to mean, into that negotiating room. And I just want you all to think about this. It’s a dining room table size. You know, there are 18 nations. None of the people believe in the same god or if a god exists. They don’t believe that there’s private property or, you know, if money is good. They don’t have the same concept of family. They don’t have the same concept of citizenship. The only thing they share is, “By god, we beat the Germans.” And so she takes her innate commitment to freedom from fear, freedom of speech, freedom of worship, you know, freedom from want and puts them together in a way that keeps people at the table.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">And the thing that’s so remarkable about her leadership is not only do we get the Universal Declaration of Human Rights, which I firmly believe are 30 examples of the </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Four Freedoms</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">. You know, I dare you to look at one of those articles and then look at one of Rockwell’s four paintings including the golden rule, including Ruby Bridges, and not see them throughout all the DNA of the paint.</SPAN></SPAN></DIV></div>
HTMLText_1B1A2342_3292_65AE_41BA_D044AD8215F1.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrated By:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Brian Allen</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>American Art Scholar</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In the case of Freedom of Speech, it’s one of the few pictures that Rockwell did that was based on something that really happened.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Arlington had a high school that was built in the 1920s, and in 1940 there was a fire, and the high school burned down. So there was immediately a need in town to decide whether to build a new high school, whether to send kids to neighboring towns for high school. So there was a movement in town to appropriate money to build a new high school and that required the approval of the town meeting.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Most towns in Vermont, most towns in New England, the town meeting form of government invests in every voter, every property owner the role of legislator. Every voter has the right to come to the town meeting and vote on the appropriation of money, in this case for the high school.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Jim Edgerton who was a farmer in town, he got up at the town meeting, and he spoke against the effort to spend money to build a new high school. It was during the depression, the price of commodities had plummeted and he paid his bills every month by selling milk. He wasn’t poor, but he was feeling a pinch as everybody was during the depression in Vermont. And that lead him to be very conscious of higher taxes.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The instant that Rockwell picked was that moment where Edgerton was saying what he thought, and people were listening to him—other voters, other legislators listening to him respectfully.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Even though Jim Edgerton was the one who was actually speaking, he wasn’t the type that Rockwell was looking to underscore the themes of each person having an independent vote and voice at the town meeting. He was looking for someone who looked like Abe Lincoln, and that’s what he was after. He was looking for an everyman. And so he used Carl Hess as the model, and Carl Hess ran a gas station in town; he just had the look that Rockwell was after.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">I definitely think that art can make people engage because when we have sort of severe problems in our society, part of the problem is we get stuck in our thinking. People’s ideas get ossified, and it’s, you know, today even worse than it’s ever been, probably. People get stuck, and they can’t get each other out of these spaces. You know, there’s right and there’s wrong and there’s black and there’s white, and they can’t . . . so a job that the artist can do is break everything, you know, think of it as a china plate and the artist smashes it, and then glues it back together in another shape so that you can see it differently.</SPAN></SPAN></DIV></div>
HTMLText_F1DE873B_B2A9_DB80_41A5_570EC945B534.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrated By:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Daisy Rockwell</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Artist and Author</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">I think it’s inspiring in the sense that we all have that potential within us to bring more to the world around us if we open our eyes more, and I think his eyes were opened also by, obviously . . . the passions of the Civil Rights movement inspired him as well. I mean it’s not like I ever sat down and asked him these things, but you can read that as part of the trajectory when you look at the changes in his paintings. It seems like that time changed a lot of people, and he was not immune, and I feel that narrative is still not known to a lot of the public, so I’m glad it will be part of the Four Freedoms show. Because that is an evolution from the 40s to the 60s that he went through, and you can’t look at just one and not the other.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">I definitely think that art can make people engage because when we have sort of severe problems in our society, part of the problem is we get stuck in our thinking. People’s ideas get ossified, and it’s, you know, today even worse than it’s ever been, probably. People get stuck, and they can’t get each other out of these spaces. You know, there’s right and there’s wrong and there’s black and there’s white, and they can’t . . . so a job that the artist can do is break everything, you know, think of it as a china plate and the artist smashes it, and then glues it back together in another shape so that you can see it differently.</SPAN></SPAN></DIV></div>
HTMLText_7FD06D2C_4AD4_DB96_41C4_916F8975A58F.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrated By:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Douglas B. Dowd</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Professor of Art and American Culture Studies -Washington University in St. Louis</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In the years before television, people in the United States had two primary sources for getting information about how other people were living their lives, what they were wearing, what their houses looked like, even what basic products might look like. They had two sources: the movies, and the magazines. The magazines and the illustrators who worked for them really did paint a picture of how life was being lived in the society, or paint a picture of life a little better than it was being lived in the society so that it remained an aspirational standard: </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>I could be that. I could have that. I could wear that.</I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Their persuasiveness and their power comes a lot from the visual presentation, from the type and the lettering, to obviously the illustration, and photography, too. When you think about it, if you took all the illustrations out of those magazines, no one would have read them. People have always thought that publishing is always about the content. Actually, the way it’s packaged and presented and shown has a great deal to do with how people respond to it.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In the history of the newspaper business, good presentation, like using typography at bigger sizes to create visual hierarchies, that was called self-advertising, in kind of a sneering way. So, the people who were in charge of the content have often pooh-poohed the visual presentation, but actually, it’s really important and it always has been. And the persuasiveness of those publications is powerfully visual. And the pictures of the people and the stuff they’re doing and the stuff they’re wearing and the portrait of life that emerges are at the heart of their appeal.</SPAN></SPAN></DIV></div>
HTMLText_96312FDB_A7D7_731D_4186_80D781F3180D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrated By:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>George Church III</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Docent and Volunteer - Norman Rockwell Museum</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">When World War II started and the Japanese bombed Pearl Harbor, I was in a movie with my dad. And then we saw, during the course of the beginning on this one occasion, we saw this piece of paper slide in between the lens and the light in the camera, in the projector. And it said the Japanese had bombed Pearl Harbor. This has been reported by the US Army.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">But anyway, that was my introduction to World War II. It was after that that I started getting involved in the aircraft spotting work. The plane spotting was something I got into through a couple of other friends who were in my class in grammar school. And . . . I could only go plane spotting on Saturdays because I was going to school Monday through Friday. And I’d get up around 4:30 or quarter to 5, and have breakfast and get on my bicycle. And I had to ride about three miles to get to the Miami Biltmore Hotel, which was in Coral Gables. And I had to be able to park my bike and then go into the lobby and then climb the stairs, and the elevator would take me up. And then, I got to the tower, and then I had to climb up into the tower where we had a spotting booth that was built inside the tower . . . of the hotel. And, but the building was the tallest building in Miami, and we were directly south of Miami International Airport. And that is where we did our plane spotting from there.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">And I worked the shift from 6:00 to 9:00 on Saturday mornings, and I had my plane spotter book with me. And I had a telephone. I was with one other person, and between the two of us, we reported everything that we saw land and take off at Miami airport, and also planes that flew over that we would always log in and telephone about those as well.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The book has really been a treasure because it was the way I was able to connect, even at my . . . young age. Well, when the war started in December, I was 12 years old. And I think it was just being . . . not being able to get involved in the service per se, but it was a connection for me, and that part of history. And I just knew that that book was what validated my experience and made the point that I was involved in doing as much as I possibly could . . . during the course of the early part of the war.</SPAN></SPAN></DIV></div>
HTMLText_F27E1C3E_A421_9312_41D2_ACD3F945D813.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrated By:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Irvin Ungar</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Founder and CEO - Historicana / Curator - The Arthur Szyc Society</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">I’m delighted to introduce you to Arthur Szyk, who was a Polish Jewish artist born in Łódź, Poland, in 1894, in the same year as Norman Rockwell was born. And Arthur Szyk came to America in 1940 as an immigrant and died 1951.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">When he ultimately arrived in America he saw himself as a one man army in this fight against Hitler. He also considered himself to be FDR’s soldier in art (as he signed a few of his works).</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Arthur Szyk worked during World War II, fighting against the Axis and he worked also on behalf of the rescue of European Jewry.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He became very famous in America even though many people have forgotten who he was, what he accomplished during his lifetime, but he was as famous as famous could be. And to give you an idea of that, as you, the viewer, know, Norman Rockwell was illustrating the early 1940s, the covers of The Saturday Evening Post. At that time Arthur Szyk was illustrating the covers of Collier’s magazine. What was the circulation of The Saturday Evening Post? About three million people got each copy. How many people received each copy of Collier's? Two and a half million.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Let me talk about Arthur Szyk and the Four Freedoms. It begins with Arthur Szyk creating a series entitled Washington and his Times. These are 38 paintings dealing George Washington and the American Revolution. Arthur Szyk completed those works in 1930, it was published as a portfolio in 1932. In 1935, Arthur Szyk was exhibiting these works and they were purchased by the president of Poland, Mościcki, and in 1935 he presented these to Franklin Roosevelt as a gift, in a way to create closer relations between Poland and the United States virtually on the eve of World War II—the Nazis had been in power already.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Roosevelt kept those in the White House and when Roosevelt gave his Four Freedoms speech in January of 1941, 38 paintings of freedom were hanging in the White House. And these were works by Arthur Szyk.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Then Szyk set out, actually in 1942, to illustrate the Four Freedoms. They were . . . really featured a medieval knight, almost fighting for freedom, that meaning all the freedoms had to be fought for and Szyk’s way was to use a medieval knight who would have a lance, a dagger, a sword, accompanying almost each one of them. And these were reproduced in two formats. One as poster stamps that were widely distributed as if one would distribute Easter Seals. And secondly, they were reproduced as in large postcards and also distributed.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">So this was Arthur Szyk’s connection to the Four Freedoms, both in terms of his artwork being in the White House when the speech was given, and then also, literally, to reproduce them as well.</SPAN></SPAN></DIV></div>
HTMLText_21918BBE_56DB_07F4_418F_A8E85FEE8B4F.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrated By:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>James J. Kimble, Ph.D.</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Professor of Communication - College of Communication and the Arts</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Seton Hall University</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">After The Saturday Evening Post introduced Norman Rockwell’s Four Freedoms paintings in four successive issues in February and March 1943, the American government took notice. The Office of War Information approached Curtis Publishing, owners of the magazine, for permission to reproduce the paintings in four million oversized posters. Those posters soon appeared in post offices, libraries, service clubs, canteens, and private homes across the United States. At the same time, the US Treasury approached the publishers with a proposal to sponsor the Four Freedoms War Bond Show, a sixteen-city traveling exhibition that would feature Rockwell’s paintings, scores of other art works, and (of course) war bond sales booths. Curtis Publishing agreed, and the first show, in Washington DC, opened in mid-1943 to great fanfare, with Rockwell himself present to sign autographs and meet well wishers. Each stop on the tour tried to offer the most visible and even outlandish promotional events, including celebrity appearances, parades, displays of military equipment, street performances, immersive advertising, and much more. By the end of the tour, in Denver during the summer of 1944, the traveling exhibition had become a huge success, not only publicizing President Roosevelt’s Four Freedoms nationwide, but also leading directly to the sale of almost $133 million in war bonds. billboards in 1942. However, it was the only time in his career that Rockwell ever depicted an active combatant in a war front setting. His character Private Willie Gillis—by this time already famous—was much more characteristic of his light-hearted touch, even in war time.</SPAN></SPAN></DIV></div>
HTMLText_3795815F_56BD_00B4_419C_C3CD5B815DFD.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrated By:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>James J. Kimble, Ph.D.</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Professor of Communication - College of Communication and the Arts</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Seton Hall University</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">After the attack at Pearl Harbor, with the nation now at war, the artist Norman Rockwell reached out to the government to offer his illustration skills to the war effort. The US Army Ordnance Corps asked him to contribute to its so-called “Keep ‘Em Shooting” campaign, an effort to keep civilians motivated on the home front. Rockwell decided to depict a machine gun operator in a battle scene. Army officials were so eager for the Rockwell poster that when the artist asked for a machine gun to serve as a model, they sent him a fully-functioning weapon, live ammunition, a Jeep, and an enlisted soldier. The poster—with the caption “Let’s Give Him Enough and On Time” —was distributed nationally, and also appeared on numerous highway billboards in 1942. However, it was the only time in his career that Rockwell ever depicted an active combatant in a war front setting. His character Private Willie Gillis—by this time already famous—was much more characteristic of his light-hearted touch, even in war time.</SPAN></SPAN></DIV></div>
HTMLText_133D15AE_43A3_7022_41AC_30DD1EDCC0CA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrated By:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>James J. Kimble, Ph.D.</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Professor of Communication - College of Communication and the Arts</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Seton Hall University</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In this wartime poster, commonly referred to today as “Rosie the Riveter,” the artist J. Howard Miller shows us a determined, confident woman flexing her muscles and confidently expressing her ability to complete the task at hand. Although today we tend to assume that this poster was famous during WWII, it actually was relatively unknown since it appeared for only two weeks (in February 1943) within Westinghouse munitions factories. Once its two weeks were up, the posters were recycled due to wartime paper shortages. During those two weeks, however, the poster modeled for Westinghouse laborers—both men and women—a gesture of solidarity common to the corporation’s workforce, affirming that every worker within Westinghouse was ready to complete their vital wartime mission. Only two original copies of this poster are known to exist today. Despite the scarcity of the originals, Miller’s image has gained worldwide fame since reemerging in the 1980s as part of anniversary observances of WWII. It has also been endlessly parodied, ensuring its status as one of the most famous images of all time.</SPAN></SPAN></DIV></div>
HTMLText_67AA2243_662A_E66B_41C4_6D4D417F072E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrated By:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>James J. Kimble, Ph.D.</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Professor of Communication - College of Communication and the Arts</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Seton Hall University</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">One of the most famous soldiers of World War II was not a real soldier. His name was Willie Gillis, and he was the product of illustrator Norman Rockwell’s rich imagination. This painting marks Gillis’s first public appearance, on the cover of the Saturday Evening Post on October 4th, 1941. In it, the artist shows us a boyish, innocent private in a lighter moment while engaged in boot camp at Fort Dix, New Jersey. The viewer quickly sees that Gillis has just received a care package from home, and that the package probably contains a few tasty gifts for a hard-working soldier from his loved ones. However, Gillis’s colleagues have also noticed the package, and their facial expressions indicate that they are thinking of relieving him of his new bounty. Rockwell’s light-hearted cover was an instant hit, leading the Post to request more scenes from Private Gillis’s life. The artist agreed, and the character ultimately appeared in nearly a dozen Post covers, the last one in postwar 1946, showing the amiable Gillis going to college on the GI Bill, as so many of his real-life peers were also doing at the time. By then, the character’s fame was assured. In fact, many of his young female fans came to regard him as a pin-up. One of them, Natalie Barden, eventually met Robert Otis Buck, Willie’s real-life model, and married him.</SPAN></SPAN></DIV></div>
HTMLText_BE594499_3DF9_91D9_41BA_C3366466A9B5.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrated By:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>James J. Kimble, Ph.D.</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Professor of Communication - College of Communication and the Arts</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Seton Hall University</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">This press wire photograph is widely believed to have inspired J. Howard Miller’s “We Can Do It!” poster, commonly known today as “Rosie the Riveter.” Starting in the 1980s, the black and white photograph came to be associated with Geraldine Hoff Doyle, a Michigan woman who believed that it featured an image of her working in a 1942 factory. However, the photograph is actually of a California woman named Naomi Parker, who was one of the first women to work in the machine shop at the Alameda Naval Air Station on San Francisco Bay. While working at Alameda, Parker did indeed serve as a riveter, but also as a welder, a bucker, and a machinist (among dozens of other tasks related to the repair of the Navy’s war planes). The photograph appeared in scores of American newspapers during 1942, earning Parker some fan mail and even a marriage proposal. However, it faded in public memory after the war, only resurging when Doyle, who saw it in a 1980s magazine, mistakenly came to believe that she was its subject. While the photograph’s connection to the “We Can Do It!” poster remains uncertain, as the artist Miller left very few records, there are a number of telling similarities between Parker’s appearance and the woman in the poster. Moreover, the photograph did appear in a Pittsburgh newspaper, near Miller’s home during the 1940s, and so it is possible that he came across it and kept it for his collection of reference images.</SPAN></SPAN></DIV></div>
HTMLText_B0499194_6669_A2ED_41D3_78197C94B210.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrated By:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Artist, Photographer and Journalist</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Following her success photographing laborers for the Farm Security Administration, the great documentary photographer Dorothea Lange was hired to record the process of removal and mass incarceration of citizens and non-citizens of Japanese ethnicity for the War Relocation Authority in March of 1942. From the very first days, her photojournalism style and personal sympathies for the plight of these Americans conflicted with the demands of army officials. Strictly taboo were pictures of machine guns in towers. Also restricted were photos of barbed wire, armed guards, and any signs of resistance. In her own words, she says: “I had a man following me all the time.” She was met with delays by officials asking for credentials, was made to account for every negative and every cent she spent, and was prohibited from talking to people in the camps. All prints were submitted for review and those considered inappropriate were marked ‘impounded” and the negatives embargoed for the duration of the war.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Lange took this photo of the Wanto Co. grocery store in Oakland, California, on March 13, 1942, nearly a month after FDR had signed Executive Order 9066, requiring the owner and his family to leave. Tatsuro Masuda, the owner, was born in Oakland and newly married. He told Lange, “I paid for it the day after Pearl Harbor.” He and his wife were sent to the Gila River concentration camp in Arizona. They never returned to the store.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In the three months with the WRA, working nearly seven days a week, Lange managed to take nearly 850 images. While many of her other photos for the government had gone on to become some of the most iconic images of the 20th Century, most of these remained virtually unseen until a book about them and Lange was published in 2006.</SPAN></SPAN></DIV></div>
HTMLText_FD8D3008_6669_61E5_41BF_F3A5363CC13B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrated By:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Artist, Photographer and Journalist</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">On April 23, 1943, First Lady Eleanor Roosevelt paid a visit to the Gila River concentration camp in Arizona. WRA photographer Francis Stewart took the photo of her, accompanied by Dillon Myer, National Director of the War Relocation Authority, as they are greeted by a crowd of enthusiastic inmates.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Mrs. Roosevelt was one of the few in the FDR Administration to speak out publicly on behalf of loyal citizens and immigrants of Japanese ethnicity both before and after Pearl Harbor. She tried without success to dissuade the President from ordering mass removal, which she regarded as a violation of human rights and American ideals, and even invited Japanese Americans to the White House.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Her visit to the camp was in response to accusations by the local press that the federal government was coddling Japanese Americans in the camps. Her aim was to tour the facilities and investigate those claims. She came away, highlighting the work the prisoners were doing for the war effort in the camouflage net and ship model factories and noted that the milk she tasted in the mess hall was sour—her way of responding to press reports that the prisoners were receiving better quality rations than other Americans.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Los Angeles Times reported on her visit three days later in an article in which she described the living conditions as—while not indecent—”certainly not luxurious,” adding, “I wouldn’t like to live that way.” She was also quoted as saying, “The sooner we get the young [native-born] Japanese out of the camps the better. Otherwise if we don’t look out we will create another Indian problem.”</SPAN></SPAN></DIV></div>
HTMLText_07BD52A6_666A_A62D_41D4_AAD882AB8BAA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrated By:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Artist, Photographer and Journalist</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">This Ansel Adams image was taken in 1943, near Death Valley, California, in a camp called Manzanar. It was one of ten American concentration camps built to imprison US citizens of Japanese ancestry and their immigrant parents.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">It shows a man looking out at a vast open landscape in the foothills of the Sierras, the typical kind of vista Adams was known for as a photographer. What it oddly misses is any barbed wire fences, guard towers, searchlights, soldiers with machine guns or any discomfiting scenes that may have hinted at the harsh conditions in which these people had been placed.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Adams personally felt strongly that US citizens should not be treated this way by their own country and his first attempt at documentary photography was born of a desire: to show to his fellow Americans that these people were just like any other citizen, Born Free and Equal, as the book he would eventually compile and publish in 1944 would be titled.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">When the book came out, however, his aims were not appreciated by an American public which, still bogged down in war, did not forgive his sympathetic take on those imprisoned. As a result, it is said that copies of his book were burned in protest. It’s also said that the government itself had bought thousands of copies and had them destroyed. Whatever their fate, an original 1944 copy of this book is considered a rare find. And there’s further irony: as antipathy towards Japanese Americans eased, so Adam’s photographs became controversial yet again, because this time, the government and the public rather than rejecting them, began using them as proof that conditions at the camps were anything but harsh or inhumane. Considered neither true documentary nor pure propaganda, these images lie somewhere in a kind of photographic nether world.</SPAN></SPAN></DIV></div>
HTMLText_62C4C2A3_339A_D622_41C7_AD92B00A5F71.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrated By:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Deputy Director / Chief Curator - Norman Rockwell Museum</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom from Want </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">was not as great a conceptual challenge as Rockwell's other two previous </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Four Freedoms</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> paintings (Speech and Worship). The piece was inspired by, and has since become a model for the All-American Thanksgiving.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Though created as a composite with Rockwell's models posing for him in his studio at individual sessions, this family scene includes some of the artist's own neighbors and family members. Featured is Mrs. Thaddeus Wheaton, the family's cook, who supports a large holiday turkey, as well as Mary Barstow Rockwell, the artist's wife, and his mother Nancy Hill Rockwell who is seen on the right.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Freedom from Want was published with an essay by the relatively unknown novelist and poet Carlos Bulosan, a Filipino immigrant to America, and a migrant worker who wrote on behalf of those enduring domestic hardship. A counterpoint to the gentle representations in Rockwell's paintings, Bulosan's essay looked forward to a possible future in which those outside the social mainstream, migrant farm workers, union organizers, laborers, African-American victims of segregation, Asian, and Latino immigrants, might be allowed to experience true freedom.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Artistically, the work is highly regarded as an example of the mastery of the challenges of portraying visual texture in art, including the gleam of white china on white tablecloth, and the transparency of water in glasses.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Despite Rockwell's general optimism, he had misgivings of having depicted such a large turkey when much of Europe was starving, overrun, and displaced as World War II raged. Many critics acknowledge the over abundance of food depicted in this image, but also noted that the image displays family, conviviality, and security, and were of the opinion that abundance rather than mere sufficiency was the truest answer to the notion of want.</SPAN></SPAN></DIV></div>
HTMLText_BC3783FD_3392_E45A_41C1_298ED293F173.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrated By:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Deputy Director / Chief Curator - Norman Rockwell Museum</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Worship</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> posed a challenge for Rockwell, for he understood that religion was a deeply personal and sometimes delicate subject. He wanted to paint an image conveying unity despite differences, presenting a vision for a world without discrimination based upon is religious practice or belief.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">His initial concept depicted an amicable scene in a country barbershop, in which a Jewish man is attended to by a barber, while a Catholic priest and an African American man wait their turn. But Rockwell found upon almost completing the image, that it presented a stereotypical view, so dissatisfied with this approach, he set it aside and started over again.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The final image that we see today focuses more on the concept of worship rather than the concept of religion and is composed of the profiles of eight heads in a shallow visual space. The various figures represent people of different faiths in a moment of prayer. The image was painted as in monochromatic hues to provide a sense of inclusion and unity.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rockwell felt that in a composition, the positions and gestures of hands are second only to the expressive qualities of faces, as is exemplified in Freedom of Worship. The wording "Each according to the dictates of his own conscience." was a phrase that reflected Rockwell’s own thoughts on religion. When asked where he had heard these words, Rockwell could not recall. In fact, the phrase exists in many state constitutions of the United State, and was also used by George Washington in a letter penned to the United Baptist Chamber of Virginia, in 1789.</SPAN></SPAN></DIV></div>
HTMLText_DE526C51_A4EE_7372_41CB_A7CA6BD7E069.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrated By:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Deputy Director / Chief Curator - Norman Rockwell Museum</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">A close friend of Norman Rockwell's in Arlington, Vermont, illustrator Mead Schaeffer, adapted his approach to his work during the World War II years to satisfy wartime needs. He abandoned the romantic and literary themes that had been his focus and turned his attention to real people and places, embracing the repertorial direction of The Saturday Evening Post at the time.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In 1942, seeking ways to contribute their talents to the war effort, Rockwell and Schaeffer traveled to Washington, D.C., with sketches for some proposed projects and visited several government agencies. Unfortunately, at the time no funds were available for their projects. A bit dejected, on the way home they stopped in Philadelphia to see The Saturday Evening Post editor, Ben Hibbs. Hibbs immediately embraced their ideas and commissioned them each to develop their paintings for publication.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Schaeffer determined to create a series of armed forces commemorative covers highlighting the work of every military branch. He carefully researched his subjects and, with great technical proficiency, created heroic works that emphasized the professionalism and dedication of the American soldier in all circumstances. His imagery was reassuring to the public during unstable times. In one issue of The Saturday Evening Post, the February 20, 1943, publication, Schaeffer's and Rockwell's paintings actually overlapped. In that issue Schaeffer's dynamic portrayal of a marine in battle appeared on the cover, and Rockwell's first Four Freedoms illustration, Freedom of Speech, appeared inside.</SPAN></SPAN></DIV></div>
HTMLText_ECF64172_6AFF_959D_416F_24F5F812450C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrated By:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Deputy Director / Chief Curator - Norman Rockwell Museum</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">As with many Americans in the mid 1960s, the Vietnam War was on Norman Rockwell's mind. In 1966, he spent a week at Quantico Marine Base in Virginia taking photos of an experienced marine with a thought of designing an image for a poster that he had been commissioned to do. But in March 1967, he wrote to the Marine Corps declining the assignment saying, "I just can't paint a picture unless I have my heart in it."</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">About a year later, Rockwell began work on </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Right To Know</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, an editorial illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> Magazine that was published in August of 1968. Just months after the painting appeared, the New York Times reported that General Westmoreland had requested 206,000 additional troops to be sent to Vietnam, a story that the White House had tried to suppress.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">After troop escalation was reported, news of the My Lai Massacre broke, fueling growing descent against the war. Rockwell's political statement expressed the right of American citizens to understand their government's actions. Of his work during that period, Rockwell said, "I don't think my style has changed, but America has and hence, so has my subject matter. Lord knows we have problems, plenty of them, but we should also have great confidence in the present generation of young people who are, I think, the very best we have produced, long hair and all. Who is to say that one of these hippies won't be a genius of the future?"</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In his illustration, Rockwell presents a group of people of many races, ages, and political persuasions. His format of massing people from all walks of life was also used in two other works in this exhibition, a drawing created in 1953 relating to the United Nations and the peoples of the world, and in his famous </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> cover illustration, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Golden Rule</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, published in 1961, which portrayed the peoples of the world united under the phrase, "Do onto others as you would have them do onto you."</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell who was 74 years old when he painted this work, felt so strongly about this painting that he had included himself in the work on the far right side with his signature pipe in his mouth.</SPAN></SPAN></DIV></div>
HTMLText_234D8663_663E_AE2B_41BA_45CB800504BF.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrated By:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Deputy Director / Chief Curator - Norman Rockwell Museum</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In this April 29, 1944 cover for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, a man is literally charting war maneuvers as he listens to the radio and holds in his hands several maps that would represent the places where his own sons were stationed. The image is a detailed portrayal of what a parent's own experience might actually be during World War II. We can see in the painting that the man has a flag with three blue stars, noting that each of his sons is engaged in the war. By their photographs, we learn that one is in the Army, one in the Navy, and one in the Air Corps.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">If he had actually been listening to the radio at that time, he might come upon the music of the Glen Miller Orchestra, or perhaps even a show called You Can't Do Business With Hitler, which was a radio series written and produced by the Office of War Information. One of thousands of government propaganda plays that were broadcast to support the war effort.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rockwell would typically use props that he had in his own studio in his paintings. One of the objects that we identify here was Rockwell's own Windsor chair, which the man is seated on. The Windsor chair that you see here is the actual type of chair that Rockwell typically painted on, though he did sometimes paint standing up. It was a chair that he actually took with him from studio to studio.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The image that you see here is actually the second that Rockwell created, on the concept of listening to news of the war. The first was actually an unpublished image that Rockwell worked on in the winter of 1944, and that he and The Saturday Evening Post deemed unreadable. In it, we see a group of men gathered in a diner, and though they all appear to be very attentive, we are not exactly sure what they're listening to. If we look closely, in the upper right hand corner of the painting, there's a glowing light that comes from a playing radio. As an illustrator for a mass published magazine, Rockwell had to tell his story very quickly, and his imagery had to appeal to a very vast audience. In this case, The War News is a beautiful painting, it did not communicate effectively in the way that Rockwell would have hoped, and so he chose to abandon this particular way of telling the story.</SPAN></SPAN></DIV></div>
HTMLText_513782DB_4688_BE3D_41CA_1C04ABF567AC.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrated By:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Deputy Director / Chief Curator - Norman Rockwell Museum</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">J.C. Leyendecker was a famous American illustrator who was about 20 years older than Norman Rockwell, and when Rockwell was coming to fame, Leyendecker was the most popular illustrator working for the </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">. He lived in New Rochelle, and was a neighbor of Norman Rockwell's, and Rockwell used to talk about the fact that he would actually follow J.C. Leyendecker around to see what he might be looking at in store windows, what he might be thinking about painting for his next </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> cover, and the two became very close friends.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">One of J.C. Leyendecker's most important accomplishments was his </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>New Year's Baby</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, which was widely recognized by the American public because the </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>New Year's Baby</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> had actually been published by the </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> from 1907 to 1943, and it basically started the year with a look at what was to come. Leyendecker created a chubby child who was at once innocent, and also wise, and who looked at many national issues from women's suffrage, to prohibition, and certainly the ups and downs of the stock market during the 1930’s.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Here in 1940 the war had not touched the United States. It was raging overseas, and in this picture the </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>New Year's Baby</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> actually wears a gas mask, and holds an umbrella that actually referenced the British prime minister, Neville Chamberlain, whose assurances of peace in our time did not actually come to be. At the time that this was published the </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> had more than three million weekly subscribers, and the publication claimed that every issue was read by approximately 10 people whether the magazine was picked up in each person's household, or in a doctor's office, or another public building. The magazine was so famous that illustrators were even able to interrupt the masthead without any problem in terms of recognition that this was actually the </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">.</SPAN></SPAN></DIV></div>
HTMLText_428EB8E5_6EBD_90F4_41C6_5022820D8367.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrated By:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Deputy Director / Chief Curator - Norman Rockwell Museum</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell's April 1st 1961, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> cover, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Golden Rule </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">actually started out as a drawing. In 1952 at the height of The Cold War and two years into the Korean War, Rockwell conceived an image of The United Nations as the world's hope for the future. His appreciation for the organization and its mission inspired a complex work portraying members of The United Nations' Security Council and 65 people representing the nations of the world. A study for an artwork that he originally intended to complete in painted form, researched and developed to the final drawing stage, the artist's </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>United Nations</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> piece never actually made it to canvas.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Of his work on </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The United Nations</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> drawing, Rockwell said, "Like everyone else, I'm concerned with the world's situation and like everyone else, I'd like to contribute something to help. The only way I can contribute is through my pictures." A perfectionist in his art, Rockwell went to elaborate lengths to create photographs that portrayed his concepts exactly and to find just the right models for his work. He researched costumes and props and carefully orchestrated each element of the design to be photographed before putting paint to canvas.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Using his photographs as a reference, Rockwell worked with the details of composition and value in this richly detailed black and white drawing, created with Wolff pencil and charcoal. "I take the making of the charcoal layouts very seriously." he said, "Too many novices, I believe, wait until they are on the canvas before trying to solve many of their problems. It is much better to wrestle with them ahead though studies."</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Though he was dedicated to the concept of this work, he ultimately found it too complex to create as a final illustration and eventually, about seven years later, explored the possibility of a new approach which he took in </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Golden Rule.</I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rockwell said, "One day I suddenly go the idea that </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Golden Rule</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, do unto others as you would have them do unto you, was the subject I was looking for."</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Golden Rule</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, Rockwell portrays four sets of mothers and their children. The one in the upper right hand corner actually represents his second wife Mary Barstow Rockwell who had passed away in 1959, two years before this image was published. Here she is united with her first grandchild, Geoffrey Rockwell, who she never actually had the opportunity to meet.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Published almost six decades ago, Norman Rockwell's Golden Rule is one of his most iconic images, portraying our common humanity and reflecting Rockwell's own beliefs, which remain relevant for our times.</SPAN></SPAN></DIV></div>
HTMLText_47AF2E27_A42F_AEC2_41BC_881C01DC9811.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrated By:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Deputy Director / Chief Curator - Norman Rockwell Museum</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">World War II was a fertile era for political cartoonists because passions ran high and the fate of the world was uncertain and at stake. Boris Artzybasheff immigrated to the United States at the age of 20 from Russia, and, at the time, he spoke no English at all and reportedly arrived with just 17 cents in his pocket. He was renowned for his ability as an illustrator to turn machines and inanimate objects into living beings, including the swastikas as seen here.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">During World War II, he was an advisor to the Psychological Warfare branch of the Armed Forces, and as a profuse illustrator, even during that time, he did work for major publications, like </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Life, Fortune,</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> and </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Time</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, for which he produced more than 200 covers. Witches' Sabbath, published in </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Life</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> magazine in 1942, provided a focus on the artist viewpoint, and the image actually portrays Heinrich Himmler, Hermann Goring, and Joseph Goebbels leading members of the Nazi party and purveyors of Nazi propaganda as swastikas.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Artzybasheff and other political artists of the era sought to pull back the curtain on society's ills, an approach that differed from Rockwell's, who tended to provide more aspirational statements.</SPAN></SPAN></DIV></div>
HTMLText_B9184B3B_3386_3621_41B6_FE53CA947A11.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrated By:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Deputy Director / Chief Curator - Norman Rockwell Museum</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom from Fear</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> was painted while Europe was under siege, as revealed in the headline of the newspaper held in the father's hand. Rockwell's intention was to convey the notion that all parents should be able to put their children to bed each night with the assurance of their safety.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Here, a mother and father appear to check on their sleeping children as beautiful touches tell the story of a comfortable, middle-class life. Pictures, clothing, and toys are in the children's bedroom, though the children do share a single bed. A warm light shines from the first floor of their home, implying that this family has attained some fiscal security and the American dream.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Although Rockwell did not view </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom from Fear</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> as particularly strong, the painting has remained relevant and has struck a chord in response to notable world events. After 9/11, The New York Times published Freedom from Fear on the front page of the paper, substituting Rockwell's heading with language referencing the attacks in New York, Washington, D.C., and Pennsylvania.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In response to riots resulting from racial violence around the country, many artists have reinterpreted </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom from Fear,</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> as well as Rockwell's iconic </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Problem We All Live With</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, to reflect those contemporary events and concerns.</SPAN></SPAN></DIV></div>
HTMLText_679913C5_66F6_A66C_41B3_50145EE4D6AC.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrated by:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Herman Eberhardt</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Supervisory Museum Curator - Franklin D. Roosevelt Presidential Library and Museum</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The war in Europe was really looming over everyone in early 1941. Germany had swept through most of Western Europe in 1939 and 1940, and Great Britain was standing nearly alone in resisting the Axis onslaught, and the British were hanging on by a thread at this point. In fact, in late 1940, Winston Churchill had written a long letter to FDR in which he said that Britain was nearly bankrupt, and would soon be unable to pay for weapons that it was importing from the United States.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">That very dire message had led Roosevelt to dream up the idea of lend-lease, which would allow the US to lend or lease more materials to Great Britain without receiving payment for them. FDR had first publicly discussed the concept or idea of lend-lease at a press conference in mid- December in 1940. Later that month on December 29th, he had delivered a famous fireside chat on the radio in which he asserted that the United States should become, what he called, the arsenal of democracy. The president planned to use his State of the Union address to argue for congressional passage of a lend-lease bill.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">On the night of January 1, 1941, Roosevelt summoned three of his advisors—Harry Hopkins, Sam Rosenman, and Robert Sherwood—to his private study in the White House residence. They gathered there around FDR’s desk to work with him on the president’s annual State of the Union address to Congress, which was scheduled to be delivered on January 6th.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">At one point during this editing session, FDR said that he had an idea for the closing section of the speech. As Sam Rosenman later recalled, the president leaned far back in his swivel chair, looked up at the ceiling, and then paused for a long while. As the seconds ticked by, the others in the room began to get a bit uncomfortable. Then FDR suddenly leaned forward and slowly and deliberately dictated the Four Freedoms. The president spoke at such a deliberate pace that Rosenman was able to take down everything he said word for word on a sheet in a yellow notepad. That yellow sheet with Rosenman’s longhand notes is now housed at the Roosevelt Library. And interestingly, if you compare the words on that yellow sheet to the final speech as it was delivered by the President to a joint session of Congress, it’s almost exactly as FDR dictated it. There are almost no changes.</SPAN></SPAN></DIV></div>
HTMLText_464F8DC4_697E_8C84_41C7_2BE71939F167.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrated by:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Mark Shulman</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>History Faculty - Sarah Lawrence College</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Franklin Roosevelt’s package of </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Four Freedoms</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> was an effort to articulate a vision for a post-war liberal order for security, for peace and prosperity as elements necessary for security just as much as the civil and political rights of freedom of religion and the freedom of expression.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Four Freedoms</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> were embraced in the </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Atlantic Charter</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> that Roosevelt worked out with Churchill, and then they went into the DNA of the charter that the United Nations adopted in the summer of 1945. By the summer of 1945, of course, President Roosevelt had passed away. The United States had a new president, one, perhaps, less worldly and in some ways more practical. A savvy politician, President Truman appointed Eleanor Roosevelt, the widow of Franklin, to serve as the chief of the committee that would draft a United Nations Universal Declaration of Human Rights.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Eleanor, Mrs. Roosevelt, working with a committee of distinguished scholars, diplomats, theorists, and statesmen from around the world, drafted this wonderful document, the Universal Declaration of Human Rights, and the United Nations adopted it on December 10th, 1948. The Universal Declaration of Human Rights is the Four Freedoms writ large. The Preamble explicitly recognizes that the Four Freedoms have been adopted, have been recognized as the basis for a just postwar order. And then the Declaration itself proceeds to flesh out, to articulate, each of the elements that would really be necessary for a world in which the </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Four Freedoms</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> are realized.</SPAN></SPAN></DIV></div>
HTMLText_67B8AE68_6637_FE25_41C5_10C8FF185D48.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrated by:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Paul M. Sparrow</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Director - Franklin D. Roosevelt Presidential Library and Museum, Hyde Park, New York</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The relationship between President Roosevelt and Prime Minister Winston Churchill is truly extraordinary, and in some ways one of the most important partnerships in 20th century history, maybe in all of American history. Winston Churchill had been involved with the military in Great Britain from World War I as FDR had been. He had very, very specific views on the structure of the world, and at that point he still believed the British empire was the most important political entity in the world, that it was unstoppable and he was not going to allow the British empire to come apart while he was in charge.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">So when FDR and Churchill met in the secret rendezvous aboard the two great battleships, it was a coming of giants. At that point, Churchill had been involved in defending the British Isles against the Nazi onslaught for a year, so he was immersed in the war and he knew that his survival depended on bringing America into the war. Roosevelt was still somewhat hesitant. He couldn’t commit publicly, but he also knew that eventually the United States was going to get in here and this is where they first really start drafting the foundation of what became the Four Freedoms.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Churchill of course, came to the United States several times during the war. After Pearl Harbor he comes to the White House and stays there for several weeks living in one of the bedrooms, walking around the house in his bathrobe, drinking furiously, driving everyone crazy, and, you know, keeping FDR up til all hours of the night drinking and smoking, and Eleanor sort of frowning on the whole thing. But that was the way Churchill worked. He sort of encompassed everyone in his whirlwind of insanity, but always ended up with these incredibly brilliant ideas and really had a global vision. So the two of them were just an extraordinary partnership and we’re very lucky that they were the two leaders who ended up facing, you know, the greatest crisis of the 20th century.</SPAN></SPAN></DIV></div>
HTMLText_551D9D58_7F14_0A98_41DC_8AFC4B40CC45.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrated by:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Ruby Bridges Hall</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Civil Rights Activist and Author</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">That particular day, when I was in the car being escorted to school, when we turned the corner, the streets were lined with protesters, and they were barricaded, because that's how the police had set it up. There were policemen everywhere. Some were on horseback and motorcycles. All of that is what you see during Mardi Gras season to control the crowd and during a parade, so that is actually what I saw and I just assumed that I was in the middle of a parade, which I think about it today, and it was the innocence of a child. I think that protected me, not knowing.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">I remember being escorted straight to the principal’s office. I guess I was there, first day, to enroll. And I had already been enrolled, but to be escorted to my classroom, possibly meet my teacher, and to get started with my studies. But I sat in the principal’s office actually all day with my mom that day, and I remember the Federal Marshals standing right outside the doors. You could see them. You know, there were glass windows.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">And the next thing that I saw was all of those people that had been standing outside rushing in, shoving and pushing and pointing at me through the windows. Their faces seemed very angry about something. It just seemed really busy and confusing to me. And I saw them pass the window, and when they would come back by the window, there were kids with them. And that happened all day long, back and forth.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Finally the bell rang, it was 3:00, and I remember someone entering the room and saying, “School is dismissed. You can leave.” And I distinctly remember that, because I thought to myself, “Wow, this school is easy,” not knowing that what was really happening is that parents rushed in to the school and went into every classroom and pulled out every child. There were over 500 kids that actually left the building that day, and it was because I was there. So I had no idea that that was taking place right before my eyes.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The very next day, it was the same thing. Federal Marshals knocked on the door, and I got into the car with them. They escorted me back to the school. When we drove up that day, the crowds had almost doubled in size, because at that point, everybody knew.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">My mother said that that is the day she was the most nervous, because after she got home and watched television, she saw how the whole world was watching it. She said she would go home and pray until 3:00, hoping that her child would come home.</SPAN></SPAN></DIV></div>
HTMLText_76760E11_4AB4_D98E_41B0_C76463069E86.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrated by:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Deputy Director / Chief Curator - Norman Rockwell Museum</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Al Parker was the inventor of the modern glamour aesthetic during the war period and post-war period, and as an illustrator he was greatly admired by Norman Rockwell and many others for his innovative approach to his work. One of his most well known series was a group of images created for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Ladies' Home Journal</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> from 1939 to 1952, called the </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Mother and Daughter</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> images. Magazines of the early 1940s concentrated on new formats for entertaining their most important reader, the young housewife and mother.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The need was met in editorial art by depicting an idealized world and people, with handsome men and beautiful women. Of the </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Mother and Daughter</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> covers</SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I> Ladies' Home Journal </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">published this quote. “These cover girls really started something. Since their introduction in February 1939 American women have been adopting them, copying their clothes, flooding us with letters, making them part of a family.” As seen in this image mother and daughter covers had a clean poster design that emphasized strong, simple forms and recognizable stories.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">With so many men away at war mothers and daughters were featured as resilient and self-sufficient, whether they enjoyed the love of sport, as seen here, or whether they modeled best behavior by rationing, sending letters abroad, or taking on dad's chores at home. In 1945 Parker's mother and daughter welcomed their returning soldier, presenting another narrative at the time, at the outset of the Baby Boomer generation. By that December two knitted bootees, one pink and one blue, were already under way, and in 1946, according to Parker's covers, a son was born.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_1B1ED34A_3292_65BE_41C1_D4A7CE25C547.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrateur :</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Brian Allen</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Chercheur en histoire de l’Art Américain</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cette illustration sur la liberté d'expression, est l'une des rares images que Norman Rockwell a faite en s’inspirant d’un fait réel.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">En 1940, un lycée d’Arlington a été détruit par un incendie. Suite à ce drame, la ville devait prendre la décision de construire un nouvel établissement, ou d’envoyer les enfants étudier dans les villes voisines. La construction d’un nouveau lycée nécessitait de trouver des financements et de recevoir l’accord de la municipalité.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Dans la plupart des villes du Vermont et de la Nouvelle-Angleterre, chaque électeur a le droit d’assister aux réunions du conseil municipal et de se prononcer par vote sur les choix budgétaires. C’est ce qu’a fait Jim Edgerton, un fermier, qui s’est exprimé contre la construction d’un nouveau lycée. Ce fermier menait une vie laborieuse par en ces temps de crise économique et de chute des prix.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">L'instant que Norman Rockwell a choisi d’illustrer est ce moment précis où Edgerton s’est levé pour prendre la parole. Norman Rockwell n’a pas choisi cette scène en soutien aux idées défendues par les fermiers, pas plus que pour illustrer l’intervention d’un citoyen américain exprimant un vote indépendant. En réalité, il cherchait un homme qui ressemblait à Abraham Lincoln et c’est pour cette raison qu’il a pris Carl Hess comme modèle, le gérant d’une station-service de la ville.</SPAN></SPAN></DIV></div>
HTMLText_1B1ED34A_3292_65BE_41C1_D4A7CE25C547.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrateur :</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Brian Allen</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Chercheur en histoire de l’Art Américain</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cette illustration sur la liberté d'expression, est l'une des rares images que Norman Rockwell a faite en s’inspirant d’un fait réel.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">En 1940, un lycée d’Arlington a été détruit par un incendie. Suite à ce drame, la ville devait prendre la décision de construire un nouvel établissement, ou d’envoyer les enfants étudier dans les villes voisines. La construction d’un nouveau lycée nécessitait de trouver des financements et de recevoir l’accord de la municipalité.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Dans la plupart des villes du Vermont et de la Nouvelle-Angleterre, chaque électeur a le droit d’assister aux réunions du conseil municipal et de se prononcer par vote sur les choix budgétaires. C’est ce qu’a fait Jim Edgerton, un fermier, qui s’est exprimé contre la construction d’un nouveau lycée. Ce fermier menait une vie laborieuse par en ces temps de crise économique et de chute des prix.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">L'instant que Norman Rockwell a choisi d’illustrer est ce moment précis où Edgerton s’est levé pour prendre la parole. Norman Rockwell n’a pas choisi cette scène en soutien aux idées défendues par les fermiers, pas plus que pour illustrer l’intervention d’un citoyen américain exprimant un vote indépendant. En réalité, il cherchait un homme qui ressemblait à Abraham Lincoln et c’est pour cette raison qu’il a pris Carl Hess comme modèle, le gérant d’une station-service de la ville.</SPAN></SPAN></DIV></div>
HTMLText_1B1ED34A_3292_65BE_41C1_D4A7CE25C547.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrateur :</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Brian Allen</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Chercheur en histoire de l’Art Américain</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cette illustration sur la liberté d'expression, est l'une des rares images que Norman Rockwell a faite en s’inspirant d’un fait réel.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">En 1940, un lycée d’Arlington a été détruit par un incendie. Suite à ce drame, la ville devait prendre la décision de construire un nouvel établissement, ou d’envoyer les enfants étudier dans les villes voisines. La construction d’un nouveau lycée nécessitait de trouver des financements et de recevoir l’accord de la municipalité.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Dans la plupart des villes du Vermont et de la Nouvelle-Angleterre, chaque électeur a le droit d’assister aux réunions du conseil municipal et de se prononcer par vote sur les choix budgétaires. C’est ce qu’a fait Jim Edgerton, un fermier, qui s’est exprimé contre la construction d’un nouveau lycée. Ce fermier menait une vie laborieuse par en ces temps de crise économique et de chute des prix.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">L'instant que Norman Rockwell a choisi d’illustrer est ce moment précis où Edgerton s’est levé pour prendre la parole. Norman Rockwell n’a pas choisi cette scène en soutien aux idées défendues par les fermiers, pas plus que pour illustrer l’intervention d’un citoyen américain exprimant un vote indépendant. En réalité, il cherchait un homme qui ressemblait à Abraham Lincoln et c’est pour cette raison qu’il a pris Carl Hess comme modèle, le gérant d’une station-service de la ville.</SPAN></SPAN></DIV></div>
HTMLText_679913C6_66F6_A66C_41C7_D8BA7284C474.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrateur :</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Herman Eberhardt</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Conservateur en chef du musée - Bibliothèque du Président Franklin D. Roosevelt</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Début 1941, la guerre en Europe inquiète le monde entier. L'Allemagne a envahi la majeure partie de l’Europe de l’Ouest en 1939 et 1940, la Grande-Bretagne résiste pratiquement seule aux attaques de l'Axe, et la situation des Britanniques ne tient plus qu’à un fil. Fin 1940, Winston Churchill écrit une longue lettre à Roosevelt lui expliquant que la Grande-Bretagne est au bord de la faillite et se trouvera bientôt dans l’incapacité de payer les armes qu'elle importe des États-Unis.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">C’est ce message de détresse qui amène Roosevelt à envisager l’idée du prêt-bail qui permettra aux États-Unis de prêter ou de louer plus de matériels à la Grande-Bretagne sans recevoir de paiement. Roosevelt évoque pour la première fois publiquement le concept ou l'idée du prêt-bail lors d'une conférence de presse à la mi-décembre 1940. Quelques jours plus tard, le 29 décembre, au cours de la célèbre émission de radio (« fireside chat »), il annonce que les États-Unis seront l'arsenal de la démocratie. Le président s’appuiera sur son discours sur l'état de l'Union pour demander au Congrès l'adoption du projet de loi du prêt-bail.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Dans la nuit du 1er janvier 1941, Roosevelt convoque trois de ses conseillers, Harry Hopkins, Sam Rosenman et Robert Sherwood, dans son bureau privé de la Maison blanche. Ils sont tous réunis autour de son bureau pour travailler sur le discours annuel du président sur l'état de l'Union au Congrès, prévu le 6 janvier.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Lors de la séance de travail, Roosevelt dit avoir une idée pour conclure le discours. Comme le racontera plus tard Sam Rosenman, le président s’adosse à son fauteuil, lève les yeux au plafond et marque une longue pause. Après quelques secondes, les autres protagonistes commencent à se sentir mal à l'aise. Puis Roosevelt se redresse et commence calmement à énoncer les Quatre Libertés. Le président parlant posément et distinctement, Rosenman parvient à noter mot pour mot ses paroles. La feuille jaune sur laquelle Rosenman a pris ces notes est aujourd’hui conservée à la bibliothèque Roosevelt. En comparant les mots inscrits sur cette feuille jaune au discours final prononcé par le président lors d’une séance conjointe du Congrès, il est intéressant d’observer que le discours est quasiment identique au texte dicté par Roosevelt. Il n'y a pratiquement pas de changement.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_F27E9C40_A421_936F_41DB_63BE785C82F5.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrateur :</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Irvin Ungar</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Fondateur et PDG d’Historicana / Commissaire de La société Arthur Szyc</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Arthur Szyk est un artiste juif polonais né à Łódź en 1894, la même année que Norman Rockwell. Arthur Szyk a immigré aux Etats-Unis en 1940 où il est décédé en 1951.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Arrivé sur le sol américain, il a décidé de devenir un artiste engagé.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Arthur Szyk est alors très célèbre, même si beaucoup l’ont oublié aujourd’hui. A titre de comparaison, au début des années quarante, Norman Rockwell illustrait les couvertures du Saturday Evening Post qui tirait à environ 3 millions d’exemplaires et Arthur Szyk illustrait celles de la revue Collier qui tirait à 2 millions et demi d’exemplaires.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Parlons d'Arthur Szyk et des Quatre Libertés. Arthur Szyk a créé une série intitulée Washington and his Times. Ce sont 38 tableaux ayant pour sujet George Washington et la révolution américaine. L’artiste a réalisé ces œuvres en 1930 et les a publiées en portfolio en 1932. En 1935, elles ont été acquises par le président de la République de Pologne, Ignacy Mościcki qui les a offertes à Franklin Roosevelt afin de favoriser le rapprochement de la Pologne et des États-Unis au moment où grandissait la menace de guerre.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Franklin Roosevelt a conservé ces œuvres, et lorsqu'il a prononcé son discours des Quatre Libertés en janvier 1941, ces 38 tableaux étaient accrochés à la Maison blanche.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">En 1942, Arthur Szyk a commencé à illustrer les Quatre Libertés et a choisi comme symbole un chevalier médiéval. Ce personnage emblématique du combat à mener pour la défense de toutes les libertés, est équipé d’une lance, d’une dague et d’une épée. Reproduites en deux formats, ces œuvres ont été distribuées sous forme de timbres-réclames largement distribués comme les timbres de Pâques, et sous forme de grandes cartes postales.</SPAN></SPAN></DIV></div>
HTMLText_BFA6B49C_3DF9_91DF_4197_983BEAF40FCA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrateur :</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>James J. Kimble, Ph.D.</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Maître de conférences en Communication - Faculté de communication et des arts Université Seton Hall</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Beaucoup de gens pensent que cette photo de presse a inspiré l'affiche « We Can do it » (Nous pouvons le faire) de J. Howard Miller, connue aussi sous le titre « Rosie la riveteuse ».</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">L’histoire de cette photo commence dans les années 1980 quand Geraldine Hoff Doyle, une habitante du Michigan, a cru qu'une image d'elle travaillant dans une usine en 1942 avait été publiée. En réalité, cette photo était celle d'une Californienne, Naomi Parker, une des premières femmes à travailler à la base aéronavale d'Alameda dans la baie de San Francisco. Naomi Parker était riveteuse, soudeuse et machiniste, et travaillait à la réparation des avions de guerre de la Navy.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">En 1942, la photo est parue dans de nombreux journaux américains, suscitant de nombreux courriers d’admirateurs et même une demande en mariage. Après la guerre, cette histoire qui a bien failli tomber dans l’oubli a refait surface lorsque Geraldine Doyle, en la voyant dans une revue des années 1980, a cru qu’il s’agissait d’elle. Bien qu’il ne soit pas prouvé qu’il y ait un lien entre la photo et l’affiche - J. Howard Miller n’en ayant pas laissé de traces - il y a de fortes chances pour que le visage de Naomi Parker ait inspiré celui de la femme de l'affiche. La photo est aussi parue dans un journal de Pittsburgh, là où vivait J. Miller dans les années 1940.</SPAN></SPAN></DIV></div>
HTMLText_133C55AF_43A3_7022_41B0_7628AB0C0C06.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrateur :</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>James J. Kimble, Ph.D.</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Maître de conférences en Communication - Faculté de communication et des arts</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Université Seton Hall</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Sur cette affiche de la période de guerre, communément appelée aujourd'hui « Rosie la riveteuse », l'artiste J. Howard Miller a représenté une femme déterminée montrant ses muscles et exprimant avec beaucoup d’assurance sa capacité à accomplir des tâches manuelles. Contrairement à ce que l’on pourrait penser aujourd'hui, cette affiche était relativement peu connue pendant la Seconde Guerre mondiale. En effet, elle n’avait été présentée que pendant deux semaines (en février 1943) dans les usines de munitions de Westinghouse. À l’issue de ces deux semaines, les affiches furent recyclées en raison de la pénurie de papier. L'affiche, conçue pour les travailleurs – hommes et femmes – de Westinghouse, symbolisait un geste de solidarité de la main-d'œuvre de la corporation, affirmant que chaque travailleur de Westinghouse était prêt à accomplir sa mission vitale de guerre. Même s’il ne reste plus aujourd’hui que deux originaux de l’affiche, cette illustration de Miller est mondialement connue depuis qu’elle est réapparue dans les années 1980 à l’occasion des commémorations de la Seconde Guerre mondiale. Elle a aussi été constamment parodiée, confirmant son statut d’image parmi les plus connues de tous les temps.</SPAN></SPAN></DIV></div>
HTMLText_464E3DC6_697E_8C84_41D3_583FE1F9BD96.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrateur :</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Mark Shulman</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Faculté d’Histoire – Université Sarah Lawrence</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">À travers son programme des Quatre Libertés, Franklin Roosevelt s’efforce d’apporter une vision d’un ordre libéral d’après-guerre, avec comme éléments fondateurs la sécurité, la paix et la prospérité, ainsi que les droits civiques et politiques de la liberté de religion et la liberté d’expression.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Les Quatre Libertés sont intégrées dans la Charte de l’Atlantique élaborée par Roosevelt et Churchill. Elles sont ensuite inscrites dans les principes fondateurs de la charte adoptée par les Nations Unies à l’été 1945, soit après le décès du Président Roosevelt. Les États-Unis ont un nouveau président, peut-être moins expérimenté, mais d’une certaine manière plus pragmatique. En homme politique avisé, le Président Truman nomme Eleanor Roosevelt, la veuve de son prédécesseur, à la tête du comité chargé de la rédaction d’un projet de Déclaration universelle des Droits de l’Homme des Nations Unies.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Eleanor Roosevelt, entourée d’un comité d’éminents spécialistes, diplomates, théoriciens et hommes d’État du monde entier, propose ce magnifique texte de la Déclaration universelle des Droits de l’Homme, adoptée par les Nations Unies le 10 décembre 1948. La Déclaration universelle des Droits de l’Homme est une version enrichie des Quatre Libertés. Le préambule stipule explicitement que les Quatre Libertés sont adoptées et reconnues comme le fondement d’un ordre mondial juste, en cette période d’après-guerre. De même, la Déclaration s’attache à énoncer précisément et à développer chacune des valeurs fondatrices d’un monde reconnaissant les Quatre Libertés.</SPAN></SPAN></DIV></div>
HTMLText_67B8AE69_6637_FE27_41B1_5A5D21624AA1.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrateur :</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Paul M. Sparrow</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Directeur de la bibliothèque et du musée du président Franklin D. Roosevelt, Hyde Park, New York</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Les relations entre le président Roosevelt et le premier ministre Winston Churchill étaient confiantes. Sans doute, les meilleures qui aient existé entre deux hommes d’Etat au 20ème siècle, et peut-être même dans toute l'histoire américaine. Winston Churchill avait participé à la Première Guerre mondiale avec l’armée britannique, comme Franklin Roosevelt l’avait fait avec les forces américaines. Churchill avait des idées très précises sur l’organisation du monde, et pour lui, l'empire britannique demeurerait invincible tant qu’il serait au pouvoir.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Aussi, lorsque Franklin Roosevelt et Winston Churchill se rencontrèrent secrètement à bord d’un navire, les médias ont parlé de la rencontre de deux géants. À cette époque, le Premier ministre britannique venait de défendre avec détermination l’Angleterre contre le projet d’invasion d’Hitler et il attendait avec impatience l’entrée en guerre des Etats-Unis. Le président Roosevelt, qui ne pouvait s'engager publiquement, savait cependant que la participation effective des Etats-Unis au conflit se ferait tôt ou tard. C’est lors de cette rencontre que les deux hommes d’Etat ont commencé à rédiger le projet de texte de ce qui allait devenir les Quatre Libertés.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Winston Churchill est venu plusieurs fois aux États-Unis pendant la guerre. Après Pearl Harbor, il a séjourné plusieurs semaines à la Maison Blanche où il discutait des nuits entières avec Franklin Roosevelt, imaginant le monde de l’après-guerre.</SPAN></SPAN></DIV></div>
HTMLText_B0499195_6669_A2EF_41B3_AA114DF88C29.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narrateur :</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Artiste, photographe et journaliste</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Forte du succès remporté par ses photographies d’ouvriers agricoles pour la Farm Security Administration, la grande photographe Dorothea Lange est engagée pour documenter le processus de déplacement (délocalisation?) et d'incarcération de citoyens et de non-citoyens d'origine japonaise pour la War Relocation Authority (autorité de déplacement de la population en temps de guerre?) au mois de mars 1942. Dès le début, son style de photojournalisme et sa sympathie pour la situation de ces Américains s'opposent aux exigences des responsables de l'armée. Les photos de mitrailleuses dans les tours sont taboues. Les photos de barbelés, de gardiens armés et de tout signe de résistance sont également interdites. Selon ses propres mots, elle dit : « Il y avait un homme qui me suivait tout le temps ». Son travail est retardé par des responsables qui lui réclament ses papiers d’identité, elle doit justifier de tout négatif utilisé, de tout argent dépensé. On lui interdit de parler aux personnes dans les camps. Tous les tirages sont soumis à une vérification ; ceux considérés comme non appropriés sont marqués de la mention « saisi » et les négatifs resteront interdits pendant toute la durée de la guerre.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Dorothea Lange prend cette photo de Wanto Co, une épicerie à Oakland, Californie, le 13 mars 1942, presque un mois après la signature par Roosevelt du décret exécutif 9066 obligeant le propriétaire et sa famille à quitter les lieux. Le propriétaire, Tatsuro Masuda, né à Oakland, vient de se marier. Il dit à Dorothea Lange « J'ai payé pour ça après Pearl Harbor ». Lui et sa femme seront envoyés au camp de concentration de Gila River en Arizona. Ils ne reviendront jamais au magasin.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Pendant les trois mois passés avec la War Relocation Authority, travaillant pratiquement sept jours sur sept, Dorothea Lange parvient à prendre environ 850 clichés. Bien que plusieurs de ses autres photos réalisées pour le gouvernement figurent parmi les plus emblématiques du 20e siècle, la plupart de ses photos resteront inconnues jusqu'à la publication d’un livre sur son travail en 2006.</SPAN></SPAN></DIV></div>
HTMLText_4FC66926_6493_8843_41D6_F7D62F4FD750.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narratrice :</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Allida M. Black</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Professeur de recherche en histoire et en affaires internationales - Université George Washington</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Lorsqu’on évoque Norman Rockwell, tout le monde pense aux Quatre Libertés et aux quatre célèbres tableaux. On pense également au discours historique de Franklin D. Roosevelt.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Eleanor comprend, comme Roosevelt, mais d'une manière différente, qu’il ne peut y avoir de liberté sans émancipation. Avant même que le concept des quatre libertés soit exprimé, elle parle de vivre sans souffrir de la faim. Elle parle de vivre sans avoir peur. Elle parle de la liberté de rêver. De nos jours, les termes ont changé, mais ce sont les mêmes principes, et c'est Eleanor qui, au risque de sa sécurité personnelle aux États-Unis, défendra ces valeurs.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Avant d’intervenir à l'ONU, elle a l’occasion de voir de nombreux blessés partout en Asie, en Europe et aux États-Unis. Les Nations unies l’envoient dans les camps d’extermination, dans les camps de déplacement? Grâce à son engagement, elle contribue à apporter une nouvelle vision du monde en déclarant que le sort de l’humanité ne devra plus être déterminé par la haine, la supériorité raciale, le fanatisme religieux et la discrimination sexuelle. Il nous appartiendra d’avoir une nouvelle vision.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Eleanor présente donc en salle de négociation les Quatre Libertés et le sens qu’elle en donne. Imaginez-vous, autour d'une sorte de table de salle à manger, 18 nations sont représentées. Ces personnes prient des dieux différents, certaines ne croient même pas en Dieu. Certaines ne croient pas à la propriété privée ou à l’utilité de l'argent. Ces personnes n'ont pas le même concept de la famille. Elles n'ont pas le même concept de la citoyenneté. La seule chose que ces personnes ont en commun est d’affirmer « Nous battrons les Allemands ». Eleanor prend l’engagement de défendre la liberté de vivre sans crainte, la liberté d'expression, la liberté de culte, la liberté de subvenir à ses besoins, des principes propres à rassembler tout le monde.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Le plus remarquable dans son engagement, c’est qu’à la fois il aboutira à la déclaration universelle des Droits de l'Homme, et que cette déclaration soit, je crois, constituée de 30 déclinaisons des Quatre Libertés. Je vous invite à examiner les articles de la déclaration. Vous retrouverez ces mêmes principes dans l’esprit des peintures de Rockwell, aussi bien dans « Les Quatre Libertés » que dans d’autres tableaux tels que « The Golden Rule » (la règle d'or) ou « Ruby Bridges ».</SPAN></SPAN></DIV></div>
HTMLText_F1DE173C_B2A9_DB80_41D3_99A1FDF912FA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narratrice :</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Daisy Rockwell</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Artiste et auteur</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Je pense que cette œuvre est intéressante au sens où nous avons tous en nous la capacité d’apporter notre contribution au monde qui nous entoure, si nous voulons bien ouvrir les yeux, et je pense que c’est ce qu’a fait Norman Rockwell. Les passions autour du mouvement pour les droits civiques l'ont inspiré. En fait, je ne l’ai jamais vraiment interrogé sur ces sujets, mais on peut se rendre compte de cette nouvelle orientation à travers l’évolution de sa peinture. J’ai l’impression que cette période a changé beaucoup de monde, et Norman Rockwell n'était pas insensible. Je crois que cette histoire n'est pas très connue, je suis donc très heureuse que ce tableau soit présenté dans l’exposition des Quatre Libertés. Parce qu’il reflète l’évolution des années quarante aux années soixante, que Norman Rockwell a vécue, et on ne peut pas voir une période et sans voir l'autre.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Je pense vraiment que l'art peut permettre aux gens de s’engager, parce que quand nous sommes confrontés à de graves problèmes dans notre société, bien souvent, nous ne savons pas quoi penser. La plupart des gens ont des idées bien arrêtées, et je pense que c’est encore pire aujourd'hui. Les gens sont enfermés dans des cases et n'arrivent pas à en sortir. Par exemple, il y a le vrai et le faux, le noir et le blanc… Par son travail, l'artiste peut jouer un rôle d’agitateur. C'est comme si l’artiste cassait une assiette en porcelaine en mille morceaux, puis la recollait sous une autre forme pour la montrer différemment.</SPAN></SPAN></DIV></div>
HTMLText_428FA8E8_6EBD_90FC_41D1_32C6376B0C42.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narratrice :</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Directrice adjointe / Conservatrice en Chef - Musée Norman Rockwell</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">La couverture du Saturday Evening Post du 1er avril 1961, La Règle d’Or, était au départ un dessin. En 1952, à l’apogée de la Guerre froide et deux ans après le début de la Guerre de Corée, Rockwell représenta Les Nations Unies comme un espoir pour le futur. Son respect pour cette institution et sa mission lui inspira un travail complexe mettant en scène les membres du Conseil de sécurité des Nations unies, ainsi que 65 personnes représentant les différentes nations du monde. Cette étude prévue à l’origine pour devenir un tableau nommé Les Nations Unies n’aboutira finalement jamais à une peinture sur toile.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">À propos de son travail sur Les Nations Unies, Rockwell disait “comme tout le monde, je me soucie de l’état du monde, et comme tout le monde j’aimerais apporter ma contribution. Et ma seule façon de le faire, c’est à travers ma peinture.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Très perfectionniste, Rockwell consacra beaucoup de temps à rechercher les modèles adéquats et à les photographier afin de représenter avec précision ce qu’il avait en tête. Il chercha les costumes et les accessoires adaptés et disposa avec précision chaque élément de sa composition pour les photographier avant de commencer à peindre sa toile.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">En prenant ces photos comme modèles, Rockwell composa un dessin noir et blanc extrêmement détaillé, réalisé au fusain et au crayon. “J’attache beaucoup d’importance à l’élaboration des esquisses au fusain.” disait-il, “Je pense que beaucoup trop de débutants attendent d’être devant leur toile pour se demander comment aborder certaines difficultés. À mon sens il est préférable de s’y attaquer en faisant d’abord des esquisses.”.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Bien que très investi dans ce travail, il finit par le trouver trop complexe à réaliser. Environ sept ans plus tard, il prit donc la décision de tenter une nouvelle approche avec La Règle d’Or.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rockwell disait “Un jour, l’idée m’est soudain venue que La Règle d’Or, consistant à dire “Fais aux autres ce que tu aimerais qu’ils te fassent”, était le sujet que je cherchais.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Dans le tableau La Règle d’Or, Rockwell représente sept mères accompagnées de leurs enfants. Celle qui se trouve sur la droite est d’ailleurs sa seconde épouse, Mary Barstow Rockwell, décédée en 1959, deux ans avant que l’œuvre soit publiée. Elle est ici représentée avec son premier petit-fils, Geoffrey Rockwell, qu’elle n’a en réalité jamais connu.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Publié il y a environ 60 ans, La Règle d’Or est l’un des tableaux les plus emblématiques de Norman Rockwell, représentant notre humanité et reflétant les propres opinions de Rockwell, des opinions toujours pertinentes à notre époque.</SPAN></SPAN></DIV></div>
HTMLText_ECF58173_6AFF_9583_41CC_2303CF625750.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narratrice :</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Directrice adjointe / Conservatrice en chef – Musée Norman Rockwell</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Comme de nombreux Américains au milieu des années 60, Norman Rockwell est préoccupé par la Guerre du Vietnam. En 1966, il passe une semaine sur la base des Marines située à Quantico, dans l’État de Virginie, afin de prendre des photos pour un projet d’affiche commandé par l’armée américaine. Mais en mars 1967, il écrit une lettre à la US Marine Corps pour décliner la commande, disant qu’il ne peut pas peindre un tableau si le cœur n’y est pas.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Environ un an plus tard, Rockwell commence à travailler sur </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Le Droit de savoir,</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> une illustration commandée par </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> Magazine, qui sera publiée en août 1968. Quelques mois après la publication du dessin, le New York Times révèle que le général Westmoreland, commandant des opérations militaires américaines au Vietnam, réclame l’envoi de 206 000 hommes supplémentaires sur le front, une affaire que la Maison Blanche tente d’étouffer.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Après cette annonce, c’est le massacre de My Laï qui fait la une des journaux, alimentant une hostilité déjà grandissante envers la guerre du Vietnam. Le positionnement de Rockwell exprime donc le droit des citoyens américains de comprendre l’action de leur gouvernement. Lorsqu’il évoque son travail de l’époque, Rockwell déclare “je ne pense pas que mon style ait changé, mais les Américains oui, et par conséquent mes sujets aussi. Dieu sait que nous avons de nombreux problèmes, mais nous devons aussi faire confiance à cette génération de jeunes gens qui sont, à mon sens, la meilleure génération que nous ayons engendrée, avec ses cheveux longs et le reste. Qui peut dire qu’un de ces hippies ne sera pas l’un des génies de demain ?”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Dans cette illustration, Rockwell représente un groupe de personnes de multiples origines ethniques, âges et tendances politiques. Cette idée de rassembler des gens de tous horizons a déjà été exprimée dans deux autres œuvres présentées dans cette exposition : un dessin de 1953 représentant les Nations unies, et sa célèbre couverture du </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> de 1961 intitulée </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>La Règle d’or</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, qui représente différents peuples du monde unis sous la devise “Fais aux autres ce que tu voudrais qu’ils te fassent”.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell a 74 ans lorsqu’il réalise </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Le Droit de savoir</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">. Il attache tant d’importance à son sujet qu’il se représente à la droite du tableau, fumant sa célèbre pipe.</SPAN></SPAN></DIV></div>
HTMLText_6771AF7B_6639_FE1B_41C6_03940274671C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Narratrice:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Alice Carter</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Auteur, illustratrice, et présidente du Conseil du musée Norman Rockwell</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">En presque 60 ans de carrière, les caricatures de Jerry Aloysius Doyle sont parues dans les journaux les plus importants de Philadelphie et dans une centaine de magazines. Fervent défenseur de la politique intérieure et extérieure du président Roosevelt, Jerry Aloysius Doyle n'a jamais publié de caricature du président préférant donner de lui une image héroïque.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Sur l'image intitulée « Roosevelt et les pensions des personnes âgées », Jerry Aloysius Doyle décrit le président comme le sauveur d'un couple âgé qui, apparemment peu fortuné, tente de sauver les apparences. Un feu brûle dans la cheminée et on aperçoit une rose dans un vase, mais on constate aussi que la fenêtre est fissurée et la nappe rapiécée. Sur le sol, deux journaux décrivent à quoi ressemblera leur avenir. Le premier titre « Roosevelt retardera les pensions des personnes âgées » et l'autre « Roosevelt favorise les pensions des personnes âgées ». Sur la cheminée, un portrait de Franklin Roosevelt porte la mention « Notre président ».</SPAN></SPAN></DIV></div>
HTMLText_CC79D862_420D_6673_41A8_F8E714EFAE56.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894 - 1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>My Studio Burns</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, July 17, 1943 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1943 SEPS: Licensed by Curtis Licensing, Indianapolis, IN. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In the middle of the night on May 15, 1943, Rockwell’s son Tom awoke to see his father’s Arlington, Vermont workspace in flames. Because the phone was wired through the studio, the line was already dead and Rockwell couldn’t call for help. He and his family could only stand and watch while flames consumed the building and most of the adjacent barn. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Lost were a dozen of the artist’s paintings, a collection of costumes, props, artist materials, reference files, prints, books, published work, and favorite pipes—but fortunately, his Four Freedoms paintings had been delivered to </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">months prior to this disastrous event.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_069741B8_6CB5_CE67_41AC_FF46F2518BDF.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894 - 1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Norman Rockwell Visits a Ration Board</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1944 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, July 15, 1944, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">pp. 22-23</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tearsheet</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1944 SEPS: Licensed by Curtis Licensing, Indianapolis, IN. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_05D69D10_6C97_7650_41C1_3CE6D3BE5C4E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894 - 1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Norman Rockwell Visits a Ration Board</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1944</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Study illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, July 15, 1944 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Private Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1944 SEPS: Licensed by Curtis Licensing, Indianapolis, IN. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In the spring of 1942, volunteer ration boards were formed throughout the country to evaluate the claims of citizens who felt that their rations were insufficient. Rockwell used the board members and citizens of Manchester, Vermont, as models to document this wartime situation. This study reveals the artist’s attention to the details of expression, gesture, color, and setting in his composition, though areas of the painting are finished to varying degrees.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_364C84A4_4203_2EF6_41D0_2A86FEEEBBCD.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894 - 1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>So You Want to See the President</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">November 13, 1943, pp. 10-11</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tearsheet</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell long had ties to our nation’s presidents, painting portraits of many American leaders (Presidents Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, Richard Nixon, and Ronald Reagan), and those before his time (President Abraham Lincoln, whom he greatly admired). Though he never painted Franklin D. Roosevelt, this series of images capture Rockwell’s impression of the array of people hoping for an audience with him on a single day.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_0EDCE6DD_6CB5_53D9_41A0_032D8E43AC74.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894 - 1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Waiting for Their Turn to be Heard</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Illustration for</SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I> Norman Rockwell Visits a Ration Board</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, July 15, 1944, p. 22</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Pencil on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gift of Harry F. Forrest, NRM.2017.11</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1943 SEPS: Licensed by Curtis Licensing, Indianapolis, IN. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_2B5AB692_6B97_7256_41D5_B83639DA3AB7.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894 - 1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Willie Gillis in Convoy</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, c. 1941</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Unpublished cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the Lucas Museum of Narrative Art</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1941 Norman Rockwell Family Agency </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In this unpublished work featuring Willie Gillis being transported by convoy truck, Rockwell brought the war more explicitly into view. Realistically rather than heroically portrayed, soldiers nap, smoke, and eat during transport, while wide-eyed Gillis, wearing a rabbit’s foot around his neck, stares dreamily into the distance. This youthful character’s innocence may have contrasted too greatly with the older, more experienced troops, who understood what lay ahead.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_67AA2242_662A_E665_41B8_1632CFDCF432.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894 - 1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Willie Gillis: Food Package</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1941</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, October 4, 1941 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of Lawrence Matteson</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1941 SEPS: Licensed by Curtis Licensing, Indianapolis, IN. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Distant from the activities of the battles raging in Europe and Asia, Rockwell’s unassuming fictional private, Willie Gillis, told the story of one man’s army in a series of popular </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> covers. Engaged in mundane but reassuring tasks like receiving a care package from home, peeling potatoes, or reading his hometown news, Rockwell’s character was modeled by Robert Otis “Bob” Buck, who he met at an Arlington, Vermont, square dance. The first cover appeared on October 4, 1941, and the last after the war, when Willie Gillis enrolled in college on the GI Bill.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_0EDD36E3_6CB5_53E9_41D2_FFDAE9DEC420.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894 - 1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Sketches for  </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Norman Rockwell Visits a Ration Board</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Pencil on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, Norman Rockwell Art Collection Trust</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gift of Robert &amp; Magdalene Livesey/ Famous Artist School Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1944 Norman Rockwell Family Agency. All Rights Reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_2E88E8F7_8E4A_4588_41AC_C970CFBE1E5D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894-1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>After the Prom</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1957.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post,</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> 1957.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1957 SEPS: Licensed by Curtis Licensing, Indianapolis, IN. All rights reserved.</SPAN></SPAN></DIV></div>
HTMLText_1869F274_8EBE_C48F_41CD_8E3B9BAD5696.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894-1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom From Want,</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> 1943.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, March, 6, 1943.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1943 SEPS: Licensed by Curtis Licensing, Indianapolis, IN. All rights reserved.</SPAN></SPAN></DIV></div>
HTMLText_1C0FCAD9_8ECE_45B9_41D2_E262E5F76CF4.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894-1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Speech</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, February 20, 1943.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1943 SEPS: Licensed by Curtis Licensing, Indianapolis, IN. All rights reserved.</SPAN></SPAN></DIV></div>
HTMLText_1CBEAD15_8EB6_DC89_41CD_E55C8851E79D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894-1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Worship</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post, </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">February 27, 1943.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1943 SEPS: Licensed by Curtis Licensing, Indianapolis, IN. All rights reserved.</SPAN></SPAN></DIV></div>
HTMLText_1B149CD1_8E5B_DD89_41C2_54E2281EA561.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894-1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Girl at Mirror</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1954 .</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, March 6, 1954.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Art Collection Trust</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1954 SEPS: Licensed by Curtis Licensing, Indianapolis, IN. All rights reserved.</SPAN></SPAN></DIV></div>
HTMLText_2F8FF231_8E7A_C489_41CC_536397859C92.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894-1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Home on Leave</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1945.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, September 15, 1945.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1945 SEPS: Licensed by Curtis Licensing, Indianapolis, IN. All rights reserved.</SPAN></SPAN></DIV></div>
HTMLText_1D76EFF4_8EB6_3B8F_41E0_B23254E13152.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894-1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>New Kids in the Neighborhood</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1967.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Story illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, May 16, 1967</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Art Collection Trust, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1967 Norman Rockwell Family Agency. All rights reserved.</SPAN></SPAN></DIV></div>
HTMLText_1AC4ADC9_8E5A_5F98_41A8_884744D87B35.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894-1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Saying Grace</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1951.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">,  published </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">November 24, 1951.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1951 SEPS: Licensed by Curtis Licensing, Indianapolis, IN. All rights reserved.</SPAN></SPAN></DIV></div>
HTMLText_1A2C6477_8E5E_4C89_41B5_E68236334DDE.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894-1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Problem We All Live With</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1963.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Story illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, January 14, 1964</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">From the permanent collection of Norman Rockwell Museum</SPAN></SPAN></DIV></div>
HTMLText_2E1F51F8_8E76_4779_41BB_29C1D1F3B4EA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894-1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Runaway</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1958 .</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">,  September 20, 1958.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Art Collection Trust</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1958 SEPS: Licensed by Curtis Licensing, Indianapolis, IN. All rights reserved.</SPAN></SPAN></DIV></div>
HTMLText_2F9BE6A4_8E7E_4D88_41C1_785EDF384E1C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894-1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>When I Am an Astronaut (Little Boy Astronaut Watching TV Presentation of a Blastoff)</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1969.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Charcoal on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1969 Norman Rockwell Family Agency. All rights reserved.</SPAN></SPAN></DIV></div>
HTMLText_2EDF9EC1_8E49_FD88_41C2_D36B1D46C507.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894-1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Willie Gillis in College</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1956.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1946.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1946 SEPS: Licensed by Curtis Licensing, Indianapolis, IN. All rights reserved.</SPAN></SPAN></DIV></div>
HTMLText_433F860B_6F5B_933D_41AF_42FCD7D011EC.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Process Photos for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>JFK’s Legacy: The Peace Corps</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1966</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, Norman Rockwell Art Collection Trust</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1966 Norman Rockwell Family Agency. All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Study for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>JFK’s Legacy: The Peace Corps</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1966  </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Pencil and Crayon on Board</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Study for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>JFK’s Legacy: The Peace Corps</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1966 </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on celluloid</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Study for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>JFK’s Legacy: The Peace Corps</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1966 </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Watercolor on pastel</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Study for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>JFK’s Legacy: The Peace Corps</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1966 </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on board</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_21ACB660_665A_F066_41D0_E202961DE00E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Armchair General</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, c. 1944</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, April 29, 1944 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1944 SEPS - Curtis Licensing, Indianapolis, IN. All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_9C33A2EC_A426_9731_41C0_C0E5BA0921E4.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Back to Civvies</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1945</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post,</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">December 15, 1945</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tear Sheet</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1945 SEPS - Curtis Licensing, Indianapolis, IN. All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_93CD42E6_A426_9731_41B2_6BFA5A3EACEE.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Back to Civvies</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1945</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">December 15, 1945</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on canvas Anonymous</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1945 SEPS: Licensed by Curtis Licensing, Indianapolis, IN. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">By the end of World War II, many lives had been changed, but Rockwell’s artworks did not betray the emotional struggles of servicemen and women or their families. This portrayal of Lieutenant A. H. Beckloft, a Flying Fortress pilot, focuses on his joyous return to the childhood bedroom that remains unchanged and the clothing that he has now outgrown. Youthful dreams of flying are reflected in the poster of a Boeing B-17 on the wall and the model Martin B-26 Marauder that sits on top of the cluttered dresser.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_49B74B28_6EF6_F17B_41C3_D68696B4EAC2.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Blood Brothers</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1968</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Unpublished study illustration for Look</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, NRACT.1976.16</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1968 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Blood Brothers</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> was conceived in the wake of the assassination of Martin Luther King Jr., and the urban unrest it provoked. It began as a picture of two men, one black and one white, lying dead in the ghetto after a race riot. At the request of </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> editors, Rockwell transformed the figures to soldiers in Vietnam, and the meaning of the painting to the equalizing effects of war.</SPAN></SPAN></DIV></div>
HTMLText_4238E7F6_6EDD_70D7_41CD_D4DDD9C170DA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Blood Brothers</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1968</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Unpublished study illustration for Look</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, NRACT.1976.17</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1968 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The composition for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Blood Brothers</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> borrows from </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Dead Matador</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> by the 19th-century French artist Edouard Manet. Rockwell referenced an image of archetypal status to underscore both the drama of his subject and the timelessness of his statement. The African-American soldier lies in the same position as the dead matador. His outstretched arm leads us to his helmet, which contains mementos of human experience—a playing card (the ace of hearts) and a photo of a loved one. </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> magazine chose not to publish </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Blood Brothers</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">. A year later, Rockwell divulged to the painting’s new owner, “They got scared.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_28730870_364C_C15E_41C9_EA1CD3029ED4.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Brass Merchant</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1934</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, May 19, 1934 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, NRM.1978.2</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1934 SEPS - Curtis Licensing</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Brass Merchant</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, Rockwell’s shopper, though elegantly dressed, is driving a hard bargain for a coffee pot—perhaps an appropriate theme during the Depression. Surrounding the merchant’s feet are objects typical of Rockwell’s studio inventory—antiques collected to decorate his studio according to the fashion of the day or for use as needed in a painting. As he sat at his drawing table sketching ideas, perhaps Rockwell’s eye fell upon his own samovar, suggesting the idea for this cover. The painting’s composition leaves us to guess what the outcome of the bargaining session will be.</SPAN></SPAN></DIV></div>
HTMLText_28704873_364C_C142_4183_084032E8CD19.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Brass Merchant</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1934</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tear Sheet</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, May 19, 1934</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1934 SEPS - Curtis Licensing</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_4A36E396_69B7_9484_41C2_ED7ABABFC6C6.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Christmas Eve in Bethlehem</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1970</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Illustration for “Uneasy Christmas in the Birthplace of Christ,” </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, December 29, 1970</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Art Collection Trust, NRACT.1973.75</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1970 SEPS - Norman Rockwell Family Agency, All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">On December 9, 1969, Rockwell decided to go to Bethlehem to paint a Christmas scene, and two weeks later, he flew to Jerusalem with photographer Brad Herzog. On Christmas Eve, from the roof of a Bethlehem hotel, he gathered impressions of the procession at the Basilica of the Nativity, which inspired him, and directed photography for his painting. In this work, he presents a person of Moslem faith alongside Israeli soldiers and a family of tourists, all observing the spectacle.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_D96F1AD1_F999_94A9_41E9_6BF1D000DFF7.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Deadline (Artist Facing Blank Canvas),</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> 1938</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, October 8, 1938</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, NRACT.1973.4</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“Meeting deadlines and thinking up ideas are the scourges of an illustrator’s life,” Rockwell said of this painting. “This is not a caricature of myself; I really look like this.” He had never used an artist facing a deadline as a cover concept before, but in 1938, after returning from an extended family vacation in England, it was a theme that made sense. Though he often posed for his own paintings when “extras” were needed, Rockwell did few paintings in which he was the sole character. </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Artist Facing Blank Canvas</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> is one.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_2C1759E0_363C_C37E_41B2_B17EC84C2275.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Deadline (Artist Facing Blank Canvas),</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> 1938</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tear Sheet</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, October 8, 1938</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1938 SEPS - Curtis Licensing</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_396C8391_B753_088C_41D9_88A1DB22D4E6.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Events</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1965</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Handwritten pencil notes on paper </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Art Collection Trust, Studio Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1965 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Victims (Page 2)</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1965</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Handwritten pencil notes on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Art Collection Trust, Studio Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1965 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Before he began work on his painting, Rockwell compiled notes on the physical traits and clothing of the three young men, the circumstances of their abduction, and the brutal details of their murders. Additional details about the day and the place the three men were murdered were recorded.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_134E0056_365C_C142_41BD_4EBC04F7DE5B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Family Home from Vacation</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1930</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tear Sheet</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, September 13, 1930</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1930 SEPS - Curtis Licensing</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_B91BAB3B_3386_3622_4199_2D71E77F378A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom from Fear</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1942</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, March 13, 1943 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Musaeum Collection, NRACT.1973.020</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1943  SEPS: Licensed by Curtis Licensing, Indianapolis, IN. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom from Fear</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> was painted while Europe was under siege, and were it not for the headline on the father’s newspaper, this work might be read as a peaceful bedroom scene. The father of three sons, Rockwell intended to convey the notion that all parents should be able to put their children to bed each night with the assurance of their safety. Here, a mother, father, and sleeping siblings tell the story of a comfortable life. Though the children share a bed, pictures, clothing, and toys are present, and a warm light shines from the first floor of their home, implying that this family has attained fiscal security and the American dream.</SPAN></SPAN></DIV></div>
HTMLText_62C532A2_339A_D622_419D_AC5BFDE93EBC.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom from Want</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1942</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, March 6, 1943 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Musaeum Collection, NRACT.1973.022</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1943  SEPS: Licensed by Curtis Licensing, Indianapolis, IN. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom from Want</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> was inspired by, and has since become a model for, the all-American Thanksgiving. The most appropriated of Rockwell’s artworks, its composition is familiar to many, and has made its way into the public consciousness. A constructed reality, this convincing scenario features the artist’s neighbors and family members, who posed in his studio at individual sessions. Featured is Mrs. Thadeus Wheaton, the family’s cook, who holds the large turkey, as well as the artist’s wife Mary Barstow Rockwell (second from bottom left) and Nancy Hill Rockwell, his mother (second from bottom right). The work reflects Rockwell’s mastery of visual texture in art, from the gleam of white china to the transparency of water in glasses. Despite Rockwell’s artistic optimism, he had misgivings about depicting the bounty of the holiday when much of Europe was “starving, overrun [and] displaced” during World War II. In letters to Rockwell, the public commented upon the abundance of food, but also the importance of community and conviviality as a point of emphasis.</SPAN></SPAN></DIV></div>
HTMLText_7C62A788_3B94_038E_41C4_32866E5184B7.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom from Want</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, March 13, 1943, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">pp. 12-13  </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Magazine</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gift of William W. Hargreaves</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1943  SEPS: Licensed by Curtis Licensing, Indianapolis, IN. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Poet and novelist Stephen Vincent Benét was best-known for his 1941 short story, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Devil and Daniel Webster</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">. Unlike the other essayists, he refers directly to Rockwell’s art in his final paragraph. He reminds readers that the fight against fear is ultimately a fight against ignorance, and that humankind must advance understanding to be at peace. Ironically, Benét died the day this issue of the </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> appeared.</SPAN></SPAN></DIV></div>
HTMLText_7FBF92FD_3BAD_FD86_41C8_00D75C97B7C7.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom from Want</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, March 6, 1943, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">pp. 12-13 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Magazine</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gift of William W. Hargreaves</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1943  SEPS: Licensed by Curtis Licensing, Indianapolis, IN. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Given the </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Post’s</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> historically conservative outlook, it was surprising that editor Ben Hibbs, commissioned the liberal poet and playwright Stephen Vincent Benét to write about “Freedom from Fear” and the progressive Filipino immigrant writer Carlos Sampayan Bulosan to compose the essay on “Freedom from Want.”  Warning against “forces which have been trying to falsify American history,” Bulosan recalled American workers’ perennial struggles for democratic rights, cited the continuing oppression of workers and minorities, and answered “What do we want?” with:  “We want complete security and peace.  We want to share the promises and fruits of American life.  We want to be free from fear and hunger.  If you want to know what we are — We are Marching!”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Bulosan immigrated to the United States from the Philippines in 1930 and became active in the labor movement along the Pacific coast.  His best-known work is the semi-autobiographical </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>America is in the Heart</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, but he first captured public attention with his “Freedom from Want” essay.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_1B18833C_3292_65DA_41C6_733973C691FD.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Speech</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1942</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, February 20, 1943 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, NRACT.1973.021</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1943  SEPS: Licensed by Curtis Licensing, Indianapolis, IN. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell’s F</SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>reedom of Speech</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> is arguably among the most famous works of American art. Popular from its first publication in </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, it expresses a timeless message that continues to be relevant today, and is the only painting in Rockwell’s series that is based upon a specific event.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">On November 9, 1940, the Memorial School in Rockwell’s town of Arlington, Vermont, burned down. A replacement school was offered for approval and townspeople voted to borrow funds at a Town Meeting that Rockwell attended.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Commissioned to produce illustrations based on Roosevelt’s Four Freedoms, the artist struggled to come up with ideas. “Then one night as I was tossing in bed, mulling over the proclamation and the war, rejecting one idea after another and getting more and more discouraged…I suddenly remembered how Jim Edgerton had stood up in town meeting and said something that everyone else disagreed with.” Rockwell wrote. “But they had let him have his say. "No one had shouted him down. My gosh, I thought, that’s it. . . . Freedom of Speech . . . . I’ll express the ideas in simple, everyday scenes."</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">A farmer and a neighbor of Rockwell’s, Edgerton was hit hard by the collapse of milk prices during the Depression and an outbreak of disease among his herd. The impact of additional taxes would have been a challenge for Edgerton, who, in the words of his son Buddy, “held everyone’s full attention as he passionately outlined his minority position. Finishing with thanks and a nod of his head, he sat down; and then the townspeople voted to build the new school.” Rockwell is a witness to the scene here; he appears on the left glancing up at the speaker, who is modeled not by Edgerton but by the more Lincolnesque Carl Hess, also a neighbor.</SPAN></SPAN></DIV></div>
HTMLText_1939326B_37B4_3C83_41C9_D4272C11FB43.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Speech</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, February 21, 1943, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">pp. 12-13 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Magazine</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gift of William W. Hargreaves</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1943  SEPS: Licensed by Curtis Licensing, Indianapolis, IN. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In the winter of 1943, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> reproduced Rockwell’s Four Freedoms paintings in four successive issues that followed the sequence of President Roosevelt’s 1941 address. Each image appeared opposite an essay on the topic by an accomplished American writer. In creative kinship with Rockwell, Pulitzer Prize-winning novelist and dramatist Booth Tarkington often wrote of life in small Midwestern towns. Tarkington’s literary parable describes an imaginary conversation between Hitler and Mussolini about purging freedom of speech from their countries.</SPAN></SPAN></DIV></div>
HTMLText_6EB4F906_4205_27B3_41B8_D77BF1616EE4.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Speech</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Study for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, February 21, 1943 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Lent by Metropolitan Museum of Art, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">George A. Hearn Fund, 1952 (52.164)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1943 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rockwell’s initial approach to</SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I> Freedom of Speech </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">was to surround the speaker with his fellow citizens. In the final painting, he shifted to a more heroic pose in which meeting attendees look up at the standing orator. In his 1948 </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Famous Artists School </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">instructional course, Rockwell recommended the use of this vantage point to emphasize a subject’s importance.</SPAN></SPAN></DIV></div>
HTMLText_BC3483FC_3392_E45A_419F_F15EC4A4E4AC.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Worship</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1942</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, February 27, 1943 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, NRACT.1973.023</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1943  SEPS: Licensed by Curtis Licensing, Indianapolis, IN. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Emphasizing unity despite differences, Rockwell’s </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Worship</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> presents a vision for a world without discrimination based upon religious practice or belief. The artist considered this to be one of the strongest paintings in his </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Four Freedoms</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> series, but this solemn group of prayerful subjects was preceded by another idea—an amicable gathering of people of different faiths in a country barbershop—which was ultimately set aside. For Rockwell, the positions and gestures of hands are second only to the expressive qualities of faces, as is evident in this work.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The words “Each according to the dictates of his own conscience,” inscribed above, reflect Rockwell’s own views. Though he knew the phrase, he was unaware that its likely source was the Thirteen Articles of Faith (1842) by Mormon leader Joseph Smith. The words also appear in many United States state constitutions and were penned by President George Washington to the United Baptist Chamber of Virginia, in 1789: “Every man, conducting himself as a good citizen, and being accountable to God alone for his religious opinions, ought to be protected in worshiping the Deity according to the dictates of his own conscience.</SPAN></SPAN></DIV></div>
HTMLText_0CA10F3D_3BB4_0486_41C5_20B330CD5600.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Worship</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, February 27, 1943, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">pp. 12-13 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Magazine</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gift of William W. Hargreaves</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1943  SEPS: Licensed by Curtis Licensing, Indianapolis, IN. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Will Durant, a writer and lecturer on history and philosophy, authored this poetic essay on the subject of religion and worship. As a youth, he had considered entering the priesthood. He became best known for his eleven-volume series, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Story of Civilization</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, written over the course of forty years with his wife, Ariel Durant.</SPAN></SPAN></DIV></div>
HTMLText_428E78E4_6EBD_90EB_41CD_1CF1F0F76124.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Golden Rule</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1961</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, April 1, 1961 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, NRACT.1973.010</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1961 SEPS Curtis Licensing. All rights reserved</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Golden Rule</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> features a gathering of men, women, and children of different races, religions, and ethnicities. The inscription “Do Unto Others as You Would Have Them Do Unto You” was simple but universal and reflected the artist’s personal philosophy. Rockwell considered himself a citizen of the world and traveled throughout his life. Of the painting, Rockwell said, “I had tried to depict all the peoples of the world gathered together. That is just what I wanted to express about the Golden Rule.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_5F25756C_6AB1_BD85_41B7_217107798F03.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>JFK’s Legacy: The Peace Corps</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1966 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, June 14, 1966 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Art Collection Trust, NRACT.1973.083</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1966 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">On March 1, 1961, President John F. Kennedy signed an executive order establishing the Peace Corps to “promote world peace and friendship” among nations. Rockwell expressed his admiration for the program: “In this sordid world of power struggles, politics and national rivalries the Peace Corps seems to stand almost alone.” This cover illustration commemorates the Peace Corps’ fifth anniversary. Rockwell used former Peace Corps volunteers as models and based his portrait of Kennedy on a photograph by Jacques Lowe, the official photographer of the president’s pivotal 1960 campaign.</SPAN></SPAN></DIV></div>
HTMLText_01203E72_4205_5A53_41C1_D8AFD26D4FBA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Let’s Give Him Enough and on Time</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1942</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">United States Army, U S. Government Printing Office Poster</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Created prior to his</SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I> Four Freedoms</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> paintings, Rockwell’s only image of a soldier in battle was designed to stimulate ammunition production at munitions factories. Rockwell later wrote that he “didn’t like to do pictures that glorified killing, even in a good cause.” Wanting to do more for the war effort, he decided to illustrate President Roosevelt’s concept of the four basic human freedoms, a job he later said “should have been tackled by Michelangelo.”</SPAN></SPAN></DIV></div>
HTMLText_1381C809_367B_40CE_419D_FECF34813BCA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Liberty Girl</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover study for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, September 4, 1943 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Charcoal on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, NRM.1978.09</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1943 SEPS - Curtis Licensing</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The embodiment of the new roles that belonged to the American woman during World War II, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Liberty Girl</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> symbolizes the ability of Americans to mobilize and transform themselves in the interest of society. Rockwell hired a professional model to play the part in this work, but portrayed her as a motivated girl-next-door, underscoring her authenticity. Large scale charcoal drawings, such as the one seen here, were important to Rockwell’s artistic process. They allowed him to visualize compositional structure, narrative details, and tonal areas before beginning work on the final canvas.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_13BF680F_367B_40C2_41BA_C8C58CB13C0F.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Liberty Girl</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tear Sheet</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, September 4, 1943  </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1943 SEPS - Curtis Licensing</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_21AD565E_665A_F05A_41D7_D0E74A32345B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Man Charting War Maneuvers (Armchair General)</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, c. 1944</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, April 29, 1944 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Private Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1944 SEPS: Licensed by Curtis Licensing, Indianapolis, IN. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In this work, a man listens intently on his radio to news of the war. A map of Europe hangs on the wall, as do photographs of Generals Dwight D. Eisenhower and Douglas MacArthur. A white flag with three blue stars positioned above three small photographs of men in the uniforms of the US Army, Navy, and Army Air Corps indicate that this is a concerned parent following the battles and movements of his children. The Windsor chair that the man sits in is identical to the one Rockwell used at his easel—his studio furnishings frequently served as props in his art.</SPAN></SPAN></DIV></div>
HTMLText_11C60B4D_367B_4746_41BD_B321437E0CD9.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Marbles Champion</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1939</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, September 2, 1939 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on canvas Private Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1939 SEPS - Curtis Licensing</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Strong women and girls are a mainstay of Rockwell’s art, and in this </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> cover illustration, his female protagonist dominates a game of marbles to the chagrin of two male friends. Her stuffed marble bag contrasts with those of the boys, and her determined expression indicates that she has only just begun. Kneeling on the ground in scuffed shoes, she is decidedly un-ladylike. Assertive females also made regular appearances in the movies of the era, which featured stars like Jean Arthur, Jean Harlow, and Joan Crawford.</SPAN></SPAN></DIV></div>
HTMLText_11C5BB57_367B_4742_41C2_C54F2B43CB02.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Marbles Champion</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1939</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tear Sheet</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, September 2, 1939 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1939 SEPS - Curtis Licensing</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_8DC84767_C7BB_C729_41E7_FD2F2D21EA70.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Murder in Mississippi, </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">April 6-13, 1965</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Intended as the final illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Southern Justice</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> by Charles Morgan, Jr. </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, June 29, 1965, unpublished</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Art Collection Trust, NRM.1978.07</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1965 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Known as the </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom Summer</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> or </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Mississippi Burning</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> murders, the incident portrayed in Rockwell’s image features James Chaney of Meridian, Mississippi, and Andrew Goodman and Michael Schwerner of New York City. These civil rights activists were abducted and murdered in Neshoba County, Mississippi, in June 1964, where they had been working with a campaign to register African-Americans to vote. Their efforts, and those of many others, pushed back against unfair laws and practices intended to disenfranchise black voters.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Hearing of a Klan attack and of arson at Mount Zion Church, the three men drove to the site to talk with congregation members. On their return to the Meridian office of Congress of Racial Equality (CORE), they were taken into custody by Deputy Sheriff Price, by some accounts for speeding and by others for supposedly setting the fire. After releasing them later that night, Price followed them. Once outside of town, Klansmen intercepted the men and hustled them into Price’s car, when they were driven to a remote location and shot point blank. Dumped into an earthen dam on the farm of one of the Klansmen, their bodies were not discovered by the FBI until two months later. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">On April 14, Rockwell sent his final painting to </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">. On the 29th, he received word that </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> had decided to use his color study rather than the final painting. In a letter to </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> art director Allen Hurlburt, Rockwell wrote: “I tried in a big way…to make an angry picture. If I just had a bit of Ben Shahn in me it would have helped.” </SPAN></SPAN></DIV></div>
HTMLText_E22E406C_B36B_5580_41C8_7D6F741E2644.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Murder in Mississippi</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1965</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Southern Justice </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">by Charles Morgan, Jr., </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, June 29, 1965</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Art Collection Trust, NRACT.1973.079</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1965 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rockwell was told to proceed with his </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Murder in Mississippi</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> painting based upon his presentation of this sketch. After receiving the final painting, however, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> art director, Allen Hurlburt, chose to publish the study instead.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_FCDA1C0F_B359_4D80_41B1_305C290EC82F.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Murder in Mississippi</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1965</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Section of pencil tracing, unpublished</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Pencil on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, Norman Rockwell Art Collection Trust, Studio Collection, NRACT.1976.365</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1965 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rockwell said he invoked the style of Michelangelo to impart a more heroic stature to the figures. In this step, paper is placed over the final drawing. Then, transfer paper is placed between the drawing and the canvas, and an outline of the image is traced with pencil and transferred onto canvas in advance of the painting process. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_F1DF4739_B2A9_DB80_41E5_5123217F26FB.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Murder in Mississippi</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1965</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Unpublished illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, June 29, 1965 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Art Collection Trust, NRM.1978.07</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1965 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">On June 21, 1964, civil rights activists Michael Schwerner, James Chaney, and Andrew Goodman were brutally murdered by the KKK in Philadelphia, Mississippi. </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> commissioned Rockwell to create this illustration for an investigative article about the crime. The work is unusual for Rockwell. It is stark, monochromatic, and sparsely painted. Rockwell focuses on the plight of the activists. The klansmen are visible only as ominous shadows encroaching upon their victims from the right. </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> decided to publish Rockwell’s more impressionistic study for the painting rather than this finished work.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_2A0D7A66_71BF_73F7_41C7_501D934E9FCC.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>New Kids in the Neighborhood (Negro in the Suburb), 1967</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Story illustration for “Negro in the Suburbs” by Jack Star, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> Magazine, May 16, 1967</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Art Collection Trust, NRACT.1973.081</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1967 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In his 1967 illustration of suburban integration in Chicago’s Park Forest community, Rockwell was secure in expressing his philosophy of equality and inclusion. He emphasizes the commonalities of the children, who may soon be playing with each other, but the face peering from behind a window curtain in the upper left of the painting points to his concern about how the adults will fare.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Additional Commentary by Louis Henry Mitchell:</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>New Kids in the Neighborhood</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> is a unique, and at the time, controversial painting by Norman Rockwell. However, it is virtually a mirror of my own experience as a six-year-old African-American child when my family moved into an all white neighborhood in East Flatbush in Brooklyn, New York. We were the only black family in almost the entire neighborhood. While we were welcomed by many there were some who were curious about our arrival.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The distance between the children in Rockwell’s painting is a reminder of how I would feel on occasion whenever I went outside at first. I was observed from a distance but never felt uncomfortable. My mother taught us to be aware but not to focus on any form of possible discrimination. The black children in Rockwell’s painting look very well cared for, which I also immediately related to. The white children don’t look at all disturbed by their new neighbors, just curious. This reminds me of something I learned later in life— that children aren’t born with racism, it has to be taught to them.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In the painting, there is another neighbor in the upper left corner peeking out of the window, and this also occurred as I walked about. But that didn’t bother me thanks to my mother’s teachings. So, as I reflect and reminisce, I can say that Norman Rockwell did it once again with a</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">beautifully executed piece of art that I enjoy, as well as holding up a</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">virtual mirror of a special moment in my childhood.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Louis Henry Mitchell is Creative Director of Character Design at Sesame Workshop, and a member of the Norman Rockwell Museum Board of Trustees.</I></SPAN></SPAN></DIV></div>
HTMLText_F96FC53E_420F_2FD3_41CD_80FF5B1FAF08.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>OURS . . . to fight for, Freedom from Fear</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Poster illustration from </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, March 13, 1943, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Office of War Information, Washington, D. C.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">War Bonds Poster</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1943  SEPS: Licensed by Curtis Licensing, Indianapolis, IN. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Over four million posters and prints featuring Rockwell’s Four Freedoms were issued by the Office of War Information and </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">. Produced in several sizes and styles as single images or composites with boldly lettered messages, these reproductions were displayed in government buildings, factories, offices, stores, schools, railroad stations, hotels, social clubs, and private homes. Posters on this scale were ideally suited for display in public buildings such as post offices, where many people purchased war bonds and stamps.</SPAN></SPAN></DIV></div>
HTMLText_FE771524_4203_EFF6_41B1_8841C709DEE2.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>OURS . . . to fight for, Freedom from Want</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Poster illustration from </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, March 6, 1943, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Office of War Information, Washington, D. C.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">War Bonds Poster</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1943  SEPS: Licensed by Curtis Licensing, Indianapolis, IN. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Over four million posters and prints featuring Rockwell’s Four Freedoms were issued by the Office of War Information and </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">. Produced in several sizes and styles as single images or composites with boldly lettered messages, these reproductions were displayed in government buildings, factories, offices, stores, schools, railroad stations, hotels, social clubs, and private homes. Posters on this scale were ideally suited for display in public buildings such as post offices, where many people purchased war bonds and stamps.</SPAN></SPAN></DIV></div>
HTMLText_F389EBA6_423C_DAF2_41BC_455C195C5CDF.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Save Freedom of Speech, Buy War Bonds</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Poster illustration from </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">,February 21, 1943, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Office of War Information, Washington, D.C.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">War Bonds Poster</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1943  SEPS: Licensed by Curtis Licensing, Indianapolis, IN. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Over four million posters and prints featuring Rockwell’s Four Freedoms were issued by the Office of War Information and </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">. Produced in several sizes and styles as single images or composites with boldly lettered messages, these reproductions were displayed in government buildings, factories, offices, stores, schools, railroad stations, hotels, social clubs, and private homes. Posters on this scale were ideally suited for display in public buildings such as post offices, where many people purchased war bonds and stamps.</SPAN></SPAN></DIV></div>
HTMLText_87471511_4204_EFD1_41AA_2E9C161D4D48.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Save Freedom of Worship, Buy War Bonds</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Poster illustration from The Saturday Evening Post, February 21, 1943, Office of War Information, Washington, D.C. War Bonds Poster</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1943  SEPS: Licensed by Curtis Licensing, Indianapolis, IN. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Over four million posters and prints featuring Rockwell’s Four Freedoms were issued by the Office of War Information and </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">. Produced in several sizes and styles as single images or composites with boldly lettered messages, these reproductions were displayed in government buildings, factories, offices, stores, schools, railroad stations, hotels, social clubs, and private homes. Posters on this scale were ideally suited for display in public buildings such as post offices, where many people purchased war bonds and stamps.</SPAN></SPAN></DIV></div>
HTMLText_0C2CBFCC_4815_7255_41A4_C21F9FA64126.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Shuffleton's Barbershop</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1950</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover study for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, April 29, 1950 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of The Lucas Museum of Narrative Art</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1950 SEPS: Licensed by Curtis Licensing, Indianapolis, IN. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell painted this scene of his hometown barbershop while living in rural Arlington, Vermont, where the artist pained his </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Four Freedoms</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">. He posed Shuffleton’s proprietor as the fiddler in the back room. Rob Shuffleton was an avid fisherman, and Rockwell alludes to this fact with the inclusion of his fishing gear. Though the painting’s abundant detail establishes a heightened sense of reality, Rockwell’s greatest challenge was creating the window through which this scene is viewed. Through its addition, Rockwell places us outside on the street, where we can immerse ourselves in the painting’s narrative and imagine the sound from within.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">When the painting arrived at the </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> in February 1950, two months before its publication, managing editor Ben Hibbs and art editor Ken Stuart each wrote to Rockwell with their congratulations. Hibbs thought it one of Rockwell’s finest paintings and predicted it would be a reader favorite. Rockwell’s rendering of the stove, he praised, was “worth the price of admission.” The darkened foreground contrasts with the warmth and activity in the back room, which helps to focus attention on the narrative—a scenario in which three men play music for sheer enjoyment.</SPAN></SPAN></DIV></div>
HTMLText_0C2E9FD2_4815_724D_41A1_814ECCE83AA2.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Shuffleton’s Barbershop</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1950</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tear Sheet</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, April 29, 1950  </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1950 SEPS - Curtis Licensing, Indianapolis, IN. All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_93E610AE_A422_B30C_41D1_19D04E375EB4.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Thanksgiving: Mother and Son Peeling Potatoes</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1945 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">November 24, 1945</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tear Sheet</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1945 SEPS - Curtis Licensing, Indianapolis, IN. All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_93888058_A422_B314_41D6_65EFD18716D0.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Thanksgiving: Mother and Son Peeling Potatoes</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1945 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">November 24, 1945</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Courtesy of American Legion Post 193, Winchendon, MA</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1945 SEPS: Licensed by Curtis Licensing, Indianapolis, IN. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post’s</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> Thanksgiving cover of 1945, Rockwell had planned to portray a group of people giving thanks. With the end of the war in sight, however, he decided instead to paint a soldier’s homecoming. His subject seems happy to peel potatoes in the warmth of his admiring mother’s kitchen, a task that would have been less pleasant in the army. Though still in uniform, he has slipped back into civilian shoes, and is seated on a chair that appears almost child-size—perhaps a remnant of years past.</SPAN></SPAN></DIV></div>
HTMLText_551C3D57_7F14_0AE8_4191_678DBD27BC58.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Problem We All Live With</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1963</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Illustration for Look, January 14, 1964, pp. 22-23 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, NRM.1975.01</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">After resigning his forty-seven year tenure with </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> in 1963, Rockwell embraced the challenge of addressing the nation’s pressing concerns in a pared down, reportorial style. </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Problem We All Live With</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> magazine is based upon an actual event, when six-year-old Ruby Bridges was escorted by US Marshals to her first day at an all-white New Orleans school. Rockwell’s depiction of the vulnerable but dignified girl clearly condemns the actions of those who protest her presence and object to desegregation.</SPAN></SPAN></DIV></div>
HTMLText_ECF7E171_6AFF_959F_41C4_0E38FA3170C4.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Right to Know</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1968</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, August 20, 1968, pp. 48-49 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Private Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1968 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In 1966, Rockwell was commissioned to create a military recruitment poster, but he felt conflicted about the war in Vietnam. In March 1967, he wrote to the Marines Corps to decline the assignment: “I just can’t paint a picture unless I have my heart in it.” One year later, Rockwell began work on </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Right to Know</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">—a political statement expressing the right of citizens to be informed of the rationale behind their government’s actions. Just months before the painting was to be published, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The New York Times</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> reported on the Pentagon Papers, as scandal involving the White House’s suppression of information regarding troop escalation in Vietnam.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_CFC66095_6AB1_B487_41CE_F1C59CFE3553.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Right to Know</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1968</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Study illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, August 20, 1968, pp. 48-49 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on photographic paper</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Private Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1968 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">When establishing a palette for his paintings, Rockwell typically photographed his large-scale preparatory drawings and painted over the photographs to consider color choices.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_12CA30A4_364B_41C6_4175_53B1F2D5CB8D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Ticket Seller</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1937</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, April 24, 1937 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Private Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1937 SEPS - Curtis Licensing</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">As the Depression wore on, Rockwell’s perspective on the vacation theme took a turn. In this cover painting, a bored ticket seller seems unable to entice anyone to purchase fares to any destination, near or far. Travel was Rockwell’s only passion other than art, and it is the subject of many of his paintings. By 1930, he had been to South America, made three trips to Europe, and taken an extended trip to California where he met and married his second wife, Mary Barstow. In 1932, the Rockwell’s, then including infant son Jarvis and pet German shepherd Raleigh, boarded the Mauretania for Paris. There, Rockwell hoped to find inspiration for his art, but five months into their eight-month stay the family returned to New Rochelle, New York—their second child, Thomas, was on the way.</SPAN></SPAN></DIV></div>
HTMLText_12C9F0AA_364B_41C2_41B1_C88B84E4B5EF.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Ticket Seller</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1937</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tear Sheet</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, April 24, 1937 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1937 SEPS - Curtis Licensing</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_C7082308_565B_009C_41CF_9D21A5A654F4.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>U. S. War Savings Bond Four Freedoms Commemorative Cover</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Offset print on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_46407DC2_697E_8CFC_41D1_631778BA5BF6.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>United Nations</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1953 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Unpublished study</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Graphite and charcoal on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Art Collection Trust, NRACT.1973.11</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1953 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">At the height of the Cold War and two years into the Korean War, Rockwell considered the United Nations the world’s hope for the future. His appreciation for the organization and its mission inspired a complex work portraying sixty- five people representing the nations of the world along with members of the Security Council. Pictured here are Soviet Ambassador Valerian Alexandrovich Zorin, British Ambassador Sir Gladwyn Jebb, and United States Ambassador Henry Cabot Lodge. </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>United Nations</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> never made it to canvas, but Rockwell’s desire to picture a global community was realized on the cover of </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> in </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Golden Rule</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> nine years later.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_4AC9F155_65DD_71AE_41BA_4738B09503EA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>War News</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, c. 1944</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Intended illustration for</SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I> The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, March 4, 1944</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, NRM.1976.02</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1944 Norman Rockwell Family Agency</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Intended as a cover for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> but never completed, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>War News</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> pictures a restaurant counterman and his customers listening to a radio news report. Though newspaper text is not evident in this work, the headline of the January 17, 1944 </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Times Record </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">of Troy, New York, appeared in the artist’s preliminary drawing. Calling attention to the proposed invasion of Normandy, it read, “Invasion Plans at France Possible.” Rockwell decided not to submit </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>War News</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> to the </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, perhaps because it was hard to convey what the men were hearing. He instead went on to create a second painting, the more clearly articulated </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Armchair General,</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> which was published on April 29, 1944.</SPAN></SPAN></DIV></div>
HTMLText_2B5C2699_6B97_7252_4162_1F3C25C3A726.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Willie Gillis in Convoy</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, c. 1941</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Unpublished cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Charcoal on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Inscription: "To Mr Bogut, sincerely Norman Rockwell"</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Private Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1941 SEPS - Curtis Licensing, Indianapolis, IN. All rights reserved.</SPAN></SPAN></DIV></div>
HTMLText_C70C6375_56A5_0774_41CF_7B9E96B16E42.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Bound volume containing five </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> magazines, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">February 13–March 13, 1943, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">in presentation box </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gift of Carmen O. Smith, RC.2015.4</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In the middle of the night on May 15, 1943, Rockwell’s son Tom awoke to see his father’s studio in flames. Rockwell and his family stood by helplessly and watched as the building and its contents, and most of the adjacent barn, were consumed by the fire. Rockwell lost costumes, props, artist materials, reference files, prints, books, antique guns, favorite pipes, a</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">dozen paintings, and a collection of his published illustrations.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Thankfully, the </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Four Freedoms</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> paintings had been delivered to the </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> in Philadelphia shortly before the fire. This personalized binder containing each of the </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Four Freedoms </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">issues was created for him by the </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> in the fire’s aftermath.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_E04D1A2F_56DB_0094_41CD_25316087379B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Girl Reading the Post  1941</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Oil on board</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> cover, March 1, 1941</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gift of the Walt Disney Family, 1999</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1941 SEPS: Curtis Licensing, Indianapolis, IN. All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Always aiming for the widest possible audience for his </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> covers, Rockwell pictures often have several layers of interest. To assure a successful cover, Rockwell grabs the viewer's attention with a trick-he matches the cover girl's face perfectly to the schoolgirl's body. By picturing a reader so engrossed in the </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, Rockwell emphasizes the interest and allure of the magazine, thus promoting its sale on newsstands. Beyond the gimmick, a story of growing up emerges in the simple scene of commuting to school.  A young girl will soon leave behind her scuffed saddle shoes for polished heels and her cozy mittens for kidskin gloves.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_93E280B8_A422_B314_416C_8309AB38ABF6.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Study for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Thanksgiving: Mother and Son Peeling Potatoes</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1945</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil and pencil on laminated board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Private Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1945 Norman Rockwell Family Agency. All rights reserved.</SPAN></SPAN></DIV></div>
HTMLText_4D44B2C6_7F14_3FE9_41C9_90A5DAC3651D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell: </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Este es el tipo de historia que me gustaría no tener que contar. ¿Puedes darte cuenta de lo que está sucediendo en este cuadro? Lo primero que ves es a la pequeña niña. ¿Sabes por qué? Una de las razones es debido a la forma en que pinté su vestido blanco para que destacar en contraste con su piel oscura. Atrae nuestra atención. Otra razón es que ella es la única persona que se muestra completa.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Decidí pintar a los hombres del cuadro sin enseñar sus cabezas — lo hice a propósito. Imagínate que también pudieras ver sus cabezas, tal vez te dedicarías a verlas en lugar de ver a la niña. ¿Puedes leer lo que dicen las bandas amarillas que llevan en los brazos? Son alguaciles de los Estados Unidos, es decir, policías. Mira cómo la niña y los hombres marchan en la misma dirección, incluso sostiene las manos de la misma manera.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Deseaba comunicar la sensación de cómo sería caminar al estar haciendo algo importante, como cuando eres parte de una ceremonia o un desfile. ¿Pero ya viste lo que leva la niña bajo el brazo? Simplemente se dirige a la escuela, pero al hacerlo también está haciendo algo importante. Necesita la protección de estos hombres, y la razón es que probablemente ella fuera la primera niña afronorteamericana que asistiera a una escuela a la que anteriormente solo iban niños blancos.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Lo que no ves en la pintura, son las multitudes de personas que abarrotaban la calle para gritarle cosas a la niña, pero sí puedes ver lo que dejaron atrás, las palabras escritas en la pared, y el tomate que le acababan de arrojar, parece que casi le atina. ¿Cómo crees que se siente la niña? ¿Crees que tiene miedo?</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Muchos niños en los 50s y 60s tenían que caminar de esta manera todos los días para ir a la escuela, a veces semana tras semana. Tenían que ser muy valientes. Era como ser soldado durante la guerra y, sin embargo, lo único que querían era ir a la escuela.</SPAN></SPAN></DIV></div>
HTMLText_530BE842_326E_63A9_41C2_8DCF066DBC74.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell: </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Estos cuadros se llaman Las cuatro libertades. Los pinte después de escuchar un discurso que diera el presidente Franklin Roosevelt, antes de que los Estados Unidos participara en la Segunda Guerra Mundial, cuando habló acerca de las cuatro libertades que deberían disfrutar todos los pueblos del mundo.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Hombre: [inglés] </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The first is freedom of speed and expression …</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">La primera, es la libertad de expresión en todo el mundo.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell: </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Empieza con el cartel que dice [inglés] "Save freedom of speech", es decir, "Salvaguardemos la libertad de expresión". En él puedes ver a un hombre de pie vistiendo una camisa y chaqueta azules. Decidí que como la idea de la libertad de expresión es difícil de explicar, debía usar la imagen de la vida de la gente común y corriente para comunicar lo que quería decir.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">El hombre se encuentra en una reunión municipal. Lo pinté de tal forma, que el espectador tenga la sensación de estar sentado en las bancas junto a las demás personas mirando al individuo. Observa cómo su cabeza está rodeada de espacio negro vacío. Quería que pareciera que estaba solo allí. Está de pie a fin de decir algo con lo que las otras personas no están de acuerdo, pero nadie puede detenerlo.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Como ciudadano de este país, tiene el derecho, la libertad de decir lo que quiera, y los demás lo escuchan porque lo respetan. Ahora, mira el lado izquierdo, cerca del centro del cuadro. Encuentra la esquina del espacio negro y observa que está apuntando hacia la mitad del rostro de un hombre sentado en la parte de atrás. Solo se puede ver un ojo y una oreja. Ese hombre soy yo.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Ahora pasemos al siguiente cuadro. Se trata de un grupo de personas orando.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Hombre:</B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> "Libertad de que cada uno de nosotros pueda rendirle culto al Dios que desee".</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell: </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cada una de estas personas es muy diferente. Hay hombres y mujeres, ancianos y jóvenes, de diferentes orígenes y razas, también de diversas religiones. El peinado de cada uno de ellos es diferente. Y fíjate en sus manos — algunas se ven suaves y juveniles, mientras que otras están arrugadas y avejentadas; pero todos están juntos en un solo lugar, y están haciendo lo mismo, rezando. Todas las personas, tienen derecho a rezarle al Dios que deseen.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Ahora, encuentra la pintura de una familia que está a punto de empezar su cena del Día de Acción de Gracias.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Hombre: </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">"Libertad de no sufrir privaciones". Lo que hará posible que todos los habitantes de todos los países del mundo disfruten de una paz saludable.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell: </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Libertad de no sufrir privaciones. Es otra forma de decir, "No necesitar nada". Decidí que algo que todo mundo necesita es la comida. Si te paras justo al frente del cuadro, podrás ver que parece que también tú estás sentado a la mesa. Ocupas el mejor lugar en la cabecera. Ahora mira el lado derecho. El hombre te da la bienvenida a su mesa, y nota como el resto de la familia se inclina hacia adelante alejándose del borde de la imagen.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Los abuelos en la parte de arriba, ven hacia abajo. Incluso las hileras de vasos nos obligan a dirigir la mirada al personaje más importante del cuadro, el pavo.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Por último, veamos la última pintura: los dos niños en cama.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Hombre: </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">"Libertad contra el miedo".</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell: Libertad contra el miedo. Es otra forma de decir, "No tener temor". Los padres de estos niños los están cobijando, y todo parece ser muy agradable. Te podrías preguntar de qué tienen miedo, pero si lees el periódico que lleva el padre, el encabezado habla de la guerra.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">"Libertad contra el miedo", quiere decir, "Sentirse seguro y alejado del peligro", algo que todos los padres desean para sus hijos.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">[música]</SPAN></SPAN></DIV></div>
HTMLText_4ACB8160_65DD_7066_41D4_FA784C93B0A8.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>PETER ROCKWELL: </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In this painting from 1944, a counterman and three customers have gathered in a corner of a diner. Look up in the top right corner. They’re listening to the radio. Obviously, something very important is being announced.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Linda Pero.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>LINDA PERO:</B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> There’s a newspaper on the counter, but … there’s nothing on the newspaper because, at this point, Rockwell stopped the painting.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>PETER ROCKWELL: </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">His detailed sketches show that the paper’s headline was supposed to read: “Invasion Plan at France Possible.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>LINDA PERO: </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He never says why he didn’t finish the painting. … We can assume, though, that … he or the art editors at the Post felt that … the message wasn’t clear, that people wouldn’t know what was going on. They wouldn’t know what the men were listening to or hearing. … He went on to do another painting in its place of a man charting war maneuvers.</SPAN></SPAN></DIV></div>
HTMLText_57E8076A_6637_907A_41D1_D012D12F80AA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>PETER ROCKWELL: </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The inscription reads “To Mr. Comar of the Quality Restaurant, Sincerely Norman Rockwell.” Mr. Comar is in the painting–he’s the man behind the counter. My father used to eat at his diner in Manchester, Vermont. He gave Comar this painting, and it hung in the diner until 1975.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Laurie Norton Moffatt.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>LAURIE NORTON MOFFATT:</B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> For an illustrator, the finished image is actually the published magazine cover. And once the canvas has been photographed and the image produced on the magazine, the artist’s work is done. And the canvas becomes incidental in many ways.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In Rockwell’s case, … he either had the canvases returned to him or sometimes they would be enjoyed by the art editors and the employees at the magazines or the corporations for whom he did advertising work. … But sometimes he gave them to people. … And it was not uncommon at all for people who came through his studio and admired a work, for him to say, “Here, would you like it?” — and inscribe it to them and give it to them.</SPAN></SPAN></DIV></div>
HTMLText_6F4E8E8E_3272_1CB9_419E_C71A6B1D98DE.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>PETER ROCKWELL: </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">These four classic images were created as a wartime series called “The Four Freedoms.” Many people first saw them in the Saturday Evening Post. Others saw them as they appear here, as posters asking the public to buy war bonds.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">My father was inspired by Franklin Roosevelt’s speech outlining four main reasons why the U.S. should support the war in Europe.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>[ROOSEVELT VOICE]</B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> Freedom of speech and expression, everywhere in the world…</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>PETER ROCKWELL:</B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> Start with the poster that reads, “Save Freedom of Speech.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Historian and presidential biographer Doris Kearns Goodwin:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>[GOODWIN] </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">When he tried to illustrate freedom of speech, instead of doing it on an abstract level, he chose a neighbor standing up in a town meeting, in a certain sense the quintessential building block of democracy. … Even though the others in his idea are disagreeing with what the neighbor is saying, … nonetheless the other neighbors are looking up at him, and they’re listening respectfully, and it just gets that whole point of freedom of speech so much more emotionally grounded than any abstract words could possibly have done.</SPAN></SPAN></DIV></div>
HTMLText_B0C09E01_AA35_DEB4_41D6_ACA01F8462D2.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>PETER ROCKWELL: </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">This image from 1944 is called “Mine America’s Coal.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Curator, Linda Pero:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>LINDA PERO:</B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> This is a World War II poster illustration. … The poster itself read, “Mine America’s Coal. We’ll Make It Hot For the Enemy.” … It’s a propaganda poster, in a sense, …. to inspire people to work in … the mining industry, which is, of course, a dangerous … profession. …. A message coming from somebody like Norman Rockwell, … would have certainly inspired people … to do that.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>PETER ROCKWELL:</B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> Anyone with a family member in the service will immediately recognize the bright pin on the man’s overalls.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>LINDA PERO:</B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> The pin … with stars was … given to parents …who had … children in the service. And a single star meant that you had one child in the service, and two stars meant that you had two. … And if the star was gold, it meant that, … your child had died.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>PETER ROCKWELL:</B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> Some war propaganda posters featured violent, racist caricatures of the enemy. Here, instead, we’re met by the direct, kindly gaze of a father.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>LINDA PERO:</B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> There was such anger and hatred … in the war posters. And, um… it’s certainly missing … from Rockwell. … He really is … a humanitarian and … somebody who sees himself, I think, as a citizen of the world.</SPAN></SPAN></DIV></div>
HTMLText_DBBEB732_F98B_9DE8_41DA_1480B7489B77.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>PETER ROCKWELL:</B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> First came the sketch.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>LAURIE NORTON MOFFATT:</B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> they fit right in the palm of your hand– … a little snapshot of the idea. And he would typically take these ideas to the art editor of the </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>PETER ROCKWELL: </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Each picture was like a little play, and my father was the director. One he got his characters, it was time to cast the parts and find his models.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>LAURIE NORTON MOFFATT:</B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> He painted from his family and friends. People in the community … students in the school, people he met at the Grange suppers and that he knew from around town. … So his next step would be to start drawing a very large-scale charcoal, pencil drawing.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>PETER ROCKWELL: </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">If he wasn’t happy with a portion of the drawing, he would cut it out, patch in a new piece of paper and start again!</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>LAURIE NORTON MOFFATT: </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">He went through two more stages. He would do a rough color sketch, usually about the size of the magazine cover. … Then the final stage took place.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>PETER ROCKWELL:</B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> He’d transfer the charcoal drawing onto the canvas.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>LAURIE NORTON MOFFATT: </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Since his art training was really in the style of the old masters, his paintings are beautifully painted. … Rockwell’s paintings are very large, as you can see. … And he worked in such large scale because he could fit all …the detail that he loved to include in his paintings.</SPAN></SPAN></DIV></div>
HTMLText_D96FEAD2_F999_94AB_41E3_D7FAE3F4F432.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>PETER ROCKWELL:</B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> In 1938, my father solved the problem of being stumped for a cover idea by painting an illustrator stumped for a cover idea.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>LAURIE NORTON MOFFATT: </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Everything in the painting suggests that this is Norman Rockwell himself, and the struggle that he had to constantly come up with ideas. …. sketch after sketch tossed aside on the floor, … we see the palette …. tossed aside with brushes, many colors put out, all the artist’s tools.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>PETER ROCKWELL: </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Look at the top of the artist’s canvas, above his head. His good luck charms have had no effect. The canvas is still blank.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>LAURIE NORTON MOFFATT:</B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> And of course the great pun in this is the artist facing the blank canvas …. actually becomes the image of this painting.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>PETER ROCKWELL:</B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> The irony here is that my father never would have sat down at a blank canvas and just attempted to paint a picture. He had a painstaking preparation process, going through a whole series of sketches, sessions with models, plus charcoal and color studies before he would actually sit down to create the final painting.</SPAN></SPAN></DIV></div>
HTMLText_B9E47BCB_C6F8_CF79_41E0_BA53C6FCC4E5.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Photographer Unknown</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Charges these nine men—and Deputy Price—were named as members of the lynch mob</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, n.d.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital print from archival negative</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Found among his references, this news clip reveals that Rockwell originally considered showing the Klansmen as individuals. Just as he had compiled notes about the victims, these photos provided him with information about the Klansmen’s physical traits. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_7FE02B11_421D_5BD1_41A3_6D68DAF3B162.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Photographer Unknown</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Painting </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Let’s Give Him Enough and On Time</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> U.S. Army Poster, 1942</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Photographic Reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1942 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_1DE79089_8E56_4598_41A8_BA9F77988FBB.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Pops Peterson</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Saying Grace at the Main Street Café</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2018</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital print on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">As a child growing up in New York, freedom “was a world where we all could get a milkshake, sit with whomever we wanted at the lunch counter, and have fun. All these years later, I feel the same. Freedom is when we can just do what we want with whomever we want,” the artist said. As in Rockwell’s 1951 </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Saying Grace</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, Peterson brings diners of different ages and experiences together, somewhat uncomfortably, at the Main Street Café in Stockbridge. Rockwell’s first studio in town was situated in the building’s second floor, from 1953 to 1957, when the café was a meat market. This piece on the theme of intolerance is a companion to </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Welcome to the Neighborhood,</I></SPAN></SPAN></DIV></div>
HTMLText_1A2F2476_8E5E_4C8B_41C1_D0B8CE4445C0.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Pops Peterson</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Problem Persists, 1964-2014</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 2014</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital print on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of the artist</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rockwell’s 1964 painting, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Problem We All Live With</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, is the basis for a more contemporary statement inspired by civil unrest in Ferguson, Missouri, following the fatal 2014 shooting of Michal Brown by police. The unrest sparked vigorous debate about policing, the use of force, and the relationship of law enforcement with African Americans. Creating the image allowed Peterson to express his grief over this painful incident. “Everyone was talking about the riots and shootings, throwing blame, and I thought, what about the kids?” he said. “Their lives have been ruined and they’re totally innocent.”</SPAN></SPAN></DIV></div>
HTMLText_7FD74D2D_4AD4_DB96_41C1_B391E7DF4C54.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Raconté Par :</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Douglas B. Dowd</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Professeur d'Art et de Culture Américaine - Université de Washington à St. Louis</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Avant la télévision, les Américains qui s’intéressaient aux modes de vie de leurs concitoyens et aux questions de société, disposaient essentiellement de deux sources d’informations : les films et les magazines. Les magazines et les illustrateurs qui travaillaient pour eux ont dépeint une société parfois idéalisée vers laquelle chaque lecteur pouvait se projeter.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">L’illustrateur Alfred Parker a été l'inventeur de l'esthétique glamour moderne à l’époque de la guerre et après. Il a fait l’admiration de Norman Rockwell et de beaucoup d'autres pour l’approche novatrice de son travail. Une de ses séries les plus connues est un ensemble d'images créées pour </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Ladies 'Home Journal </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">entre 1939 et 1952, appelées les images de </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Mère et Fille</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">. Les magazines du début des années 1940 ont su proposer de nouveaux formats pour la grande majorité de leur lectorat : la jeune femme au foyer et la mère.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Un monde et une société idéalisés d’hommes beaux et de femmes élégantes sont proposés aux lecteurs. The </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Ladies Home Journal</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> a publié cette citation au sujet de la couverture </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Mère et fille</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> : "Ces filles de couverture ont vraiment initié un phénomène nouveau. Depuis leur introduction en février 1939, les femmes américaines les adoptent, copient leurs vêtements, nous inondent de lettres et en font la partie d'une famille ". Comme on peut le voir sur cette image, les couvertures </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Mères et filles</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> proposaient une conception d'affiches simples et efficaces qui mettaient l'accent sur des scènes du quotidien reconnaissables par toutes les lectrices.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Avec tant de soldats partis au front, les mères et les filles devaient montrer le meilleur d’elles-mêmes et assumer les nouvelles tâches qui leur incombaient. Elles pratiquent le sport, comme on le voit ici, ou sont attentives au rationnement, et se charge des tâches autrefois dévolues aux hommes. En 1945, la mère et fille de Parker accueillent les soldats qui rentrent de la guerre et reprennent leur rôle d’épouses. En décembre, on peut voir deux chaussons en tricot, un rose et un bleu, et en 1946, sur certaines couvertures d’Alfred Parker, un fils était né.</SPAN></SPAN></DIV></div>
HTMLText_5ECAC2E3_4688_BE0D_41BA_1BE02B518B9D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Raconté Par :</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Directrice adjointe / Conservatrice en Chef - Musée Norman Rockwell</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">J.C. Leyendecker était un célèbre illustrateur américain qui avait 20 ans de plus que Norman Rockwell. Au moment où Norman Rockwell accédait à la célébrité, J. C. Leyendecker – qui travaillait pour le </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> - devenait l'illustrateur le plus populaire des Etats-Unis. Il vivait à New Rochelle, non loin de chez Norman Rockwell, qui avait l'habitude de dire qu'il suivait JC Leyendecker dans la rue pour voir quelles vitrines il regardait afin de deviner ce qu’il allait représenter sur sa prochaine couverture du </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">. Les hommes ont fini par devenir amis.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Le Bébé du Nouvel </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">An était une des réalisations les plus célèbres de Leyendecker, régulièrement publié par le </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> entre 1907 et 1943. Chaque dessin était pour son auteur l’occasion de un regard différent sur l’année qui commençait. Cet enfant joufflu qui symbolisait à la fois l’innocence et la sagesse, a permis à son créateur d’aborder toutes les questions touchant la société américaine : la souffrance des femmes, la prohibition et même les fluctuations du marché boursier dans les années 1930.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Sur cette couverture datée de décembre 1940, la guerre n'a pas encore touché les États-Unis. Elle faisait rage outre-atlantique, et sur cette image, le </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Bébé du Nouvel </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">An porte un masque à gaz, et tient un parapluie, petit clin d’œil au premier ministre Britannique, Neville Chamberlain, dont les promesses de paix se sont avérées hasardeuses. En 1940, le </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Saturday Evening Post </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">comptait plus de trois millions d'abonnés.</SPAN></SPAN></DIV></div>
HTMLText_6787FBA2_66D9_6625_41D2_F2312749D58C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Raconté par :</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Alice Carter</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Auteur, illustratrice, et présidente du Conseil du musée Norman Rockwell</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Le 29 septembre 1939, était signé le pacte germano-soviétique. Ce texte diplomatique prévoyait entre autre le partage de la Pologne. Les forces d'Hitler s’empareraient des terres à l'ouest de la rivière Boug et l'armée de Staline contrôlerait celles de l'est.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Le lendemain, 30 septembre 1939, ce dessin de Hugh Hutton intitulé « Oraison funèbre » parait dans le Philadelphia Inquirer. Hugh Hutton a publié plus de 3 800 dessins de presse dans l’Inquirer. Caricaturant rarement les célébrités et les hommes politiques, Hutton préférait utiliser des figures allégoriques. Sur ce dessin, la femme en robe blanche symbolise la paix, la justice et la vérité qui viennent d’être assassinées par les vautours représentant l'Allemagne nazie et l'Union soviétique.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Hugh Hutton est né à Lincoln au Nebraska, en 1897. Après avoir passé deux ans à l'université du Minnesota, il s'est engagé dans l'armée et a servi pendant la Première Guerre mondiale. À son retour, il a repris ses études à l'école d'art de Minneapolis. Il déménage ensuite à New York où il étudie à la New York’s Art students league et commence à travailler pour le United Features Syndicate.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">En 1934, Hugh Hutton accepte un poste au Philadelphia Inquirer où il travaille jusqu'à sa retraite en 1969.</SPAN></SPAN></DIV></div>
HTMLText_11F110B2_A4E2_93CB_41D9_7E156F89827E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Raconté par :</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Alice Carter</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Auteur, illustratrice, et présidente du Conseil du musée Norman Rockwell</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Martha Sawyers est née à Corsicana, au Texas, en 1902. Elle a étudié à la New York’s Art students league pendant cinq ans jusqu'à son éviction. « Ils m'ont mise dehors et j’ai dû me débrouiller seule avec ce que j’avais appris. ».</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">« La Chine doit recevoir notre aide » est une des deux affiches que Martha Sawyers a créées entre 1942 et 1943 pour la United China Relief, une association d'aide aux réfugiés chinois. Bien que Martha Sawyers utilise de préférence l'huile, elle a parfois été obligée de recourir à différentes techniques de peinture comme vous pouvez le voir sur cette affiche, sur laquelle elle a combiné l'huile, l'aquarelle, le pastel et les crayons de couleur.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Ce tableau d'une famille de réfugiés reproduit une scène que Martha Sawyers a vécue personnellement. En 1937, alors qu'elle voyageait enChine avec son époux, l'illustrateur William Ruesswig, elle a échappé de justesse à une attaque japonaise sur le pont Marco Polo. A son retour à New York, une exposition de peintures de ses voyages a attiré l’attention de la revue </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Collier</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> qui lui a proposé de publier ses impressions d'Asie dans une série d'articles et d'illustrations. Pendant la guerre, Martha Sawyers est retournée en Asie pour couvrir le théâtre d’opérations du Pacifique en tant qu'artiste et correspondante pour les revues </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Collier</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> et </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Life</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">.</SPAN></SPAN></DIV></div>
HTMLText_964DCFDC_A7D7_731B_41DB_5E0313243EF6.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Raconté par :</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>George Church III</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Guide et bénévole au Musée Norman Rockwell</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Lorsque la Seconde Guerre mondiale a commencé et que les Japonais ont bombardé Pearl Harbor, j'étais au cinéma avec mon père. Et soudain, l’information est apparue à l’écran. Elle provenait des forces armées des États-Unis.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Ca a été mon premier contact avec la Seconde Guerre mondiale. Après, j'ai commencé m’intéresser aux avions avec des camarades d’école. Je m’initiais au repérage d'avions le samedi, quand je n’avais pas classe. Je me levais vers 4h30 et après mon petit-déjeuner, je sautais sur mon vélo et je pédalais jusqu’à l'hôtel Biltmore de Miami qui se trouvait à Coral Gables, au sud de l'aéroport international. Je montais en haut de la tour de l’hôtel où il y avait une cabine de repérage. C’était le bâtiment le plus haut de Miami.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Entre 6h00 et 9h00, chaque samedi, je repérais les avions à l’aide de mon manuel. J’étais accompagné d’un ami et nous disposions d’un téléphone pour signaler les avions que nous voyions atterrir et décoller ainsi que ceux qui survolaient l'aéroport.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Le manuel nous a été très utile et grâce à lui, j’ai pu jouer un vrai rôle alors que j’étais encore très jeune.</SPAN></SPAN></DIV></div>
HTMLText_67AA2244_662A_E66C_41B1_09C422953FC2.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Raconté par :</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>James J. Kimble, Ph.D.</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Professeur de Communication - Collège de communication et des arts Université Seton Hall</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tout droit sorti de l’imagination de Norman Rockwell, Willie Gillis était un des soldats les plus célèbres de la Seconde Guerre mondiale. Il est apparu pour la première fois sur la couverture du Saturday Evening Post du 4 octobre 1941. L’artiste lui a donné un visage innocent, presque celui d’un enfant alors qu’il se trouve dans un camp d’entraînement à Fort Dix, dans le New Jersey. Sur cette couverture, on voit qu’il vient de recevoir un colis, probablement envoyé par sa famille. Derrière lui, on devine que ses camarades aimeraient bien, eux-aussi, profiter du contenu du paquet.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Les couvertures pleines de vie de Norman Rockwell rencontraient un succès immédiat auprès des lecteurs ce qui poussait le Post à commander de nouvelles scènes de la vie du soldat Gillis. Ce personnage est apparu ensuite sur une douzaine de couvertures du Post, la dernière datant de 1946 montrait le sympathique Willie Gillis poursuivant ses études grâce au GI bill, la loi finançant la formation des soldats démobilisés.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Willie Gillis faisait le bonheur de ses admiratrices qui le considéraient comme une pin-up. Parmi elles, Natalie Barden, qui a rencontré Robert Otis Buck, l’homme qui a servi de modèle au soldat Gillis et qui l'a épousé.</SPAN></SPAN></DIV></div>
HTMLText_551A0D59_7F14_0A98_41B6_D26709A61C0A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Raconté par :</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Ruby Bridges Hall</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Activiste des droits civiques et auteur</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Ce jour-là, alors que j’étais dans la voiture qui m’emmenait à l’école et que nous arrivions au coin de la rue, nous vîmes que les trottoirs étaient remplis de manifestants. Ils ne pouvaient pas passer car la police les en empêchait. Il y avait des policiers partout, certains étaient à cheval ou à moto. C’est normalement ce que l’on voit à l’époque de Mardi Gras, pour contrôler la foule pendant les défilés. C’est donc ça que j’ai vu, et j’ai juste pensé que j’étais au milieu d’un défilé. Je pense que c’est cette innocence d’enfant qui m’a protégée à l’époque, le fait de ne pas savoir.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Je me souviens avoir été escortée jusqu’au bureau du directeur de l’école. Je pensais que ce premier jour j’étais venue pour m’inscrire, pour être escortée jusqu’à ma classe, peut-être aussi pour rencontrer ma maîtresse et pour commencer à étudier. Mais je restais en fait assise toute la journée dans le bureau du directeur avec ma mère, et je me souviens des agents fédéraux se tenant à l’extérieur du bureau, juste devant la porte. On pouvait les voir car les portes étaient vitrées.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Je vis ensuite tous ces gens qui étaient dehors, se bousculant, me pointant du doigt à travers la fenêtre. Leurs visages exprimaient une grande colère, et tout ça me paraissait très confus et déstabilisant. Ils passaient devant les fenêtres et repassaient ensuite en tenant des enfants par la main, et ces allers-retours durèrent toute la journée.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Finalement la cloche sonna, il était 15h. Je me souviens de quelqu’un entrant dans la pièce et disant « l’école ferme, vous pouvez y aller. ». Et je me souviens de m’être dit « waouh, cette école est vraiment facile ! », sans me rendre compte de ce qu’il se passait vraiment. Les parents étaient tous venus à l’école pour s’introduire dans les classes et faire sortir leurs enfants du bâtiment. Plus de 500 enfants ont quitté le bâtiment ce jour-là, seulement parce que je m’y trouvais. Et je n’avais aucune conscience de ce qui était en train de se dérouler sous mes yeux.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Le jour d’après, ce fut la même chose. Les agents fédéraux frappèrent à notre porte, et je montais en voiture avec eux pour qu’ils m’escortent jusqu’à l’école. Ce jour-là, la foule avait doublé de volume puisqu’entre temps tout le monde avait été mis au courant.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Ma mère dit que c’est ce jour-là qu’elle eut le plus peur, car une fois rentrée à la maison, elle regarda la télévision et vit que le monde entier assistait à ça. Elle dit que ce jour-là elle pria jusqu’à 15h, espérant que son enfant reviendrait à la maison.</SPAN></SPAN></DIV></div>
HTMLText_07BF32A7_666A_A62B_41AC_7A80BFBE2231.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Raconté par :</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Artiste, photographe et journaliste</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cette photographie d'Ansel Adams a été prise en 1943 près de Death Valley, en Californie, dans le camp de Manzanar, un des dix camps construits aux Etats-Unis pour interner les citoyens américains d'origine japonaise et leurs parents immigrés.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Cette image montre un homme regardant au loin les contreforts de la Sierra, un des sujets favoris d'Adams. Ce qui manque sur cette photo ce sont les clôtures de barbelés, les tours de guet, les projecteurs, les gardiens avec des mitrailleuses de même que toute scène montrant les conditions difficiles dans lesquelles ces gens vivaient.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Ansel Adams défend l’idée qu’aucun citoyen américain ne doit être traité de la sorte dans son propre pays. Il a voulu montrer à ses compatriotes que ces citoyens-là étaient comme les autres : libres et égaux. Son livre Born free and equal a été publié en 1944.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Lors de sa parution, le livre n’a pas été bien accueilli par le public américain. La guerre n’était pas finie et on a reproché à son auteur sa sympathie pour ceux qui étaient considérés comme des ennemis des Etats-Unis. Des exemplaires du livre ont même été brulés en signe de protestation. Il paraîtrait aussi que le gouvernement américain en aurait acheté des milliers d’exemplaires dans le seul but de les détruire. Aujourd’hui, les exemplaires originaux de ce livre sont rares.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Aussi étonnant que cela puisse paraître, après que la haine envers les Américains d'origine japonaise se soit apaisée, les photos d'Ansel Adams ont suscité de nouveau la controverse. Mais cette fois, parce que, pour le gouvernement et la société américaine, elles étaient devenues les preuves des conditions de détention inhumaines de ces populations pendant la guerre. Trouvant difficilement leur place entre le cliché documentaire et l’image de propagande, ces photographies restent inclassables dans le monde des photographes.</SPAN></SPAN></DIV></div>
HTMLText_FD8C1009_6669_61E7_41D4_9F3B86F45203.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Raconté par :</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Artiste, photographe et journaliste</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Le 23 avril 1943, Eleanor Roosevelt visite le camp de détention de Gila River en Arizona. Le photographe de la War Relocation Authority, Francis Stewart, était présent, accompagné du directeur national, Dillon Myer.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Madame Roosevelt était une des rares personnes de l’entourage du président des Etats-Unis à s’exprimer publiquement en faveur des citoyens et immigrants d'origine japonaise. Ceci avant et mais aussi après Pearl Harbor. C’est en vain qu’elle a tenté de dissuader le président d'ordonner un renvoi massif de cette population - ce qu’elle considérait comme une violation des droits de l'homme et des idéaux américains. Eleanor Roosevelt a même été jusqu’à inviter des Américains d'origine japonaise à la Maison blanche.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Sa visite au camp avait pour but de démentir les accusations de la presse locale qui affirmaient que le gouvernement fédéral réservait à ces détenus un traitement de faveur. Elle a décrit le travail effectué par les prisonniers qui fabriquaient des filets de camouflage pour l’armée et des maquettes de navires. Elle a aussi mentionné qu'elle a goûté le lait et qu’il était sûre.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Dans un article du Los Angeles Times, elle explique que les conditions de vie des citoyens japonais n’étaient pas indécentes, mais n’étaient pas non plus confortables. Son message se résume à ces quelques mots : « Je ne voudrais pas vivre ainsi » et « Plus tôt nous permettrons à ces jeunes japonais de quitter les camps, mieux cela vaudra. Si nous ne faisons rien, nous créerons un nouveau problème semblable à celui des Amérindiens ».</SPAN></SPAN></DIV></div>
HTMLText_B9194B3D_3386_3626_4184_20AA726946A5.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Raconté par :</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Directrice Adjointe / Conservatrice en Chef au Musée Norman Rockwell</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">L’œuvre La Liberté de Vivre Sans Crainte a été peinte alors que l'Europe subissait l’occupation nazie, comme le révèle le titre du journal tenu par le père. Norman Rockwell voulait transmettre l'idée que les parents devaient pouvoir coucher leurs enfants chaque soir sans craindre pour leur sécurité.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Ici, un père et une mère se penchent sur leurs enfants endormis, dans une ambiance traduisant une vie confortable et bourgeoise symbole du rêve américain. Une lumière rassurante brille dans l’escalier de la maison.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Ce tableau, qui n’était pas considéré par Norman Rockwell comme une œuvre d’une force exceptionnelle, a retrouvé une actualité après les attentats du World Trade Center. A cette occasion, le New York Times a publié Liberté de Vivre Sans Crainte en Une, en substituant au titre de Norman Rockwell un titre faisant référence aux attentats de New York, de Washington et de Pennsylvanie.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">En réponse aux émeutes résultant de la violence raciale dans le pays, de nombreux artistes ont réinterprété Liberté de Vivre Sans Crainte, ainsi que l’emblématique Problème que Nous Vivons Tous de Norman Rockwell, l’adaptant à des événements plus contemporains.</SPAN></SPAN></DIV></div>
HTMLText_DE536C53_A4EE_7376_41B5_9C70774B3197.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Raconté par :</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Directrice Adjointe / Conservatrice en chef - Musée Norman Rockwell</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Pendant la Seconde Guerre mondiale, l’illustrateur Mead Schaeffer, un ami de Norman Rockwell à Arlington (Vermont), a décidé d’apporter sa contribution à l’effort de guerre. Il a abandonné les thèmes romantiques et littéraires pour concentrer son travail sur des sujets ancrés dans la réalité, s’adaptant ainsi à la ligne éditoriale du Saturday Evening Post.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">En 1942, Rockwell et Schaeffer se sont rendus à Washington afin de proposer leur aide à plusieurs agences gouvernementales. Malheureusement, aucun financement n'était disponible pour la réalisation de leurs projets d’illustration. Sur la route du retour, ils se sont arrêtés à Philadelphie pour rencontrer le rédacteur en chef du Saturday Evening Post, Ben Hibbs. Immédiatement séduit par leurs propositions, Hibbs les a engagés à achever leurs travail pour une prochaine publication.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Mead Schaeffer voulait créer une série de couvertures mettent en valeur les forces armées américaines. Après une étude approfondie du sujet, il a réalisé des œuvres héroïques rendant hommage au professionnalisme et au dévouement du soldat américain. Ses images avaient aussi pour qualité de rassurer la population américaine. Dans le Saturday Evening Post, du 20 février 1943, on retrouve les peintures de Mead Schaeffer et de Norman Rockwell. La représentation d'un parachutiste en action réalisée par Mead Schaeffer apparait sur la couverture, tandis que la première illustration de Norman Rockwell intitulée « Quatre Libertés, Freedom of Speech », est reproduite à l'intérieur.</SPAN></SPAN></DIV></div>
HTMLText_47AE4E2A_A42F_AEC2_41D4_4254C8017548.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Raconté par :</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Directrice Adjointe et Conservatrice en Chef au Musée Norman Rockwell</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">La Seconde Guerre mondiale a beaucoup inspiré les caricaturistes politiques. Parmi eux, Boris Artzybasheff qui a immigré aux États-Unis à l'âge de 20 ans. Il arrivait de Russie, avec seulement 17 cents en poche. Cet illustrateur était connu pour le don qu’il avait d’animer des objets, comme on peut le voir ici avec des croix gammées.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Pendant la guerre, il travailla auprès des services en charge de la guerre psychologique. Il apporta aussi sa contribution aux magazines </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Life, Fortune</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> et </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Time</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, pour lesquels il a produit plus de 200 couvertures. Le Sabbat de la Sorcière, publié dans le magazine </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Life</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> en 1942, caricaturait Heinrich Himmler, Hermann Goring et Joseph Goebbels, leaders du parti nazi, en leur donnant l’apparence de croix gammées.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Boris Artzybasheff comme d'autres artistes politiques de l'époque ont proposé une approche différente de celle de Norman Rockwell.</SPAN></SPAN></DIV></div>
HTMLText_BC3743FE_3392_E456_41A0_176F2BF33CA3.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Raconté par :</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Directrice adjointe / conservatrice en chef au Norman Rockwell Museum</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Liberté de culte </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">représenta un vrai défi pour Rockwell car la religion était pour lui un sujet profondément personnel, voire délicat. Il voulait peindre une image transmettant des valeurs d’unité malgré les différences, diffusant la vision d’un monde sans discriminations religieuses.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Son projet initial représentait une scène chaleureuse dans un salon de coiffure de campagne, un barbier s’occupant d’un homme juif pendant qu’un prêtre catholique et un afro-américain attendaient leur tour. Mais alors qu’il apportait la touche finale à son tableau, Rockwell trouva son approche trop stéréotypée et peu satisfaisante. Il abandonna donc ce travail et en recommença un autre.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">La peinture que nous connaissons aujourd’hui se concentre plus sur l’acte de prière que sur la religion, et présente huit visages de profil dans un champ visuel réduit. Les visages représentent des personnes de différentes croyances, dans un moment de recueillement. L’image est peinte dans des tons monochromatiques afin de donner à l’ensemble une impression d’inclusion et d’unité.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rockwell pensait que dans une peinture, la position et la gestuelle des mains sont secondaires par rapport à l’expression des visages. Liberté de culte est une illustration de ce principe. Les mots « Chacun selon les principes de sa propre conscience » reflètent ce que Rockwell pensait de la religion. Lorsqu’on lui demandait où il avait entendu cette phrase, il ne réussissait pas à s’en souvenir. Cette phrase existe en fait dans les constitutions de plusieurs états américains, et fut aussi utilisée par George Washington dans une lettre adressée à l’Église Baptiste Unifiée de l’état de Virginie, en 1789.</SPAN></SPAN></DIV></div>
HTMLText_62C672A4_339A_D626_41C1_FA3665D343E7.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Raconté par:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Directrice Adjointe / Conservatrice en Chef au Musée Norman Rockwell</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Le tableau </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>« Liberté (de vivre) à l’Abri du Besoin »</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> n'a pas été aussi difficile à concevoir que les peintures précédentes de Norman Rockwell sur la Liberté d’expression et la liberté de culte. Inspirée par la cérémonie de Thanksgiving, cette peinture en est devenue un des symboles.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Dans cette scène familiale on reconnaît divers personnages qui servaient de modèles à l’artiste, mais aussi des voisins et des membres de sa famille. Au second plan, madame Thaddeus Wheaton, la cuisinière de la famille, apporte une dinde de fête et sur la droite, sont peintes Mary Barstow Rockwell, la femme de l'artiste, et Nancy Hill Rockwell, sa mère.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Liberté (de vivre) à l’Abri du Besoin a été publié en même temps qu’un essai du romancier et poète Carlos Bulosan, un philippin peu connu, qui a émigré aux Etats-Unis et a témoigné de son mal-être persistant. Contrepoint aux représentations douces des peintures de Norman Rockwell, l'essai de Carlos Bulosan envisageait une société nouvelle dans laquelle les exclus, les travailleurs agricoles migrants, les syndicalistes, les ouvriers, les victimes afro-américaines de la ségrégation, les immigrants asiatiques et latinos, auraient droit à la liberté.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Sur le plan artistique, ce tableau est un exemple de la maîtrise de la représentation de la texture dans l'art, y compris la lueur de la porcelaine blanche sur la nappe blanche et la transparence de l'eau dans les verres.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell, optimiste par nature, avait ici des doutes. Avait-il eu raison de peindre une dinde aussi grosse quand une grande partie de l'Europe était affamée, envahie et déportée. Si des critiques s’expriment sur la surabondance de nourriture sur cette image, elles notent aussi que cette peinture met en valeur la famille, la convivialité et la sécurité, et elles étaient d’accord pour dire que l'abondance était la meilleure réponse à la notion de besoin.</SPAN></SPAN></DIV></div>
HTMLText_9B1B8DDE_CA1A_E98D_41E8_2644445ADA0F.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Ralph Fabri (1894–1975)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Four Freedoms</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Library of Congress: Prints and Photographs Division, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Washington, D.C., LC-USZ62-87998</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">In an effort to support the U.S. involvement in the war, artists who were not employed by the federally funded WPA joined together in 1942 to form Artists for Victory, Inc. This non-profit group, comprised of over 10,000 artists, adopted the philosophy of President Roosevelt’s address asserting the necessity of American involvement in the war. Artists for Victory worked to connect government, industry, and businesses with artists to create visual material on behalf of the war effort. The designation of four days, in September 1943, as Four Freedoms Days, spurred Artists for Victory to form their own Four Freedoms Campaign. This included </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>America in the War</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, a national printmaking competition that resulted in an exhibition seen at museums nationwide.  Included was Ralph Fabri’s </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Four Freedoms</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, an etching illustrating Roosevelt’s ideals for world peace. A renowned etcher, Fabri was an active member of Artists for Victory and served as head of its Graphic Arts Committee in 1945.</SPAN></SPAN></DIV></div>
HTMLText_9BE13953_CA1E_B69A_41E0_3ED3E5EB1D2F.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Richard Floethe (1901–1988)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Liberator</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Serigraph published on the cover of Art News</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Library of Congress: Prints and Photographs Division, Washington, D.C., LC-USZ62-87998</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Born in Germany, Richard Floethe was educated at the Bauhaus and immigrated to the United States in the late 1920s. One of America’s most prominent graphic artists and book illustrators, his artworks, like </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Liberator</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, employ a poster aesthetic to deliver powerful messages. In this work, a flag inscribed with the Four Freedoms pierces a Nazi helmet, and a soldier greets a prisoner amid the ruins of war.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_94A4735B_565B_00BC_41D5_F380BFD82E38.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Richard Morrison</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Correspondence to Norman Rockwell regarding </I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Speech</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">February 20, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Handwritten letter on </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>US Army Air Corps, Maxfield, Alabama</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> letterhead</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">This New England serviceman’s letter takes issue with Rockwell’s composition but ultimately expresses appreciation for his choice of a town meeting as emblematic of American democracy and freedom of speech.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_941AD57E_56A5_0374_41D0_994DB8322125.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Roderick Stephens</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Correspondence to Norman Rockwell regarding interracial relations </I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>and the power of The Four Freedoms</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, July 12, 1943 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Typewritten two-page letter on </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Bronx Inter-Racial Conference letterhead</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Roderick Stephens, chairman of the Bronx Inter-Racial Conference in New York City, wrote Rockwell a number of letters entreating him to address the subject of interracial relations in a series of paintings as powerful as the </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Four Freedoms.</I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_ADAB757D_C698_DB19_41C5_ED8697E702D0.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Roy Wilkins (1901-1981)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Letter to Norman Rockwell relating to his member ship in the NAACP</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">October 9, 1963</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Roy Wilkins was a prominent civil rights activist from the 1930s to the 1970s. Most notable was his leadership of the National Association for the Advancement of Colored People (NAACP). He served as Executive Secretary from 1955 to 1963, and as Executive Director from 1964-1977. In this letter, Wilkins thanks Rockwell for his contribution as a life member of the organization. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_679913C4_66F6_A66C_41A2_6E5C51EAFE9A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Samuel Rosenman</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Rosenman’s Draft of Peroration -</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Annual Message to Congress (Four Freedoms Speech), 1941</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Franklin D. Roosevelt Library and Museum, Hyde Park, NY</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">On New Year’s Day 1941, Franklin D. Roosevelt and his speech writing team were at work on the fourth draft of the upcoming Message to Congress, which was just five days away. The president’s aide, Samuel Rosenman, later recalled that the president suddenly exclaimed that he had come up with a powerful conclusion (or peroration) for the speech. As the speech writers waited respectfully, Roosevelt leaned back in his chair, gathering his words. He then slowly recited the passage that would forever be known as the Four Freedoms. Rosenman had his yellow legal pad ready, capturing the famous phrasing in his carefully written notes.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_D05708CC_566F_0194_41D3_5E61B0178433.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Scott Faron</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Correspondence to Norman Rockwell, re: </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Four Freedoms</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> Symphony,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">September 10, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Typewritten letter on </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> letterhead</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, RC.2007.18.1.67d</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Inspired by Rockwell’s </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Four Freedoms</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> paintings, Robert Russell Bennett’s symphony premiered on September 26, 1943, on the General Motors Symphony Hour. Performed on a radio broadcast by the NBC Symphony Orchestra, Bennett’s music brought national attention to President Roosevelt’s ideals.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_E88DC0DA_56ED_01BC_41AC_D978C8479E70.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>T. C. Upham</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Correspondence to Norman Rockwell regarding </I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Four Freedoms</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">February 25, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Typewritten letter on </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Cape Theater</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> letterhead </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Not all of Rockwell’s correspondents admired the Four Freedoms. T.C. Upham, a Cape May, New Jersey theater director, succinctly enumerated his disdain for nearly every aspect of Freedom of Worship.</SPAN></SPAN></DIV></div>
HTMLText_1EA211C5_5D3E_5B32_41D6_410FE223A50C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>The Life of Franklin D. Roosevelt, 32nd President of the United States, 1943</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Comic book published by the Office of War Information,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital Scan</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The National Archives at College Park, Maryland </SPAN></SPAN></DIV></div>
HTMLText_1EA3D1C4_5D3E_5B32_41D2_5F641A34DEEE.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>The Life of Franklin D. Roosevelt, 32nd President of the United States,</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>1943</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Comic book published by the Office of War Information,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">U.S. Government Printing Office Ink on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">This sixteen page comic about the life and career of Franklin D. Roosevelt portrayed him as rugged and determined, and was designed to support the president’s vision and ideals.  In order to garner support with the nation's allies abroad, this comic book was translated into a number of languages for broader distribution worldwide.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_AA369FC8_AB64_B043_41D9_51195BC61B3E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Theo Matejeko (1893–1946)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Achtung Spione—Vorsicht bei Gesprächen! </I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>(Attention Spies Beware of Conversations!)</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1939</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Poster</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For both Allied and Axis powers, posters were one of the most prevalent means of communicating propaganda messages to citizens during World War II. Because they were inexpensive to design and print, posters could reach a wide audience, conveying emotions of fear and suspicion. Austrian illustrator Theo Matejko gives a warning to soldiers to think before they speak out to loud: spies are everywhere.</SPAN></SPAN></DIV></div>
HTMLText_9E9070ED_A96C_705D_41DC_73F124BEBF5F.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Thomas Lea (1907–2001)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>That 2,000 Yard Stare</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1945</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Illustration for Peleliu, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Tom Lea Paints Island Invasion, Life</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">June 11, 1945</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Life Collection of Art WWII, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">US Army Center of Military History, Fort Belvoir, Virginia</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">This painting was inspired by Tom Lea’s experiences as an artist and war correspondent with the First Marine Division in the battle of Peleliu, Palau, in September 1944. It portrays a war-weary soldier whom Lea met after the fight on Bloody Nose Ridge, one of Japan’s most staunchly defended redoubts on the western Pacific island. The “two-thousand-yard stare” describes the appearance of soldiers who have been forced to detach themselves from the trauma of their experiences with violent combat. After Lea’s painting was published in </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Life</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, the image became synonymous with the phrase and the residual effects of war on the human psyche.</SPAN></SPAN></DIV></div>
HTMLText_1079ECE5_6C9D_57E9_41D3_9087343C1FBA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Toni Frissell (1907-1988)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Tuskegee Airmen at Ramitelli, Italy</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, March 1945</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Library of Congress Prints and Photographs Division, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Washington, D.C. 20540 USA, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">LC-DIG-ppmsca-13259</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For many Americans, the freedoms that President Roosevelt outlined in his January 1941 Address to Congress were aspirational rather than a reality. When the United States entered World War II in December of that year, racial segregation permeated every aspect of American society. African Americans who volunteered or were drafted for duty were assigned to segregated divisions and often given combat support roles. Civil rights organizations pressed the government to provide equal training and placements for black soldiers, but segregation in the armed forces remained official policy until 1948. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">These efforts gained limited traction, but beginning in March 1941, African American pilots were trained as a part of the Army Air Force at a segregated air base in Tuskegee, Alabama, and many saw action. This photograph is one of hundreds taken by Toni Frissell, a female fashion photographer who volunteered her services during the war. Her moving portrayals of military women and Tuskegee Airmen in the elite 332nd Fighter Group encouraged public support for women and African Americans in the military. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Tuskegee Airmen were commanded by Col. Benjamin O. Davis Jr., who became the first three-star general in the Air Corps. The group earned more than 744 Air Medals and Clusters, and more than one hundred Flying Crosses, fourteen Bronze Stars, eight Purple Hearts, a Silver Star, and a Legion of Merit. Seen here in the front row, left to right: unidentified airman; Jimmie D. Wheeler (with goggles); Emile G. Clifton (cloth cap). Standing left to right: Ronald W. Reeves (cloth cap); Hiram Mann (leather cap); Joseph L. "Joe" Chineworth (wheel cap); Elwood T. Driver;  and Edward "Ed" Thomas (partial view); Woodrow W. Crockett (wheel cap).</SPAN></SPAN></DIV></div>
HTMLText_D761EA2E_56E5_0094_41D2_33D410F0C5B6.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>U.S. Treasury Department and </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B><I>Saturday Evening Post</I></B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B> Four Freedoms War Bonds Show Booklet</B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1944</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Sponsored by WM. Filene’s Sons Company </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Booklet</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gift of John F. Butler</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_4FC42924_6493_8847_41C8_2306F79530B7.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Unidentified photographer</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Eleanor Roosevelt and the United Nations Declaration of Human Rights, Lake Success, New York</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, November 1949</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">National Archives and Records Service. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Office of Presidential Libraries, Franklin D. Roosevelt Library</SPAN></SPAN></DIV></div>
HTMLText_67677A46_6659_666D_41BE_31F2DBFD1255.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>United States. Army. Signals Corps</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Transfer of the evacuees from the Assembly Centers to War Relocation Centers was conducted by the Army / Signal Corps U.S. Army</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1942</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital reproduction.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Library of Congress Prints and Photographs Division </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Washington, D.C. 20540 USA</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">This photograph documents the transfer of internees from the Assembly Center at Santa Clara to concentration camps called War Relocation Centers. Though families were not generally separated, Roosevelt’s Executive Order 9066 allowed regional military commanders “to designate military areas from which any or all persons may be excluded,” forcibly removing people from their homes and the lives that they had known. Here, families identify their hand baggage prior to departure. More than 120,000 would be incarcerated in ten concentration camps; two thirds were American citizens and one third were children. </SPAN></SPAN></DIV></div>
HTMLText_14148F0A_1544_AC50_41A7_3B4370CA84A5.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Universal Declaration of Human Rights</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Preamble</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Whereas recognition of the inherent dignity and of the equal and inalienable rights of all members of the human family is the foundation of freedom, justice and peace in the world,</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Whereas disregard and contempt for human rights have resulted in barbarous acts which have outraged the conscience of mankind, and the advent of a world in which human beings shall enjoy freedom of speech and belief and freedom from fear and want has been proclaimed as the highest aspiration of the common people,</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Whereas it is essential, if man is not to be compelled to have recourse, as a last resort, to rebellion against tyranny and oppression, that human rights should be protected by the rule of law,</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Whereas it is essential to promote the development of friendly relations between nations,</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Whereas the peoples of the United Nations have in the Charter reaffirmed their faith in fundamental human rights, in the dignity and worth of the human person and in the equal rights of men and women and have determined to promote social progress and better standards of life in larger freedom,</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Whereas Member States have pledged themselves to achieve, in cooperation with the United Nations, the promotion of universal respect for and observance of human rights and fundamental freedoms,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Whereas a common understanding of these rights and freedoms is of the greatest importance for the full realization of this pledge,</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Now, therefore,</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The General Assembly,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Proclaims this Universal Declaration of Human Rights as a common standard of achievement for all peoples and all nations, to the end that every individual and every organ of society, keeping this Declaration constantly in mind, shall strive by</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">teaching and education to promote respect for these rights and freedoms and by progressive measures, national and international, to secure their universal and effective recognition and observance, both among the peoples of Member States themselves and among the peoples of territories under their jurisdiction.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article I</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All human beings are born free and equal in dignity and rights. They are endowed with reason and conscience and should act towards one another in a spirit of brotherhood.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article 2</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Everyone is entitled to all the rights and freedoms set forth in this Declaration, without distinction of any kind, such as race, colour, sex, language, religion, political or other opinion, national or social origin, property, birth or other status. Furthermore, no distinction shall be made on the basis of the political, jurisdictional or international status of the country or territory to which a person belongs, whether it be independent, trust, non-self-governing or under any other limitation of sovereignty.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article 3</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Everyone has the right to life, liberty and the security of person. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article 4</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No one shall be held in slavery or servitude; slavery and the slave trade shall be prohibited in all their forms.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article 5</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No one shall be subjected to torture or to cruel, inhuman or degrading treatment or punishment.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article 6</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Everyone has the right to recognition everywhere as a person before the law. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article 7</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">All are equal before the law and are entitled without any discrimination to equal protection of the law. All are entitled to equal protection against any discrimination in violation of this Declaration and against any incitement to such discrimination.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article 8</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Everyone has the right to an effective remedy by the competent national tribunals for acts violating the fundamental rights granted him by the constitution or by law.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article 9</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No one shall be subjected to arbitrary arrest, detention or exile. Article 10</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Everyone is entitled in full equality to a fair and public hearing by an independent and impartial tribunal, in the determination of his rights and obligations and of any criminal charge against him.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article 11</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1.	Everyone charged with a penal offence has the right to be presumed innocent until proved guilty according to law in a public trial at which he has had all the guarantees necessary for his defence.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">2.	No one shall be held guilty of any penal offence on account of any act or omission which did not constitute a penal offence, under national or international law, at the time when it was committed. Nor shall a heavier</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">penalty be imposed than the one that was applicable at the time the penal offence was committed.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article 12</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">No one shall be subjected to arbitrary interference with his privacy, family, home or correspondence, nor to attacks upon his honour and reputation. Everyone has the right to the protection of the law against such interference or attacks.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article 13</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1.	Everyone has the right to freedom of movement and residence within the borders of each State.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">2.	Everyone has the right to leave any country, including his own, and to return to his country.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article 14</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1.	Everyone has the right to seek and to enjoy in other countries asylum from persecution.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">2.	This right may not be invoked in the case of prosecutions genuinely arising from non-political crimes or from acts contrary to the purposes and principles of the United Nations.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article 15</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1.	Everyone has the right to a nationality.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">2.	No one shall be arbitrarily deprived of his nationality nor denied the right to change his nationality.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article 16</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1.	Men and women of full age, without any limitation due to race, nationality or religion, have the right to marry and to found a family. They are entitled to equal rights as to marriage, during marriage and at its dissolution.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">2.	Marriage shall be entered into only with the free and full consent of the intending spouses.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">3.	The family is the natural and fundamental group unit of society and is entitled to protection by society and the State.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article 17</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1.	Everyone has the right to own property alone as well as in association with others.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">2.	No one shall be arbitrarily deprived of his property.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article 18</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Everyone has the right to freedom of thought, conscience and religion; this right includes freedom to change his religion or belief, and freedom, either alone or in community with others and in public or private, to manifest his religion or belief in teaching, practice, worship and observance.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article 19</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Everyone has the right to freedom of opinion and expression; this right includes freedom to hold opinions without interference and to seek, receive and impart information and ideas through any media and regardless of frontiers.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article 20</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1.	Everyone has the right to freedom of peaceful assembly and association.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">2.	No one may be compelled to belong to an association.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article 21</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1.	Everyone has the right to take part in the government of his country, directly or through freely chosen representatives.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">2.	Everyone has the right to equal access to public service in his country.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">3.	The will of the people shall be the basis of the authority of government; this will shall be expressed in periodic and genuine elections which shall be by universal and equal suffrage and shall be held by secret vote or by equivalent free voting procedures.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article 22</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Everyone, as a member of society, has the right to social security and is entitled to realization, through national effort and international co-operation and in accordance with the organization and resources of each State, of the economic, social and cultural rights indispensable for his dignity and the free development of his personality.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article 23</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1.	Everyone has the right to work, to free choice of employment, to just and favourable conditions of work and to protection against unemployment.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">2.	Everyone, without any discrimination, has the right to equal pay for equal work.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">3.	Everyone who works has the right to just and favourable remuneration ensuring for himself and his family an existence worthy of human dignity, and supplemented, if necessary, by other means of social protection.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">4.	Everyone has the right to form and to join trade unions for the protection of his interests.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article 24</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Everyone has the right to rest and leisure, including reasonable limitation of working hours and periodic holidays with pay.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article 25</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1.	Everyone has the right to a standard of living adequate for the health and well-being of himself and of his family, including food, clothing, housing and medical care and necessary social services, and the right to security in the event of unemployment, sickness, disability, widowhood, old age or other lack of livelihood in circumstances beyond his control.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">2.	Motherhood and childhood are entitled to special care and assistance. All children, whether born in or out of wedlock, shall enjoy the same social protection.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article 26</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1.	Everyone has the right to education. Education shall be free, at least in the elementary and fundamental stages. Elementary education shall be compulsory. Technical and professional education shall be made generally available and higher education shall be equally accessible to all on the basis of merit.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">2.	Education shall be directed to the full development of the human personality and to the strengthening of respect for human rights and fundamental freedoms. It shall promote understanding, tolerance and friendship among all nations, racial or religious groups, and shall further the activities of the United Nations for the maintenance of peace.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">3.	Parents have a prior right to choose the kind of education that shall be given to their children.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article 27</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1.	Everyone has the right freely to participate in the cultural life of the community, to enjoy the arts and to share in scientific advancement and its benefits.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">2.	Everyone has the right to the protection of the moral and material interests resulting from any scientific, literary or artistic production of which he is the author.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article 28</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Everyone is entitled to a social and international order in which the rights and freedoms set forth in this Declaration can be fully realized.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article 29</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">1.	Everyone has duties to the community in which alone the free and full development of his personality is possible.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">2.	In the exercise of his rights and freedoms, everyone shall be subject only to such limitations as are determined by law solely for the purpose of securing due recognition and respect for the rights and freedoms of others and of meeting the just requirements of morality, public order and the general welfare in a democratic society.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">3.	These rights and freedoms may in no case be exercised contrary to the purposes and principles of the United Nations.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Article 30</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Nothing in this Declaration may be interpreted as implying for any State, group or person any right to engage in any activity or to perform any act aimed at the destruction of any of the rights and freedoms set forth herein.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_B3096945_CA36_96FE_41DB_834B78AFAE96.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Unknown Artist</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Choice</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1944</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Advertising illustration for General Electric, Schenectady, NY</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, March 18, 1944 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tearsheet</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">During World War II, many corporations created patriotic advertisements in support of the war effort. In </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Choice</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, General Electric promotes the sale of war bonds and reminds the public that “when victory is won, the kind of America we have fought and worked to preserve must be a country in which every man and woman, and every boy and girl, will have freedom of choice in even greater measure.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_B45A68AA_CA3E_978A_41E1_28989ED057C3.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Unknown Artist</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Wings Over the World: Mankind Must Resolve to Make This the Last War</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Advertisement for Pan American Airlines, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Life</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">September 21, 1942</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">May 13, 1944</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">This Pan American Clippers advertisement pairs the words of the Chinese philosopher, essayist, and diplomat Dr. Hu Shih with an illustration of a mother and child to ask: “What kind of future are we fighting for?”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_E2295642_6CBA_F21A_41C4_413F3603D9DD.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Unknown Cinematographer</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Child survivors of Auschwitz, wearing adult-size prisoner jackets, stand behind a barbed wire fence</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1945</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital reproduction from film still</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">United States Holocaust Memorial Museum, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">courtesy of Belarusian State Archive of Documentary Film and Photography</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Soviet film about the liberation of Auschwitz was shot over a period of several months beginning on January 27, 1945, the day of liberation. It consists of both staged and unrehearsed footage of Auschwitz survivors taken in the first hours and days of their liberation, as well as scenes of their evacuation, which took place weeks or months later. The film includes the first inspection of the camp by Soviet war crimes investigators, as well as the initial medical examination of the survivors by Soviet physicians. It also records the public burial ceremony that took place on February 28, 1945 for Auschwitz victims who died just before and after the liberation. Eighteen minutes of the film was introduced as evidence at the International Military Tribunal in Nuremberg. Another segment of the film disappeared for forty years before resurfacing in Moscow in 1986.</SPAN></SPAN></DIV></div>
HTMLText_E7AE29FE_56E7_0374_4198_87011F57BC04.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Unknown Photographer </B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Burning &amp; Wrecked Autos. Rioters Running from Tear Gas. </I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Burning Car on Woodward near Stimpson. </I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>A car turned on its side, burns in front of the Mayfair Theatre in Detroit, </I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Michigan during race riots</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, June 21, 1943.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Detroit News Collection; Riots: Detroit: Race Riots, 1943. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">June 21, 1943</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Before its premier in the landmark Hudson’s department store in Detroit on September 27, 1943, the Four Freedoms War Bonds Show had already been to Washington, Philadelphia, New York, Boston, Buffalo, Rochester, and Pittsburgh. The huge parade that opened the Hudson’s show also presented a platform for Detroit to explore what the postwar world should look like just three months after the deadly race riots of June. Among the military service groups, marching bands, political dignitaries, and women’s auxiliaries was an organization called the Inter-racial Group.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Formed in the days following the riots, the group was one part of a seven-point set of actions called for by R. J. Thomas, the president of the UAW–CIO. Responding to Thomas’s call, Circuit Judge Ira W. Jayne addressed a mixed group of prominent African-American and white citizens, calling on them to form a committee that would work for racial harmony to prevent a repeat of the riots. In calling for the group to be officially recognized by the city, Jayne specifically referenced “freedom from fear” as motivation for a broad-based movement against the forces of hatred that plagued the city, nation and world. The presence of this group in the Four Freedoms parade was an important statement in this highly segregated, racially tense city. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">As seen here, tensions came to a head on June 20, 1943, when fights between gangs of white and African-American youth erupted on the bridge to Belle Isle, a popular Detroit park. Thirty-four people were killed and 433 injured, with African-Americans making up over 75% of the casualties.</SPAN></SPAN></DIV></div>
HTMLText_F2B08E1F_56E5_00B4_41A3_871C9DCA3AEB.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Unknown Photographer </B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Norman Rockwell interacting with fans </I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>at Hecht’s Department Store, Washington, DC, </I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>inaugural stop of the Four Freedoms War Bond Tour</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Photograph</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">At the inaugural stop of the Four Freedoms War Bond Tour at Hecht’s Department Store in Washington, DC, Rockwell spoke with fans and autographed war bond covers. He was accompanied by other guest celebrities such as Dale Carnegie, author of </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>How to Win Friends and Influence People</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, and Bob Ripley, creator of </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Ripley’s Believe It or Not! </I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">More than half of the war bonds purchased at Hecht’s were in $25 denominations, inspiring one columnist to comment that</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">it was the “man of ordinary means who responded to the appeal of the display that attracted thousands daily.”</SPAN></SPAN></DIV></div>
HTMLText_F23DF9DE_56E7_03B4_41C5_92F1E67D28DC.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Unknown Photographer </B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Norman Rockwell signing Four Freedoms prints </I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>at Hecht’s Department Store,</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Four Freedoms War Bonds Show, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Washington, D.C., 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Photograph</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_E719BC5D_56EB_00B4_41CE_CC43AB8C26A1.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Unknown Photographer </B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Norman Rockwell speaking at Hecht’s Department Store, </I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Four Freedoms War Bonds Show</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Washington, D.C., 1943 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Photograph</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_F2F3BE91_56ED_018C_41D2_DC04304BAEED.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Unknown Photographer </B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Woman posing in front of Freedom of Speech</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Hecht’s Department Store, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Four Freedoms War Bonds Show, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Washington, D.C., 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Photograph</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_A1B5B583_6C77_D615_41CC_E26CC15FC0D0.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Unknown Photographer</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>1939 World’s Fair Four Freedoms Sculptures by Leo Friedlander</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1939 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New York World’s Fair 1939-1940 Records; </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Manuscripts and Archives Division, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">New York Public Library; </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Astor, Lenos, and Tilden Foundations</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">President Roosevelt had a growing preoccupation with notions of freedom in the late 1930s, as articulated in the First Amendment of the Bill of Rights—Speech, Press, Religion, and Assembly. These were portrayed in artist Leo Friedlander’s sculptures for the 1939 World’s Fair at Flushing Meadows, New York. Roosevelt presided over the opening of that World’s Fair, and is known to have had off-the-record conversations about various types of freedom in the summer of 1940.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_67B8AE66_6637_FE2D_41D0_479818C52607.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Unknown Photographer</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>President Roosevelt and Prime Minister Winston Churchill aboard the “HMS Prince of Wales” during the Atlantic Conference in Placentia Bay, Newfoundland</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, August 10, 1941</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Franklin D. Roosevelt Library and Museum, Hyde Park, NY.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The secret meeting near the coast of Newfoundland between President Franklin D. Roosevelt and Prime Minister Winston Churchill was risky for both men. For Churchill, it was a safety risk, forcing him to cross Atlantic waters that were under constant patrol by German U-boats. For Roosevelt, the risk was political. The United States was not at war in August 1941, and vocal isolationists were insistent on maintaining American neutrality. By signing a document of mutual aims with the United Kingdom’s leadership, the president was arguably bringing his country several steps closer to direct involvement in the war. In addition to Roosevelt and Churchill, Harry Hopkins, W. Averell Harriman, Ernest King, George Marshall, General Dill, Admiral Starck and Admiral Pound are seen here.</SPAN></SPAN></DIV></div>
HTMLText_D583C3C4_6C8A_B213_41D4_09D634D3343A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Unknown Photographer</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Soviet Forces in Helsinki, Finland</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">November 30, 1939</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Soviet Union military forces attacked Finland in November 1939, commencing with air raids on Helsinki, after Finland rejected the Soviet demand for military bases on its territory.</SPAN></SPAN></DIV></div>
HTMLText_9A6E4D0C_4203_5FB7_41C0_E52E40270FDA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Unknown Photographer</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell standing in front of his painting Freedom of Speech at Hecht’s Department Store, Washington, DC, inaugural stop of the Four Freedoms War Bond Tour, 1943 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Photograph</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1943 Norman Rockwell Family Agency. All rights reserved</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">When </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Saturday Evening Post’</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">s publication of Rockwell’s</SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I> Four Freedoms</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> images proved to strike a chord with millions of Americans, the US Treasury Department recognized a golden opportunity. Partnering with the </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, the Treasury’s War Finance Division organized a traveling exhibition.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Starting in Washington, DC, the four original paintings and numerous other artifacts and works of art made their way across the country, appearing in sixteen major cities in order to publicize the importance of purchasing war bonds and stamps. Although Rockwell himself only appeared at Hecht’s Department Store in Washington, DC, the first stop, the tour raised over $133 million in war bond sales.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_AA3CF6D8_AB64_7043_41E2_FA82A01917E6.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Unknown artist</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Yudan Taiteki </I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>(Overconfidence can be a Great Enemy)</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, c. 1942 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Poster</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_BE581497_3DF9_91A9_41CE_3F6F962C4238.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Unknown photographer</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Women Factory Workers Naomi Parker and Frances Johnson,</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Alameda Naval Air Station, March 26, 1942 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Bettmann/Getty Images</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The juxtaposition of women and industrial settings proved irresistible for many media outlets in the early years of the war effort. Naomi Parker (foreground) and Frances Johnson were among the first women to work in the machine shop at the Alameda Naval Air Station near San Francisco, and appear in this press photo emphasizing safety gear. The pair seem competent and comfortable amid the machinery— qualities that the government campaign was eager to publicize as male laborers departed for military service. Women were required to wear “slack suits, heavy shoes, no jewelry and turbans during work hours.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_E0D25826_B5C9_86B7_41B2_ED6C77A41CFC.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Victor Kraft (1915-1976)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Aaron Copland by candlelight, studio in the Berkshires</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, September 1946</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Aaron Copland Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Music Division, Library of Congress</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Since its premier in by the Cincinnati Symphony Orchestra on March 12, 1943, American composer Aaron Copland’s </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Fanfare for the Common Man</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> has been one of the most frequently performed works for orchestra in the world. Copeland contemplated and rejected several possible titles, including </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Fanfare for the Four Freedoms</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Fanfare of the Day of Victory</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, and </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Fanfare for a Solemn Ceremony</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">. He finally settled on </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Fanfare for the Common Man</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> because he wished to honor every person who worked toward victory during World War II, including those who were not on the battlefield. Copland is seen here at the Berkshire Music Center at Tanglewood where he taught and held administrative positions from 1940 to 1965. Woody Herman, the Rolling Stones, Styx, and Emerson, Lake &amp; Palmer have brought Copland’s fanfare forward by integrating it into their own concerts and compositions. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_DDCD764A_6CB5_5216_41CA_27063F0F722E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Wallace Morgan (1873–1948)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The suitcase was full. There were four pairs of dungarees, an overcoat, shoes, socks, and three caps marked with a swastika</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1942</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Illustration for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The Service Flag</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> by Ben Ames Williams,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Collier’s</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, December 26, 1942, p. 30 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Watercolor on board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The Eisenstat Collection of American Illustration, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Courtesy of Alice Carter and Courtney Granner</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">During World War II, many fiction and non-fiction stories were featured in American magazines, and espionage was a frequent theme. This illustration accompanied a story about a German-American mother who lost four sons in World War I, as well as her grandson, a World War II spy. Here, the woman finds clothing and explosives hidden on her property, evidently hidden there by German spies.</SPAN></SPAN></DIV></div>
HTMLText_E32E9B54_56E7_00B4_41CC_F75FC9341D8C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Walt Disney (1901–1966) </B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Correspondence to Norman Rockwell </I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>regarding The Four Freedoms</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">May 21, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Typewritten letter on </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Walt Disney</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> letterhead </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell and Walt Disney were both creative forces in American visual culture, attempting to satisfy the needs and wants of a broad popular audience. Their warm acquaintance led Rockwell to gift Disney a 1941 cover painting, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Girl Reading the Post</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">. In his thank you letter, Disney commented on Rockwell’s Four Freedoms: “I thought your Four Freedoms were great. I especially loved </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Worship</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> and the composition and symbolism expressed in it. It appealed to me very much.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_8BE9329A_B4D6_8BC7_41DB_C28D1B60EEE2.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Wesley Heyman (1918–2002)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>. . . because somebody talked!</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> 1944</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Poster illustration for the Office of War Information,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">U.S. Government Printing Office Poster</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Military secrecy was a constant theme on the American home front during World War II. Many civilians had access to sensitive information, such as troop movement destinations or factory production runs, which would have been valuable to enemy spies. Both government and corporate propagandists used posters throughout the war to dramatize the importance of information security, at times suggesting that careless</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">talk could even result in the death of a loved one on the battlefronts.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_AA3F8CBF_AB64_903C_4195_95BE34BAF066.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>Zudor</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>More Production. USA</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">., 1942</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">War Production Board, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">U. S. Government Printing Office Poster</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">American production was essential during World War II. Without it, the war would have been lost. United States factories produced over 300,000 planes, 88,000 tanks, and 1,400 war ships over the course of the war—a miraculous feat that gave the Allies a decisive advantage. Wartime posters targeting munitions workers were designed to emphasize the importance of supporting the war effort through industry.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_2A0CEA67_71BF_73F5_41D9_58AE9DFA7C37.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>[NARRATOR] </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rockwell created “New Kids in the Neighborhood” for Look in 1967. It illustrated an article on housing desegregation. Two groups of children face each other across a driveway on moving day.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>[HENNESSEY]</B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> For many kids moving is very traumatic. You come into a new neighborhood, you’ve left all your friends, you’re going to be going to a new school, you’re worried. Will there be kids my age in the neighborhood, will they like me, will I be able to play with them? …. So on many levels, this is a very universal situation. …</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">This is obviously the first African-American family moving into the neighborhood. … Rockwell is looking at … a very serious contemporary issue. But by focusing on children, I think he helps to defuse some of the tension. …</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>[NARRATOR] </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rockwell added one detail that might have been missed in the reproduction. Notice the row of houses on the top of the painting. Look carefully at the middle house. Peeking out from behind a curtain there’s a curious neighbor who may not be so pleased about this new development.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>[HENNESSEY] </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">So obviously there’s a lot more going on here than just two new groups of kids kind of checking each other out.</SPAN></SPAN></DIV></div>
HTMLText_66A21AE5_56AF_0194_41D4_DDFE2A0FA169.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>[NARRATOR] </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The day is over and this barbershop is closed. Maybe we’re just passing by on the street and glance in. Our eyes are drawn to the warm light in the back room, and the men who’ve gathered there.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The light spills out into the darkened shop, glinting off the stovepipe, the coal bucket, and picking out the dozens of meticulously rendered details that fill the room.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Anne Knutson.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>[KNUTSON] </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">It makes them just beautiful sparkling things. I think he is making a comparison between those ordinary everyday objects and the … men in the background. Although they are old they are making something beautiful in their music.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>[NARRATOR]</B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> Look at the bottom of the painting, in the right corner. Here the light points out a crack in the window, a reminder that we’re outside looking in. Originally, Rockwell simply painted the barbershop, and the musicians in the back. Only then did he decide to add the window frame and the partial lettering of the shop’s sign.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Maureen Hart Hennessey:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>[HENNESSEY]</B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> And that addition really changes the painting completely and makes it, in a sense, a much more intimate scene, even though you’re more clearly on the outside, but really focuses you through the window and into the party going on in the back room.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>[NARRATOR] </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rockwell photographed the real Shuffleton’s Barbershop in Arlington, Vermont, where he lived at the time. He said that if he tried to imagine what a barbershop looked like, he would always omit the one detail that people would be looking for.</SPAN></SPAN></DIV></div>
HTMLText_B756DC29_8377_18B4_41C5_509629897836.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>[NARRATOR]</B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> Just about everybody has to move to a new town once in a while, and it’s not much fun. You have to worry about making new friends, and how you’re going to fit in. The kids on the left side of the driveway are the new kids in the neighborhood. The kids on the right have come over to see who’s moved in.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Do you think these kids are going to become friends? I put in some clues that they might be able to be friends. See if you can find some things they might have in common.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">When I painted this, there were still lots of neighborhoods where African-American families didn’t live. But that was changing. The new kids here are probably the first African-Americans to move in on this street. Not everyone was happy about that. Look up at the houses at the top of the painting, on the left side. Look carefully at the one in the middle. In the window, there’s somebody peeking out from behind the curtain. What do you think they’ll do next?</SPAN></SPAN></DIV></div>
HTMLText_50D1B361_326E_246B_41BC_D52B19CF1084.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>[NORMAN ROCKWELL CHARACTER] </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">These four pictures are called “The Four Freedoms.” I made them after I heard a speech President Franklin Roosevelt made, back before America began fighting in World War Two. He talked about the four freedoms that all people in the world ought to be able to enjoy.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>[ROOSEVELT VOICE]:</B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> The first is freedom of speech and expression– everywhere in the world</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>[NORMAN ROCKWELL CHARACTER]</B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> Start at the poster that says “Save Freedom of Speech.” In it, you’ll see a man standing up, in a blue shirt and jacket.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">I decided to take an idea like “Freedom of Speech” — that’s hard to explain– and find a picture from regular people’s lives that would tell the story. This man is at a town meeting. I made it so we’re sitting in the benches with the other people, looking up at the man. See how his head is surrounded with a black, empty space? I wanted him to look all alone up there. He’s standing up to say something that the other people don’t agree with. But nobody’s stopping him. As an American, he has the right– the freedom–to say what he likes. And the others respect him enough to listen.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Now, look on the left side, near the middle of the painting. Find the spot where the black space comes to a point. It’s pointing right at a guy in the back row that’s just one eye and an ear. (sounding proud) That’s me.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Now, let’s move on to the next picture. It’s a group of people praying.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>[ROOSEVELT VOICE] </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">… Freedom of every person to worship God in his own way. …</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>[NORMAN ROCKWELL CHARACTER] </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">These people are all very different. There are men and women, older people and younger people, they’re different backgrounds and races, and different religions. Every hairstyle is different, and look at their hands. Some are smooth, some are really wrinkled. But–they’re all here together. And they’re all doing the same thing–praying. Each person has the right to worship in his or her own way.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Next, find the picture of a family just about to eat Thanksgiving dinner.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>[ROOSEVELT VOICE]</B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> Freedom from want… which will secure to every nation a healthy peace-time life for it’s inhabitants…</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>[NORMAN ROCKWELL CHARACTER]</B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> “Freedom from Want” is another way of saying “not needing anything.” I decided one thing everyone can’t do without is food. See how when you stand in front of the picture, it’s like you’re at the table, too? You get the best seat at the end. Look in the right corner. That man is welcoming you to the table. See how everyone in the rest of the family is leaning in from the edges of the picture. The grandma and grandpa at the top are looking down. Even the rows of glasses are leading you to look at the star of the picture—The turkey!</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Now look at the last picture, of two children in bed.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>[ROOSEVELT VOICE] </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Freedom from fear….</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>[NORMAN ROCKWELL CHARACTER] </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">“Freedom from fear” is another way to say “not being frightened.” These parents are tucking their children into bed, and it all looks pretty cozy. You might wonder what is there to be frightened about. But tilt your head a little to read what’s on the father’s newspaper. The headline is about war. “Freedom from fear” means feeling safe from harm, something every parent wants for their children.</SPAN></SPAN></DIV></div>
HTMLText_2A0FCA68_71BF_73FB_41C5_047B283CF5E8.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>[NORMAN ROCKWELL CHARACTER] </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">This is the kind of story I wish I didn’t have to tell. Can you figure out what’s going on here? The first thing you notice is the little girl. Can you tell why? One reason is the way I painted her white dress and sneakers to stand out against her dark skin. It gets our attention.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Another reason is that she’s the only person shown in full. I decided to paint the men in the painting with no heads. I did this on purpose. Imagine you could see their faces, too. You might spend time looking at them, instead. Can you read their yellow armbands? They are Deputy U. S. Marshals.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Notice how the girl and the men are all marching in the same way. They even hold their hands the same. I wanted you to get the feeling of what it would be like to walk when you’re doing something important—like being part of a ceremony or a parade.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">But, see what the girl is carrying? She’s just walking to school. By doing that she’s also doing something important. She needs these men to protect her. The reason is that she’s probably the first African-American child to go to a previously all-white school.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">What you don’t see in the picture are the crowds of people that lined the street to shout things at her. But you do see what they left behind—the words on the wall, and the tomato that was thrown. It looks like it just missed her.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">How do you think this girl feels? Does she look afraid? Lots of kids in the 1950s and 60s had to walk to school this way every morning, sometimes for weeks and weeks. They had to be very brave. It was like being a soldier in a war. And yet, all they wanted was to go to school.</SPAN></SPAN></DIV></div>
HTMLText_5060A679_7F14_0698_41B4_F4E457A95745.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>[PETER ROCKWELL] </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Across America in the nineteen-fifties and sixties, children were at the front lines of school desegregation battles. In his first illustration for Look magazine, my father was able to visualize a subject about which he felt deeply—Civil Rights.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">This schoolgirl marches in step with the Federal marshals who protect her; past a tomato splattered against the wall in a violent, blood-like splotch; past the scrawled racial slur; past the taunts of the unseen crowd that require her to be guarded. She marches on, perhaps every morning for weeks, with a stoic grace.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">The inspiration may have been a real girl in New Orleans, Ruby Bridges. Ruby was the first, and at the time, only African-American child to attend the formerly all-white William Frantz elementary school. She had to be protected on her walk to school every day. Protesting parents kept their children home and Ruby was the only child in her class for the rest of the school year.</SPAN></SPAN></DIV></div>
HTMLText_F1DDE740_B2A9_DB80_41E6_41F8EFEF48E1.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>[PETER ROCKWELL]: </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">This image tells the story of three civil rights workers murdered by members of the Ku Klux Klan in 1964. Michael Schwerner, Andrew Goodman, and James Chaney were in Philadelphia, Mississippi, when they were kidnapped and shot.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Here, we see the moment of the attack. Harsh light rakes in from the right, as if from car headlights. It illuminates an anonymous, barren landscape that might as well be the surface of the moon. Sprawled on the ground is Goodman, who is either wounded, or already dead. In the center, the bleeding Chaney collapses in the arms of Schwerner, who turns to confront the attackers. All we see of the Klansmen are their menacing shadows.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">For much of his career, my father worked on several projects at a time. But this assignment was different. For five weeks he worked on this image alone.</SPAN></SPAN></DIV></div>
HTMLText_F1DD1741_B2A9_DB80_41D7_7EBA065CD587.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>[Peter Rockwell:] </B></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Esta imagen narra la historia de tres trabajadores a favor de los derechos civiles que fueron asesinados por miembros del Ku Klux Klan en 1964. Michael Schwerner, Andrew Goodman y James Chaney se encontraban en Philadelphia, Mississippi, cuando fueron secuestrados y asesinados a tiros.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">En esta obra presenciamos el momento del ataque. Una luz intensa se filtra desde el lado derecho, como si se tratara de los faros de un automóvil. Ilumina un estéril paisaje anónimo que muy bien podría ser la superficie de la luna. Tirado sobre la tierra se encuentra Goodman, quien esta herido, o ya muerto. Al centro Chaney se desploma sangrando en los brazos de Schwerner, quien se voltea para enfrentarse a los agresores. Lo único que podemos ver de los victimarios son sus amenazadoras sombras.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Durante una gran parte de su trayectoria artística, mi padre trabajó en varios proyectos a la vez, pero este fue diferente; durante cinco semanas consecutivas trabajó exclusivamente en esta imagen. Puede obtener mayor información sobre el proceso de creación en la pared cercana.</SPAN></SPAN></DIV></div>
HTMLText_13F212DB_12DF_B5F7_41A7_A92E2626A031.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>الراوي:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>برايان آلان</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>باحث في الفنّ الأمريكي</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">بالنسبة لـ "حريّة التعبير"، تُعتبر إحدى الصور القليلة التي أنجزها روكويل وكانت مبنيّة على شيء حدث فعلا.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">كانت توجد في مقاطعة أرلينغتون مدرسة ثانوية بُنيت في عشرينات القرن الماضي، وفي سنة 1940 نشب حريق أتى على المدرسة الثانوية. لهذا كانت هنالك حاجة ملحّة في المدينة لاتخاذ قرار ببناء مدرسة ثانوية جديدة أو ارسال الأطفال إلى المدن المجاورة للالتحاق بمدارسها الثانوية. لهذا كان هنالك نشاط في المدينة من أجل تخصيص المال لبناء مدرسة ثانوية جديدة، ولقد تطلّب ذلك موافقة جمعية المدينة.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">بمشاركة أغلب المدن في فيرمونت وأغلب المدن في نيو إنجلند، يستثمر شكل الحكم المتمثل في جمعية المدينة في كلّ صاحب صوت، ويلعب كل ذي ملكية دور المشرِّع. يملك كلّ مصوّت الحق في القدوم إلى جمعية المدينة والتصويت على تخصيص المال، وفي هذه الحالة، تخصيصه لبناء مدرسة ثانوية.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">شارك "جيم إدجرتون"، الذي كان مزارعا في المدينة، في الجمعية وكان كلامه معارضا للجهود الرامية لبناء مدرسة ثانوية جديدة. كان ذلك خلال فترة الكساد التي شهدت انخفاضا في سعر السلع، وكان يدفع فواتيره كلّ شهر من خلال بيع الحليب. لم يكن فقيرا، لكنه كان يشعر بضيق الحال كغيره أثناء فترة الكساد في فيرمونت. قاده ذلك إلى أن يكون قلقا بشأن الزيادة في الضرائب.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">اللقطة التي اختارها روكويل كانت لحظة تعبير إدجرتون عمّا يجول في خاطره، وكان الناس يصغون إليه – غيره من المصوّتين والمشرّعين كانوا يصغون إليه بكلّ احترام.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">على الرغم من أنّ "جيم إدجرتون" كان هو المتحدث فعلا، إلّا أنه لم يكن الشخص الذي يبحث عنه روكويل لتجسيد فكرة أنّ لكلّ شخص صوتا مستقلّا في جمعية المدينة. لقد كان يبحث عن شخص يشبه أبراهام لينكولن، ذلك ما كان يسعى وراءه. كان يبحث عن رجل جدّ اعتيادي. لهذا استخدم "كارل هيس" كنموذج، وكان هذا الأخير يدير محطة بنزين في المدينة، وقد تمتّع بالشكل الذي كان يبحث روكويل عنه.</SPAN></SPAN></DIV></div>
HTMLText_7FD02D30_4AD4_DB8E_41D0_4A799C9B7E82.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>الراوي:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>دوغلاس ب. داود</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>أستاذ الفنون ودراسات الثقافة الأمريكية - جامعة واشنطن في ساينت لويس</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">في السنوات التي سبقت ظهور التلفزيون، كان للأمريكيين مصدران رئيسيان لاستقاء المعلومات حول الكيفية التي يعيش بها الأشخاص الآخرون حياتهم، ماذا كانوا يرتدون، كيف كانت تبدو منازلهم، وحتى الشكل الذي كانت تبدو عليه المنتجات الأساسية. كان في حوزتهم مصدران: الأفلام والمجلات. رسمت المجلات والرسامون الذين كانوا يشتغلون لفائدتها صورة عن الكيفية التي عيشت بها الحياة في المجتمع، كما أنها رسمت حياة أفضل بقليل من تلك المعيشة في المجتمع لكي تُبقي على معيار طموح عالٍ: يمكنني أن أكون كذا. يمكنني أن أحصل على ذاك. يمكنني ارتداء ذلك.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">تأتي قوتهم وقدرتهم على الإقناع من العرض المرئي، من الصنف والحروف، مرورا بالرسم، ووصولا إلى التصوير أيضا. عندما تفكّر بالأمر، فإنك إذا أزلت جميع تلك الرسومات عن المجلات، ما كان ليقرأها أحد. لطالما اعتقد الناس أنّ النشر يتعلّق دائما بالمحتوى. في الحقيقة، طريقة تعبئتها وعرضها تلعب دورا كبيرا في كيفية استجابة الناس لها.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">في تاريخ صناعة الصحف، كان يُسمّى العرض الجيّد الذي ينطوي على استخدام الطباعة بأحجام أكبر لإنشاء تسلسلات هرمية مرئية مثلا بالدعاية الذاتية، وذلك بطريقة ساخرة نوعا ما. لهذا فإنّ الأشخاص الذين كانوا مكلّفين بالمحتوى لطالما ازدروا العرض المرئي، لكن هذا الأخير لطالما كان ذا أهمية بالغة في الواقع. وقدرة تلك المطبوعات على الإقناع هي قدرة مرئيّة بالخصوص. كما أنّ صور الناس والأمور التي ينجزونها والأشياء التي يرتدونها وصورة الحياة البارزة هي من صميم جاذبيتها.</SPAN></SPAN></DIV></div>
HTMLText_DE51DC55_A4EE_7372_41D2_0B8896991587.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>الراوي:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>ستيفاني هابوش بلونكيت</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>نائب مدير / رئيسة أمناء المتحف – متحف نورمان روكويل </B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">عدّل الرسام "ميد شيفر"، الصديق المقرّب من نورمان روكويل في آرلينجتون بفيرمونت من مقاربته تجاه عمله أثناء سنوات الحرب العالمية الثانية لتلبية حاجيات زمن الحرب. فقد تخلّى عن المواضيع الرومنسية والأدبية التي كان مركزا عليها ووجّه انتباهه نحو الأشخاص والأماكن الحقيقية، محتضنا التوجّه الاخباري لجريدة "ساترداي إيفنينغ بوست" في ذلك الوقت. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">في سنة 1942 وسعيا لإشراك موهبتهما في الجهود المتعلقة بالحرب، سافر كلّ من روكويل وشيفر إلى العاصمة واشنطن مع رسومات لبعض المشاريع المقترحة وزارا العديد من الوكالات الحكومية. للأسف، حينها لم تكن هنالك أموال كافية لمشاريعهما. بعد شعورهما بشيء من الحزن، وفي طريقهما نحو العودة إلى منازلهما توقفا في فيلاديلفيا لرؤية "بين هيبس"، محرّر جريدة "ساترداي إيفنينغ بوست". تبنّى هيبس أفكارهما مباشرة وكلّف كلّيهما بتطوير رسوماتهما من أجل النشر.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">كان شيفر مصمما على تشكيل سلسلة من الأغلفة التذكارية للقوات المسلحة توضّح أعمال كلّ فرع عسكري. لقد بحث بتعمّق في مواضيعه، وصمّم أعمالا بطولية ذات مهارة فنية عالية ركّزت على مهنية وتفاني الجندي الأمريكي تحت كل الظروف. كانت صوره مطمئنة للجمهور أثناء الأوقات التي شهدت اضطرابا. في أحد إصدارات "ساترداي إيفنينغ بوست"، بتاريخ 20 فبراير 1943، تداخل رسما شيفر وروكويل فعلا. في ذلك الإصدار، ظهر تصوير شيفر القويّ لجندي من مشاة البحرية وسط المعركة على الغلاف، وظهر رسم روكويل الأول المتعلّق بالحريات الأربع، وهو حرية التعبير، داخل المجلة.</SPAN></SPAN></DIV></div>
HTMLText_18E64365_3292_646B_41C6_C27C9CA3C0CB.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>الراوي:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>ستيفاني هابوش بلونكيت</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>نائب مدير / رئيسة أمناء المتحف – متحف نورمان روكويل </B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">في هذا الغلاف بتاريخ 29 أبريل 1944 لجريدة "ساترداي إيفنينغ بوست"، يقوم رجل بالتخطيط حرفيا لمناورات حربية فيما ينصت للمذياع ويحمل في يديه العديد من الخرائط التي قد تشير إلى الأماكن التي يوجد فيها أبناؤه. تعتبر الصورة تصويرا مفصّلا عمّا قد يختبره الآباء أثناء الحرب العالمية الثانية. يمكننا أن نرى من خلال الصورة أنّ الرجل يمتلك علما به ثلاث نجمات زرقاء تشير إلى أنّ كل واحد من أبنائه مشارك في الحرب. من خلال صورهم نعرف أنّ واحدا منهم في الجيش، والثاني في البحرية، فيما يوجد الثالث في سلاح الجوية. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">إذا كان يصغي فعلا للمذياع حينها، فلعله صادف موسيقى جوقة "جلين ميلر"، أو ربما حتى برنامجا عنوانه "لا يمكنك التعامل مع هتلر"، والذي كان عبارة عن سلسلة إذاعية كتبها وأنتجها "مكتب المعلومات الحربية". واحدة من بين آلاف المسرحيات الدعائية الحكومية التي تم بثها لدعم الجهود الحربية. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">عادة ما كان روكويل يستخدم دعائم موجودة في الاستديو الخاص به في رسوماته. أحد الأشياء التي يمكننا تحديدها هنا هو كرسي وندسور الخاص بروكويل، والذي يجلس عليه الرجل. كرسي وندسور الذي ترونه هنا هو الصنف الحقيقي للكرسي الذي كان روكويل يرسم وهو جالس عليه عادة، على الرغم من إنجازه لبعض الرسومات وهو واقف. لقد كان كرسيا أخذه معه من استديو إلى آخر. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">الصورة التي ترونها هنا هي ثاني صورة صممها روكويل على أساس فكرة الاستماع إلى أخبار الحرب. الأولى كانت في الحقيقة صورة غير منشورة عمل عليها روكويل في شتاء سنة 1944، وقد اعتبرها وجريدة "ساترداي إيفنينغ بوست" غير قابلة للقراءة. نرى فيها مجموعة من الرجال مجتمعين من أجل العشاء، وعلى الرغم من أن ملامحهم تظهر أنهم منتبهون، إلّا أنه لا يمكننا التأكّد ممّا يصغون إليه تحديدا. إذا ما نظرنا عن قرب، في الجزء العلوي الأيمن للصورة، هنالك ضوء متوهج صادر عن المذياع المشتغل. بصفته رساما لجريدة كثيرة الإصدار، كان على روكويل أن يحكي قصته بسرعة، ووجب على صورته أن تجذب جمهورا واسعا جدّا. في هذه الحالة، تعتبر "أخبار الحرب" صورة جميلة، لكنها تعجز عن التواصل بفعالية بالطريقة التي كان روكويل يأمل أن تفعل، لهذا اختار التخلّي عن هذه الطريقة في الإخبار بالقصّة. </SPAN></SPAN></DIV></div>
HTMLText_B9168B3F_3386_3622_41AC_622277952173.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>الراوي:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>ستيفاني هابوش بلونكيت</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>نائب مدير / رئيسة أمناء المتحف – متحف نورمان روكويل</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">تمّ رسم "التحرر من الخوف" في الوقت الذي كانت فيه أوروبا تحت الحصار، وهو ما كشف عنه عنوان الجريدة التي يمسك بها الأب في يده. كانت نيّة روكويل هي نقل فكرة أنّه يجدر بجميع الآباء أن يكونوا قادرين على وضع أبنائهم في السرير كلّ ليلة مع ضمان سلامتهم. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">هنا يظهر الأب والأمّ وهما يتفحصان طفليهما النائمين، فيما تكشف اللمسات الجميلة عن قصّة حياة مريحة لعائلة من طبقة متوسّطة. توجد صور وملابس وألعاب في غرفة نوم الطفلين بينما يتشاركان سريرا واحدا. يصدر ضوء دافئ من الطابق الأوّل لمنزلهم، وهو ما يشير إلى أنّ هذه العائلة قد حققت بعض الاكتفاء المالي والحلم الأمريكي. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">على الرغم من أنّ روكويل لم يكن يعتبر "التحرر من الخوف" صورة قوية بالخصوص، إلّا أنها بقيت ذات صلة واستُشهد بها جوابا على العديد من الأحداث العالمية البارزة. بعد أحداث الحادي عشر من سبتمبر، نشرت صحيفة "نيويورك تايمز" صورة "التحرر من الخوف" على صفحتها الرئيسة مع استبدال ترويسة روكويل بعبارة تحيل إلى الهجمات في نيويورك والعاصمة واشنطن وبنسلفانيا.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">كجواب على أعمال الشغب الناجمة عن العنف العرقي في أرجاء البلاد، أعاد الكثير من الفنانين تأويل "التحرر من الخوف"، إلى جانب الرسم الشهير "المشاكل التي نعيش معها جميعا" تعبيرا عن تلك الأحداث والانشغالات المعاصرة.</SPAN></SPAN></DIV></div>
HTMLText_428FC8EC_6EBD_90F4_41B0_33CA17E28D2D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>الراوي:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>ستيفاني هابوش بلونكيت</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>نائب مدير / رئيسة أمناء المتحف – متحف نورمان روكويل</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">غلاف جريدة "ساترداي إيفنينغ بوست" لنورمان روكويل بتاريخ 1 أبريل 1961 المُعنون بـ "القاعدة الذهبية" بدأ كرسمٍ في الواقع. سنة 1952 وفي عزّ الحرب الباردة وبعد سنتين من الحرب الكورية، صمّم روكويل صورة لـ "الأمم المتحدة" على أنها أمل العالم للمستقبل. إعجابه بالمنظمة ومهمتها ألهمه لإنجاز عمل معقّد يصوّر أعضاءً من مجلس أمن الأمم المتحدة و 65 شخصا يمثلون بلدان العالم. كانت "الأمم المتحدة" دراسة لعمل فنّي كان يُزمع في الأصل اتمامه في شكل رسم، تمّ البحث فيه وتطويره إلى مرحلة الرسم النهائي، إلّا أنه لم يتم إتمامه على القماش.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">قال روكويل بشأن رسمه "الأمم المتحدة": "كغيري من الناس، أنا قلق بشأن حالة العالم، وكغيري من الناس أودّ أن أساهم بشيء للمساعدة. الطريقة الوحيدة التي يمكنني عبرها المساعدة هي من خلال صوري." ولأنّه يسعى للمثالية في فنّه، لم يدخر روكويل جهدا في انشاء الصور التي تعبّر عن مفاهيمه تماما والبحث عن النماذج المثالية لعمله. بحث عن البدلات والدعائم كما نسّق كل عنصر من التصميم حتي يتمّ تصويره قبل الشروع في وضع الألوان على قماش الرسم.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">مستخدما صوره كمرجع، عمل روكويل مع تفاصيل البنية والقيمة في هذا الرسم الأبيض والأسود ذو التفاصيل الغنية، والذي أنجِز باستخدام قلم وولف والفحم. يقول: "آخذ مخططات الفحم على محمل الجدّ"، مضيفا: "الكثير من المبتدئين، في اعتقادي، ينتظرون إلى غاية الوصول إلى القماش قبل محاولة حلّ الكثير من المشاكل التي تعترضهم. من الأفضل بكثير مجابهة هذه المشاكل مسبقا عبر الدراسات."</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">على الرغم من أنه كان متفانيا تجاه فكرة عمله، إلا أنه وجد في النهاية أنه من المعقّد جدّا تشكيلها كرسم نهائي، وفي الأخير وبعد سبع سنوات، بحث في إمكانية مقاربة جديدة، وهي التي تبناها عندما أخذ "القاعدة الذهبية".</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">قال روكويل: "في أحد الأيام جاءتني فجأة فكرة أنّ القاعدة الذهبية، عامل غيرك كما تريد منهم أنت أن يعاملوك، كانت هي الفكرة التي كنت أبحث عنها."</SPAN></SPAN></DIV></div>
HTMLText_5ECF5300_4688_BE0B_41BA_F500AB142236.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>الراوي:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>ستيفاني هابوش بلونكيت</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>نائب مدير / رئيسة أمناء المتحف – متحف نورمان روكويل</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">كان ج. ك. ليينديكر رساما أمريكيا مشهورا يكبر نورمان روكويل بحوالي 20 سنة، وبينما كان روكويل يسير نحو الشهرة، ليينديكر كان فعلا أشهر رسامي جريدة "ساترداي إيفنينغ بوست". عاش في نيو روشيل وكان جارا لنورمان روكويل، هذا الأخير كان يتحدّث عن حقيقة أنه كان يتتبّع ج. ك. ليينديكر في تجواله ليرى ما كان ينظر إليه عبر نوافذ المتاجر، وما قد يفكّر في رسمه لغلاف جريدة "بوست" في العدد التالي، ولقد أصبح الاثنان صديقين مقرّبين جدّا.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">كان "طفل السنة الجديدة" أحد أهمّ إنجازات ج. ك. ليينديكر التي قدّرها الجمهور الأمريكي بشكل كبير، ذلك أنّ "طفل السنة الجديدة" كان يُنشر علىجريدة "ساترداي إيفنينغ بوست" من سنة 1907 وإلى غاية 1943، ولقد كان بالأساس يفتتح السنة الجديدة بنظرة على ما هو قادم. رسم ليينديكر طفلا سمينا جمع بين البراءة والحكمة في آن واحد، وكان يتناول العديد من المسائل الوطنية بدءا من منح المرأة حق التصويت، مرورا إلى المنع، ووصولا من دون شكّ إلى تقلبات سوق الأسهم خلال سنوات الثلاثينات.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">هنا في سنة 1940، لم تكن الحرب قد بلغت الولايات المتحدة، بل كانت تدور حماها ما وراء البحار، وفي هذه الصورة يرتدي "طفل السنة الجديدة" قناعا واقٍ من الغازات ويمسك في يده مظلة يرمز من خلالها لرئيس الوزراء البريطاني، نيفيل تشامبرلين، الذي لم تتحقق ضماناته بالسلم وقتها. تزامنا مع نشر هذا الرسم، كان لدى جريدة "ساترداي إيفنينغ بوست" أكثر من ثلاثة ملايين مشترك أسبوعيا، ولقد ادعت الجهة الناشرة أنّ كلّ اصدار كان يُقرأ من قبل حوالي 10 أشخاص، سواء كانت المجلة موجودة في منزل كلّ شخص، أو في مكتب الطبيب، أو في أيّ بناء عموميّ آخر. كانت المجلة ذائعة الصيت إلى درجة أنّ الرسامين كان في وسعهم الاعتراض على العنوان الرئيس من دون أيّ مشكل يُذكر، من حيث الاعتراف بحقيقة أن الأمر يتعلّق بجريدة "ساترداي إيفنينغ بوست".</SPAN></SPAN></DIV></div>
HTMLText_47AFEE2E_A42F_AEC2_41DF_648CAE6D108A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>الراوي:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>ستيفاني هابوش بلونكيت</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>نائب مدير / رئيسة أمناء المتحف – متحف نورمان روكويل</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">كانت حقبة الحرب العالمية الثانية خصبة بالنسبة لرسامي الكاريكاتور السياسي، ذلك أنّ الشغف زاد في تلك الفترة ومصير العالم كان مهددا وغير واضح المعالم. هاجر "بوريس آرتزيباشيف" إلى الولايات المتحدة في سنّ العشرين قادما من روسيا، حينها لم يكن يتحدث الإنجليزية أبدا ويُحكى أنه قدِم وفي حوزته 17 سنتا فقط. كان معروفا بقدرته كرسّام على تحويل الآلات والجمادات إلى كائنات حية، بما في ذلك الصلبان المعقوفة كما نراها هنا.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">أثناء الحرب العالمية الثانية كان مستشارا لفرع الحرب النفسية التابع للقوات المسلحة، وكونه رساما غزير الانتاج، فقد أنجز أعمالا للعديد من المطبوعات الهامة مثل "لايف"، "فورتشن"، و "تايم" التي صمم لها أكثر من 200 غلاف. نُشر "سبت الساحرات" في مجلة "لايف" سنة 1942 وعكَس وجهة نظر الفنان، حيث يصوّر الرسم "هنريتش هيملر"، "هرمان غورينج"، و "جوزيف غوبلز" زعماء الحزب النازي ومروّجي الدعاية النازية كصلبان معقوفة.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">سعى "آرتزيباشيف" وفنانون سياسيون آخرون في تلك الحقبة إلى الكشف عن أمراض المجتمع، وهي مقاربة تختلف عن منهجية روكويل الذي كان يميل إلى تقديم رسائل أكثر طموحا.</SPAN></SPAN></DIV></div>
HTMLText_ECF4E176_6AFF_9585_41B1_C1220B12D641.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>الراوي:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>ستيفاني هابوش بلونكيت</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>نائب مدير / رئيسة أمناء المتحف – متحف نورمان روكويل</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">كما هو الحال مع العديد من الأمريكيين منتصف الستينات، كانت حرب فيتنام تشغل بال نورمان روكويل. في سنة 1966 قضى أسبوعا في قاعدة "كوانتيكو" البحرية بفرجينيا وأخذ صورا لجندي بحرية محنّك بنيّة تصميم صورة لملصق كُلِّف بإنجازه. لكن في شهر آذار مارس 1967 كتب لسلاح مشاة البحرية ليعبّر عن رفضه للمهمة قائلا: "لا يمكنني رسم صورة مادام قلبي ليس معها."</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">بعدها بحوالي سنة، بدأ روكويل في العمل على "الحق في المعرفة"، وهو رسم افتتاحي لمجلة "لوك" نُشر في أغسطس سنة 1968. بعد مرور أشهر من ظهور الصورة، كشفت جريدة "نيويورك تايمز" أنّ الجنرال "وستمورلاند" أمر بإرسال 206.000 جنديّ إضافي إلى فيتنام، وهي القصة التي أراد البيت الأبيض كتمانها.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">بعد الكشف عن زيادة عدد الجنود، جاءت أخبار "مجزرة ماي لاي" التي أججت من الاستنكار المتزايد للحرب. عبّر بيان روكويل السياسي عن حقّ المواطنين الأمريكيين في فهم أفعال حكومتهم. قال روكويل بخصوص عمله في تلك الفترة: "لا أعتقد أنّ أسلوبي قد تغيّر، لكن أمريكا تغيّرت وتغيّر معها موضوعي. الرب يعلم أن لدينا مشاكل، الكثير منها، لكن يجب أن تكون لدينا أيضا ثقة كبيرة في الجيل الحالي من الشباب الذين هم، في اعتقادي، خير من أنجبنا، الشعر الطويل وما إلى ذلك. من يتجرأ على إنكار أنّ واحدا من هؤلاء 'الهِبي' سيكون عبقريا في المستقبل؟".</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">يعرض روكويل في صورته مجموعة من الأشخاص من أعراق، وأعمار، وقناعات سياسية مختلفة. تصميمه المتمثّل في جمع أعراق متنوعة تنوّع التجارب الحياتية استُخدِم في عملين آخرين في هذا المعرض: رسم أنجزه سنة 1953 يتعلّق بـ الأمم المتحدة وسكان العالم، إلى جانب رسم الغلاف الشهير لجريدة "ساترداي إيفنينغ بوست" تحت عنوان "القاعدة الذهبية"، والمنشور سنة 1961، والذي صوّر سكان العالم متحدين تحت العبارة: "عامل غيرك كما تريد منهم أن يعاملوك."</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">كان لدى نورمان روكويل الذين بلغ من العمر 74 سنة عندما أنجز هذا العمل شعور قويّ تجاه هذه الصورة إلى درجة أنه أدرج نفسه في العمل، حيث يظهر في أقصى الجانب الأيمن واضعا غليونه المعروف في فمه.</SPAN></SPAN></DIV></div>
HTMLText_62C5F2A7_339A_D622_41C6_6B8271ADC43D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>الراوي:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>ستيفاني هابوش بلونكيت</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>نائب مدير / رئيسة أمناء المتحف – متحف نورمان روكويل</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">لم يكن رسم "التحرر من العوز" بمثابة التحدي المفاهيمي الكبير بخلاف الرسمين السابقين لروكويل المتعلقين بالحريات الأربعة (التعبيروالعبادة). ولقد استُلهِم الرسم من عيد الشكر الأمريكي وأصبح نموذجا له بعد ذلك.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">على الرغم من أنّ الصورة شُكّلت كمركّب من عارضي روكويل الذين جرى تصويرهم في جلسات انفرادية داخل الاستديو الخاص به، إلّا أنّ هذا المشهد يشتمل على البعض من جيران الفنان وأفراد من عائلته. وتظهر في الصورة السيدة "ثاديوس ويتون"، طباخة العائلة التي تحمل ديكا روميا كبيرا خاصا بالعيد، إلى جانب "ماري بارستو روكويل"، زوجة الفنان، ووالدته "نانسي هيل روكويل" الظاهرة على اليمين.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">نُشرت صورة "التحرر من العوز" مع مقال للروائي والشاعر "كارلوس بولوسان" غير المعروف إلى حدّ ما، وهو مهاجر فلبيني في أمريكا، وعامل مهاجر كان يكتب نيابة عن أولئك الذين يعانون من صعوبات منزلية. كفكرة معاكسة للعرض اللطيف الذي تقدّمه صورة روكويل، كان مقال بولوسان يتطلّع إلى مستقبل مُحتَمل يمكن فيه للمتواجدين خارج التيار الاجتماعي الغالب –من مزارعين مهاجرين، ومنظمي نقابات العمال، والعمال اليدويين، والأمريكيين من أصول إفريقية الذين يعانون التمييز، والآسيويين، والمهاجرين القادمين من أمريكا اللاتينية –اختبار الحرية الحقيقية.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">من الناحية الفنية، يحظى العمل بتقدير كبير، حيث يُعدّ مثالا للتغلّب على التحديات التي تقف في وجه نقل النسيج البصري في الفنّ، بما في ذلك بريق الخزف الأبيض على مفرش المائدة الأبيض، وشفافية المياه في الكؤوس.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">على الرغم من تفاؤل روكويل العام، إلّا أنّ بعض الشكوك اعترته لتصويره لمثل هذا الديك الرومي الكبير في الوقت الذي كانت فيه أجزاء كبيرة من أوروبا تتضوّر جوعا وتتهاوى وتشهد نزوحا بسبب اشتداد الحرب العالمية الثانية. يقرّ الكثير من النقاد بالوفرة الزائدة للطعام في هذه الصورة، لكنهم يؤكدون أيضا أن الصورة تعرض روح العائلة، والبهجة، والأمان، وكانوا يرون أنّ الوفرة بخلاف الاكتفاء فقط، هي الجواب الحقيقي لمفهوم العوز.</SPAN></SPAN></DIV></div>
HTMLText_464D4DC9_697E_8C8C_41C4_D49DCB9DCF28.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>الراوي:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>مارك شولمان</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>كلية التاريخ – معهد سارا لورنس</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">كانت مجموعة الحريات الأربعة التي أعلنها فرانكلين روزفلت بمثابة محاولة لتوضيح رؤيةٍ لنظام أمني ليبيرالي لما بعد الحرب، حتى يكون السلم والازدهار عنصرين أساسيين للأمن بنفس قدر الحقوق المدنية والسياسية في حرية الدين والتعبير.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">تمّ اعتماد الحريات الأربعة في الميثاق الأطلسي الذي وضعه كلّ من روزفلت وتشرشل، وبعدها فصّلوا الصيغة الأساسية للميثاق الذي تبنته الأمم المتحدة في صيف 1945. توفي الرئيس روزفلت كما هو معروف بحلول صيف سنة 1945. ترأّس الولايات المتحدة الأمريكية بعدها رئيس جديد، لعلّه أقلّ تجربة لكنه كان عمليّا أكثر في نواح كثيرة. عيّن الرئيس ترومان، السياسي المحنّك، إليانور روزفلت، أرملة فرانكلين لكي تشغل منصب رئيسة اللجنة التي من شأنها صياغة إعلان الأمم المتحدة العالمي لحقوق الإنسان.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">صاغت السيّدة إليانور روزفلت، التي اشتغلت مع لجنة مكوّنة من أبرز العلماء والدبلوماسيين والمنظرين ورجال الدولة من جميع أرجاء العالم، هذه الوثيقة الرائعة، الإعلان العالمي لحقوق الإنسان، ولقد تبنته الأمم المتحدة في العاشر من كانون الأول ديسمبر من سنة 1948. الإعلان العالمي لحقوق الإنسان هو الصورة الأوضح للحريات الأربعة. تعترف الديباجة صراحة بتبنّي الحريات الأربعة واعتبارها أساسا لنظام عادل لما بعد الحرب. ويواصل الإعلان بعدها بلورة وتوضيح كلّ عنصر من العناصر التي ستكون بالغة الأهمية لبناء عالم تتحقّق فيه الحريات الأربعة.</SPAN></SPAN></DIV></div>
HTMLText_F27E3C44_A421_9376_41A2_8F819A1F7EF4.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>رواه:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>إرفين أنجر</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>المؤسس والرئيس التنفيذي - هيستوريانا / أمين المعرض - جمعية آرثر سزيك</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">يسعدني أن أقدم لكم آرثر سزيك الذي كان فنانًا يهوديًا بولنديًا ولد في لودز ببولندا في عام 1894، في نفس العام الذي ولد فيه نورمان روكويل. جاء آرثر سزيك إلى أمريكا في عام 1940 كمهاجر وتوفي 1951.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">عندما وصل في نهاية المطاف إلى أمريكا رأى نفسه كجيش من رجل واحد في معركته ضد هتلر. كما اعتبر نفسه جندي فني لفرانكلين ديلانو روزفلت (كما وقع عدد من أعماله).</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">عمل آرثر سزيك خلال الحرب العالمية الثانية وحارب ضد الهجوم الغاشم وكان يعمل أيضا من أجل إنقاذ يهود أوروبا.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">أصبح مشهورا جدا في أمريكا على الرغم من أن الكثير من الناس قد نسوا من هو وما أنجزه خلال حياته، لكنه كان مشهورا بكل ما تعنيه الكلمة من معني. ولإعطائكم فكرة عن ذلك، فأنت المشاهد تعرف أن نورمان روكويل كان يرسم في أوائل الأربعينيات أغلفة صحيفة ساترداي إيفنينغ بوست. في ذلك الوقت كان آرثر سزيك يرسم أغلفة مجلة كولير. كيف كانت دورة صحيفة ساترداي إيفنينغ بوست؟ حوالي ثلاثة ملايين شخص حصل كل منهم على نسخة. كم من الناس حصل على نسخة من كولير؟ اثنان ونصف مليون شخص.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">اسمحوا لي أن أتحدث عن آرثر سزيك والحريات الأربع. بدأ الأمر عندما خلق آرثر سزيك سلسلة بعنوان واشنطن وعصره. هناك 38 لوحة تحكي قصة جورج واشنطن والثورة الأمريكية. أنهي آرثر سزيك هذه الأعمال في عام 1930، وتم نشره كمجموعة في عام 1932. في عام 1935، كان آرثر سزيك يعرض هذه الأعمال وقام رئيس بولندا (موشتشيتسكي) بشرائها، وفي عام 1935 قدم هذه اللوحات إلى فرانكلين روزفلت كهدية وبطريقة جيدة لخلق علاقات أقوي بين بولندا والولايات المتحدة عشية الحرب العالمية الثانية ــ كان النازيون يتولون مقاليد السلطة بالفعل.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">حافظ روزفلت على هذه الرسومات في البيت الأبيض وعندما ألقي روزفلت خطابه عن الحريات الأربع في يناير 1941، كان هناك 38 لوحة عن الحرية معلقة في البيت الأبيض. وكانت هذه أعمال آرثر سزيك.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">ثم انطلق سزيك في عام 1942 لرسم الحريات الأربع. كانت ... تظهر حقا بصورة فارس من العصور الوسطى يكاد يناضل من أجل الحرية، وهذا يعني أنه يجب النضال من أجل الحصول على كل الحريات وكانت طريقة سزيك هي استخدام فارس من العصور الوسطى لديه رمح وخنجر وسيف في كل رسمة تقريبا. وقد تم استنساخ هذه الرسومات بصيغتين. أحدهما كطوابع ملصقات والتي تم توزيعها على نطاق واسع كما لو كان أحد ما يوزع اختام عيد الفصح. والأخرى، كبطاقات بريدية كبيرة وتم توزيعها أيضا.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">كان ذلك هو الاتصال بين آرثر سزيك والحريّات الأربع، سواء من حيث عمله الفني في البيت الأبيض عندما تم إلقاء الخطاب ومن ثم إعادة إنتاج الرسومات حرفيا أيضًا.</SPAN></SPAN></DIV></div>
HTMLText_67B8AE6C_6637_FE3D_41CB_0F333E69F80E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>رواه:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>بول إم. سبارو</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>مدير مكتبة ومتحف فرانكلين ديلانو روزفلت الرئاسية، هايد بارك، نيويورك</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">إن العلاقة بين الرئيس روزفلت ورئيس الوزراء وينستون تشرشل هي علاقة استثنائية جدا، وبشكل ما كانت واحدة من أهم الشراكات في تاريخ القرن العشرين وربما في التاريخ الأمريكي كله. كان ونستون تشرشل مشاركا بجيش بريطانيا العظمى في الحرب العالمية الأولى تماما كفرانكلين روزفلت. كان لديه وجهات نظر دقيقة جدًا حول هيكل العالم، وفي تلك المرحلة لا زال يعتقد أن الإمبراطورية البريطانية كانت الكيان السياسي الأكثر أهمية في العالم وأنه لا يمكن إيقافها ولن يسمح بانهيار الإمبراطورية البريطانية عندما كان رئيسا.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">لذلك عندما التقى فرانكلين ديلانو روزفلت وتشرشل في الموعد السري على متن السفينتين الحربيتين الكبيرتين، كان ذلك لقاء عملاقة. في تلك المرحلة، شارك تشرشل في الدفاع عن الجزر البريطانية ضد الهجوم النازي لمدة عام، لذلك كان منغمسا في الحرب وكان يعرف أن انتصاره يعتمد على إدخال أمريكا في الحرب. كان روزفلت لا يزال مترددًا بعض الشيء. لم يكن بإمكانه أن يتعهد بذلك علنا ولكنه كان يعلم أيضًا أنه في نهاية المطاف ستدخل الولايات المتحدة الحرب، وهذا هو حيث بدأوا لأول مرة بالفعل في وضع الأساس لما أصبح الآن الحريات الأربع.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">بالطبع، جاء تشرشل إلى الولايات المتحدة عدة مرات خلال الحرب. بعد موقعة ميناء بيرل جاء إلى البيت الأبيض وأقام هناك لعدة أسابيع وكان يسكن في إحدى غرف النوم ويتجول في البيت مرتديا رداء الاستحمام ويشرب بشراهة ويدفع الجميع إلى الجنون وأبقي روزفلت مستيقظا طوال ساعات الشرب والتدخين في الليل، وإليانور كانت منزعجة من الأمر نوعا ما. لكن هذه كانت طريقة عمل تشرشل. لقد كان نوعًا ما يقحم الجميع في زوبعة الجنونية ولكنها كانت تنتهي دوما بهذه الأفكار الرائعة بشكل مذهل وكان حقا لديه رؤية عالمية. لذا، كان الاثنان يشكلان علاقة شراكة استثنائية ونحن محظوظون للغاية أنهما هما الزعيمان اللذان واجها أكبر أزمة في القرن العشرين.</SPAN></SPAN></DIV></div>
HTMLText_67AA2247_662A_E66C_41A7_373A9888F2D0.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>رواه:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>جيمس ج. كيمبل الحاص على الدكتوراه.</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>أستاذ مساعد في الاتصالات - كلية الاتصالات والفنون</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>جامعة سيتون هول</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">أحد الجنود المشهورين في الحرب العالمية الثانية لم يكن جنديا حقيقيا. كان اسمه ويلي جيليس وكان نتاج خيال الرسام نورمان روكويل الواسع. تمثل هذه اللوحة أول ظهور علني لجيليس على غلاف مجلة ساترداي ايفيننج بوست في 4 أكتوبر 1941. في هذه اللوحة يظهر لنا الفنان جنديًا بريئًا صبيانيًا في لحظة طريفة أثناء مشاركته في المخيم التدريبي في فورت ديكس في نيو جيرسي. يرى المشاهد بسرعة أن جيليس قد تلقى للتو رزمة رعاية من المنزل، والطرد ربما يحتوي على عدد من الهدايا اللذيذة من أحبائه لجندي مجد في عمله. ومع ذلك، لاحظ زملاء جيليس الطرد، وتشير تعابير وجوههم إلى أنهم يفكرون في إعفائه من مكافأته الجديدة. حقق غلاف روكويل المرح نجحا فوريا، مما دفع صحيفة البوستإلى طلب المزيد من اللوحات عن مشاهد من حياة الجندي جيليس. وافق الفنان، وظهرت الشخصية في النهاية على ما يقرب من اثني عشر غلافا للصحيفة وآخر واحد كان في 1946 بعد الحرب، والذي يظهر جيليس المحبوب وهو في طريقه إلى الكلية التي دخلها بموجب مشروع قانون جي أي، كما كان يفعل الكثير من أقرانه في ذلك الوقت. بحلول ذلك الوقت، كانت قد اشتهرت الشخصية حقا. في الواقع، جاءت العديد من معجباته الشابات للنظر إلى ملصقه وإظهار الاحترام له. وفي النهاية، التقت إحداهن وهي ناتالي باردن بروبرت أوتيس باك، وهو النموذج الواقعي لويلي وتزوجته.</SPAN></SPAN></DIV></div>
HTMLText_133C85B2_43A3_7022_41BB_EF63D5BDE621.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>رواه:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>جيمس ج. كيمبل الحاص على الدكتوراه.</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>أستاذ مساعد في الاتصالات - كلية الاتصالات والفنون</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>جامعة سيتون هول</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">في هذا الملصق في وقت الحرب والذي يشار إليه اليوم باسم "روزي المبرشمة"، يظهر لنا الفنان جي هوارد ميلر امرأة عازمة واثقة تستعرض عضلاتها وتعبّر بكل ثقة عن قدرتها على إكمال المهمة التي كلفت بها. على الرغم من أننا نميل اليوم إلى افتراض أن هذا الملصق كان مشهوراً خلال الحرب العالمية الثانية، إلا أنه كان غير معروف نسبياً لأنه ظهر لمدة أسبوعين فقط داخل مصانع ذخائر وستنجهويس (في فبراير 1943). بعد مضي الأسبوعين، تم إعادة تدوير الملصقات بسبب نقص الورق في وقت الحرب. لكن خلال هذين الأسبوعين، وضع الملصق الذي تم تصميمه لعمال وستنجهويس – كل من الرجال والنساء - بادرة تضامن مشتركة مع القوى العاملة في الشركة، مؤكدين أن كل عامل في وستنجهويس كان على استعداد لإكمال مهمتهم الأساسية في وقت الحرب. هناك نسختين أصليتين فقط من هذا الملصق معروف بوجودها اليوم. على الرغم من ندرة النسخ الأصلية، اكتسبت صورة ميلر شهرة عالمية منذ ظهورها في الثمانينيات كجزء من الاحتفالات بالذكرى السنوية للحرب العالمية الثانية. وقد تم أيضا محاكاتها بشكل لا نهائي، مما يؤكد على أنها واحدة من الصور الأكثر شهرة في كل العصور.</SPAN></SPAN></DIV></div>
HTMLText_BFA6B49F_3DF9_91D9_414F_68EFB1B9FDA5.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>رواه:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>جيمس ج. كيمبل الحاص على الدكتوراه.</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>أستاذ مساعد في الاتصالات - كلية الاتصالات والفنون</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>جامعة سيتون هول</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">يُعتقد بشكل كبير أن هذه الصورة الصحفية قد ألهمت جي هوارد ميلر بملصق “We Can Do It” المعروف اليوم باسم "روزي المبرشمة ". بدءًا من ثمانينيات القرن العشرين، أصبحت الصورة الملونة بالأبيض والأسود مرتبطة بجيرالدين هوف دويل وهي سيدة من ميتشيغان اعتقدت أنها ظهرت لها وهي تعمل في مصنع عام 1942. ومع ذلك، فإن الصورة هي في الواقع لامرأة في كاليفورنيا تدعى نعومي باركر وكانت واحدة من أوائل النساء اللواتي يعملن في الورش الميكانيكية في المحطة الجوية البحرية بألاميدا على خليج سان فرانسيسكو. أثناء العمل في ألاميدا، عمل باركر بالفعل كمبرشم ولكن كان يعمل أيضًا كلحام وحامل وميكانيكي (من بين عشرات المهام الأخرى المتعلقة بإصلاح طائرات الحرب التابعة للبحرية). ظهرت الصورة في عشرات الصحف الأمريكية خلال عام 1942، وحصلت باركر على بعض الرسائل البريدية من المعجبين وحتى حصلت على عروض زواج. ومع ذلك، تلاشت من ذاكرة العامة بعد الحرب ولم تشتهر مرة أخرى إلا عندما ظنت دويل التي رأت الصورة في مجلة في الثمانينيات، بالخطأً أن هذا الموضوع عنها. بينما لا يزال اتصال الصورة بملصق "We Can Do It" غير مؤكد، حيث ترك الفنان ميلر عددًا قليلاً جدًا من السجلات، هناك عدد من أوجه التشابه بين مظهر باركر والمرأة في الملصق. علاوة على ذلك، ظهرت الصورة في جريدة في بيتسبيرج بالقرب من منزل ميلر خلال الأربعينيات، ولذلك فمن المحتمل أنه صادفها واحتفظ بها لمجموعة صوره المرجعية.</SPAN></SPAN></DIV></div>
HTMLText_679913C8_66F6_A664_41D5_D965604A23A3.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>رواه:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>هيرمان إبرهارت</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>أمين المتحف الإشرافي - مكتبة ومتحف فرانكلين ديلانو روزفلت الرئاسية</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">كانت الحرب في أوروبا تلوح في الأفق على الجميع في أوائل عام 1941. كانت ألمانيا قد اكتسحت معظم أوروبا الغربية في 1939 و1940، وكانت بريطانيا العظمى تقف وحدها في مقاومة هذا الهجوم الغاشم، وكان البريطانيون مهددين في هذه النقطة. في الواقع، في أواخر عام 1940، كتب وينستون تشرشل رسالة طويلة إلى فرانكلين ديلانو روزفلت قال فيها إن بريطانيا كانت على وشك الإفلاس وقريبا لن تكون قادرة على دفع ثمن الأسلحة التي كانت تستوردها من الولايات المتحدة.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">وقد دفعت هذه الرسالة الرهيبة روزفلت إلى الحلم بفكرة التأجير والإعارة التي من شأنها أن تسمح للولايات المتحدة بإقراض أو تأجير المزيد من الموارد لبريطانيا العظمى دون الحصول على مقابل لها. كان قد ناقش فرانكلين روزفلت أولاً مفهوم أو فكرة الإقراض في مؤتمر صحفي عُقد في منتصف ديسمبر عام 1940. وفي وقت لاحق من ذلك الشهر في 29 ديسمبر، ألقى حديث مشهور من منزله على الراديو أكد فيه أنه ينبغي على الولايات المتحدة أن تصبح ما سماه، ترسانة الديمقراطية. خطط الرئيس لاستخدام خطابه عن حالة الاتحاد للحصول عن موافقة الكونغرس على مشروع قانون الإيجار.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">في ليلة 1 يناير 1941، استدعى روزفلت ثلاثة من مستشاريه - هاري هوبكنز ووسام روزنمان وروبرت شيروود- لمكتبه الخاص في مقر البيت الأبيض. وقد اجتمعوا هناك حول مكتب روزفلت للعمل معه على خطاب الرئيس السنوي عن حالة الاتحاد إلى الكونغرس والذي كان من المقرر أن يتم تسليمه يوم 6 يناير.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">في مرحلة ما خلال جلسة التحرير هذه، قال روزفلت أنه كان لديه فكرة عن القسم الختامي من الخطاب. وكما ذكر سام روزنمان لاحقاً، فإن الرئيس انحني للخلف في كرسيه الدوار ونظر إلى السقف ثم توقف لفترة طويلة. مع مرور الوقت، بدأ الآخرون في الغرفة بالشعور بعدم الارتياح بعض الشيء. ثم انحنى روزفلت فجأة إلى الأمام وأملى الحريات الأربع ببطء وتأن. تحدث الرئيس بتأن شديد حيث تمكن روزنمان من كتابة كل شيء قاله كلمة بكلمة على ورقة في مفكرة صفراء. هذه الورقة الصفراء المكتوبة بخط روزنمان موجودة الآن في مكتبة روزفلت. ومن المثير للاهتمام، إذا قارنت بين الكلمات الموجودة في تلك الورقة الصفراء والخطاب النهائي الذي تم تسليمه من قبل الرئيس إلى جلسة مشتركة للكونغرس، ستجد أنها تشبه تمامًا ما حدده روزفلت. لا يوجد أي تغييرات تقريبا.</SPAN></SPAN></DIV></div>
HTMLText_551A0D5C_7F14_0A98_41DF_B33117C0C2D7.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>رواية:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>روبي بريدغز هول</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>ناشطة حقوق مدنية ومؤلفة</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">في ذلك اليوم بالذات، عندما كنت في السيارة في طريقي إلى المدرسة انعطفنا حول زاوية الشارع فكانت الشوارع يصطف عليها متظاهرون يحيط بهم متراس أقامته الشرطة بهذه الطريقة. كان هناك رجال شرطة في كل مكان. كان بعضهم على ظهور الخيل والدراجات النارية. كل ما تراه خلال موسم ماردي غراس للسيطرة على الحشد وأثناء الاستعراض، وهذا في الواقع ما رأيته وافترضت أنني كنت في منتصف الاستعراض الذي أفكر فيه اليوم، وكانت هذه براءة طفل. أعتقد أن هذا قدم لي الحماية بدون أن أعرف.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">أتذكر أن أحدهم اصطحبني مباشرة إلى مكتب المدير. أعتقد أنني كنت هناك، في اليوم الأول، للتسجيل. كنت قد التحقت بالفعل، ولكن لاصطحابي إلى فصلي وربما للقاء معلمي ولبدء دراستي. لكنني جلست في مكتب المدير في الواقع طوال اليوم مع أمي في ذلك اليوم، وأتذكر أن الموظفين الفيدراليين كانوا يقفون خارج الأبواب مباشرة. كان يمكنك رؤيتهم. كما تعلم، كانت هناك نوافذ زجاجية.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">والشيء التالي الذي رأيته كان جميع أولئك الأشخاص الذين كانوا يقفون خارجًا وهم يتدافعون ويحشرون أنفسهم ويندفعون ويشيرون عليَّ من خلال النوافذ. بدت وجوههم غاضبة جدًا بسب شيء ما. بدا الأمر لي مشغولًا حقًا ومربكًا. ورأيتهم يمرّون عبر النافذة، وعندما عادوا عبر النافذة، كان هناك أطفال معهم. وحدث ذلك طوال اليوم، ذهابًا وإيابًا.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">وأخيرًا رن الجرس، كانت الساعة 3:00، وأتذكر شخصًا دخل الغرفة قائلًا: "اليوم الدراسي انتهى. يمكنك المغادرة." وأنا أتذكر ذلك بشكل واضح، لأنني فكرت مع نفسي، "يا للروعة، هذه المدرسة سهلة"، دون أن أعلم أن ما كان يحدث بالفعل هو أن الأباء والأمهات كانوا يهرعوا إلى المدرسة ويدخلوا كل فصل دراسي ويسحبوا كل طفل خارجًا. كان هناك أكثر من 500 طفل غادروا المبنى بالفعل في ذلك اليوم، وكان ذلك لأنني كنت هناك. لذلك لم تكن لديَّ أدنى فكرة أن ذلك كان يحدث أمام عيني.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">في اليوم التالي، كان الأمر نفسه. طرق الموظفون الفيدراليون على الباب، ودخلت السيارة معهم. اصطحبوني إلى المدرسة. عندما تحركنا في ذلك اليوم، تضاعف حجم الحشود تقريبًا، لأنه في تلك المرحلة كان الجميع قد عرفوا الخبر.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">قالت أمي إنها في ذلك اليوم كانت أكثر عصبية، لأنه بعد أن عادت إلى البيت وشاهدت التلفاز شاهدت كيف كان العالم كله يراقب المشهد. قالت إنها ستعود إلى المنزل وتصلّي حتى الساعة الساعة 3:00، على أمل أن يعود طفلها إلى المنزل.</SPAN></SPAN></DIV></div>
HTMLText_BC31A400_3392_E3AA_41BF_45385D56FC30.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>رواية:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>ستيفاني هابوش بلونكيت</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>نائب المدير/كبير الأمناء - متحف نورمان روكويل</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">شكلت لوحةحرية العبادةتحديًا أمام روكويل، لأنه فهم أن الدين موضوع شخصي عميق وأحيانًا دقيق. أراد أن يرسم صورة تعبر عن الوحدة على الرغم من الاختلافات وأن يقدم رؤية لعالم خال من التمييز على أساس الممارسة أو المعتقد الديني.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">صور مفهومه الأولي مشهدًا وديًا في صالون حلاقة ريفي يظهر فيه حلاق يقدم خدماته لرجل يهودي، بينما ينتظر قسيس كاثوليكي ورجل أمريكي من أصل أفريقي دورهما. لكن روكويل وجد عند اكتمال الصورة تقريبًا أنها قدمت وجهة نظر نمطية. وبسبب عدم رضاه التام عن هذا النهج وضعها جانبًا وبدأ من جديد.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">الصورة النهائية التي نراها اليوم تركز على مفهوم العبادة أكثر من مفهوم الدين وتتكون من ملامح ثمانية رؤوس في مساحة بصرية ضحلة. تمثل الأشكال المختلفة أشخاصًا من أديان مختلفة في لحظة صلاة. رُسمت الصورة بأشكال أحادية اللون لتقديم الشعور بالاندماج والوحدة.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">شعر روكويل أن أوضاع وإيماءات اليدين في الشكل تأتي في المرتبة الثانية بعد الصفات التعبيرية للوجوه، كما هو واضح في لوحة حرية العبادة. تعبير "كل واحد حسب ما يمليه عليه ضميره" كان يعبر عن أفكار روكويل الخاصة حول الدين. عند سؤال روكويل عن المكان الذي سمع فيه هذه الكلمات، لم يستطع أن يتذكر. في الواقع، ترد العبارة في العديد من دساتير الولايات الأميركية، كما استخدمها جورج واشنطن في خطاب مكتوب إلى الكنائس المعمدانية المتحدة في فرجينيا في العام 1789.</SPAN></SPAN></DIV></div>
HTMLText_4FC52929_6493_8841_41D1_24A7F406EF66.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>روته:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>أليدا م. بلاك</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>أستاذة باحثة في التاريخ والشؤون الدولية - جامعة جورج واشنطن</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">يعتقد الجميع أن الحريات الأربع مع نورمان روكويل والرسومات الإبداعية الأربعة والنصف الآخر من المقياس هو تفكيرهم عن العنوان التاريخي لفرانكلين ديلانو روزفلت.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">فهمت إليانور، كما فهم روزفلت، ولكن بطريقة مختلفة للغاية أنه لا يمكنك أن تكون حرة إلا إذا كنت حرة من أمر ما. وحتى قبل أن يتمكنوا من التعبير عن مفهوم الحريات الأربع، كانت تتحدث عن التحرر من الجوع. كانت تتحدث عن التحرر من الخوف. كانت تتحدث عن حرية الحلم. الآن، هذه لغة مختلفة ولكنها نفس المبادئ. وكانت إليانور تخاطر جدًا بسلامتها الشخصية في الولايات المتحدة لنصرة هذه المعاني.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">عندما وصلت إلى الأمم المتحدة، رأت الجرحى في جميع أنحاء آسيا وأوروبا والولايات المتحدة. وأرسلتها الأمم المتحدة إلى معسكرات محرقة الهولوكوست وإلى مخيمات النازحين. وفى النهاية أصبحت مسؤولة عن مساعدة العالم في التوصل إلى رؤية جديدة للتعبير عن أنه لن يتم تحديد الناس للأبد من قبل الكراهية والتفوق العنصري والتعصب الديني والتمييز بين الجنسين. علينا منح أنفسنا رؤية جديدة.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">وأخذت الحريات الأربع والمعنى الذي فسرته للحريات الأربع إلى غرفة التفاوض. وأريد فقط أن تفكروا في هذا. إنها في حجم طاولة غرفة الطعام. فكما تعلمون، هناك 18 دولة. لا يؤمن أحد منهم بنفس الإله أو بوجوده حتى. إنهم لا يعتقدون أن هناك ممتلكات خاصة أو كما تعلمون مقولة المال جيد. ليس لديهم نفس مفهوم العائلة. ليس لديهم نفس مفهوم المواطنة. الشيء الوحيد الذي يتشاركون فيه هو "بواسطة الإله، هزمنا الألمان." ولذا فهي تأخذ التزامها الفطري بالتحرر من الخوف وحرية التعبير وحرية العبادة وكما تعلمون أيضا، التحرر من العوز، وتضعهم بطريقة ما تجعل الناس تلتزم بالجلوس على الطاولة والتفاوض من أجلها.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">والشيء المثير للإعجاب حلو قيادتها ليس فقط هو حصولنا على الإعلان العالمي لحقوق الإنسان الذي أعتقد اعتقادا راسخًا بأنه يمثل 30 مثالًا على الحريات الأربع. أتعرف! أتحداك أن تنظر إلى إحدى تلك المقالات ثم النظر إلى إحدى لوحات روكويل الأربعة بما في ذلك لوحة القاعدة الذهبية وروبي بريدجز ولا تراها في تفاصيل هذه اللوحات.</SPAN></SPAN></DIV></div>
HTMLText_6771AF7E_6639_FE1D_41BF_31FC33B44FDA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>روته:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>أليس كارتر</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>مؤلفة ورسامة ورئيسة مجلس متحف نورمان روكويل</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">خلال مهنة امتدت لما يقرب من ستين عاما، ظهرت رسوم جيري الويسيوس دويل التحريرية في صحف فيلادلفيا الرائدة ومن خلال الترويج في مئات من المجلات الأخرى في جميع أنحاء البلاد. كمساند قوي للسياسات الداخلية والخارجية لفرانكلين روزفلت، لم يكن دويل يرسم الرئيس أبدا بصورة كاريكاتيرية وأظهره دوما في صورة بطل.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">في "روزفلت يؤيد المعاشات التقاعدية" صور دويل الرئيس كمنقذ محتمل لزوجين مسنين يرتدون ملابس رسمية في حقبة ماضية. على الرغم من فقرهم الواضح، فإنهم يحاولون الحفاظ على المظاهر اللائقة. هناك نار في الموقد ووردة على رفه ولكن النافذة متصدعة ومفارش المائدة مرقعة. على الأرض عند أقدامهم هناك صحيفتين تبين ما قد يجلبه مستقبلهم. أحد العناوين تقول "روزفلت يؤجل المعاشات التقاعدية" والآخر يقول " روزفلت يؤيد المعاشات التقاعدية". وعلى رف الموقد (بجوار الوردة) توجد صورة لفرانكلين ديلانو روزفيلت تحمل عنوان "رئيسنا".</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">اقترح روزفلت أولاً المعاشات التقاعدية عندما كان حاكماً لنيويورك وكانت الفكرة جزءًا لا يتجزأ من الصفقة الجديدة. كانت النقطة الشائكة هي كيفية تمويلها. أي خطة تأمين وطنية يجب أن تُبنى بمساهمات من أجور العمال - ولن يكون هناك ما يكفي من المال حتى عام 1942. في هذه الأثناء، كان المواطنون المسنون يعانون. وكان الحل هو العنوان الأول من قانون التأمين الاجتماعي - وهو برنامج مشترك بين الولايات والحكومة الاتحادية لتقديم مساعدة فورية للمسنين. في 14 أغسطس عام 1935، وقع الرئيس روزفلت على مشروع القانون موضحا عندما وضع قلمه جانبا "تم تحقيق جزء كبير من أمل سنوات عديدة".</SPAN></SPAN></DIV></div>
HTMLText_6787FBA4_66D9_662D_41D6_F12C0EF28930.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>روته:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>أليس كارتر</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>مؤلفة ورسامة ورئيسة مجلس متحف نورمان روكويل</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">في 29 سبتمبر 1939، توصلت ألمانيا والاتحاد السوفييتي إلى اتفاق لتقسيم بولندا المحتلة. ستأخذ قوات هتلر كل شيء حتى غرب نهر بوج وسيسيطر جيش ستالين على كل شيء في الشرق.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">في اليوم التالي 30 سبتمبر 1939، ظهر رسم تحريري لهيو هاتون بعنوان "خطبة الجنازة" في جريدة فيلادلفيا انكوايرر. نفذ هوتون أكثر من 3800 رسمًا تحريريًا لجريدة "انكواير" خلال حياته المهنية الطويلة. ونادراً ما رسم رسوماً كاريكاتيرية للمشاهير والسياسيين مفضلاً استخدام شخصيات مجازية لنقل أفكاره. كان عادة ما يرسم أنثى بيضاء ذات معطف ليصور قيم مثل السلام والعدالة والحقيقة. في هذه الحالة، تراجعت هذه الفضائل، بينما كانت النسور التوأم الممثلة في ألمانيا والاتحاد السوفييتي تتباهي بانتصارها.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">ولد هوتون في لينكولن-نبراسكا في 11 ديسمبر 1897. بعد أن التحق بجامعة مينيسوتا لمدة عامين، التحق بالجيش وخدم في الحرب العالمية الأولى. عندما انتهت الحرب، واصل تعليمه في مدرسة مينيابوليس للفنون. بعد انتقاله إلى نيويورك، درس في رابطة طلاب الفنون وعثر على سوق لرسوماته التحريرية مع نقابة المميزين المتحدة.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">في عام 1934، وافق هوتون على منصبه في جريدة فيلادلفيا انكوايرر حيث عمل حتى تقاعده في عام 1969.</SPAN></SPAN></DIV></div>
HTMLText_11F4C0B6_A4E2_93CB_41CD_7905B71F2010.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>روته:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>أليس كارتر</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>مؤلفة ورسامة ورئيسة مجلس متحف نورمان روكويل</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">ولدت مارثا ساويرس في كورسيكانا بولاية تكساس في عام 1902. انضمت لرابطة طلاب جامعة نيويورك لمدة خمس سنوات – حتى.. وكما قالت "لقد طردوني وقالوا إنه عليّ فعل شيء بما أعرفه".</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">"يجب أن نساعد الصين" هو واحد من اثنين من الملصقات التي صممتها ساويرس بين عامي 1942 و1943 لمنظمة الإغاثة في الصين المتحدة -وهي جمعية من وكالات الإغاثة المخصصة لمساعدة اللاجئين الصينيين خلال الحرب العالمية الثانية. على الرغم من أن ساويرس فضلت العمل بالزيت، إلا أن المواعيد النهائية أجبرتها في كثير من الأحيان على مزج الخامات - وكما ترون في هذا الغلاف، فإنها في بعض الأحيان تجمع بين الزيت والألوان المائية والباستيل والأقلام الملونة العادية لخلق التأثيرات التي تحتاج إليها.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">هذه اللوحة العاطفية لعائلة لاجئة تعكس مشهد شهدته ساويرس بالتجربة المباشرة. في عام 1937، أثناء سفرها مع زوجها الرسام ويليام رويسويج، نجت من الهجوم الياباني على جسر ماركو بولو في الصين. عندما عادت إلى نيويورك، جذب معرض لوحات من أسفارها اهتمامًا إيجابيًا وتكفلت مجلة كولير بتسجيل انطباعاتها عن آسيا في سلسلة من المقالات والرسوم التوضيحية. خلال الحرب العالمية الثانية، عادت ساويرس الشجاعة إلى آسيا لتغطية مسرح المحيط الهادئ كفنانة / مراسلة لكل من مجلتي كولير ولايف.</SPAN></SPAN></DIV></div>
HTMLText_F1DE173F_B2A9_DB80_41E5_EE8987047611.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>روته:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>ديزي روكويل</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>فنانة ومؤلفة</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">أعتقد أنها ملهمة بمعنى أننا جميعًا لدينا تلك الإمكانيات في داخلنا لتحقيق المزيد للعالم من حولنا إذا فتحنا أعيننا أكثر، وأعتقد أن عينيه بالطبع كانت مفتوحة أيضًا... ألهمته اهتمامات حركة الحقوق المدنية أيضًا. أعني أنه ليس كما لو أنني جلست وسألته عن هذه الأشياء ولكن يمكنك أن تقرأ ذلك كجزء من مسيرته عندما تنظر إلى التغييرات في لوحاته. يبدو أن هذا الوقت غير الكثير من الناس وهو لم يكن محصناً وأشعر أن هذا السرد ما زال غير معروف لدى الكثير من الجمهور لذلك أنا مسرور أنه سيكون جزءًا من برنامج الحريات الأربعة. لأن هذا تطور من الأربعينيات إلى الستينيات التي مر بها ولا يمكنك النظر إلى أحدهم وليس الآخر.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">أعتقد بالتأكيد أن الفن يمكن أن يجعل الناس تشارك لأنه عندما يكون لدينا نوع من المشاكل الشديدة في مجتمعنا فإن جزءًا من المشكلة هو أننا نعلق في تفكيرنا. تتحجر أفكار الناس وكما تعلمون لقد أصبح ذلك الأمر في يومنا هذا على الأرجح أسوأ من أي وقت مضى. يعلق الأشخاص ولا يمكنهم إخراج بعضهم البعض من هذه المساحات. أتعرف! هناك صواب وهناك خطأ، وهناك أسود وهناك أبيض ولا يمكنهم... لذا فإن الوظيفة التي يمكن للفنان القيام بها هي كسر كل شيء، فكر في الأمر على أنه طبق من الخزف الصيني وقوم الفنان بتحطيمه ثم يصلحه مرة أخرى بشكل آخر بحيث يمكنك رؤيته بشكل مختلف.</SPAN></SPAN></DIV></div>
HTMLText_B04F2198_6669_A2E5_41D4_754545A29D18.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>روته:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>سيتسوكو وينشستر</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>فنانة ومصورة وصحفية</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">بعد نجاحها في تصوير العمال في إدارة أمن المزرعة، تم تعيين المصورة الوثائقية الكبيرة دوروثيا لانج لتسجيل عملية الترحيل والحبس الجماعي للمواطنين وغير المواطنين من الأصل الياباني لهيئة ترحيل الحرب في شهر مارس عام 1942. منذ الأيام الأولي، تضارب أسلوبها الصحفي وتعاطفها الشخصي تجاه محنة هؤلاء الأمريكيين مع مطالب مسؤولي الجيش. كان من المحظور بشكل صارم تصوير المدافع الرشاشة الموجودة في الأبراج. كما تم حضر تصوير الأسلاك الشائكة والحراس المسلحين وأي مظاهر مقاومة. وهي تقول بكلماتها الخاصة: "كان هناك رجلا يراقبني طوال الوقت". وقد قوبلت بتأخير من قبل المسؤولين الذين طلبوا أوراق اعتماد وتم اعتبارها مسؤولة عن كل أمر سلبي وكل قرش تم إنفاقه، وتم منعها من التحدث إلى الناس في المعسكرات. تم تقديم جميع المطبوعات للمراجعة، والمطبوعات التي تم اعتبرت غير لائقة تم ختمها بأنها "مصادرة" وتم حظر السلبيات طوال مدة الحرب.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">التقطت لانج هذه الصورة لمحل بقالة وانتو كو في أوكلاند بكاليفورنيا في 13 مارس 1942، بعد شهر تقريبا من توقيع روزفلت على الأمر التنفيذي رقم 9066 الذي يطالب المالك وعائلته بالرحيل. ولد المالك تاتسورو ماسودا في أوكلاند وتزوج حديثا. أخبر لانج أنه "قد دفع ثمن المكان بعد يوم من موقعة ميناء بيرل". تم إرساله هو وزوجته إلى معسكر اعتقال نهر جيلا في أريزونا. ولم يعودوا أبدا إلى المتجر.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">في الأشهر الثلاثة مع هيئة ترحيل الحرب حيث كانت تعمل تقريبا سبعة أيام في الأسبوع، تمكنت لانج من التقاط ما يقرب من 850 صورة. في حين أن العديد من صورها الأخرى للحكومة قد أصبحت بعض الصور الأكثر شهرة في القرن العشرين، بقي معظمها غير مرئي إلى أن تم نشر كتاب عنها وعن لانج في عام 2006.</SPAN></SPAN></DIV></div>
HTMLText_07BF72A9_666A_A627_41C1_25BEA2E06C19.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>روته:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>سيتسوكو وينشستر</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>فنانة ومصورة وصحفية</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">تم التقاط صورة أنسل آدامز هذه في عام 1943، بالقرب من وادي الموت بكاليفورنيا في معسكر يسمى مانزانار. كان واحدا من عشرة معسكرات اعتقال أمريكية تم بناؤها لسجن مواطنين أمريكيين من أصول يابانية وآبائهم المهاجرين.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">تُظهر الصورة رجلا ينظر إلى المناظر الطبيعية الشاسعة في سفوح جبال سييرا، اشتهر آدامز كمصور بهذا النوع النمطي من المشاهد. ما تفتقده الصورة بشكل غريب هو وجود أي سياج من الأسلاك الشائكة أو أبراج الحراسة أو الأضواء الكشافات أو الجنود التي تحمل بنادق آلية أو أي مشاهد غير مريحة قد تلمح إلى الظروف القاسية التي وضع فيها هؤلاء الأشخاص.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">آدمز شخصيا شعر بقوة أن المواطنين الأمريكيين لا ينبغي أن يعاملوا بهذه الطريقة من قبل بلدهم وأول محاولة له في التصوير الوثائقي ولدت من هذه الرغبة: لإظهار لزملائه الأمريكيين أن هؤلاء الناس كانوا مثل أي مواطن آخر، ولدوا أحرارا ومتساوين، وهذا كان عنوان الكتاب الذي جمعه ونشره في نهاية المطاف في عام 1944.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">ولكن عندما صدر الكتاب، لم تكن أهدافه موضع تقدير من قبل الجمهور الأميركي والذي ما زال مشغولا في الحرب، ولم يغفر له تعاطفه مع أولئك المسجونين. ونتيجة لذلك، يقال إن نسخًا من كتابه تم حرقها احتجاجًا على ذلك. كما يقال إن الحكومة نفسها اشترت آلاف النسخ وقامت بتدميرها. بغض النظر عن مصيرهم، تعتبر النسخة الأصلية من هذا الكتاب التي صدرت عام 1944 اكتشافًا نادرًا. ومن دواعي السخرية: عندما خفت حدة الكراهية تجاه الأمريكيين اليابانيين، أصبحت صور آدم مثيرة للجدل مرة أخرى، لأن هذه المرة الحكومة والجمهور بدلاً من رفضهم، بدأوا في استخدامها كدليل على أن الظروف في المعسكرات لم تكن إلا قاسية أو غير إنسانية. لا يعتبر هذا الوثائقي الحقيقي أو أنه مجرد دعاية، ولكن هذه الصور تكمن في مكان ما في عالم الصور الفوتوغرافية العميق.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">عادة ما كان روكويل يستخدم دعائم موجودة في الاستديو الخاص به في رسوماته. أحد الأشياء التي يمكننا تحديدها هنا هو كرسي وندسور الخاص بروكويل، والذي يجلس عليه الرجل. كرسي وندسور الذي ترونه هنا هو الصنف الحقيقي للكرسي الذي كان روكويل يرسم وهو جالس عليه عادة، على الرغم من إنجازه لبعض الرسومات وهو واقف. لقد كان كرسيا أخذه معه من استديو إلى آخر. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">الصورة التي ترونها هنا هي ثاني صورة صممها روكويل على أساس فكرة الاستماع إلى أخبار الحرب. الأولى كانت في الحقيقة صورة غير منشورة عمل عليها روكويل في شتاء سنة 1944، وقد اعتبرها وجريدة "ساترداي إيفنينغ بوست" غير قابلة للقراءة. نرى فيها مجموعة من الرجال مجتمعين من أجل العشاء، وعلى الرغم من أن ملامحهم تظهر أنهم منتبهون، إلّا أنه لا يمكننا التأكّد ممّا يصغون إليه تحديدا. إذا ما نظرنا عن قرب، في الجزء العلوي الأيمن للصورة، هنالك ضوء متوهج صادر عن المذياع المشتغل. بصفته رساما لجريدة كثيرة الإصدار، كان على روكويل أن يحكي قصته بسرعة، ووجب على صورته أن تجذب جمهورا واسعا جدّا. في هذه الحالة، تعتبر "أخبار الحرب" صورة جميلة، لكنها تعجز عن التواصل بفعالية بالطريقة التي كان روكويل يأمل أن تفعل، لهذا اختار التخلّي عن هذه الطريقة في الإخبار بالقصّة. </SPAN></SPAN></DIV></div>
HTMLText_FD8F000C_6669_61FD_41CD_AD80B4836E19.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>روته:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>سيتسوكو وينشستر</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>فنانة ومصورة وصحفية</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">في 23 أبريل 1943، قامت السيدة الأولى إليانور روزفلت بزيارة إلى معسكر اعتقال نهر جيلا في ولاية أريزونا. التقط مصور هيئة ترحيل الحرب فرانسيس ستيوارت صورة لها ويرافقها ديلون ماير، المدير الوطني لهيئة ترحيل الحرب، حيث يستقبلهم حشد من النزلاء المتحمسين.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">كانت السيدة روزفلت واحدة من القلائل في إدارة فرانكلين ديلانو روزفلت تتحدث علانية نيابة عن المواطنين والمهاجرين الأوفياء من الأصل الياباني قبل وبعد موقعة ميناء بيرل. حاولت دون جدوى أن تثني الرئيس عن أمر الترحيل الجماعي، التي اعتبرتها انتهاكًا لحقوق الإنسان والمثل الأمريكية، بل ودعت الأمريكيين اليابانيين إلى البيت الأبيض.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">كانت زيارتها للمعسكر ردا على اتهامات من الصحافة المحلية بأن الحكومة الاتحادية كانت تدلل الأميركيين اليابانيين في المعسكرات. كان هدفها القيام بجولة في المرافق والتحقيق في تلك الادعاءات. خرجت وسلطت الضوء على العمل الذي كان يقوم به السجناء كمجهود حربي في شباك التمويه ومصانع نماذج السفن وأشارت إلى أن الحليب الذي تذوقته في قاعة الطعام كان رديئًا – كانت هذه هي طريقة ردها على التقارير الصحفية التي تفيد بأن السجناء كانوا يتلقون حصص إعاشة أفضل من المواطنين الأمريكيين الآخرين.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">نشرت صحيفة لوس أنجلوس تايمز تقريرا عن زيارتها بعد ثلاثة أيام في مقال وصفت فيه الظروف المعيشية هناك بأنها "ليست غير لائقة"، ولكنها بالتأكيد ليست فارهة، وأضافت "لم لكن لأحب أن أعيش على هذا النحو". كما أنها اقتبست قائلة: "كلما أسرعنا في إخراج الشباب الياباني [المولود في أمريكا] من المعسكرات كان ذلك أفضل. عذا ذلك، إذا لم نحترس، فسنخلق مشكلة هندية أخرى."</SPAN></SPAN></DIV></div>
HTMLText_31589398_0B36_04FC_417B_CCBF6BD81E04.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Speech Jacket</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Jacket worn by model Carl Hess in Freedom of Speech, 1942 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Suede and cotton</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Gift of Ms. Anne Pelham, RC.2002.15</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Rockwell was a perfectionist. He scouted models and locations, researched costumes and props, and carefully orchestrated each element of his designs. This jacket was worn by Rockwell’s neighbor, Carl Hess, when he posed for </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Speech</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">. After the modeling session, Rockwell gave it to his studio assistant and photographer Gene Pelham, who wore it for years.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_96302FD9_A7D7_731D_41E1_B1B39A8B5822.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Know Your War Plane</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">s, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Published by The Coca-Cola Company </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Lithograph booklet</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Collection of Drs. Lois and Daniel Fermaglich</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">During World War II, plane spotting—watching the skies for enemy aircraft—was a popular hobby for people of all ages in the United States and abroad. Children quickly learned how to identify planes, and in many places, Civil Defense relied on civilian reports of enemy aircraft. Manuals like this popular booklet issued by The Coca-Cola Company were available for ten cents and often kept close at hand.</SPAN></SPAN></DIV></div>
HTMLText_47AE0E28_A42F_AECE_41D9_A71E1347EB23.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Narrado por:</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Stephanie Haboush Plunkett</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Directora Adjunta/Curadora Jefe - Museo Norman Rockwell</I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">La Segunda Guerra Mundial fue una época fértil para los dibujantes políticos porque las pasiones se intensificaban y el destino del mundo era incierto y estaba en juego. Boris Artzybasheff emigró a los Estados Unidos a la edad de 20 años de Rusia, y, en ese momento, no hablaba nada de inglés y, según los informes, llegó con solo 17 centavos en el bolsillo. Era famoso por su habilidad como ilustrador para convertir máquinas y objetos inanimados en seres vivos, incluidas las esvásticas que se ven aquí.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Durante la Segunda Guerra Mundial, fue asesor de la división de Guerra Psicológica de las Fuerzas Armadas, y como ilustrador profuso, incluso durante ese tiempo, trabajó para publicaciones importantes, como </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Life</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Fortune</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> y </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Time</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, para las cuales produjo más de 200 portadas. Witches' Sabbath, publicado en la revista </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Life</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"> en 1942, proporcionó un enfoque en el punto de vista del artista, y la imagen retrata a Heinrich Himmler, Hermann Goring y Joseph Goebbels, miembros del partido nazi y proveedores de propaganda nazi, como esvásticas.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Artzybasheff y otros artistas políticos de la época intentaron presentar los males de la sociedad, un enfoque que difería del de Rockwell, que tendía a proporcionar declaraciones más ambiciosas.</SPAN></SPAN></DIV></div>
HTMLText_2346A98A_B755_F89D_41DA_99F6B135CE8B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Southern Justice</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, 1965</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, June 29, 1965</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Double-page tearsheet</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">On June 25, Rockwell received his copy of the June 29 issue of </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_A12605C1_C789_5B68_41D9_617CC9F77C38.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Those Who Were Killed in U.S. During Civil Rights Movement</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>The New York Times National</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, November 4, 1989</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Tearsheet</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_FE2CBFCD_4205_3AB1_41B9_3012E4B7577B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">When utilizing an image like a painting for an illustration in mass-produced collateral, such as a poster, there is always a chance that the transfer process may not exactly maintain the look of the original image.  In the case of </SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><I>Freedom of Worship</I></SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">, Rockwell was disappointed by the conspicous change in color tone of the image that appeared in the poster.  For his painting, he diliberately utilized a monotone palette so that not one denomination or perpson would appear to hold dominace over another.</SPAN></SPAN></DIV></div>
HTMLText_96323FDF_A7D7_7315_4191_E3A3460FD107.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">رواه</SPAN><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>جورج تشرش الثالث</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';"><B>محاضر ومتطوع - متحف نورمان روكويل</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">عندما بدأت الحرب العالمية الثانية وقصفت اليابانية ميناء بيرل، كنت أشاهد فيلما مع والدي ثم رأينا عند بداية هذه المناسبة، رأينا هذه القطعة الورقية بين العدسة والضوء في الكاميرا في جهاز العرض. وقالت الورقة إن اليابانيين قصفوا ميناء بيرل. وقد قام الجيش الأمريكي بالإبلاغ عن ذلك.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">لكن على أي حال، كانت تلك بداية معرفتي بالحرب العالمية الثانية. بعد ذلك بدأت في المشاركة في أعمال اكتشاف الطائرات. لقد شاركت في اكتشاف الطائرات من خلال بعض من الأصدقاء الآخرين الذين كانوا في نفس صفي في المدرسة النحوية. و... كان بإمكاني فقط أن أذهب للمشاركة في اكتشاف الطائرات في أيام السبت لأنني كنت أذهب إلى المدرسة من الاثنين إلى الجمعة. وكنت أستيقظ في حوالي الساعة 4:30 أو في الخامسة إلا ربعاَ وأتناول وجبة الإفطار وأركب على دراجتي. واضطررت إلى السير بالدراجة مسافة حوالي ثلاثة أميال للوصول إلى فندق ميامي بيلتمور الذي كان في كورال جابلز. وكان علي أن أكون قادراً على ركن دراجتي ثم اذهب إلى الردهة ثم اصعد الدرج وكنت أركب المصعد أيضا. ثم وصلت إلى البرج وعند البرج اضطررت إلى الصعود لأعلى البرج حيث كان لدينا كشكًا لاستكشاف الطائرات تم بناؤه داخل برج... الفندق. ولكن المبنى كان أطول مبنى في ميامي وكنا نقع على جنوب مطار ميامي الدولي مباشرة. وهذا هو المكان الذي كنا نقوم فيه باكتشاف الطائرة.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">وعملت في المناوبة من الساعة 6:00 إلى الساعة 9:00 صباح يوم السبت وكان بحوزتي كتيب اكتشاف الطائرات. وكان لدي هاتف. لقد كنت مع شخص آخر وبيننا كنا نقوم بالإبلاغ عن كل شيء رأيناه يهبط أو يقلع من مطار ميامي، وأيضاً الطائرات التي حلقت فوقنا وكنا نقوم دائمًا بتسجيل الدخول والإبلاغ عن تلك الطائرات أيضًا.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">لقد كان هذا الكتاب كنزا حقا لأنه كان الطريقة التي تمكنت بها من الاتصال على الرغم من... صغر سني. عندما بدأت الحرب في ديسمبر كان عمري 12 عامًا. وأعتقد أنه لم يكن سنا يسمح ليّ ... بالمشاركة في الخدمة العسكرية ذاتها، ولكن كان ذلك بمثابة اتصال بالحرب بالنسبة ليّ وهذا جزء من التاريخ. وعرفت أن هذا الكتاب هو ما أثبت صحة تجربتي وأدركت أني شاركت في القيام بأقصى ما أستطيع... خلال الجزء المبكر من الحرب.</SPAN></SPAN></DIV></div>
HTMLText_1810E2FC_5D59_DED2_41C6_0C6032801CA7.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">美国第32任总统富兰克林·罗斯福生平，1943年</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">战争情报办公室出版的漫画书，</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">数码扫描</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">马里兰大学公园的国家档案馆 </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_DDE7F1DD_FF9B_8C0A_41EC_E6FA0E2F3084.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B><I>Don’t Let It Happen Over Here</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">1938</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Promotional illustrations for International Chewing Co., Cambridge, MA.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Lithograph on cardboard</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Collection of Drs. Lois and Daniel Fermaglich</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Collectible trading cards of the World War II era engaged a public eager for news about the events of the day. No less influential because of their diminutive size, they featured dramatic scenes and propagandistic messages, and were acquired as premiums with the purchase of tobacco products, chewing gum, and candy. Notable international figures, military heroes, weapons and insignia, accounts of world events at home and abroad, and motivational slogans were among the most popular series themes. This series displeased some parents who were concerned about their children’s exposure to such graphic material.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_DFA73164_FF7A_8C3B_41DC_1ECD5DBF5B30.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B><I>Don’t Let It Happen Over Here</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">1938</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Promotional illustrations for International Chewing Co., Cambridge, MA.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Lithograph on cardboard</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Collection of Drs. Lois and Daniel Fermaglich</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Collectible trading cards of the World War II era engaged a public eager for news about the events of the day. No less influential because of their diminutive size, they featured dramatic scenes and propagandistic messages, and were acquired as premiums with the purchase of tobacco products, chewing gum, and candy. Notable international figures, military heroes, weapons and insignia, accounts of world events at home and abroad, and motivational slogans were among the most popular series themes. This series displeased some parents who were concerned about their children’s exposure to such graphic material.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_DC4D312E_FF9F_8C07_419D_CCF6F4036621.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B><I>Don’t Let It Happen Over Here</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">1938</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Promotional illustrations for International Chewing Co., Cambridge, MA.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Lithograph on cardboard</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Collection of Drs. Lois and Daniel Fermaglich</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Collectible trading cards of the World War II era engaged a public eager for news about the events of the day. No less influential because of their diminutive size, they featured dramatic scenes and propagandistic messages, and were acquired as premiums with the purchase of tobacco products, chewing gum, and candy. Notable international figures, military heroes, weapons and insignia, accounts of world events at home and abroad, and motivational slogans were among the most popular series themes. This series displeased some parents who were concerned about their children’s exposure to such graphic material.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_DD8ADC5C_FF97_940A_41DF_401982261EC6.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B><I>Don’t Let It Happen Over Here</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">1938</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Promotional illustrations for International Chewing Co., Cambridge, MA.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Lithograph on cardboard</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Collection of Drs. Lois and Daniel Fermaglich</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Collectible trading cards of the World War II era engaged a public eager for news about the events of the day. No less influential because of their diminutive size, they featured dramatic scenes and propagandistic messages, and were acquired as premiums with the purchase of tobacco products, chewing gum, and candy. Notable international figures, military heroes, weapons and insignia, accounts of world events at home and abroad, and motivational slogans were among the most popular series themes. This series displeased some parents who were concerned about their children’s exposure to such graphic material.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_0F62E84B_1873_1BF1_41AE_0A0D343F6C9A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B><I>First Column Defenders</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">1940</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Promotional illustration for The Goudy Gum Co., Boston, MA. Lithograph on cardboard</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Collection of Drs. Lois and Daniel Fermaglich</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_0C4591D8_1851_EC9F_415A_90FD4193B554.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B><I>First Column Defenders</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">1940</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Promotional illustration for The Goudy Gum Co., Boston, MA. Lithograph on cardboard</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Collection of Drs. Lois and Daniel Fermaglich</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_050A7962_18B1_7DB3_41B0_B807866DDC1B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B><I>Heroes of Pearl Harbor, 1942</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Candy box, </I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Candyland Company, Brooklyn, New York </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Lithograph on cardboard</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Collection of Drs. Lois and Daniel Fermaglich</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_03EE4E99_18B3_7491_41B4_71EAAB175300.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B><I>Remember Pearl Harbor, 1942</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Candy box, </I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Candyland Company, Brooklyn, New York </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Lithograph on cardboard</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Collection of Drs. Lois and Daniel Fermaglich</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_0DCE8101_1871_2D71_4199_D6F6D8A1D0B4.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B><I>To know the Horrors of War is to want Peace</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">1938</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Promotional illustrations for Gum, Inc., Phila., PA. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Lithograph on cardboard</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Collection of Drs. Lois and Daniel Fermaglich</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">The first bubble gum cards ever issued, </SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>The Horrors of War</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"> series was first produced in 1938, a 240 image set featuring colorful but gruesome illustrations detailing battles in The Ethiopian War (1935–1941), The Spanish Civil War (1936– 1939), and The Second Sino-Japanese War (1937–1945).  The series was so popular that forty-eight additional cards highlighting the events of World War II were later added.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_0F26B117_1851_ED91_41B6_EAE2D8FE296C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B><I>To know the Horrors of War is to want Peace</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">1938</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Promotional illustrations for Gum, Inc., Phila., PA. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Lithograph on cardboard</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Collection of Drs. Lois and Daniel Fermaglich</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">The first bubble gum cards ever issued, </SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>The Horrors of War</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"> series was first produced in 1938, a 240 image set featuring colorful but gruesome illustrations detailing battles in The Ethiopian War (1935–1941), The Spanish Civil War (1936– 1939), and The Second Sino-Japanese War (1937–1945).  The series was so popular that forty-eight additional cards highlighting the events of World War II were later added.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_0ECCFDBC_185F_1497_4193_568D997DC69E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B><I>To know the Horrors of War is to want Peace</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">1938</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Promotional illustrations for Gum, Inc., Phila., PA. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Lithograph on cardboard</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Collection of Drs. Lois and Daniel Fermaglich</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">The first bubble gum cards ever issued, </SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>The Horrors of War</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"> series was first produced in 1938, a 240 image set featuring colorful but gruesome illustrations detailing battles in The Ethiopian War (1935–1941), The Spanish Civil War (1936– 1939), and The Second Sino-Japanese War (1937–1945).  The series was so popular that forty-eight additional cards highlighting the events of World War II were later added.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_0FAF4050_1853_2BEF_41B3_6B2FCBF7BD41.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B><I>To know the Horrors of War is to want Peace</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">1938</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Promotional illustrations for Gum, Inc., Phila., PA. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Lithograph on cardboard</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Collection of Drs. Lois and Daniel Fermaglich</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">The first bubble gum cards ever issued, </SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>The Horrors of War</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"> series was first produced in 1938, a 240 image set featuring colorful but gruesome illustrations detailing battles in The Ethiopian War (1935–1941), The Spanish Civil War (1936– 1939), and The Second Sino-Japanese War (1937–1945).  The series was so popular that forty-eight additional cards highlighting the events of World War II were later added.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_0E51FCD4_1873_1497_41AA_DABDAF791F0C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B><I>Uncle Sam’s HOME DEFENSE</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">1941</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Promotional illustrations for Gum, Inc., Phila., PA </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Lithograph on cardboard</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Collection of Drs. Lois and Daniel Fermaglich</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">As anticipation of American involvement in World War II mounted, some gum card sets took on a patriotic tone and emphasized the need for national preparedness. Beginning in 1941, Gum, Inc. issued a series of 96 </SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Uncle Sam—Soldier</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"> cards and 148 </SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Uncle Sam—Home Defense</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"> cards. Army, Navy, Marine Corps, and Air Corps troops were depicted in training during mock warfare; homefront activities like rationing gas and dispersing school children in the event of an attack were clearly illustrated.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_0E57A72C_1877_35B7_41A9_EDCE769882B0.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B><I>Uncle Sam’s HOME DEFENSE</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">1941</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Promotional illustrations for Gum, Inc., Phila., PA </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Lithograph on cardboard</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Collection of Drs. Lois and Daniel Fermaglich</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">As anticipation of American involvement in World War II mounted, some gum card sets took on a patriotic tone and emphasized the need for national preparedness. Beginning in 1941, Gum, Inc. issued a series of 96 </SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Uncle Sam—Soldier</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"> cards and 148 </SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Uncle Sam—Home Defense</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"> cards. Army, Navy, Marine Corps, and Air Corps troops were depicted in training during mock warfare; homefront activities like rationing gas and dispersing school children in the event of an attack were clearly illustrated.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_0E917F69_1871_15B1_41A2_04A27AABCF52.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B><I>Uncle Sam’s HOME DEFENSE</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">1941</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Promotional illustrations for Gum, Inc., Phila., PA </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Lithograph on cardboard</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Collection of Drs. Lois and Daniel Fermaglich</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">As anticipation of American involvement in World War II mounted, some gum card sets took on a patriotic tone and emphasized the need for national preparedness. Beginning in 1941, Gum, Inc. issued a series of 96 </SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Uncle Sam—Soldier</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"> cards and 148 </SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Uncle Sam—Home Defense</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"> cards. Army, Navy, Marine Corps, and Air Corps troops were depicted in training during mock warfare; homefront activities like rationing gas and dispersing school children in the event of an attack were clearly illustrated.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_0DAA5523_1873_35B1_41B2_821E4BFA96FF.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B><I>Uncle Sam’s HOME DEFENSE</I></B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">1941</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Promotional illustrations for Gum, Inc., Phila., PA </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Lithograph on cardboard</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Collection of Drs. Lois and Daniel Fermaglich</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">As anticipation of American involvement in World War II mounted, some gum card sets took on a patriotic tone and emphasized the need for national preparedness. Beginning in 1941, Gum, Inc. issued a series of 96 </SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Uncle Sam—Soldier</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"> cards and 148 </SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Uncle Sam—Home Defense</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"> cards. Army, Navy, Marine Corps, and Air Corps troops were depicted in training during mock warfare; homefront activities like rationing gas and dispersing school children in the event of an attack were clearly illustrated.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_7581F9E0_41EF_105E_41C3_33A902BA1E5C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B>Alfred Charles Parker (1906-1985)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Even a little can help a lot—NOW</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">, 1942</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Poster illustration for Office of War Information Poster</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">A mother and daughter help the war effort by purchasing and collecting U.S. War Stamp Bonds in this poster by Al Parker, creator of popular mother and daughter cover illustrations for </SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Ladies’ Home Journal</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">, which ran from 1939 to 1952. The scene depicts a mother and daughter in matching outfits, adding stamps to their Bond booklets. A father’s military cap rests beside them as a nod to unified acts of service. In 1942, the United States Treasury Department issued a series of war savings stamps that were collected in booklets, as depicted in here. This image specifically depicts red Civilian Public Service stamps and blue War Sufferers’ Relief stamps, worth ten cents each.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_D9B53FEF_EF2F_A7D2_41EB_A9DD4EC4B1F5.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B>Arthur Rothstein (1915–1985)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Evicted sharecroppers along Highway 60, New Madrid Country, Missouri</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">, January 1939</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Farm Security Administration—Office of War Information Photograph Collection (Library of Congress), Washington, D.C.,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">LC-DIG-fsa-8a10394</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">In January 1939, travelers on the highways of southern Missouri encountered an alarming sight—thousands of sharecroppers and their families were camped out on the sides of the road with piles of their possessions beside them. Almost all were African Americans who had been evicted by farm owners. Sharecroppers were entitled to a portion of the harvest of the land they worked, and they had recently been made eligible for federal farm subsidies. Preferring to keep these for themselves, many farm owners evicted sharecroppers, hiring day laborers to work the fields. Leaders of the Southern Tenant Farmers’ Union used this dramatic moment to capture public attention and encourage the government to step in. Reporters, including Farm Security Administration (FSA) photographer Arthur Rothstein, were there to cover the story. Rothstein’s portraits humanized his subjects, presenting them as individuals who deserved to be heard.</SPAN></SPAN></DIV></div>
HTMLText_2E4AC922_1850_FDB0_4192_CE440CD4694B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B>Denys Wortman (1887 - 1958)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Buddy, could you spare a dime for a Defense Stamp?</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">March 30, 1942 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Graphite on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Denys Wortman and The Center for Cartoon Studies, White River Junction, Vermont</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">During World War II, the U.S. Treasury sold bonds to help support the war effort and tie the interests of the public to that of the national government. The average American rarely had $25 for a government bond, however—in 1942, production workers averaged only 86 cents per hour. As referenced in this drawing, Defense Stamps could be purchased in denominations as low as 10-cents, enabling ordinary citizens to purchase them. In many cases, collections of war savings stamps could be redeemed for Treasury Certificates or War Bonds.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_2F810778_1851_359F_4181_BC4BDA76712C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B>Denys Wortman (1887 - 1958)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>I’m worried about post-war conditions. I’ll probably be back home mopping, dusting, and cleaning again. </I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">October 18, 1943 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Graphite on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Denys Wortman and The Center for Cartoon Studies, White River Junction, Vermont</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_291BCDA2_1871_F4B3_41A0_658F625F2FDE.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B>Denys Wortman (1887 - 1958)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>There was a time, Mopey, when bein’ in the bread line was sort of exclusive . . . </I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">November 13, 1930</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Graphite on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Collection of Denys Wortman and The Center for Cartoon Studies, White River Junction, Vermont</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">An insightful and masterful draftsman, Denys Wortman studied with Robert Henri at the New York School of Fine and Applied Art and exhibited in the 1913 New York Armory Show before turning his attention to comic art. In 1924, he began working for the </SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>New York World</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">, and during the Depression his humorous drawings lightened the times in the </SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Unemployed</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">, a magazine established in 1930 by the League for Industrial Democracy. Mopey Dick and the Duke, seen here, were recurring characters in Wortman’s long-running syndicated feature, </SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Metropolitan Movies</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">, which appeared in several New York papers.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_22D83A81_1850_FF71_41A1_69F042742BD3.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B>Denys Wortman (1887 - 1958)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>When mother says “More?” Say no, ’cause there’s just a little left for her,</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"> </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">February 6, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Graphite on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Collection of Denys Wortman and The Center for Cartoon Studies, White River Junction, Vermont</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_2E585F1D_1851_7591_41B4_A16F929DBFAB.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B>Denys Wortman (1887 - 1958)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>You sorta took the place of his mother, but now you too are gone.</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">November 2, 1932</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Editorial cartoon for Metropolitan Newspaper Feature Service, Inc.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Graphite on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Denys Wortman and The Center for Cartoon Studies, White River Junction, Vermon</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_2219C243_186F_2FF1_4198_D0E8F29DC26F.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B>Denys Wortman (1887 - 1958)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>“If you’re going home, I’ll give you a lift.” “Thanks, Bill, I’d rather walk. It’ll kill more time that way,” </I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">November 15, 1938 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Graphite, ink, and charcoal on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Collection of Denys Wortman and The Center for Cartoon Studies, White River Junction, Vermont</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Captions for many of Denys Wortman’s images came from chatter that was overheard and later refined by the artist’s wife, Hilda Renbold Wortman. His popular single-panel comics offered running commentary about the joys, and mostly trials, of city life.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_DE558CD7_EF14_A9F2_41D0_3DEADDF17BB3.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B>Dorothea Lange (1895–1965)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Destitute pea pickers in California. Mother of seven children.</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Age thirty-two. Nipomo, California,</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"> 1936</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Farm Security Administration—Office of War Information Photograph Collection (Library of Congress), Washington, D.C.,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">LC-USF34-009058-C</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">In 1936, Dorothea Lange met Florence Owens Thompson in a California camp of field workers whose livelihoods had been devastated by crop failure. Lange’s timeless photograph of the forlorn migrant mother and her children came to represent a generation and a nation that seemed to have lost its way. Published widely in magazines and newspapers, Lange’s documentary photography for the Farm Security Administration (FSA) humanized the Depression’s consequences. She had been operating a successful San Francisco portrait studio, but moved by the homeless and unemployed, began capturing images of the urban scene that reflected her social concerns.</SPAN></SPAN></DIV></div>
HTMLText_DB3CC2C0_EF1F_99CE_41BE_E93E9DD5E0FE.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B>Dorothea Lange (1895–1965)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Mississippi Delta Negro Children</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">, July 1936</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Farm Security Administration—Office of War Information Photograph Collection (Library of Congress), Washington, D.C.,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">LC-DIG-fsa-8b29649</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">In the early twentieth century, many southern African Americans had to resort to sharecropping and tenant farming to survive, a difficult and rarely profitable endeavor that replaced the slave-dependent plantation system.</SPAN></SPAN></DIV></div>
HTMLText_DCEED350_EF15_98CE_41EA_33E1BED817B3.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B>Dorothea Tomlinson (1898–1985)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Family Quilting</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">, 1934</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Franklin D. Roosevelt Presidential Library and Museum, Hyde Park, NY</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">During the Depression and World War II, from 1933 to 1943, the United States government supported the arts in unprecedented ways. Federal tax dollars were utilized to employ jobless people working in the visual, performing, and literary arts. But President Franklin D. Roosevelt’s New Deal arts projects had a larger goal—to promote American art and culture and provide access to what he described as “an abundant life.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Born in Fairfield, Iowa, Dorothea Tomlinson was a painter, illustrator, and lithographer, who created murals and paintings for the Works Progress Administration, including this colorful scene. Popular in the 1930s, quilting parties, or bees, brought women together, providing them with the opportunity to socialize with while creating striking utilitarian works of art.</SPAN></SPAN></DIV></div>
HTMLText_5E6CB90D_3CB8_90B9_41A3_74C7BDF1B76E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B>Fred Eng (1917–1995)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Casablanca Portfolio: A Street in Meliah, Marrakech, French Morocco</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">, July 16, 1944</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Graphite, ink, and charcoal on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Gift of Michael and Monica Eng, NRM.2012.4.21</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_5C86A894_3CD8_91AF_41CA_DCF1E1C1E8A4.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B>Fred Eng (1917–1995)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Casablanca Portfolio: Entrance to Native Section, French Morocco</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">September 24, 1944</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Graphite, ink, and charcoal on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Gift of Michael and Monica Eng, NRM.2012.4.19</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_5DF9B1F4_3CCB_B36F_41BE_50496FB7A47C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B>Fred Eng (1917–1995)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Casablanca Portfolio: Loading the Wounded on Plane</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">, c. 1944</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Graphite, ink, and charcoal on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Gift of Michael and Monica Eng, NRM.2012.4.16</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">During the 1940s, Morocco was under the control of France, and from 1940 to 1944, the Vichy government aligned</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">with Nazi Germany. At the time, Morocco had more Jewish citizens than any other Muslim majority country, totaling over 300,000. When the Vichy government demanded a list of all Jews in the country, King Mohammed V replied, </SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>“We have no Jews in Morocco, only Moroccan citizens.”</I></SPAN></SPAN></DIV></div>
HTMLText_5ECCC755_3CB9_70A8_41CC_B21E78D57F35.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B>Fred Eng (1917–1995)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Casablanca Portfolio: Soldier Entering Building Ruins</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">, c. 1944</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Charcoal, ink, and gouache on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Gift of Michael and Monica Eng, NRM.2012.4.42</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_5B6C065B_3CDF_7159_419B_C712D23C1B5D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B>Fred Eng (1917–1995)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Casablanca Portfolio: Soldiers Looking at German Tank</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">, c. 1944</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Graphite, ink, and charcoal on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Gift of Michael and Monica Eng, NRM.2012.4.36</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">By 1942, American and British forces were preparing to launch a North African campaign, and their first foray into the region was Operation Torch. The plan was to land forces in Morocco via Casablanca and Algeria to cut off German troops that had been pushed across Libya towards Tunisia by the British 8th Army. Allied forces defeated the Vichy government and delivered Germany its first setback.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_665E58FA_3CC9_915B_418E_8090DD8F483D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B>Fred Eng (1917–1995)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Street Scene in French Morocco</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">, c. 1944 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Gouache and ink on paper</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Gift of Michael and Monica Eng, NRM.2012.4.4</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Illustrator Fred Eng was born in China and immigrated to San Francisco with his parents at the age of three. He began his career as an inker and letterer for Classic Comics, and enlisted in the U.S. Army Air Force in August 1942. After completing officers training, Eng was stationed in Morocco and served as a Statistical Officer preparing maps and illustrations for official Army reports. After the war, he worked as a freelance artist for many of the leading periodicals and corporations of the time.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_7415D793_41E3_10E1_41C2_66BC5345DA6A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B>George L. Rapp (1878–1942)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>I’ve found the job where I fit best!</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"> 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Poster illustration for Office of War Information Poster</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">This poster was a prominent appeal in the United States government’s Womanpower campaign, which aimed to increase the domestic labor supply by convincing women that war work was both necessary and desirable. Its model resembles starlet Veronica Lake, whose flowing, peekaboo hairstyle was a popular fashion early in the war. When the style proved to be unsafe around moving machinery, the government asked Lake to shorten her locks to popularize a look more appropriate for factory work. The head scarf seen here was one of many means used by factories to avoid hair- related accidents while maintaining a sense of style.</SPAN></SPAN></DIV></div>
HTMLText_267B1796_43A1_30E2_41A3_3D5DA51D4280.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B>J. Howard Miller (1918–2004)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>It’s a Tradition with Us, Mister!</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"> 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Poster illustration for Westinghouse for the War Production </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Co-Ordinating Committee</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Poster</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Collection of James J. Kimble and Tina Potuto Kimble</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">J. Howard Miller’s series of motivational posters for the Westinghouse Corporation included this image, which appeared for two weeks in April 1943. Through the visual analogy of a revolutionary-era musket and a 1940s rivet gun, it highlights the supporting role of women on the home front throughout the history of American conflicts. Although the model’s features and attire are similar in appearance to those in Miller’s “We Can Do It!” poster, this image has not been similarly viewed through the lens of feminist empowerment.</SPAN></SPAN></DIV></div>
HTMLText_314243CF_7F1C_FDF8_41D9_8232F2C0936C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B>Louie Lamone (1918–2007)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Reference photograph for </SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>The Problem We All Live With</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">, 1963</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">, January 14, 1964, pp. 22–23 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Art Collection Trust.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1963 Norman Rockwell Family Agency. All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">In this photograph, model Lynda Gunn gets assistance from her father, who helps her to steady herself on the boards propping her feet up. Rockwell frequently used this tech- nique to simulate the appearance of walking.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_314C87CC_7F1C_05F8_41D0_AC74EFA26F50.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B>Louie Lamone (1918–2007)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Reference photograph for </SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>The Problem We All Live With</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">, 1963</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">, January 14, 1964, pp. 22–23 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Art Collection Trust.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1963 Norman Rockwell Family Agency. All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Rockwell frequently stood in as a model when creating photo- graphic reference for his art, as seen in this image.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_30FEB01D_7F17_FA98_41D0_6C4EAF890583.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B>Louie Lamone (1918–2007)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Reference photograph for </SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>The Problem We All Live With</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">, 1963</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">, January 14, 1964, pp. 22–23 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Art Collection Trust.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1963 Norman Rockwell Family Agency. All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Rockwell neighbor and model, Lynda Gunn, was six years old when she posed for </SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>The Problem We All Live With</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">, the same age as young Ruby Bridges when she integrated a New Orleans public school.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_315FC2C3_7F6C_3FE8_41D7_FA35593146A4.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B>Louie Lamone (1918–2007)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Reference photographs for </SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>The Problem We All Live With</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">, 1963</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">, January 14, 1964, pp. 22–23 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Art Collection Trust.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:2.03vmin;font-family:'Lato';">© 1963 Norman Rockwell Family Agency. All rights reserved.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Though </SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>The Problem We All Live With</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"> is inspired by the story of Ruby Bridges, the first African American child to attend an all-white public school in New Orleans, Rockwell’s painting is not a factual portrait of Bridges. The artist photographed three schoolgirls from the Stockbridge, MA area and the final figure is a composite of all three. Rockwell’s preparatory photographs include images of the clenched hands of U.S. Marshalls, scrawled racist epithets, and the smashed tomato with its violent splatter. Lynda Gunn, who was chosen as Rockwell’s model, is seen here in the center.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_DB11E569_EF15_98DE_41E0_CFFA928FA810.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B>New York Daily News photographer</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Central Park Hooverville with Central Park West in</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>the background</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">, 1932</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">New York Daily News</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">During the Depression, Shanty towns, called Hoovervilles after President Herbert Hoover, sprung up on vacant lots and public land. The largest of these in New York City was on what would become Central Park’s Great Lawn—construction on a drained reservoir bed north of Belvedere Castle had been delayed due to the economic crisis.</SPAN></SPAN></DIV></div>
HTMLText_17F7D8C5_3BC8_91A9_41CD_8D3B1488E084.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Children’s Crusade for Children Coin Bank</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">, 1940 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Lithograph on tin</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Gift of Steven M. Lomazow, M.D., RC.1979.1.1</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">This collection can was illustrated with the image of a school boy with his hand in his pocket, extracting change in support of “children in war-stricken lands.”</SPAN></SPAN></DIV></div>
HTMLText_53F137FD_19D3_1491_4186_BE0D5F5E8C89.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Children’s Crusade for Children</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">, April 22–30, 1940 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Library of Congress Prints and Photographs Division Washington, D. C., POS-US.R62</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_CAC951D6_F9B9_B4A8_41E8_CE94545C2395.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>On to Washington, August 21–30, 1935 by Request of President Franklin D. Roosevelt</I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Poster</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Collection of Franklin D. Roosevelt Presidential Library</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">and Museum</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">The first national Boy Scout Jamboree was planned for August of 1935. President Roosevelt himself requested that scouts from across the nation attend the event, which would feature a presidential review of those gathered. Rockwell’s poster—which also appeared on the cover of </SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Boy’s Life</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"> that July—indicates widespread anticipation of the Jamboree amid the uncertainties of the Depression.   Unfortunately, an outbreak of infantile paralysis (today known as polio) led to the cancellation of the event. Roosevelt instead addressed the disappointed scouts via radio, expressing his support for a rescheduled Jamboree, which took place in 1937.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_C9EB55F2_F89A_BC6A_41D2_90A93AD6464A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>‘OK,’ the Pause that Refreshes</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">, 1931</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Advertising illustration for Coca-Cola</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">The Coca-Cola Company</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Though Norman Rockwell preferred magazine cover illustration to advertising, the latter was more lucrative. Rockwell created imagery for more than one-hundred-fifty corporations and institutions, including Coca-Cola, which commissioned six original illustrations by the artist. In this Depression-era work, a barefoot boy takes a break from fishing to enjoy simple pleasures, including a bottle of Coke.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_B0C15DFB_AA35_DD54_41D3_8707005EB286.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B>Norman Rockwell (1894—1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Poster illustration for U.S. Office of War Information, 1944</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Norman Rockwell Museum Collection, NRM.1978.12</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Painted for the War Manpower Commission, this portrait of a coal miner was accompanied by the slogan, “Mine America’s Coal. We’ll make it hot for the enemy! See your United States Employment Service.” Critical during World War II, coal was one of the largest raw material industries in America, powering locomotives and the production of iron, steel, and electricity. During the war effort, posters encouraged worker production. Mine America’s Coal showed that a middle-aged man, who was already sacrificing two children in the service of war, was willing to give even more. Patriotism has often been invoked to recruit new workers for dangerous trades. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_7E4727E3_6472_87C1_4199_94D51F3BB851.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B>Paul Warchol</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>View of Franklin D. Roosevelt Four Freedoms Park, NYC</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">, 2012 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">© Paul Warchol</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">President Roosevelt made it clear that the Four Freedoms were “no vision of a distant millennium.” They are, he said, “a definite basis for a kind of world attainable in our own time and generation.” The Franklin D. Roosevelt Four Freedoms Park, a memorial to the president, is a constant reminder of that challenge. The first memorial dedicated to the former President in his home state of New York, it is located on the southern tip of Roosevelt Island in New York City. It is the last work of the late Louis I. Kahn, an iconic architect of the 20th century.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_7D8D5CB9_5B67_5A39_41BC_E01E908E2B6A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B>Unknown Photographer</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Mary Ann Johnson Riveting the Skin onto a Boeing Bomber</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">c. 1942</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">The Boeing Company Corporate Archives</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">While many wartime Rosie the Riveters did take on riveting tasks, their responsibilities were countless. By the war’s end women were at work in approximately one of every three industrial positions. By most accounts, the work gave them a heightened sense of self-confidence. More practically, their average income had risen by thirty-eight percent.</SPAN></SPAN></DIV></div>
HTMLText_77A2606E_41E1_3022_41A6_476F84533AB5.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B>Unknown Photographer</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Mary Ruth Berry Working on Boeing Aircraft,</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"> c. 1942 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">The Boeing Company Corporate Archives</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Riveters typically worked on the outside of a plane’s assembly while their partners, known as buckers, worked on the inside. The dual task required precision teamwork and concentration.  In this photograph, a bucker and a riveter demonstrate not only that women were equal to the task, but also that racial diversity was often an ordinary circumstance in many wartime factories. The prospect of industrial work during the war fostered a Second Great Migration, with millions of African Americans moving to industrial boomtowns, creating a significantly more integrated workforce than had existed before the war.</SPAN></SPAN></DIV></div>
HTMLText_571D368B_19D3_3771_41B8_154236EEED3D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B>Unknown Photographer</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>President Franklin D. Roosevelt Receiving Norman Rockwell’s Children’s Crusade for Children Painting</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">, 1940</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Digital reproduction Bettmann/Getty Images</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">The Children’s Crusade for Children was a charitable organization formed by educational reformer, social activist, and author Dorothy Canfield Fisher and others, with support from Eleanor Roosevelt. Its goal was to make American children aware of the advantages of living in a democratic country, and to assist children in war torn nations by contributing to their cause. From April 22 to 30, 1940, the crusade culminated in a drive with a nationwide collection of money from public, private, and parochial school children. Norman Rockwell was commissioned by Fisher, a fellow Arlington, Vermont resident, to create the drive’s poster illustration. He is seen here with his oldest son, Jarvis (far right), presenting his painting to President Roosevelt during their only known meeting.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_0B381042_3BF9_90AB_419D_B94B905B272C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><B>Var Tan Ian</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>America in Action,</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"> 1942</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Playbook by Action Playbooks, Inc., New York </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Collection of Drs. Lois and Daniel Fermaglich</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Even prior to U.S. involvement in World War II, comics and playbooks depicted superheroes fighting and saving the world from Adolf Hitler and the Axis forces. Superheroes also helped the war effort by delivering supplies and stopping spies at home, and in comic narratives, good always triumphed over evil.</SPAN></SPAN></DIV></div>
HTMLText_0671D88D_3B79_71B9_41C2_CFE544522828.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Know your Airlanes Plane-O-Graph,</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"> 1942</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Plane dial published by Plane Facts, New York </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Lithograph on cardboard</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Collection of Drs. Lois and Daniel Fermaglich</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">During World War II, official spotters were not the only people checking the skies then they heard the sound of a plane. Children served as unofficial spotters who learned to identify planes with decks of cards, from charts that were printed in comic books, newspapers and magazines, or premiums such as the one seen here.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_07D3DA33_3B79_B0E9_41B9_BA6E890A6BA0.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>Our Armed Forces are the Best Dressed in the World</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">, c. 1940s Cereal box illustration for Wheaties cereal, General Mills Lithograph on cereal box cardboard</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Collection of Drs. Lois and Daniel Fermaglich</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_0EB448BE_3B49_91DB_41B4_909464CC4546.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>There are 20 Things Wrong with this Soldier’s Uniform and Equipment</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">, c. 1940s</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Cereal box illustration for Wheaties cereal, General Mills Lithograph on cereal box cardboard</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Collection of Drs. Lois and Daniel Fermaglich</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_0BB1E6E1_3BCB_B169_41CD_22036153D3CF.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>War Ration Booklet with Ration Stamps,</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"> 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Issued by the Unites States of America Office of Price Administration</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Collection of Kimble Antique Automobiles, Nebraska</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Rationing was an inconvenient fact of life for Americans during World War II. With the usual pathways for food distribution severely limited in wartime, the Office of Price Administration issued ration booklets in order to fairly distribute foods that were available only in limited supply, such as canned goods, meat, and coffee. Consumers could only purchase rationed goods by submitting a coupon from their booklet, a program overseen by a local ration board. Local black markets occasionally flourished during the war, but the rationing program was generally successful in its goal of widely distributing goods.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_05BD14AC_3B48_F1FF_41CD_8EA69683F582.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"><I>What our country’s “Best Dressed” men are wearing. Can you name all these uniforms?</I></SPAN><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';"> n. d.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Product illustration for Wheaties Lithograph on cardboard</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.033036848792884vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#666666;font-size:2.03vmin;font-family:'Lato';">Collection of Drs. Lois and Daniel Fermaglich</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.03vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_878A283D_B2D9_5580_41DD_E089775B3F61.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">Acknowledgements</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><B>Generous support for this presentation has been made possible by a gift from Neil and Jane Golub.</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">There is a personal story of donor Neil Golub’s connection to Norman Rockwell’s pictures and the event represented in </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Murder in Mississippi </I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">that he wished to share. While at college, Mickey Schwerner became Neil Golub’s “Little Brother” when he joined a fraternity in 1958, and the two became good friends. A year later, in 1959, they continued their studies at Cornell University—Neil for graduate school and Mickey for veterinary medicine. They roomed next to each other at Cornell,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">and after graduation in 1960, their paths went in different directions.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Moving forward to the 1980s, Neil, then CEO of Price Chopper, and his wife Jane, participated in fundraising efforts to help build a new, state-of-the art Norman</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Rockwell Museum. When the building was opened, a gallery was named in honor of Neil’s parents, William and Estelle Golub, and Neil came for a visit. He was</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">overwhelmed to discover that </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Murder in Mississippi</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> was on display there along with Rockwell’s other civil rights paintings.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">“I will forever be touched by this memory of my friend, Mickey Schwerner, and his two compatriots Andrew Goodman and James Cheney,” Neil wrote. “Rockwell</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">had captured that moment at the time of their murder. Thank you, Norman, for immortalizing my friend and his courageous companions, I will forever be touched by your humanity.”</SPAN></SPAN></DIV></div>
HTMLText_51D98649_614C_28EF_41C0_5A449C31407B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">Changing Times: Rockwell and Civil Rights</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.81vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">In the 1960s, leaving behind his beloved storytelling scenes, Norman Rockwell threw himself into a new genre: the documentation of social issues. As evidenced in his </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Four Freedoms </I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">paintings, he wanted to make a difference with his art, and as a trusted and highly marketable illustrator, he had the opportunity to do so. Humor and pathos—traits that made his </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Saturday Evening Post</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> covers successful—were replaced by the direct, reportorial style of magazine editorials.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">After ending his forty-seven year career with the </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Post</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> in 1963, Rockwell sought new artistic challenges. His first assignment for </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> magazine—</SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>The Problem We All Live With</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">—was a simple assertion of moral decency.  It portrayed Ruby Bridges, a six-year-old African-American girl being escorted by US marshals to her first day at an all-white school in New Orleans. In 1965, Rockwell focused on the murder of three civil rights workers in Philadelphia, Mississippi. And in 1967, he chose children, once again, to illustrate desegregation in our nation’s suburbs. In an interview later in his life, Rockwell recalled that he once had to remove an African-American character from a picture since the Post’s policy dictated showing people of color in service industry jobs only. Freed from such restraints, Rockwell anxiously sought opportunities to correct the editorial prejudices reflected in his previous work.</SPAN></SPAN></DIV></div>
HTMLText_57472025_6154_28A7_41C2_63CBDC4AC53D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">Eleanor Roosevelt and the United Nations Declaration of Human Rights</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.81vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Just as Franklin D. Roosevelt proposed the Four Freedoms that Norman Rockwell immortalized on canvas, Eleanor Roosevelt inspired the citizens and leaders of the world to acknowledge the continued signi-ficance of those freedoms. Convinced that the United States had been “spared for a purpose” from the destruction the war had inflicted on other nations, she seized all avenues at her disposal—speeches, newspaper columns, articles, private conversation, and correspondence—to urge Americans to recognize what was a stake and assume both the respon-sibility and the financial cost of world leadership. Fervently and repeatedly, Roosevelt cautioned her fellow Americans: “You cannot live for yourselves alone. You depend on the rest of the world and the rest of the world depends on you.” She understood how crucial a commonly shared vision could be in overcoming the haunting legacy of war.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Established in 1946 by the UN General Assembly, the United Nations Commission on Human Rights promptly elected Roosevelt its chair. Charged with creating an international bill of rights, the UNCHR put forward, for the first time, a definitive outline of the fundamental human rights to be universally protected. To accomplish this goal, Roosevelt conducted more than three thousand hours of debate, and had to create a climate in which all eighteen member nations—representing very di=erent political and cultural backgrounds from all regions of the world—could envision and articulate rights and freedoms. The Declaration was proclaimed by the United Nations General Assembly in Paris, on December 10, 1948. Since then, it has inspired dozens of international covenants, the creation of international courts, new governments, and an increasingly powerful international movement. Roosevelt considered this work to be her finest achievement, as it instituted a legacy for the Four Freedoms and left them in our hands to protect.</SPAN></SPAN></DIV></div>
HTMLText_EB69D1BA_6C8D_4E62_41B1_78E4CE38E322.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">FDR’s Freedoms</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.81vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Although the nation was not yet at war in January 1941, President Franklin D. Roosevelt used his annual message to Congress to proclaim the Four Freedoms as a de facto war standard to one and all. Building on his reflections into the nature of freedom in the months beforehand, he enumerated for his audience each of the freedoms, stressing that they were not just a national ideal, but one that was needed “everywhere in the world.” Seven months later, in a secret meeting with British Prime Minister Winston Churchill at sea, the two leaders signed the Atlantic Charter, whose principals built on the Four Freedoms and gave the president’s notion even more publicity.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Despite these highly public moments, however, the concept of the Four Freedoms failed to resonate on Capitol Hill, in media reports, or even with the American public. Not even the government’s official Four Freedoms pamphlet, released six months after Pearl Harbor, was able to attract much attention. As pollster George Gallup noted, the president’s rallying cry had still “not registered a very deep imprint here at home.” By early 1943, staffers within the Office of War Information had begun to conclude in internal memoranda that FDR’s Four Freedoms theme had turned into an embarrassing flop.</SPAN></SPAN></DIV></div>
HTMLText_08B84341_6BB6_95FF_41BF_D8C13E93331E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">Freedom’s Legacy</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.81vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">President Roosevelt made clear that the Four Freedoms were “no vision of a distant millennium.” Their odyssey did not end with FDR, nor with Rockwell. As World War II came to a close, the Allies began to hold planning meetings for what would become the United Nations. Eleanor Roosevelt, who championed the late president’s legacy, ceaselessly touted FDR’s freedoms as an appropriate summation of democracy and human rights, and war weary nations agreed. Enshrined in the 1948 Universal Declaration of Human Rights, the Four Freedoms are a testament that arose from the ashes of war to a=irm the precious nature of freedom everywhere in the world.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">The Four Freedoms have continued to play a prominent role in national and international thought. Many constitutions have adopted these ideals as a guarantee of human rights. Heroic individuals—from those who have fought for the rights of enslaved populations to those who have dared to criticize totalitarian governments—have been recipients of the Roosevelt Institute’s Four Freedoms Awards. The Four Freedoms Park, a memorial to FDR on New York’s Roosevelt Island, is a reminder of the challenge that we continue to face in upholding freedom at home and abroad. Rockwell’s interpretations, too, have lived on. His </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Four Freedoms</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> are among the most recognizable images in American history. Whether we encounter them in the original, in print, or online, they are constant reminders of the profound influence of visual imagery on the human imagination. They reveal FDR’s timeless ideals in real world terms, even</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">as they remind us that we, too, are heirs to these cherished values.</SPAN></SPAN></DIV></div>
HTMLText_865C6531_B2DB_FF80_41DD_1DCCD9E72869.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">Murder in Mississippi</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><B>Commentary by Louis Henry Mitchell</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">What could shift the heart of America’s illustrator from celebrating the joy of life to revealing the evidence of horror in that same America? An event that revealed hatred against people of color extended even to white citizens seeking to help emancipate them. Another all too frequent murder had taken place against an African-American as well as his two white fellow civil rights workers. Norman Rockwell became exceedingly angry. He set out to expose this dreadful event with a painting entitled </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Murder in Mississippi</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">With an unusual approach, Rockwell kept vigil over this particular project, which he seemed to treat more as a calling. He became a student of this massacre and devoted his time exclusively toward making this visual account, even after receiving letters expressing objections to his previous </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> magazine painting, </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>The Problem We All Live With</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Rockwell wove threads of truth into this painting, overlapping other heartbreaking events with authentic reference that surpassed many of his most dedicated efforts. His research took him to images of people in bloodstained clothing in the newspapers during the concurrent Vietnam War. Michael Schwerner’s pose holding James Chaney (modeled by Rockwell’s son, Jarvis), came directly from Hector Rondond’s 1963 Pulitzer Prize winning photo “Aide from the Padre.” But this was not enough for Rockwell. He insisted upon posing with human blood dripping on his own hand, staining the shirt that he was wearing. This formidable detail could not be simulated in the artist’s mind. His heart was deeply imbedded in authentically exposing this murder with as much reality as he could provide. Although Rockwell’s color study was ultimately published, the power, anger and authenticity lives through this work of art, a labor of love that unfortunately is as relevant today as it was in 1965.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Louis Henry Mitchell is Creative Director of Character Design at Sesame Workshop, and a member of the Norman Rockwell Museum Board of Trustees.  </I></SPAN></SPAN></DIV></div>
HTMLText_86D6FC08_B2A9_4D80_41DD_F62A238535FB.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">Norman Rockwell, Dr. Martin Luther King, Jr., and the NAACP</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><B>Commentary by Louis Henry Mitchell</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">A spark of excitement and inspiration was ignited within me as a teenager when I walked into a local bookstore on my first day of high school. That was also the first day I discovered Norman Rockwell. He was not just an amazing artist but a profoundly conscientious human being. He used his extraordinary gifts and talents to elevate the vision of joy, hope and humanity to a world that sincerely needed it. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">There was another man who caught my attention when I was even younger. Dr. Martin Luther King Jr. awakened ideas within me before I could even understand them. As I grew I learned how he also used his extraordinary gifts and talents to elevate the world’s vision of joy, hope and humanity, but in different way. While Rockwell revealed the potential of happiness King revealed the realities of injustice. What makes this the proverbial example of “two sides of the same coin” was where Rockwell and King indirectly joined forces. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">King brought tremendous attention to the Civil Rights Movement through speeches, marches and demonstrations. Rockwell brought attention to civil rights in his own unique and powerful way. He was not initially known for incorporating people of color into his work due to restrictions from publishers. But he made up for this later in his career with some highly controversial paintings. One of the most impactful,</SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I> The Problem We All Live With</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">, depicted the beginning of integration in American southern schools. This image even blatantly features a most degrading word used against African-Americans to this very day. The shock of this painting is multiplied by the fact that it is done by Rockwell. He took a stand from Stockbridge, Massachusetts, which became his own courageous “front-line” demonstration, made possible by the artist’s fame and the trust that Americans placed in him. However, their connection goes even further. King, was an official, card-carrying life member of the N.A.A.C.P. and so was Norman Rockwell.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Louis Henry Mitchell is Creative Director of Character Design at Sesame Workshop, and a member of the Norman Rockwell Museum Board of Trustees.  </I></SPAN></SPAN></DIV></div>
HTMLText_1DA582A6_480F_32D2_4172_2FD2A9DAFC4B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">Norman Rockwell’s Creative Process</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.81vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">In the summer of 1942, when he was contemplating the Four Freedoms, Norman Rockwell was at the peak of his career and one of the most famous imagemakers in America. Though he struggled for seven months with how Roosevelt’s ideas could most effectively be portrayed, he resolved to root the universal, symbolic images in his own experiences and surroundings, using as models his neighbors in Arlington, Vermont.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">As was his complex, customary process, the artist’s thumbnail drawings and large scale charcoal sketches, no longer extant, were followed by preliminary color studies in oil. </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Freedom from Want</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> and </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Freedom from Fear</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> were clearly conceptualized in his mind from the start, but </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Freedom of Speech</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> and </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Freedom of Worship</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> presented greater challenges. For each painting, he carefully choreographed the expressions and poses of each of his models, working closely with his studio assistant, Gene Pelham, to photograph them for future reference. </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Freedom of Worship</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> was initially set in a barber shop with people of different faiths and races chatting amiably and waiting their turn. Rockwell ultimately rejected the notion as stereo-typical. For </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Freedom of Speech</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">, he experimented with several different vantage points, including two that engulfed the speaker in the crowd. In the final work, the speaker stands heads and shoulders above the observers as the clear center of attention. Fortunately, Rockwell’s </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Four Freedoms</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> escaped destruction in a fire that destroyed his studio shortly after they were delivered to </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">. His reference photographs and most related artworks did not survive the blaze.</SPAN></SPAN></DIV></div>
HTMLText_176C2BE0_8EDA_3B88_41DE_96348993DAAA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">Pops Peterson: Reinventing Rockwell</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.81vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">In 2015, Berkshire-based artist and writer Pops Peterson debuted Reinventing Rockwell, a series of artworks reimagining mid-century illustrations by Norman Rockwell in a manner reflective of today’s times. Celebrating America’s rich diversity and embracing Rockwell’s sense of humanity, Peterson has created images that envision social change and express his desire for a positive, inclusive, and just world.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Launched at the High School of Music and Art in New York, Peterson’s artistic education continued at Pratt Institute and Columbia University. His writings have been published in Andy Warhol's </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Interview</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Essence</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">, </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>The Village Voice</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> and </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>The New York Times</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">, and he has authored stage plays and screenplays for television and film. The Northeast Regional Conference on Fair Housing and Civil Rights named Peterson the first Artist in Residence of the Massachusetts Commission Against Discrimination. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Peterson is the owner and general manager of Seven salon spa in Stockbridge, MA, a business established with his husband Mark Johnson that is situated across the street from Rockwell’s former home. </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Freedom from What? (I Can’t Breathe) </I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">has travelled across the nation in </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Norman Rockwell: Imagining Freedom</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">, and we are honored to share a broader selection of images from this impactful series. Peterson’s work is also on view at Sohn Fine Art in Lenox, MA. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_EB7FE07C_6C97_4EE2_41C9_955C492AF897.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">Private Willie Gillis: Rockwell’s American GI</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.81vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Distant from the activities of the war raging in Europe and Asia, Norman Rockwell found it a challenge to record his interpretation of the effects of World War II on servicemen for Americans at home. His unassuming fictional private, named Willie Gillis, told the story of one man’s army in a series of popular </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Saturday Evening Post</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> covers. Rockwell depicted him engaged in mundane tasks like receiving a care package from home, peeling potatoes, or reading the hometown news. The artist met his Willie Gillis model, Robert Otis “Bob” Buck, at an Arlington, Vermont, square dance. Then fifteen years of age, Buck was still too young to fight, but he eventually began his service in 1943 as a naval aviator in the South Seas. The name </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Willie Gillis</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> was coined by Rockwell’s wife, Mary Barstow Rockwell, an avid reader who drew inspiration from the story of Wee Gillis, a 1938 book about an orphan boy by Munro Leaf. The first </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Willie Gillis</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> cover appeared on October 4, 1941, while the last emerged after the war when this familiar character enrolled in college on the GI Bill. Published widely, </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Willie Gillis</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> enlargements were distributed by the USO, ultimately appearing in USO clubs at home and abroad, as well as in numerous railway stations and bus terminals.</SPAN></SPAN></DIV></div>
HTMLText_ABD89C87_88C8_BDF7_419D_8A304C877FF1.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">Reimagining the Four Freedoms</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.81vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Since the time of the Enlightenment, philosophers and activists have contemplated the nature of liberty and its associated responsibilities. Building on those ideas, President Franklin D. Roosevelt presented an ambitious treatise on the theme in his 1941 Annual Address to Congress. He argued that Freedom of Speech, Freedom of Worship, Freedom from Want, and Freedom from Fear should be accepted as human rights not only in the United States, but everywhere in the world.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">In our times, it seems as though the very notion of common good, and of civic engagement and civil discourse, is called into question. Are the Four Freedoms, as articulated by President Roosevelt and interpreted by Norman Rockwell for </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">, still relevant as organizing principals of civil society, or are they reflective of a bygone era?</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Inspired by the legacies of Roosevelt and Rockwell, </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Reimaging the Four Freedoms</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> is a juried exhibition inviting contemporary artists to consider two questions: How might notions of freedom, as presented by Roosevelt and Rockwell during the World War II era, be reinterpreted for our times? What does freedom look like today? This installation represents the diverse spectrum of responses received from artists across North America. Their compelling artworks gives voice to their observations and concerns about freedoms lost and sometimes found in our times.</SPAN></SPAN></DIV></div>
HTMLText_A9365FCB_88C8_BB7F_41D5_250209D955CF.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">Reimagining the Four Freedoms</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.81vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Since the time of the Enlightenment, philosophers and activists have contemplated the nature of liberty and its associated responsibilities. Building on those ideas, President Franklin D. Roosevelt presented an ambitious treatise on the theme in his 1941 Annual Address to Congress. He argued that Freedom of Speech, Freedom of Worship, Freedom from Want, and Freedom from Fear should be accepted as human rights not only in the United States, but everywhere in the world.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">In our times, it seems as though the very notion of common good, and of civic engagement and civil discourse, is called into question. Are the Four Freedoms, as articulated by President Roosevelt and interpreted by Norman Rockwell for </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">, still relevant as organizing principals of civil society, or are they reflective of a bygone era?</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Inspired by the legacies of Roosevelt and Rockwell, </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Reimaging the Four Freedoms</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> is a juried exhibition inviting contemporary artists to consider two questions: How might notions of freedom, as presented by Roosevelt and Rockwell during the World War II era, be reinterpreted for our times? What does freedom look like today? This installation represents the diverse spectrum of responses received from artists across North America. Their compelling artworks gives voice to their observations and concerns about freedoms lost and sometimes found in our times.</SPAN></SPAN></DIV></div>
HTMLText_E06B8CCF_6C9D_F637_41B8_5A0787856734.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">Roosevelt, Churchill, and The Atlantic Charter</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.81vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Roosevelt’s White House touted the Four Freedoms theme throughout the spring and summer of 1941. When FDR and British Prime Minister Winston Churchill met near the coast of Newfoundland that August, the President proposed including the freedoms in the resulting Atlantic Charter. This pivotal policy statement defined Allied goals for the postwar world: no territorial aggrandizement or changes made against the wishes of the people; restoration of self-government to those deprived of it; reduction of trade restrictions; global cooperation to secure better economic and social conditions for all; freedom from fear and want; freedom of the seas; abandonment of the use of force; and the disarmament of aggressor nations.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Unfortunately, the document did not include freedom of speech and freedom of worship. Though sources within the administration claimed that their omission was a simple oversight, it was a troubling sign that the campaign to promote the president’s ideals was not functioning efficiently. Less than six months later, in the aftermath of the Japanese attack at Pearl Harbor, 26 governments signaled their support for the charter by signing the Declaration by United Nations on January 1, 1942. The agreement would establish the basis for the modern United Nations.</SPAN></SPAN></DIV></div>
HTMLText_88E27640_B2B9_DD80_4190_65D74555179A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">The Anatomy of Rockwell’s Murder in Mississippi</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">As evidenced in his 1943 </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Four Freedoms</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">, in the adjacent gallery, Norman Rockwell wanted to make a difference with his art, and as a popular and trusted illustrator, he had the opportunity to do so. In 1963, leaving behind his beloved storytelling scenes and forty-seven year career with </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">, he began documenting America’s most pressing social concerns for </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Look</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">, where he found an audience ready to receive his messages. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">In the beginning of 1965, Rockwell began work on a piece about the June 21, 1964 murders of three young civil rights workers. Michael Schwerner and his chief aide, James Chaney, were in Philadelphia, Mississippi to help train volunteers like Andrew Goodman, who with other college students, was working to expand voter registration as part of the Mississippi Summer Project. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">The anatomy of this particular work illuminates Rockwell’s intensive focus on the incident and his process of creating a painting that expressed his outrage. Veering from his habit of working on five or six projects at a time, he ignored other commissions, and in an intensive five-week session, gathered research and produced charcoal preliminaries, an oil color study, and a large final painting. In an interview later in life, Rockwell recalled having been directed by the </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Post</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"> to remove an African American from a group picture because the magazine’s policy dictated showing black people in service industry jobs only. Later, freed from such restraints, he seemed to look for opportunities to correct the editorial prejudices reflected in previous work. </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Murder in Mississippi </I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">helped usher in that new era for the artist. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.91vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.91vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_FE364C82_A924_B0C7_41D0_EEED04AA0C40.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">The Artistic Response to the Four Freedoms Ideals</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.81vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Recognizing that his Four Freedoms were not capturing public attention, President Roosevelt and his team considered alternative ways to publicize them on the home front. In 1942, the White House invited the art world to lend a hand in raising public awareness, and the nation’s artists, writers, actors, designers, composers, and musicians vigorously took up the challenge of promoting the war effort and advancing the Four Freedoms.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">By encouraging artists across the country to offer interpretations through art, music, and writing, the president hoped that the Four Freedoms would finally resonate in a nation distracted by the stresses of wartime. America’s artists vigorously took up the challenge. A flood of Four Freedoms tributes resulted—in the form of sculptures, paintings, drawings, quilts, poems, plays, exhibitions, and even a full-length symphony. A series of Four Freedoms stamps was announced, and artists submitted their creative proposals for those designs as well. Many had been engaged in the New Deal through the Works Progress Administration’s Federal One projects for Art, Theater, Music, and Writers. Drawing on those experiences, they now brought their creative energies to a new cause.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Despite the quality and volume of the works produced, most failed to gain a widespread following. Like the president’s words, the impact of the Four Freedoms remained intangible for most observers. Though the art world had valiantly championed the cause of the Four Freedoms, true engagement with the president’s idealistic notions was still elusive.</SPAN></SPAN></DIV></div>
HTMLText_1B08DD6B_48F5_1653_41D0_2C8945044C5A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">The Four Freedoms War Bond Show</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.81vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">In April 1943, one month after their appearance in the </SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';"><I>Saturday Evening Post</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">, Rockwell’s original paintings began a sixteen-city Four Freedoms War Bond Show tour to publicize the Second War Loan Drive. The US Treasury Department, realizing the images’ potential to generate revenue through the sale of war bonds and to boost public morale, partnered with the Post to sponsor the tour.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Starting in Washington, DC, and gradually working its way around to points west, the exhibition featured hundreds of other artworks, posters, pamphlets, and manuscripts. Each stop vied to offer the biggest thrills and the most notable celebrity appearances, and volunteers were at the ready to sell war bonds to an avid public. At the Boston stop, local organizers brought in the original models from Rockwell’s paintings. In Buffalo, visitors purchased enough war bonds to sponsor four new fighter-bombers, each named after one of the Freedoms. Portland, Oregon, used “over 1,000 column inches of newspaper publicity” to attract more than one hundred thousand bond purchasers to that city’s stop on the tour. A huge parade down Woodward Avenue opened the Four Freedoms War Bonds Show in Detroit. From June 16 to 26, 1943, the exhibition was on view at New York’s Rockefeller Center. Over the course of the tour, it became the rallying point of a massive national outpouring of patriotic enthusiasm.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Rockwell himself ended up being part of the tour, but only for the first stop. He appeared at Hecht’s department store in downtown Washington, DC, but found that he had no appetite for the nonstop routine of signing autographs, meeting celebrities, and talking to reporters. Asked to continue with the exhibition, Rockwell allowed the protective Post editor Ben Hibs to say, “No, Norman’s going to stay home and do Post covers.” The tour still did extremely well, raising $132 million in war bond sales and reaching 1.2 million war-weary viewers. Equally important was the elevation of Roosevelt’s Four Freedoms in the public consciousness, and their emergence as democratic ideals worth fighting for.</SPAN></SPAN></DIV></div>
HTMLText_2F78AED8_8E4A_3D87_41D8_6EABBDDE13A5.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">The Unity Project: Illustration that Inspires </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.811944091486658vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.81vmin;font-family:'Merriweather';">Us to Vote</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:3.81vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">AN ARTS AND CIVICS education program of the Norman Rockwell Museum, the Unity Project is a dynamic poster campaign designed to inspire citizens to vote. Striking imagery by the nation's top illustrators aims to unify Americans, who share in common the right to elect a government of and for the people. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">A rally to vote campaign, the project highlights original concepts by six leading contemporary illustrators commissioned by the Museum to design motivational art in the great tradition of the illustrated poster, an influential presence across time, history, and geography. Compelling imagery by Mai Ly Degnan, Rudy Gutierrez, Anita Kunz, Tim O'Brien, Whitney Sherman, and Yuko Shimizu reflect each artist's personal voice and diverse visual responses to the theme,-from realist and expressionist paintings to comics-inspired digital appeals. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:2.2871664548919948vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:2.29vmin;font-family:'Lato';">Norman Rockwell's legacy lives on in this project. His widely-circulated illustrations punctuated pivotal moments in history and unified Americans around democratic ideals, calling attention to the imperative of civil rights, the wonders of space exploration, and the importance of government transparency. The Unity Project establishes a new niche for the Museum, putting contemporary illustration to work to inspire civic engagement and underscore the right established by the United States Constitution to elect a representative government. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:2.29vmin;"><BR STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-size:1.52vmin;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.905972045743329vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:1.91vmin;font-family:'Lato';">Support for The Unity Project has been provided by Jack and Susy Wadsworth. </SPAN></SPAN></DIV></div>
HTMLText_BF42C098_C698_F918_41E6_7136B02DEEA3.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.2904148783977107vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.29vmin;font-family:'Merriweather';">Letters to Look Editor Regarding Murder in Mississippi - George Stanley</SPAN></SPAN></DIV></div>
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HTMLText_B179DB88_C6F8_CFE7_41E1_F101129EE9B1.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.4334763948497855vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.43vmin;font-family:'Merriweather';">Letters to Look Editor Regarding Murder in Mississippi - Mary Allison</SPAN></SPAN></DIV></div>
HTMLText_B9EB2BC7_C6F8_CF69_41DA_50C834E0B7F1.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.576537911301859vmin;"><SPAN STYLE="display:inline-block; letter-spacing:0vmin; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:3.58vmin;font-family:'Merriweather';">Charges these nine men were named as members of the lynch mob</SPAN></SPAN></DIV></div>
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HTMLText_B30A894A_CA36_96F5_41A9_E248AA134BB5.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Boris Artzybasheff (1899–1965)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Heinrich Himmler, Nazi Gestapo Chief (1936–1945)</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">, 1943 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Time</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">, October 11, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Gouache on board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Courtesy of the Syracuse University Art Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">During World War II, Artzybasheff worked with the Psychological Warfare Branch of the State Department. His stark portrayals of politicians and military leaders shed light on the issues that governed the course of the conflict. Heinrich Himmler was one of the most powerful men in</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Nazi Germany and one of the people directly responsible for the Holocaust. Artzybasheff worked with the Psychological Warfare Branch of the State Department, and created war bonds poster illustrations for the Office of War Information.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_B44568AE_CA3E_978A_41E2_B5858378A471.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Boris Artzybasheff (1899–1965)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Heinrich Himmler, Nazi Gestapo Chief (1936–1945)</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">, 1943 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Time</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">, October 11, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Gouache on board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Courtesy of the Syracuse University Art Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">During World War II, Artzybasheff worked with the Psychological Warfare Branch of the State Department. His stark portrayals of politicians and military leaders shed light on the issues that governed the course of the conflict. Heinrich Himmler was one of the most powerful men in</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Nazi Germany and one of the people directly responsible for the Holocaust. Artzybasheff worked with the Psychological Warfare Branch of the State Department, and created war bonds poster illustrations for the Office of War Information.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_E093F1B3_B5CE_89AD_41BB_88F6AC5B3292.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Boris Artzybasheff (1899–1965)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Heinrich Himmler, Nazi Gestapo Chief (1936–1945)</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">, 1943 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Time</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">, October 11, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Gouache on board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Courtesy of the Syracuse University Art Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">During World War II, Artzybasheff worked with the Psychological Warfare Branch of the State Department. His stark portrayals of politicians and military leaders shed light on the issues that governed the course of the conflict. Heinrich Himmler was one of the most powerful men in</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Nazi Germany and one of the people directly responsible for the Holocaust. Artzybasheff worked with the Psychological Warfare Branch of the State Department, and created war bonds poster illustrations for the Office of War Information.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_A27ABE31_CA29_AA97_41D9_889E6D7609F1.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Boris Artzybasheff (1899–1965)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Heinrich Himmler, Nazi Gestapo Chief (1936–1945)</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">, 1943 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Time</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">, October 11, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Gouache on board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Courtesy of the Syracuse University Art Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">During World War II, Artzybasheff worked with the Psychological Warfare Branch of the State Department. His stark portrayals of politicians and military leaders shed light on the issues that governed the course of the conflict. Heinrich Himmler was one of the most powerful men in</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Nazi Germany and one of the people directly responsible for the Holocaust. Artzybasheff worked with the Psychological Warfare Branch of the State Department, and created war bonds poster illustrations for the Office of War Information.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_9BE2D958_CA1E_B696_41E3_F730B286A6AC.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Boris Artzybasheff (1899–1965)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Heinrich Himmler, Nazi Gestapo Chief (1936–1945)</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">, 1943 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Time</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">, October 11, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Gouache on board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Courtesy of the Syracuse University Art Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">During World War II, Artzybasheff worked with the Psychological Warfare Branch of the State Department. His stark portrayals of politicians and military leaders shed light on the issues that governed the course of the conflict. Heinrich Himmler was one of the most powerful men in</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Nazi Germany and one of the people directly responsible for the Holocaust. Artzybasheff worked with the Psychological Warfare Branch of the State Department, and created war bonds poster illustrations for the Office of War Information.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_F218D965_C9EA_B6BF_41DA_C76C8DE29A51.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Boris Artzybasheff (1899–1965)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Heinrich Himmler, Nazi Gestapo Chief (1936–1945)</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">, 1943 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Time</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">, October 11, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Gouache on board</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Courtesy of the Syracuse University Art Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">During World War II, Artzybasheff worked with the Psychological Warfare Branch of the State Department. His stark portrayals of politicians and military leaders shed light on the issues that governed the course of the conflict. Heinrich Himmler was one of the most powerful men in</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Nazi Germany and one of the people directly responsible for the Holocaust. Artzybasheff worked with the Psychological Warfare Branch of the State Department, and created war bonds poster illustrations for the Office of War Information.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_67677A41_6659_6667_41CD_89B48D3D36AD.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Künstlerin, Fotografin und Journalistin</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Am 23. April 1943 besuchte die First Lady Eleanor Roosevelt das Konzentrationslager Gila River in Arizona. Der WRA Fotograf Francis Stewart nahm das Foto von ihr in Begleitung von Dillon Myer, National Director der War Relocation Authority, auf, während sie von einer Menge Häftlinge enthusiastisch begrüßt wurden.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Frau Roosevelt war eine der wenigen in der FDR Administration, die sich öffentlich für loyale Bürger und Einwanderer japanischer Herkunft sowohl vor und nach Pearl Harbor aussprach. Sie versuchte ohne Erfolg den Präsidenten von der Anordnung der Massendeportation abzuhalten, in der sie eine Verletzung der Menschenrechte und der amerikanischen Ideale sah und sie lud sogar japanische Amerikaner ins Weiße Haus ein.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Ihr Besuch im Lager war eine Antwort auf die Anklagen der örtlichen Presse, die Bundesregierung würde japanische Amerikaner in den Lagern verhätscheln. Ihr Ziel war es, diese Einrichtungen zu besuchen und jene Behauptungen zu untersuchen. Sie kehrte zurück, hob die Arbeit, die die Gefangenen für die Kriegsanstrengungen in den Fabriken für Tarnnetze und Schiffmodelle leisteten, hervor und merkte an, dass die Milch, die sie in der Messe probiert hatte, sauer schmeckte— ihre Art, um auf die Presseberichte zu reagieren, die Gefangenen erhielten Rationen in besserer Qualität als andere Amerikaner.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Die Los Angeles Times berichtete drei Tage später von ihrem Besuch in einem Artikel, in dem sie die Lebensbedingungen, wenn auch nicht als anstößig, so doch als „bestimmt nicht luxuriös“ beschrieb und sie fügte hinzu, „ich würde so nicht leben wollen“. Man zitierte auch ihre Aussage: “Je früher wir die jungen [gebürtigen] Japaner aus diesen Lagern herausbekommen, desto besser. Wenn wir nicht aufpassen, schaffen wir sonst noch ein weiteres Indianerproblem.”</SPAN></SPAN></DIV></div>
HTMLText_6771AF75_6639_FE2F_41D0_E01A8B936EC4.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Künstlerin, Fotografin und Journalistin</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Am 23. April 1943 besuchte die First Lady Eleanor Roosevelt das Konzentrationslager Gila River in Arizona. Der WRA Fotograf Francis Stewart nahm das Foto von ihr in Begleitung von Dillon Myer, National Director der War Relocation Authority, auf, während sie von einer Menge Häftlinge enthusiastisch begrüßt wurden.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Frau Roosevelt war eine der wenigen in der FDR Administration, die sich öffentlich für loyale Bürger und Einwanderer japanischer Herkunft sowohl vor und nach Pearl Harbor aussprach. Sie versuchte ohne Erfolg den Präsidenten von der Anordnung der Massendeportation abzuhalten, in der sie eine Verletzung der Menschenrechte und der amerikanischen Ideale sah und sie lud sogar japanische Amerikaner ins Weiße Haus ein.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Ihr Besuch im Lager war eine Antwort auf die Anklagen der örtlichen Presse, die Bundesregierung würde japanische Amerikaner in den Lagern verhätscheln. Ihr Ziel war es, diese Einrichtungen zu besuchen und jene Behauptungen zu untersuchen. Sie kehrte zurück, hob die Arbeit, die die Gefangenen für die Kriegsanstrengungen in den Fabriken für Tarnnetze und Schiffmodelle leisteten, hervor und merkte an, dass die Milch, die sie in der Messe probiert hatte, sauer schmeckte— ihre Art, um auf die Presseberichte zu reagieren, die Gefangenen erhielten Rationen in besserer Qualität als andere Amerikaner.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Die Los Angeles Times berichtete drei Tage später von ihrem Besuch in einem Artikel, in dem sie die Lebensbedingungen, wenn auch nicht als anstößig, so doch als „bestimmt nicht luxuriös“ beschrieb und sie fügte hinzu, „ich würde so nicht leben wollen“. Man zitierte auch ihre Aussage: “Je früher wir die jungen [gebürtigen] Japaner aus diesen Lagern herausbekommen, desto besser. Wenn wir nicht aufpassen, schaffen wir sonst noch ein weiteres Indianerproblem.”</SPAN></SPAN></DIV></div>
HTMLText_6787FB96_66D9_66ED_41BB_6C1334CCB986.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Künstlerin, Fotografin und Journalistin</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Am 23. April 1943 besuchte die First Lady Eleanor Roosevelt das Konzentrationslager Gila River in Arizona. Der WRA Fotograf Francis Stewart nahm das Foto von ihr in Begleitung von Dillon Myer, National Director der War Relocation Authority, auf, während sie von einer Menge Häftlinge enthusiastisch begrüßt wurden.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Frau Roosevelt war eine der wenigen in der FDR Administration, die sich öffentlich für loyale Bürger und Einwanderer japanischer Herkunft sowohl vor und nach Pearl Harbor aussprach. Sie versuchte ohne Erfolg den Präsidenten von der Anordnung der Massendeportation abzuhalten, in der sie eine Verletzung der Menschenrechte und der amerikanischen Ideale sah und sie lud sogar japanische Amerikaner ins Weiße Haus ein.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Ihr Besuch im Lager war eine Antwort auf die Anklagen der örtlichen Presse, die Bundesregierung würde japanische Amerikaner in den Lagern verhätscheln. Ihr Ziel war es, diese Einrichtungen zu besuchen und jene Behauptungen zu untersuchen. Sie kehrte zurück, hob die Arbeit, die die Gefangenen für die Kriegsanstrengungen in den Fabriken für Tarnnetze und Schiffmodelle leisteten, hervor und merkte an, dass die Milch, die sie in der Messe probiert hatte, sauer schmeckte— ihre Art, um auf die Presseberichte zu reagieren, die Gefangenen erhielten Rationen in besserer Qualität als andere Amerikaner.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Die Los Angeles Times berichtete drei Tage später von ihrem Besuch in einem Artikel, in dem sie die Lebensbedingungen, wenn auch nicht als anstößig, so doch als „bestimmt nicht luxuriös“ beschrieb und sie fügte hinzu, „ich würde so nicht leben wollen“. Man zitierte auch ihre Aussage: “Je früher wir die jungen [gebürtigen] Japaner aus diesen Lagern herausbekommen, desto besser. Wenn wir nicht aufpassen, schaffen wir sonst noch ein weiteres Indianerproblem.”</SPAN></SPAN></DIV></div>
HTMLText_679913BF_66F6_A61C_41CE_CD07973CECF2.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Künstlerin, Fotografin und Journalistin</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Am 23. April 1943 besuchte die First Lady Eleanor Roosevelt das Konzentrationslager Gila River in Arizona. Der WRA Fotograf Francis Stewart nahm das Foto von ihr in Begleitung von Dillon Myer, National Director der War Relocation Authority, auf, während sie von einer Menge Häftlinge enthusiastisch begrüßt wurden.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Frau Roosevelt war eine der wenigen in der FDR Administration, die sich öffentlich für loyale Bürger und Einwanderer japanischer Herkunft sowohl vor und nach Pearl Harbor aussprach. Sie versuchte ohne Erfolg den Präsidenten von der Anordnung der Massendeportation abzuhalten, in der sie eine Verletzung der Menschenrechte und der amerikanischen Ideale sah und sie lud sogar japanische Amerikaner ins Weiße Haus ein.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Ihr Besuch im Lager war eine Antwort auf die Anklagen der örtlichen Presse, die Bundesregierung würde japanische Amerikaner in den Lagern verhätscheln. Ihr Ziel war es, diese Einrichtungen zu besuchen und jene Behauptungen zu untersuchen. Sie kehrte zurück, hob die Arbeit, die die Gefangenen für die Kriegsanstrengungen in den Fabriken für Tarnnetze und Schiffmodelle leisteten, hervor und merkte an, dass die Milch, die sie in der Messe probiert hatte, sauer schmeckte— ihre Art, um auf die Presseberichte zu reagieren, die Gefangenen erhielten Rationen in besserer Qualität als andere Amerikaner.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Die Los Angeles Times berichtete drei Tage später von ihrem Besuch in einem Artikel, in dem sie die Lebensbedingungen, wenn auch nicht als anstößig, so doch als „bestimmt nicht luxuriös“ beschrieb und sie fügte hinzu, „ich würde so nicht leben wollen“. Man zitierte auch ihre Aussage: “Je früher wir die jungen [gebürtigen] Japaner aus diesen Lagern herausbekommen, desto besser. Wenn wir nicht aufpassen, schaffen wir sonst noch ein weiteres Indianerproblem.”</SPAN></SPAN></DIV></div>
HTMLText_AF9A4D4B_666A_A27B_41D0_1BBE70A7006F.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Künstlerin, Fotografin und Journalistin</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Am 23. April 1943 besuchte die First Lady Eleanor Roosevelt das Konzentrationslager Gila River in Arizona. Der WRA Fotograf Francis Stewart nahm das Foto von ihr in Begleitung von Dillon Myer, National Director der War Relocation Authority, auf, während sie von einer Menge Häftlinge enthusiastisch begrüßt wurden.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Frau Roosevelt war eine der wenigen in der FDR Administration, die sich öffentlich für loyale Bürger und Einwanderer japanischer Herkunft sowohl vor und nach Pearl Harbor aussprach. Sie versuchte ohne Erfolg den Präsidenten von der Anordnung der Massendeportation abzuhalten, in der sie eine Verletzung der Menschenrechte und der amerikanischen Ideale sah und sie lud sogar japanische Amerikaner ins Weiße Haus ein.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Ihr Besuch im Lager war eine Antwort auf die Anklagen der örtlichen Presse, die Bundesregierung würde japanische Amerikaner in den Lagern verhätscheln. Ihr Ziel war es, diese Einrichtungen zu besuchen und jene Behauptungen zu untersuchen. Sie kehrte zurück, hob die Arbeit, die die Gefangenen für die Kriegsanstrengungen in den Fabriken für Tarnnetze und Schiffmodelle leisteten, hervor und merkte an, dass die Milch, die sie in der Messe probiert hatte, sauer schmeckte— ihre Art, um auf die Presseberichte zu reagieren, die Gefangenen erhielten Rationen in besserer Qualität als andere Amerikaner.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Die Los Angeles Times berichtete drei Tage später von ihrem Besuch in einem Artikel, in dem sie die Lebensbedingungen, wenn auch nicht als anstößig, so doch als „bestimmt nicht luxuriös“ beschrieb und sie fügte hinzu, „ich würde so nicht leben wollen“. Man zitierte auch ihre Aussage: “Je früher wir die jungen [gebürtigen] Japaner aus diesen Lagern herausbekommen, desto besser. Wenn wir nicht aufpassen, schaffen wir sonst noch ein weiteres Indianerproblem.”</SPAN></SPAN></DIV></div>
HTMLText_96AA9DE5_666B_622F_41D8_697144F0F588.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Künstlerin, Fotografin und Journalistin</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Am 23. April 1943 besuchte die First Lady Eleanor Roosevelt das Konzentrationslager Gila River in Arizona. Der WRA Fotograf Francis Stewart nahm das Foto von ihr in Begleitung von Dillon Myer, National Director der War Relocation Authority, auf, während sie von einer Menge Häftlinge enthusiastisch begrüßt wurden.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Frau Roosevelt war eine der wenigen in der FDR Administration, die sich öffentlich für loyale Bürger und Einwanderer japanischer Herkunft sowohl vor und nach Pearl Harbor aussprach. Sie versuchte ohne Erfolg den Präsidenten von der Anordnung der Massendeportation abzuhalten, in der sie eine Verletzung der Menschenrechte und der amerikanischen Ideale sah und sie lud sogar japanische Amerikaner ins Weiße Haus ein.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Ihr Besuch im Lager war eine Antwort auf die Anklagen der örtlichen Presse, die Bundesregierung würde japanische Amerikaner in den Lagern verhätscheln. Ihr Ziel war es, diese Einrichtungen zu besuchen und jene Behauptungen zu untersuchen. Sie kehrte zurück, hob die Arbeit, die die Gefangenen für die Kriegsanstrengungen in den Fabriken für Tarnnetze und Schiffmodelle leisteten, hervor und merkte an, dass die Milch, die sie in der Messe probiert hatte, sauer schmeckte— ihre Art, um auf die Presseberichte zu reagieren, die Gefangenen erhielten Rationen in besserer Qualität als andere Amerikaner.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Die Los Angeles Times berichtete drei Tage später von ihrem Besuch in einem Artikel, in dem sie die Lebensbedingungen, wenn auch nicht als anstößig, so doch als „bestimmt nicht luxuriös“ beschrieb und sie fügte hinzu, „ich würde so nicht leben wollen“. Man zitierte auch ihre Aussage: “Je früher wir die jungen [gebürtigen] Japaner aus diesen Lagern herausbekommen, desto besser. Wenn wir nicht aufpassen, schaffen wir sonst noch ein weiteres Indianerproblem.”</SPAN></SPAN></DIV></div>
HTMLText_6771AF72_6639_FE25_41D0_EE73A1096064.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Francis Stewart (1909–1992)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Mrs. Eleanor Roosevelt Accompanied by Dillon Myer, National Director of the War Relocation Authority, visit the Gila Relocation Center, Arizona</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">, April 23, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">National Archives and Records Administration Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">In 1943, Eleanor Roosevelt visited the internment camp at Gila River, and though the War Relocation Authority used this and other photographs as propaganda, she chose to speak out for confined Japanese Americans. In her syndicated daily newspaper column, she lauded the efforts of the inmates to grow their own food, combat the harsh desert climate, and police and educate themselves. But in an interview published in the </SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Los Angeles Times</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"> three days after her visit, she strongly recommended that the camps be closed as soon as possible.  Though Eleanor Roosevelt was a champion for human rights and the Four Freedoms, this was her most open public expression of opposition during the war.</SPAN></SPAN></DIV></div>
HTMLText_6787FB93_66D9_66EB_41D4_950B8D03E7AA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Francis Stewart (1909–1992)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Mrs. Eleanor Roosevelt Accompanied by Dillon Myer, National Director of the War Relocation Authority, visit the Gila Relocation Center, Arizona</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">, April 23, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">National Archives and Records Administration Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">In 1943, Eleanor Roosevelt visited the internment camp at Gila River, and though the War Relocation Authority used this and other photographs as propaganda, she chose to speak out for confined Japanese Americans. In her syndicated daily newspaper column, she lauded the efforts of the inmates to grow their own food, combat the harsh desert climate, and police and educate themselves. But in an interview published in the </SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Los Angeles Times</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"> three days after her visit, she strongly recommended that the camps be closed as soon as possible.  Though Eleanor Roosevelt was a champion for human rights and the Four Freedoms, this was her most open public expression of opposition during the war.</SPAN></SPAN></DIV></div>
HTMLText_AF9C1D48_666A_A265_41D3_FB6149C0BD79.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Francis Stewart (1909–1992)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Mrs. Eleanor Roosevelt Accompanied by Dillon Myer, National Director of the War Relocation Authority, visit the Gila Relocation Center, Arizona</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">, April 23, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">National Archives and Records Administration Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">In 1943, Eleanor Roosevelt visited the internment camp at Gila River, and though the War Relocation Authority used this and other photographs as propaganda, she chose to speak out for confined Japanese Americans. In her syndicated daily newspaper column, she lauded the efforts of the inmates to grow their own food, combat the harsh desert climate, and police and educate themselves. But in an interview published in the </SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Los Angeles Times</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"> three days after her visit, she strongly recommended that the camps be closed as soon as possible.  Though Eleanor Roosevelt was a champion for human rights and the Four Freedoms, this was her most open public expression of opposition during the war.</SPAN></SPAN></DIV></div>
HTMLText_67677A3E_6659_661D_41C1_04C4657FF9E9.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Francis Stewart (1909–1992)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Mrs. Eleanor Roosevelt Accompanied by Dillon Myer, National Director of the War Relocation Authority, visit the Gila Relocation Center, Arizona</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">, April 23, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">National Archives and Records Administration Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">In 1943, Eleanor Roosevelt visited the internment camp at Gila River, and though the War Relocation Authority used this and other photographs as propaganda, she chose to speak out for confined Japanese Americans. In her syndicated daily newspaper column, she lauded the efforts of the inmates to grow their own food, combat the harsh desert climate, and police and educate themselves. But in an interview published in the </SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Los Angeles Times</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"> three days after her visit, she strongly recommended that the camps be closed as soon as possible.  Though Eleanor Roosevelt was a champion for human rights and the Four Freedoms, this was her most open public expression of opposition during the war.</SPAN></SPAN></DIV></div>
HTMLText_679913BC_66F6_A61C_41C4_EA06EE8B12CE.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Francis Stewart (1909–1992)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Mrs. Eleanor Roosevelt Accompanied by Dillon Myer, National Director of the War Relocation Authority, visit the Gila Relocation Center, Arizona</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">, April 23, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">National Archives and Records Administration Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">In 1943, Eleanor Roosevelt visited the internment camp at Gila River, and though the War Relocation Authority used this and other photographs as propaganda, she chose to speak out for confined Japanese Americans. In her syndicated daily newspaper column, she lauded the efforts of the inmates to grow their own food, combat the harsh desert climate, and police and educate themselves. But in an interview published in the </SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Los Angeles Times</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"> three days after her visit, she strongly recommended that the camps be closed as soon as possible.  Though Eleanor Roosevelt was a champion for human rights and the Four Freedoms, this was her most open public expression of opposition during the war.</SPAN></SPAN></DIV></div>
HTMLText_96A68DE2_666B_6225_41B9_F16FCDB6BCEB.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Francis Stewart (1909–1992)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Mrs. Eleanor Roosevelt Accompanied by Dillon Myer, National Director of the War Relocation Authority, visit the Gila Relocation Center, Arizona</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">, April 23, 1943</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Digital reproduction</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">National Archives and Records Administration Collection</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">In 1943, Eleanor Roosevelt visited the internment camp at Gila River, and though the War Relocation Authority used this and other photographs as propaganda, she chose to speak out for confined Japanese Americans. In her syndicated daily newspaper column, she lauded the efforts of the inmates to grow their own food, combat the harsh desert climate, and police and educate themselves. But in an interview published in the </SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Los Angeles Times</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"> three days after her visit, she strongly recommended that the camps be closed as soon as possible.  Though Eleanor Roosevelt was a champion for human rights and the Four Freedoms, this was her most open public expression of opposition during the war.</SPAN></SPAN></DIV></div>
HTMLText_AF9D8D49_666A_A267_41BA_A529560792BF.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Artista, Fotógrafa y Periodista</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">El 23 de abril de 1943, la Primera Dama Eleanor Roosevelt visitó el campo de concentración del río Gila en Arizona. El fotógrafo de WRA Francis Stewart tomó la foto de ella, acompañado por Dillon Myer, director nacional de War Relocation Authority, mientras son recibidos por una multitud de reclusos entusiastas.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">La Sra. Roosevelt fue una de las pocas en la administración de FDR de hablar públicamente en nombre de los ciudadanos leales e inmigrantes de origen étnico japonés, tanto antes como después de Pearl Harbor. Intentó, sin éxito, disuadir al presidente de ordenar la expulsión masiva, que consideraba una violación de los derechos humanos y los ideales estadounidenses, e incluso invitó a los estadounidenses de origen japonés a la Casa Blanca.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Su visita al campamento fue en respuesta a las acusaciones de la prensa local de que el gobierno federal estaba mimando a los estadounidenses de origen japonés en los campamentos. Su objetivo era recorrer las instalaciones e investigar esas afirmaciones. Ella salió, destacando el trabajo que los prisioneros estaban haciendo para el esfuerzo bélico en las fábricas de red de camuflaje y modelos de barcos y notó que la leche que probaba en el comedor era agria: esa fue su forma de responder a los informes de prensa que los prisioneros estaban recibiendo mejor raciones de calidad que otros estadounidenses.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">El diario Los Ángeles Times informó sobre su visita tres días más tarde en un artículo en el que describió las condiciones de vida como -si bien no indecentes- "ciertamente no lujosas", y agregó: "No me gustaría vivir de esa manera". Ella también fue citada diciendo que "Cuanto antes saquemos a los jóvenes [nativos] japoneses de los campamentos, mejor. De lo contrario, si no estamos vigilantes, crearemos otro problema indio ."</SPAN></SPAN></DIV></div>
HTMLText_6787FB95_66D9_66EF_41D5_292D94207F89.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Artista, Fotógrafa y Periodista</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">El 23 de abril de 1943, la Primera Dama Eleanor Roosevelt visitó el campo de concentración del río Gila en Arizona. El fotógrafo de WRA Francis Stewart tomó la foto de ella, acompañado por Dillon Myer, director nacional de War Relocation Authority, mientras son recibidos por una multitud de reclusos entusiastas.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">La Sra. Roosevelt fue una de las pocas en la administración de FDR de hablar públicamente en nombre de los ciudadanos leales e inmigrantes de origen étnico japonés, tanto antes como después de Pearl Harbor. Intentó, sin éxito, disuadir al presidente de ordenar la expulsión masiva, que consideraba una violación de los derechos humanos y los ideales estadounidenses, e incluso invitó a los estadounidenses de origen japonés a la Casa Blanca.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Su visita al campamento fue en respuesta a las acusaciones de la prensa local de que el gobierno federal estaba mimando a los estadounidenses de origen japonés en los campamentos. Su objetivo era recorrer las instalaciones e investigar esas afirmaciones. Ella salió, destacando el trabajo que los prisioneros estaban haciendo para el esfuerzo bélico en las fábricas de red de camuflaje y modelos de barcos y notó que la leche que probaba en el comedor era agria: esa fue su forma de responder a los informes de prensa que los prisioneros estaban recibiendo mejor raciones de calidad que otros estadounidenses.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">El diario Los Ángeles Times informó sobre su visita tres días más tarde en un artículo en el que describió las condiciones de vida como -si bien no indecentes- "ciertamente no lujosas", y agregó: "No me gustaría vivir de esa manera". Ella también fue citada diciendo que "Cuanto antes saquemos a los jóvenes [nativos] japoneses de los campamentos, mejor. De lo contrario, si no estamos vigilantes, crearemos otro problema indio ."</SPAN></SPAN></DIV></div>
HTMLText_96A87DE4_666B_622D_41D0_38A37945A37E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Artista, Fotógrafa y Periodista</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">El 23 de abril de 1943, la Primera Dama Eleanor Roosevelt visitó el campo de concentración del río Gila en Arizona. El fotógrafo de WRA Francis Stewart tomó la foto de ella, acompañado por Dillon Myer, director nacional de War Relocation Authority, mientras son recibidos por una multitud de reclusos entusiastas.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">La Sra. Roosevelt fue una de las pocas en la administración de FDR de hablar públicamente en nombre de los ciudadanos leales e inmigrantes de origen étnico japonés, tanto antes como después de Pearl Harbor. Intentó, sin éxito, disuadir al presidente de ordenar la expulsión masiva, que consideraba una violación de los derechos humanos y los ideales estadounidenses, e incluso invitó a los estadounidenses de origen japonés a la Casa Blanca.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Su visita al campamento fue en respuesta a las acusaciones de la prensa local de que el gobierno federal estaba mimando a los estadounidenses de origen japonés en los campamentos. Su objetivo era recorrer las instalaciones e investigar esas afirmaciones. Ella salió, destacando el trabajo que los prisioneros estaban haciendo para el esfuerzo bélico en las fábricas de red de camuflaje y modelos de barcos y notó que la leche que probaba en el comedor era agria: esa fue su forma de responder a los informes de prensa que los prisioneros estaban recibiendo mejor raciones de calidad que otros estadounidenses.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">El diario Los Ángeles Times informó sobre su visita tres días más tarde en un artículo en el que describió las condiciones de vida como -si bien no indecentes- "ciertamente no lujosas", y agregó: "No me gustaría vivir de esa manera". Ella también fue citada diciendo que "Cuanto antes saquemos a los jóvenes [nativos] japoneses de los campamentos, mejor. De lo contrario, si no estamos vigilantes, crearemos otro problema indio ."</SPAN></SPAN></DIV></div>
HTMLText_67677A40_6659_6665_41D4_D967FED75416.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Artista, Fotógrafa y Periodista</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">El 23 de abril de 1943, la Primera Dama Eleanor Roosevelt visitó el campo de concentración del río Gila en Arizona. El fotógrafo de WRA Francis Stewart tomó la foto de ella, acompañado por Dillon Myer, director nacional de War Relocation Authority, mientras son recibidos por una multitud de reclusos entusiastas.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">La Sra. Roosevelt fue una de las pocas en la administración de FDR de hablar públicamente en nombre de los ciudadanos leales e inmigrantes de origen étnico japonés, tanto antes como después de Pearl Harbor. Intentó, sin éxito, disuadir al presidente de ordenar la expulsión masiva, que consideraba una violación de los derechos humanos y los ideales estadounidenses, e incluso invitó a los estadounidenses de origen japonés a la Casa Blanca.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Su visita al campamento fue en respuesta a las acusaciones de la prensa local de que el gobierno federal estaba mimando a los estadounidenses de origen japonés en los campamentos. Su objetivo era recorrer las instalaciones e investigar esas afirmaciones. Ella salió, destacando el trabajo que los prisioneros estaban haciendo para el esfuerzo bélico en las fábricas de red de camuflaje y modelos de barcos y notó que la leche que probaba en el comedor era agria: esa fue su forma de responder a los informes de prensa que los prisioneros estaban recibiendo mejor raciones de calidad que otros estadounidenses.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">El diario Los Ángeles Times informó sobre su visita tres días más tarde en un artículo en el que describió las condiciones de vida como -si bien no indecentes- "ciertamente no lujosas", y agregó: "No me gustaría vivir de esa manera". Ella también fue citada diciendo que "Cuanto antes saquemos a los jóvenes [nativos] japoneses de los campamentos, mejor. De lo contrario, si no estamos vigilantes, crearemos otro problema indio ."</SPAN></SPAN></DIV></div>
HTMLText_6771AF74_6639_FE2D_41D5_B352BAFD17BD.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Artista, Fotógrafa y Periodista</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">El 23 de abril de 1943, la Primera Dama Eleanor Roosevelt visitó el campo de concentración del río Gila en Arizona. El fotógrafo de WRA Francis Stewart tomó la foto de ella, acompañado por Dillon Myer, director nacional de War Relocation Authority, mientras son recibidos por una multitud de reclusos entusiastas.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">La Sra. Roosevelt fue una de las pocas en la administración de FDR de hablar públicamente en nombre de los ciudadanos leales e inmigrantes de origen étnico japonés, tanto antes como después de Pearl Harbor. Intentó, sin éxito, disuadir al presidente de ordenar la expulsión masiva, que consideraba una violación de los derechos humanos y los ideales estadounidenses, e incluso invitó a los estadounidenses de origen japonés a la Casa Blanca.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Su visita al campamento fue en respuesta a las acusaciones de la prensa local de que el gobierno federal estaba mimando a los estadounidenses de origen japonés en los campamentos. Su objetivo era recorrer las instalaciones e investigar esas afirmaciones. Ella salió, destacando el trabajo que los prisioneros estaban haciendo para el esfuerzo bélico en las fábricas de red de camuflaje y modelos de barcos y notó que la leche que probaba en el comedor era agria: esa fue su forma de responder a los informes de prensa que los prisioneros estaban recibiendo mejor raciones de calidad que otros estadounidenses.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">El diario Los Ángeles Times informó sobre su visita tres días más tarde en un artículo en el que describió las condiciones de vida como -si bien no indecentes- "ciertamente no lujosas", y agregó: "No me gustaría vivir de esa manera". Ella también fue citada diciendo que "Cuanto antes saquemos a los jóvenes [nativos] japoneses de los campamentos, mejor. De lo contrario, si no estamos vigilantes, crearemos otro problema indio ."</SPAN></SPAN></DIV></div>
HTMLText_679913BE_66F6_A61C_41A1_3815B63C5BCD.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Artista, Fotógrafa y Periodista</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">El 23 de abril de 1943, la Primera Dama Eleanor Roosevelt visitó el campo de concentración del río Gila en Arizona. El fotógrafo de WRA Francis Stewart tomó la foto de ella, acompañado por Dillon Myer, director nacional de War Relocation Authority, mientras son recibidos por una multitud de reclusos entusiastas.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">La Sra. Roosevelt fue una de las pocas en la administración de FDR de hablar públicamente en nombre de los ciudadanos leales e inmigrantes de origen étnico japonés, tanto antes como después de Pearl Harbor. Intentó, sin éxito, disuadir al presidente de ordenar la expulsión masiva, que consideraba una violación de los derechos humanos y los ideales estadounidenses, e incluso invitó a los estadounidenses de origen japonés a la Casa Blanca.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Su visita al campamento fue en respuesta a las acusaciones de la prensa local de que el gobierno federal estaba mimando a los estadounidenses de origen japonés en los campamentos. Su objetivo era recorrer las instalaciones e investigar esas afirmaciones. Ella salió, destacando el trabajo que los prisioneros estaban haciendo para el esfuerzo bélico en las fábricas de red de camuflaje y modelos de barcos y notó que la leche que probaba en el comedor era agria: esa fue su forma de responder a los informes de prensa que los prisioneros estaban recibiendo mejor raciones de calidad que otros estadounidenses.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">El diario Los Ángeles Times informó sobre su visita tres días más tarde en un artículo en el que describió las condiciones de vida como -si bien no indecentes- "ciertamente no lujosas", y agregó: "No me gustaría vivir de esa manera". Ella también fue citada diciendo que "Cuanto antes saquemos a los jóvenes [nativos] japoneses de los campamentos, mejor. De lo contrario, si no estamos vigilantes, crearemos otro problema indio ."</SPAN></SPAN></DIV></div>
HTMLText_679913BD_66F6_A61C_41C9_35E58E228447.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Narrated By:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Artist, Photographer and Journalist</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">On April 23, 1943, First Lady Eleanor Roosevelt paid a visit to the Gila River concentration camp in Arizona. WRA photographer Francis Stewart took the photo of her, accompanied by Dillon Myer, National Director of the War Relocation Authority, as they are greeted by a crowd of enthusiastic inmates.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Mrs. Roosevelt was one of the few in the FDR Administration to speak out publicly on behalf of loyal citizens and immigrants of Japanese ethnicity both before and after Pearl Harbor. She tried without success to dissuade the President from ordering mass removal, which she regarded as a violation of human rights and American ideals, and even invited Japanese Americans to the White House.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Her visit to the camp was in response to accusations by the local press that the federal government was coddling Japanese Americans in the camps. Her aim was to tour the facilities and investigate those claims. She came away, highlighting the work the prisoners were doing for the war effort in the camouflage net and ship model factories and noted that the milk she tasted in the mess hall was sour—her way of responding to press reports that the prisoners were receiving better quality rations than other Americans.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">The Los Angeles Times reported on her visit three days later in an article in which she described the living conditions as—while not indecent—”certainly not luxurious,” adding, “I wouldn’t like to live that way.” She was also quoted as saying, “The sooner we get the young [native-born] Japanese out of the camps the better. Otherwise if we don’t look out we will create another Indian problem.”</SPAN></SPAN></DIV></div>
HTMLText_96AB4DE3_666B_622B_41D3_E8A92C9AF0E9.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Narrated By:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Artist, Photographer and Journalist</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">On April 23, 1943, First Lady Eleanor Roosevelt paid a visit to the Gila River concentration camp in Arizona. WRA photographer Francis Stewart took the photo of her, accompanied by Dillon Myer, National Director of the War Relocation Authority, as they are greeted by a crowd of enthusiastic inmates.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Mrs. Roosevelt was one of the few in the FDR Administration to speak out publicly on behalf of loyal citizens and immigrants of Japanese ethnicity both before and after Pearl Harbor. She tried without success to dissuade the President from ordering mass removal, which she regarded as a violation of human rights and American ideals, and even invited Japanese Americans to the White House.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Her visit to the camp was in response to accusations by the local press that the federal government was coddling Japanese Americans in the camps. Her aim was to tour the facilities and investigate those claims. She came away, highlighting the work the prisoners were doing for the war effort in the camouflage net and ship model factories and noted that the milk she tasted in the mess hall was sour—her way of responding to press reports that the prisoners were receiving better quality rations than other Americans.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">The Los Angeles Times reported on her visit three days later in an article in which she described the living conditions as—while not indecent—”certainly not luxurious,” adding, “I wouldn’t like to live that way.” She was also quoted as saying, “The sooner we get the young [native-born] Japanese out of the camps the better. Otherwise if we don’t look out we will create another Indian problem.”</SPAN></SPAN></DIV></div>
HTMLText_67677A3F_6659_661B_41AA_0627555F52E9.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Narrated By:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Artist, Photographer and Journalist</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">On April 23, 1943, First Lady Eleanor Roosevelt paid a visit to the Gila River concentration camp in Arizona. WRA photographer Francis Stewart took the photo of her, accompanied by Dillon Myer, National Director of the War Relocation Authority, as they are greeted by a crowd of enthusiastic inmates.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Mrs. Roosevelt was one of the few in the FDR Administration to speak out publicly on behalf of loyal citizens and immigrants of Japanese ethnicity both before and after Pearl Harbor. She tried without success to dissuade the President from ordering mass removal, which she regarded as a violation of human rights and American ideals, and even invited Japanese Americans to the White House.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Her visit to the camp was in response to accusations by the local press that the federal government was coddling Japanese Americans in the camps. Her aim was to tour the facilities and investigate those claims. She came away, highlighting the work the prisoners were doing for the war effort in the camouflage net and ship model factories and noted that the milk she tasted in the mess hall was sour—her way of responding to press reports that the prisoners were receiving better quality rations than other Americans.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">The Los Angeles Times reported on her visit three days later in an article in which she described the living conditions as—while not indecent—”certainly not luxurious,” adding, “I wouldn’t like to live that way.” She was also quoted as saying, “The sooner we get the young [native-born] Japanese out of the camps the better. Otherwise if we don’t look out we will create another Indian problem.”</SPAN></SPAN></DIV></div>
HTMLText_AF9CDD49_666A_A267_41D7_9019ECA2A12C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Narrated By:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Artist, Photographer and Journalist</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">On April 23, 1943, First Lady Eleanor Roosevelt paid a visit to the Gila River concentration camp in Arizona. WRA photographer Francis Stewart took the photo of her, accompanied by Dillon Myer, National Director of the War Relocation Authority, as they are greeted by a crowd of enthusiastic inmates.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Mrs. Roosevelt was one of the few in the FDR Administration to speak out publicly on behalf of loyal citizens and immigrants of Japanese ethnicity both before and after Pearl Harbor. She tried without success to dissuade the President from ordering mass removal, which she regarded as a violation of human rights and American ideals, and even invited Japanese Americans to the White House.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Her visit to the camp was in response to accusations by the local press that the federal government was coddling Japanese Americans in the camps. Her aim was to tour the facilities and investigate those claims. She came away, highlighting the work the prisoners were doing for the war effort in the camouflage net and ship model factories and noted that the milk she tasted in the mess hall was sour—her way of responding to press reports that the prisoners were receiving better quality rations than other Americans.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">The Los Angeles Times reported on her visit three days later in an article in which she described the living conditions as—while not indecent—”certainly not luxurious,” adding, “I wouldn’t like to live that way.” She was also quoted as saying, “The sooner we get the young [native-born] Japanese out of the camps the better. Otherwise if we don’t look out we will create another Indian problem.”</SPAN></SPAN></DIV></div>
HTMLText_6771AF73_6639_FE2B_41D4_292FCE2C525A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Narrated By:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Artist, Photographer and Journalist</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">On April 23, 1943, First Lady Eleanor Roosevelt paid a visit to the Gila River concentration camp in Arizona. WRA photographer Francis Stewart took the photo of her, accompanied by Dillon Myer, National Director of the War Relocation Authority, as they are greeted by a crowd of enthusiastic inmates.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Mrs. Roosevelt was one of the few in the FDR Administration to speak out publicly on behalf of loyal citizens and immigrants of Japanese ethnicity both before and after Pearl Harbor. She tried without success to dissuade the President from ordering mass removal, which she regarded as a violation of human rights and American ideals, and even invited Japanese Americans to the White House.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Her visit to the camp was in response to accusations by the local press that the federal government was coddling Japanese Americans in the camps. Her aim was to tour the facilities and investigate those claims. She came away, highlighting the work the prisoners were doing for the war effort in the camouflage net and ship model factories and noted that the milk she tasted in the mess hall was sour—her way of responding to press reports that the prisoners were receiving better quality rations than other Americans.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">The Los Angeles Times reported on her visit three days later in an article in which she described the living conditions as—while not indecent—”certainly not luxurious,” adding, “I wouldn’t like to live that way.” She was also quoted as saying, “The sooner we get the young [native-born] Japanese out of the camps the better. Otherwise if we don’t look out we will create another Indian problem.”</SPAN></SPAN></DIV></div>
HTMLText_6787FB94_66D9_66ED_41AE_C1B969F0749C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Narrated By:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Artist, Photographer and Journalist</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">On April 23, 1943, First Lady Eleanor Roosevelt paid a visit to the Gila River concentration camp in Arizona. WRA photographer Francis Stewart took the photo of her, accompanied by Dillon Myer, National Director of the War Relocation Authority, as they are greeted by a crowd of enthusiastic inmates.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Mrs. Roosevelt was one of the few in the FDR Administration to speak out publicly on behalf of loyal citizens and immigrants of Japanese ethnicity both before and after Pearl Harbor. She tried without success to dissuade the President from ordering mass removal, which she regarded as a violation of human rights and American ideals, and even invited Japanese Americans to the White House.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Her visit to the camp was in response to accusations by the local press that the federal government was coddling Japanese Americans in the camps. Her aim was to tour the facilities and investigate those claims. She came away, highlighting the work the prisoners were doing for the war effort in the camouflage net and ship model factories and noted that the milk she tasted in the mess hall was sour—her way of responding to press reports that the prisoners were receiving better quality rations than other Americans.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">The Los Angeles Times reported on her visit three days later in an article in which she described the living conditions as—while not indecent—”certainly not luxurious,” adding, “I wouldn’t like to live that way.” She was also quoted as saying, “The sooner we get the young [native-born] Japanese out of the camps the better. Otherwise if we don’t look out we will create another Indian problem.”</SPAN></SPAN></DIV></div>
HTMLText_67677A40_6659_6665_41C9_8A1FDE9366C4.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Raconté par :</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Artiste, photographe et journaliste</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Le 23 avril 1943, Eleanor Roosevelt visite le camp de détention de Gila River en Arizona. Le photographe de la War Relocation Authority, Francis Stewart, était présent, accompagné du directeur national, Dillon Myer.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Madame Roosevelt était une des rares personnes de l’entourage du président des Etats-Unis à s’exprimer publiquement en faveur des citoyens et immigrants d'origine japonaise. Ceci avant et mais aussi après Pearl Harbor. C’est en vain qu’elle a tenté de dissuader le président d'ordonner un renvoi massif de cette population - ce qu’elle considérait comme une violation des droits de l'homme et des idéaux américains. Eleanor Roosevelt a même été jusqu’à inviter des Américains d'origine japonaise à la Maison blanche.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Sa visite au camp avait pour but de démentir les accusations de la presse locale qui affirmaient que le gouvernement fédéral réservait à ces détenus un traitement de faveur. Elle a décrit le travail effectué par les prisonniers qui fabriquaient des filets de camouflage pour l’armée et des maquettes de navires. Elle a aussi mentionné qu'elle a goûté le lait et qu’il était sûre.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Dans un article du Los Angeles Times, elle explique que les conditions de vie des citoyens japonais n’étaient pas indécentes, mais n’étaient pas non plus confortables. Son message se résume à ces quelques mots : « Je ne voudrais pas vivre ainsi » et « Plus tôt nous permettrons à ces jeunes japonais de quitter les camps, mieux cela vaudra. Si nous ne faisons rien, nous créerons un nouveau problème semblable à celui des Amérindiens ».</SPAN></SPAN></DIV></div>
HTMLText_AF9DED4A_666A_A265_41D5_B252E4A43D63.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Raconté par :</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Artiste, photographe et journaliste</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Le 23 avril 1943, Eleanor Roosevelt visite le camp de détention de Gila River en Arizona. Le photographe de la War Relocation Authority, Francis Stewart, était présent, accompagné du directeur national, Dillon Myer.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Madame Roosevelt était une des rares personnes de l’entourage du président des Etats-Unis à s’exprimer publiquement en faveur des citoyens et immigrants d'origine japonaise. Ceci avant et mais aussi après Pearl Harbor. C’est en vain qu’elle a tenté de dissuader le président d'ordonner un renvoi massif de cette population - ce qu’elle considérait comme une violation des droits de l'homme et des idéaux américains. Eleanor Roosevelt a même été jusqu’à inviter des Américains d'origine japonaise à la Maison blanche.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Sa visite au camp avait pour but de démentir les accusations de la presse locale qui affirmaient que le gouvernement fédéral réservait à ces détenus un traitement de faveur. Elle a décrit le travail effectué par les prisonniers qui fabriquaient des filets de camouflage pour l’armée et des maquettes de navires. Elle a aussi mentionné qu'elle a goûté le lait et qu’il était sûre.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Dans un article du Los Angeles Times, elle explique que les conditions de vie des citoyens japonais n’étaient pas indécentes, mais n’étaient pas non plus confortables. Son message se résume à ces quelques mots : « Je ne voudrais pas vivre ainsi » et « Plus tôt nous permettrons à ces jeunes japonais de quitter les camps, mieux cela vaudra. Si nous ne faisons rien, nous créerons un nouveau problème semblable à celui des Amérindiens ».</SPAN></SPAN></DIV></div>
HTMLText_96A8EDE4_666B_622D_416F_45DC0643D2FF.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Raconté par :</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Artiste, photographe et journaliste</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Le 23 avril 1943, Eleanor Roosevelt visite le camp de détention de Gila River en Arizona. Le photographe de la War Relocation Authority, Francis Stewart, était présent, accompagné du directeur national, Dillon Myer.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Madame Roosevelt était une des rares personnes de l’entourage du président des Etats-Unis à s’exprimer publiquement en faveur des citoyens et immigrants d'origine japonaise. Ceci avant et mais aussi après Pearl Harbor. C’est en vain qu’elle a tenté de dissuader le président d'ordonner un renvoi massif de cette population - ce qu’elle considérait comme une violation des droits de l'homme et des idéaux américains. Eleanor Roosevelt a même été jusqu’à inviter des Américains d'origine japonaise à la Maison blanche.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Sa visite au camp avait pour but de démentir les accusations de la presse locale qui affirmaient que le gouvernement fédéral réservait à ces détenus un traitement de faveur. Elle a décrit le travail effectué par les prisonniers qui fabriquaient des filets de camouflage pour l’armée et des maquettes de navires. Elle a aussi mentionné qu'elle a goûté le lait et qu’il était sûre.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Dans un article du Los Angeles Times, elle explique que les conditions de vie des citoyens japonais n’étaient pas indécentes, mais n’étaient pas non plus confortables. Son message se résume à ces quelques mots : « Je ne voudrais pas vivre ainsi » et « Plus tôt nous permettrons à ces jeunes japonais de quitter les camps, mieux cela vaudra. Si nous ne faisons rien, nous créerons un nouveau problème semblable à celui des Amérindiens ».</SPAN></SPAN></DIV></div>
HTMLText_6771AF74_6639_FE2D_41C1_41B404DC8659.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Raconté par :</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Artiste, photographe et journaliste</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Le 23 avril 1943, Eleanor Roosevelt visite le camp de détention de Gila River en Arizona. Le photographe de la War Relocation Authority, Francis Stewart, était présent, accompagné du directeur national, Dillon Myer.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Madame Roosevelt était une des rares personnes de l’entourage du président des Etats-Unis à s’exprimer publiquement en faveur des citoyens et immigrants d'origine japonaise. Ceci avant et mais aussi après Pearl Harbor. C’est en vain qu’elle a tenté de dissuader le président d'ordonner un renvoi massif de cette population - ce qu’elle considérait comme une violation des droits de l'homme et des idéaux américains. Eleanor Roosevelt a même été jusqu’à inviter des Américains d'origine japonaise à la Maison blanche.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Sa visite au camp avait pour but de démentir les accusations de la presse locale qui affirmaient que le gouvernement fédéral réservait à ces détenus un traitement de faveur. Elle a décrit le travail effectué par les prisonniers qui fabriquaient des filets de camouflage pour l’armée et des maquettes de navires. Elle a aussi mentionné qu'elle a goûté le lait et qu’il était sûre.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Dans un article du Los Angeles Times, elle explique que les conditions de vie des citoyens japonais n’étaient pas indécentes, mais n’étaient pas non plus confortables. Son message se résume à ces quelques mots : « Je ne voudrais pas vivre ainsi » et « Plus tôt nous permettrons à ces jeunes japonais de quitter les camps, mieux cela vaudra. Si nous ne faisons rien, nous créerons un nouveau problème semblable à celui des Amérindiens ».</SPAN></SPAN></DIV></div>
HTMLText_679913BE_66F6_A61C_41C6_52A8E0E96FFE.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Raconté par :</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Artiste, photographe et journaliste</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Le 23 avril 1943, Eleanor Roosevelt visite le camp de détention de Gila River en Arizona. Le photographe de la War Relocation Authority, Francis Stewart, était présent, accompagné du directeur national, Dillon Myer.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Madame Roosevelt était une des rares personnes de l’entourage du président des Etats-Unis à s’exprimer publiquement en faveur des citoyens et immigrants d'origine japonaise. Ceci avant et mais aussi après Pearl Harbor. C’est en vain qu’elle a tenté de dissuader le président d'ordonner un renvoi massif de cette population - ce qu’elle considérait comme une violation des droits de l'homme et des idéaux américains. Eleanor Roosevelt a même été jusqu’à inviter des Américains d'origine japonaise à la Maison blanche.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Sa visite au camp avait pour but de démentir les accusations de la presse locale qui affirmaient que le gouvernement fédéral réservait à ces détenus un traitement de faveur. Elle a décrit le travail effectué par les prisonniers qui fabriquaient des filets de camouflage pour l’armée et des maquettes de navires. Elle a aussi mentionné qu'elle a goûté le lait et qu’il était sûre.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Dans un article du Los Angeles Times, elle explique que les conditions de vie des citoyens japonais n’étaient pas indécentes, mais n’étaient pas non plus confortables. Son message se résume à ces quelques mots : « Je ne voudrais pas vivre ainsi » et « Plus tôt nous permettrons à ces jeunes japonais de quitter les camps, mieux cela vaudra. Si nous ne faisons rien, nous créerons un nouveau problème semblable à celui des Amérindiens ».</SPAN></SPAN></DIV></div>
HTMLText_6787FB95_66D9_66EF_41D2_20FC79630AC6.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Raconté par :</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Setsuko Winchester</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Artiste, photographe et journaliste</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Le 23 avril 1943, Eleanor Roosevelt visite le camp de détention de Gila River en Arizona. Le photographe de la War Relocation Authority, Francis Stewart, était présent, accompagné du directeur national, Dillon Myer.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Madame Roosevelt était une des rares personnes de l’entourage du président des Etats-Unis à s’exprimer publiquement en faveur des citoyens et immigrants d'origine japonaise. Ceci avant et mais aussi après Pearl Harbor. C’est en vain qu’elle a tenté de dissuader le président d'ordonner un renvoi massif de cette population - ce qu’elle considérait comme une violation des droits de l'homme et des idéaux américains. Eleanor Roosevelt a même été jusqu’à inviter des Américains d'origine japonaise à la Maison blanche.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Sa visite au camp avait pour but de démentir les accusations de la presse locale qui affirmaient que le gouvernement fédéral réservait à ces détenus un traitement de faveur. Elle a décrit le travail effectué par les prisonniers qui fabriquaient des filets de camouflage pour l’armée et des maquettes de navires. Elle a aussi mentionné qu'elle a goûté le lait et qu’il était sûre.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Dans un article du Los Angeles Times, elle explique que les conditions de vie des citoyens japonais n’étaient pas indécentes, mais n’étaient pas non plus confortables. Son message se résume à ces quelques mots : « Je ne voudrais pas vivre ainsi » et « Plus tôt nous permettrons à ces jeunes japonais de quitter les camps, mieux cela vaudra. Si nous ne faisons rien, nous créerons un nouveau problème semblable à celui des Amérindiens ».</SPAN></SPAN></DIV></div>
HTMLText_67677A43_6659_666B_41AC_90A9AEED0B42.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>روته:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>سيتسوكو وينشستر</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>فنانة ومصورة وصحفية</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">في 23 أبريل 1943، قامت السيدة الأولى إليانور روزفلت بزيارة إلى معسكر اعتقال نهر جيلا في ولاية أريزونا. التقط مصور هيئة ترحيل الحرب فرانسيس ستيوارت صورة لها ويرافقها ديلون ماير، المدير الوطني لهيئة ترحيل الحرب، حيث يستقبلهم حشد من النزلاء المتحمسين.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">كانت السيدة روزفلت واحدة من القلائل في إدارة فرانكلين ديلانو روزفلت تتحدث علانية نيابة عن المواطنين والمهاجرين الأوفياء من الأصل الياباني قبل وبعد موقعة ميناء بيرل. حاولت دون جدوى أن تثني الرئيس عن أمر الترحيل الجماعي، التي اعتبرتها انتهاكًا لحقوق الإنسان والمثل الأمريكية، بل ودعت الأمريكيين اليابانيين إلى البيت الأبيض.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">كانت زيارتها للمعسكر ردا على اتهامات من الصحافة المحلية بأن الحكومة الاتحادية كانت تدلل الأميركيين اليابانيين في المعسكرات. كان هدفها القيام بجولة في المرافق والتحقيق في تلك الادعاءات. خرجت وسلطت الضوء على العمل الذي كان يقوم به السجناء كمجهود حربي في شباك التمويه ومصانع نماذج السفن وأشارت إلى أن الحليب الذي تذوقته في قاعة الطعام كان رديئًا – كانت هذه هي طريقة ردها على التقارير الصحفية التي تفيد بأن السجناء كانوا يتلقون حصص إعاشة أفضل من المواطنين الأمريكيين الآخرين.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">نشرت صحيفة لوس أنجلوس تايمز تقريرا عن زيارتها بعد ثلاثة أيام في مقال وصفت فيه الظروف المعيشية هناك بأنها "ليست غير لائقة"، ولكنها بالتأكيد ليست فارهة، وأضافت "لم لكن لأحب أن أعيش على هذا النحو". كما أنها اقتبست قائلة: "كلما أسرعنا في إخراج الشباب الياباني [المولود في أمريكا] من المعسكرات كان ذلك أفضل. عذا ذلك، إذا لم نحترس، فسنخلق مشكلة هندية أخرى."</SPAN></SPAN></DIV></div>
HTMLText_679913C1_66F6_A664_41BF_8FEED470177F.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>روته:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>سيتسوكو وينشستر</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>فنانة ومصورة وصحفية</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">في 23 أبريل 1943، قامت السيدة الأولى إليانور روزفلت بزيارة إلى معسكر اعتقال نهر جيلا في ولاية أريزونا. التقط مصور هيئة ترحيل الحرب فرانسيس ستيوارت صورة لها ويرافقها ديلون ماير، المدير الوطني لهيئة ترحيل الحرب، حيث يستقبلهم حشد من النزلاء المتحمسين.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">كانت السيدة روزفلت واحدة من القلائل في إدارة فرانكلين ديلانو روزفلت تتحدث علانية نيابة عن المواطنين والمهاجرين الأوفياء من الأصل الياباني قبل وبعد موقعة ميناء بيرل. حاولت دون جدوى أن تثني الرئيس عن أمر الترحيل الجماعي، التي اعتبرتها انتهاكًا لحقوق الإنسان والمثل الأمريكية، بل ودعت الأمريكيين اليابانيين إلى البيت الأبيض.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">كانت زيارتها للمعسكر ردا على اتهامات من الصحافة المحلية بأن الحكومة الاتحادية كانت تدلل الأميركيين اليابانيين في المعسكرات. كان هدفها القيام بجولة في المرافق والتحقيق في تلك الادعاءات. خرجت وسلطت الضوء على العمل الذي كان يقوم به السجناء كمجهود حربي في شباك التمويه ومصانع نماذج السفن وأشارت إلى أن الحليب الذي تذوقته في قاعة الطعام كان رديئًا – كانت هذه هي طريقة ردها على التقارير الصحفية التي تفيد بأن السجناء كانوا يتلقون حصص إعاشة أفضل من المواطنين الأمريكيين الآخرين.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">نشرت صحيفة لوس أنجلوس تايمز تقريرا عن زيارتها بعد ثلاثة أيام في مقال وصفت فيه الظروف المعيشية هناك بأنها "ليست غير لائقة"، ولكنها بالتأكيد ليست فارهة، وأضافت "لم لكن لأحب أن أعيش على هذا النحو". كما أنها اقتبست قائلة: "كلما أسرعنا في إخراج الشباب الياباني [المولود في أمريكا] من المعسكرات كان ذلك أفضل. عذا ذلك، إذا لم نحترس، فسنخلق مشكلة هندية أخرى."</SPAN></SPAN></DIV></div>
HTMLText_6787FB98_66D9_66E5_4197_C6EBBFE6DD50.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>روته:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>سيتسوكو وينشستر</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>فنانة ومصورة وصحفية</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">في 23 أبريل 1943، قامت السيدة الأولى إليانور روزفلت بزيارة إلى معسكر اعتقال نهر جيلا في ولاية أريزونا. التقط مصور هيئة ترحيل الحرب فرانسيس ستيوارت صورة لها ويرافقها ديلون ماير، المدير الوطني لهيئة ترحيل الحرب، حيث يستقبلهم حشد من النزلاء المتحمسين.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">كانت السيدة روزفلت واحدة من القلائل في إدارة فرانكلين ديلانو روزفلت تتحدث علانية نيابة عن المواطنين والمهاجرين الأوفياء من الأصل الياباني قبل وبعد موقعة ميناء بيرل. حاولت دون جدوى أن تثني الرئيس عن أمر الترحيل الجماعي، التي اعتبرتها انتهاكًا لحقوق الإنسان والمثل الأمريكية، بل ودعت الأمريكيين اليابانيين إلى البيت الأبيض.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">كانت زيارتها للمعسكر ردا على اتهامات من الصحافة المحلية بأن الحكومة الاتحادية كانت تدلل الأميركيين اليابانيين في المعسكرات. كان هدفها القيام بجولة في المرافق والتحقيق في تلك الادعاءات. خرجت وسلطت الضوء على العمل الذي كان يقوم به السجناء كمجهود حربي في شباك التمويه ومصانع نماذج السفن وأشارت إلى أن الحليب الذي تذوقته في قاعة الطعام كان رديئًا – كانت هذه هي طريقة ردها على التقارير الصحفية التي تفيد بأن السجناء كانوا يتلقون حصص إعاشة أفضل من المواطنين الأمريكيين الآخرين.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">نشرت صحيفة لوس أنجلوس تايمز تقريرا عن زيارتها بعد ثلاثة أيام في مقال وصفت فيه الظروف المعيشية هناك بأنها "ليست غير لائقة"، ولكنها بالتأكيد ليست فارهة، وأضافت "لم لكن لأحب أن أعيش على هذا النحو". كما أنها اقتبست قائلة: "كلما أسرعنا في إخراج الشباب الياباني [المولود في أمريكا] من المعسكرات كان ذلك أفضل. عذا ذلك، إذا لم نحترس، فسنخلق مشكلة هندية أخرى."</SPAN></SPAN></DIV></div>
HTMLText_96ABBDE7_666B_622B_41D7_870F75D8B59F.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>روته:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>سيتسوكو وينشستر</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>فنانة ومصورة وصحفية</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">في 23 أبريل 1943، قامت السيدة الأولى إليانور روزفلت بزيارة إلى معسكر اعتقال نهر جيلا في ولاية أريزونا. التقط مصور هيئة ترحيل الحرب فرانسيس ستيوارت صورة لها ويرافقها ديلون ماير، المدير الوطني لهيئة ترحيل الحرب، حيث يستقبلهم حشد من النزلاء المتحمسين.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">كانت السيدة روزفلت واحدة من القلائل في إدارة فرانكلين ديلانو روزفلت تتحدث علانية نيابة عن المواطنين والمهاجرين الأوفياء من الأصل الياباني قبل وبعد موقعة ميناء بيرل. حاولت دون جدوى أن تثني الرئيس عن أمر الترحيل الجماعي، التي اعتبرتها انتهاكًا لحقوق الإنسان والمثل الأمريكية، بل ودعت الأمريكيين اليابانيين إلى البيت الأبيض.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">كانت زيارتها للمعسكر ردا على اتهامات من الصحافة المحلية بأن الحكومة الاتحادية كانت تدلل الأميركيين اليابانيين في المعسكرات. كان هدفها القيام بجولة في المرافق والتحقيق في تلك الادعاءات. خرجت وسلطت الضوء على العمل الذي كان يقوم به السجناء كمجهود حربي في شباك التمويه ومصانع نماذج السفن وأشارت إلى أن الحليب الذي تذوقته في قاعة الطعام كان رديئًا – كانت هذه هي طريقة ردها على التقارير الصحفية التي تفيد بأن السجناء كانوا يتلقون حصص إعاشة أفضل من المواطنين الأمريكيين الآخرين.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">نشرت صحيفة لوس أنجلوس تايمز تقريرا عن زيارتها بعد ثلاثة أيام في مقال وصفت فيه الظروف المعيشية هناك بأنها "ليست غير لائقة"، ولكنها بالتأكيد ليست فارهة، وأضافت "لم لكن لأحب أن أعيش على هذا النحو". كما أنها اقتبست قائلة: "كلما أسرعنا في إخراج الشباب الياباني [المولود في أمريكا] من المعسكرات كان ذلك أفضل. عذا ذلك، إذا لم نحترس، فسنخلق مشكلة هندية أخرى."</SPAN></SPAN></DIV></div>
HTMLText_6771AF76_6639_FE2D_419E_450079CA931F.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>روته:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>سيتسوكو وينشستر</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>فنانة ومصورة وصحفية</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">في 23 أبريل 1943، قامت السيدة الأولى إليانور روزفلت بزيارة إلى معسكر اعتقال نهر جيلا في ولاية أريزونا. التقط مصور هيئة ترحيل الحرب فرانسيس ستيوارت صورة لها ويرافقها ديلون ماير، المدير الوطني لهيئة ترحيل الحرب، حيث يستقبلهم حشد من النزلاء المتحمسين.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">كانت السيدة روزفلت واحدة من القلائل في إدارة فرانكلين ديلانو روزفلت تتحدث علانية نيابة عن المواطنين والمهاجرين الأوفياء من الأصل الياباني قبل وبعد موقعة ميناء بيرل. حاولت دون جدوى أن تثني الرئيس عن أمر الترحيل الجماعي، التي اعتبرتها انتهاكًا لحقوق الإنسان والمثل الأمريكية، بل ودعت الأمريكيين اليابانيين إلى البيت الأبيض.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">كانت زيارتها للمعسكر ردا على اتهامات من الصحافة المحلية بأن الحكومة الاتحادية كانت تدلل الأميركيين اليابانيين في المعسكرات. كان هدفها القيام بجولة في المرافق والتحقيق في تلك الادعاءات. خرجت وسلطت الضوء على العمل الذي كان يقوم به السجناء كمجهود حربي في شباك التمويه ومصانع نماذج السفن وأشارت إلى أن الحليب الذي تذوقته في قاعة الطعام كان رديئًا – كانت هذه هي طريقة ردها على التقارير الصحفية التي تفيد بأن السجناء كانوا يتلقون حصص إعاشة أفضل من المواطنين الأمريكيين الآخرين.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">نشرت صحيفة لوس أنجلوس تايمز تقريرا عن زيارتها بعد ثلاثة أيام في مقال وصفت فيه الظروف المعيشية هناك بأنها "ليست غير لائقة"، ولكنها بالتأكيد ليست فارهة، وأضافت "لم لكن لأحب أن أعيش على هذا النحو". كما أنها اقتبست قائلة: "كلما أسرعنا في إخراج الشباب الياباني [المولود في أمريكا] من المعسكرات كان ذلك أفضل. عذا ذلك، إذا لم نحترس، فسنخلق مشكلة هندية أخرى."</SPAN></SPAN></DIV></div>
HTMLText_AF9D8D4D_666A_A27F_41B3_E2894622C8B4.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>روته:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>سيتسوكو وينشستر</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>فنانة ومصورة وصحفية</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">في 23 أبريل 1943، قامت السيدة الأولى إليانور روزفلت بزيارة إلى معسكر اعتقال نهر جيلا في ولاية أريزونا. التقط مصور هيئة ترحيل الحرب فرانسيس ستيوارت صورة لها ويرافقها ديلون ماير، المدير الوطني لهيئة ترحيل الحرب، حيث يستقبلهم حشد من النزلاء المتحمسين.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">كانت السيدة روزفلت واحدة من القلائل في إدارة فرانكلين ديلانو روزفلت تتحدث علانية نيابة عن المواطنين والمهاجرين الأوفياء من الأصل الياباني قبل وبعد موقعة ميناء بيرل. حاولت دون جدوى أن تثني الرئيس عن أمر الترحيل الجماعي، التي اعتبرتها انتهاكًا لحقوق الإنسان والمثل الأمريكية، بل ودعت الأمريكيين اليابانيين إلى البيت الأبيض.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">كانت زيارتها للمعسكر ردا على اتهامات من الصحافة المحلية بأن الحكومة الاتحادية كانت تدلل الأميركيين اليابانيين في المعسكرات. كان هدفها القيام بجولة في المرافق والتحقيق في تلك الادعاءات. خرجت وسلطت الضوء على العمل الذي كان يقوم به السجناء كمجهود حربي في شباك التمويه ومصانع نماذج السفن وأشارت إلى أن الحليب الذي تذوقته في قاعة الطعام كان رديئًا – كانت هذه هي طريقة ردها على التقارير الصحفية التي تفيد بأن السجناء كانوا يتلقون حصص إعاشة أفضل من المواطنين الأمريكيين الآخرين.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">نشرت صحيفة لوس أنجلوس تايمز تقريرا عن زيارتها بعد ثلاثة أيام في مقال وصفت فيه الظروف المعيشية هناك بأنها "ليست غير لائقة"، ولكنها بالتأكيد ليست فارهة، وأضافت "لم لكن لأحب أن أعيش على هذا النحو". كما أنها اقتبست قائلة: "كلما أسرعنا في إخراج الشباب الياباني [المولود في أمريكا] من المعسكرات كان ذلك أفضل. عذا ذلك، إذا لم نحترس، فسنخلق مشكلة هندية أخرى."</SPAN></SPAN></DIV></div>
HTMLText_BC721CE8_A757_753B_41C5_A9F04FAF911C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Stellvertretende Leiterin / Chefkuratorin – Norman Rockwell Museum</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Dieser Teil der Ausstellung widmet sich den kleinen Freuden des Lebens – ein besonders beliebtes Thema in den amerikanischen Zeitschriften während der Weltwirtschaftskrise, als viele Menschen es sich einfach nicht leisten konnten, viel Geld für Unterhaltung auszugeben. Was wir hier auf dieser wunderbaren Titelblatt-Illustration für die Saturday Evening Post aus dem Jahr 1936 sehen, ist eine Gruppe von Männern, die sich in einem Frisörladen zusammengefunden haben und sich dabei vergnügen, gemeinsam zu singen. Richtig populär wurde das Konzept des Barbershop-Quartetts und allgemein des Amateurgesangs in den 1890er-Jahren und blieb es während der gesamten Wirtschaftskrise. Hier konnte Rockwell das, was ihm an Menschen so gefiel, ausgiebig zur Geltung bringen – Gesichtsausdrücke voller Leben, die vielen interessanten Eigenarten seiner Charaktere und sogar Handbewegungen, mit denen er eine Verbindung zwischen den einzelnen Figuren schafft.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Es ist eine großartige Szene, die sogar einen anderen bedeutenden Illustrator mit einschließt, der ebenfalls für die Post und andere Zeitschriften arbeitete. Walter Beach Humphrey ist auf der rechten Seite zu sehen, das Gesicht zur Hälfte rasiert und zur Hälfte mit Rasiercreme bedeckt. Er hält eine Zeitschrift namens </SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Police Gazette</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"> in der Hand, von der man eigentlich annehmen könnte, dass sie Informationen über die Aktivitäten der amerikanischen Polizisten enthielt, die in Wirklichkeit aber ein Männermagazin mit Geschichten der etwas dunkleren Sorte war.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Als Rockwell dieses Werk im Jahr 1936 anfertigte, lebte er in New Rochelle (New York), der Stadt mit der damals landesweit größten Anzahl an Illustratoren pro Einwohner. New Rochelle besaß den Vorteil, 45 Minuten vom Broadway entfernt zu sein, und so konnten die Künstler ein etwas beschaulicheres, ländliches Leben genießen, obwohl man auch in New Rochelle durchaus einiges unternehmen konnte. Da die Zugfahrt von New York City nicht lang war, konnten die Illustratoren, die dort wohnten, ihre Werke ohne großen Aufwand bei ihren Verlagen abliefern.</SPAN></SPAN></DIV></div>
HTMLText_E3692C10_6AFE_939D_41D1_BE4F7D573244.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Erzählt von:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Stellvertretende Leiterin / Chefkuratorin – Norman Rockwell Museum</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Norman Rockwells Saturday Evening Post-Titelblatt vom 1. April 1961, Golden Rule (Goldene Regel), entstand ursprünglich als Zeichnung. 1952, am Höhepunkt des Kalten Krieges und zwei Jahre nach Beginn des Koreakrieges, entwarf Rockwell ein Bild von den Vereinten Nationen als Zukunftshoffnung für die Welt. Seine Wertschätzung für diese Organisation und ihre Mission dienten ihm als Inspiration für ein komplexes Werk, auf dem Mitglieder des Sicherheitsrates der Vereinten Nationen und 65 Personen, die die Nationen der Welt repräsentieren, dargestellt sind. Als Studie für ein Kunstwerk, welches der Künstler ursprünglich als Gemälde geplant und bis zur endgültigen Fassung ausrecherchiert und zeichnerisch fertig ausgeführt hatte, schaffte es United Nations allerdings niemals wirklich auf die Leinwand.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Über seine Arbeit an der Zeichnung The United Nations sagte Rockwell: „Wie jeder andere auch bin ich über die Lage der Welt besorgt, und wie jeder andere auch möchte ich etwas beitragen, um zu helfen. Die einzige Möglichkeit für mich, etwas beizutragen, sind meine Bilder.“ Als Perfektionist in seiner Kunst nahm Rockwell beträchtliche Mühen auf sich, um Fotografien zu erstellen, die seinen Vorstellungen genau entsprachen und um genau die richtigen Modelle für sein Werk zu finden. Er stellte Recherchen über die Kostüme und Requisiten an und inszenierte jedes einzelne Designelement, das fotografiert werden sollte, bevor er Farbe auf die Leinwand bringen wollte.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Mithilfe seiner Fotografien setzte Rockwell die Einzelheiten von Komposition und Wert gezielt ein, um diese detailreiche Schwarzweiß-Zeichnung mit einem Wolff-Zeichenstift und Kohle herzustellen. „Ich nehme die Anfertigung der Kohleentwürfe sehr ernst“, meinte er. „Zu viele Neulinge warten meiner Meinung nach, bis sie bei der Leinwand angelangt sind, bevor sie versuchen, viele ihrer Probleme zu lösen. Weit besser ist es, sich mithilfe von Studien bereits im Vorhinein darum zu kümmern.“</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Obwohl er sich hingebungsvoll mit dem Konzept für sein Werk befasste, fand er es letztlich zu komplex, um daraus eine endgültige Illustration zu erschaffen. Etwa sieben Jahre später erforschte er die Möglichkeit eines neuen Ansatzes, dem er schließlich in seinem Werk Golden Rule (Goldene Regel) folgte.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Rockwell sagte: „Eines Tages wurde mir plötzlich klar, dass die goldene Regel „Was du nicht willst, das man dir tu', das füg' auch keinem andern zu“ das Thema war, nach dem ich gesucht hatte.“</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">In seinem Werk Golden Rule porträtiert Rockwell vier Mütter mit ihren Kindern. Die eine in der rechten oberen Ecke ist seine zweite Frau Mary Barstow Rockwell, die 1959, zwei Jahre vor der Veröffentlichung dieses Bildes, verstorben war. Hier ist sie mit ihrem ersten Enkelkind, Geoffrey Rockwell, vereint, das sie in Wirklichkeit nie kennenlernen konnte.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Norman Rockwells Werk Golden Rule, das vor nahezu sechs Jahrzehnten veröffentlicht wurde, ist eines seiner symbolträchtigsten Bilder, reflektiert es doch unsere gemeinsame Menschheit und Rockwells eigene Überzeugungen, die auch in der heutigen Zeit noch relevant sind.</SPAN></SPAN></DIV></div>
HTMLText_BDFD76AF_A74F_D534_41D9_947D71857AF0.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Directora Adjunta/Curadora Jefe - Museo Norman Rockwell</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Esta sección de la exposición analiza los pequeños placeres de la vida, que fueron temas especialmente populares en las revistas estadounidenses durante la Gran Depresión, cuando muchas personas realmente no tenían los medios para gastar mucho dinero en entretenimiento. Lo que estamos viendo aquí en la maravillosa ilustración de la portada de 1936 del Saturday Evening Post es un grupo de hombres que se han reunido en una barbería y que lo están pasando maravillosamente cantando juntos. El concepto del cuarteto de barbería y el canto aficionado en general se popularizó en la década de 1890 y continuó hasta la Depresión. Aquí, Rockwell, realmente muestra lo que tanto le gustaba de la gente, las expresiones faciales animadas, muchas idiosincrasias maravillosas en sus personajes e incluso gestos con las manos que conectan a cada una de las figuras entre sí.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Es una gran escena que en realidad incluye otro ilustrador importante, que también ilustró para el Post y otras revistas. Walter Beach Humphrey es visto en el lado derecho, su cara medio afeitada, medio cubierta con crema de afeitar. Tiene una publicación llamada </SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Police Gazette</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">, que podríamos imaginar que nos contaría sobre las actividades de los policías estadounidenses, pero en realidad era una revista para caballeros que tenía historias sobre el lado oscuro de la vida.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Cuando Rockwell hizo esta pieza en 1936, vivía en New Rochelle, Nueva York, que, en ese momento, tenía el número más alto de ilustradores per capita de cualquier ciudad en toda la nación. New Rochelle tenía la ventaja de estar a 45 minutos de Broadway, por lo que los artistas podían disfrutar de una existencia rural más bucólica, aunque New Rochelle ciertamente tenía su parte de actividad. Fue un corto viaje en tren desde la ciudad de Nueva York, por lo que los ilustradores que viven allí realmente podrían entregar su trabajo muy fácilmente a sus editores.. Nullam dictum felis eu pede mollis pretium. Integer tincidunt. Cras dapibus. </SPAN></SPAN></DIV></div>
HTMLText_E3699C0E_6AFE_9385_41BC_E7A991269C5D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Narrado por:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Directora Adjunta/Curadora Jefe - Museo Norman Rockwell</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">La portada del Saturday Evening Post del 1 de abril de 1961 de Norman Rockwell, Golden Rule en realidad comenzó como un dibujo. En 1952, en el apogeo de la Guerra Fría y dos años después de la Guerra de Corea, Rockwell concibió una imagen de las Naciones Unidas como la esperanza mundial para el futuro. Su aprecio por la organización y su misión inspiró una obra compleja que retrata a los miembros del Consejo de Seguridad de las Naciones Unidas y a 65 personas que representan a las naciones del mundo. Un estudio para una obra de arte que originalmente tenía la intención de completar en forma pintada, investigó y desarrolló hasta la etapa de dibujo final, la pieza de United Nations del artista nunca llegó a la realidad.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Sobre su trabajo en el dibujo de The United Nations, Rockwell dijo, "Al igual que todos los demás, me preocupa la situación mundial y, como todos los demás, me gustaría aportar algo para ayudar. La única forma en que puedo contribuir es a través de mis imágenes." Un perfeccionista</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Usando sus fotografías como referencia, Rockwell trabajó con los detalles de la composición y el valor en este dibujo en blanco y negro ricamente detallado, creado con lápiz y carbón Wolff. "Me tomo la elaboración de los diseños de carbón muy en serio," él dijo: "Demasiados novatos, creo, esperan hasta que estén sobre el lienzo antes de tratar de resolver muchos de sus problemas. Es mucho mejor luchar con ellos antes con los estudios ".</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">A pesar de que estaba dedicado al concepto de este trabajo, finalmente descubrió que era demasiado complejo para crearlo como una ilustración final y, finalmente, unos siete años más tarde, exploró la posibilidad de un nuevo enfoque que adoptó en Golden Rule.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Rockwell dijo: "Un día, de repente, llegué a la idea de que The Golden Rule -- hacer a los demás lo que quisieras que te hicieran -- era el tema que estaba buscando".</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">En The Golden Rule, Rockwell retrata cuatro grupos de madres y sus hijos. El que está en el rincón superior derecho en realidad representa a su segunda esposa, Mary Barstow Rockwell, que falleció en 1959, dos años antes de que se publicara esta imagen. Aquí está junto a su primer nieto, Geoffrey Rockwell, a quien nunca tuvo la oportunidad de conocer.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Publicado casi seis décadas atrás, The Golden Rule de Norman Rockwell es una de sus imágenes más emblemáticas, retratando nuestra humanidad común y reflejando las propias creencias de Rockwell, que siguen siendo relevantes para nuestros tiempos.</SPAN></SPAN></DIV></div>
HTMLText_E3687C0E_6AFE_9385_41D1_88325093EBBF.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Narrated By:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Deputy Director / Chief Curator - Norman Rockwell Museum</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Norman Rockwell's April 1st 1961, </SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"> cover, </SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Golden Rule </I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">actually started out as a drawing. In 1952 at the height of The Cold War and two years into the Korean War, Rockwell conceived an image of The United Nations as the world's hope for the future. His appreciation for the organization and its mission inspired a complex work portraying members of The United Nations' Security Council and 65 people representing the nations of the world. A study for an artwork that he originally intended to complete in painted form, researched and developed to the final drawing stage, the artist's </SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>United Nations</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"> piece never actually made it to canvas.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Of his work on </SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>The United Nations</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"> drawing, Rockwell said, "Like everyone else, I'm concerned with the world's situation and like everyone else, I'd like to contribute something to help. The only way I can contribute is through my pictures." A perfectionist in his art, Rockwell went to elaborate lengths to create photographs that portrayed his concepts exactly and to find just the right models for his work. He researched costumes and props and carefully orchestrated each element of the design to be photographed before putting paint to canvas.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Using his photographs as a reference, Rockwell worked with the details of composition and value in this richly detailed black and white drawing, created with Wolff pencil and charcoal. "I take the making of the charcoal layouts very seriously." he said, "Too many novices, I believe, wait until they are on the canvas before trying to solve many of their problems. It is much better to wrestle with them ahead though studies."</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Though he was dedicated to the concept of this work, he ultimately found it too complex to create as a final illustration and eventually, about seven years later, explored the possibility of a new approach which he took in </SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Golden Rule.</I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Rockwell said, "One day I suddenly go the idea that </SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>The Golden Rule</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">, do unto others as you would have them do unto you, was the subject I was looking for."</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">In </SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Golden Rule</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">, Rockwell portrays four sets of mothers and their children. The one in the upper right hand corner actually represents his second wife Mary Barstow Rockwell who had passed away in 1959, two years before this image was published. Here she is united with her first grandchild, Geoffrey Rockwell, who she never actually had the opportunity to meet.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Published almost six decades ago, Norman Rockwell's Golden Rule is one of his most iconic images, portraying our common humanity and reflecting Rockwell's own beliefs, which remain relevant for our times.</SPAN></SPAN></DIV></div>
HTMLText_B1EA4CD2_A733_756F_41CD_9D57279D8E8E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Narrated by:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Deputy Director / Chief Curator - Norman Rockwell Museum</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">This section of the exhibition looks at life's small pleasures, which were especially popular subjects in American magazines during the Great Depression, when many people really did not have the means to spend a lot of money for entertainment. What we're seeing here in the wonderful 1936 cover illustration for the Saturday Evening Post are a group of men who have gathered in a barbershop and are just having a wonderful time singing together. The concept of the barbershop quartet and amateur singing in general really became popular in the 1890’s and continued right up through the Depression. Here, Rockwell, really gets to show off the thing that he so enjoyed about people, animated facial expressions, lots of wonderful idiosyncrasies in his characters, and even hand gestures that connect each of the figures to each other.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">It's a great scene that actually includes another important illustrator, who also illustrated for the Post and other magazines. Walter Beach Humphrey is seen on the right hand side, his face half-shaved, half-covered with shaving cream. He holds a publication called the</SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I> Police Gazette</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">, which we might imagine to tell us about the activities of the American policemen, but instead was actually a gentleman's magazine that had stories about the darker side of life.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">When Rockwell did this piece in 1936, he was living in New Rochelle, New York, which, at the time, had the highest per capita number of illustrators of any city in the entire nation. New Rochelle had the advantage of being 45 minutes from Broadway, and so artists could enjoy a more bucolic rural existence, though New Rochelle certainly had its share of activity. It was a short train ride from New York City, so illustrators living there could actually deliver their work very easily to their publishers.</SPAN></SPAN></DIV></div>
HTMLText_E3698C0F_6AFE_9383_41D3_30B0E882BBF0.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Narratrice :</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Directrice adjointe / Conservatrice en Chef - Musée Norman Rockwell</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">La couverture du Saturday Evening Post du 1er avril 1961, La Règle d’Or, était au départ un dessin. En 1952, à l’apogée de la Guerre froide et deux ans après le début de la Guerre de Corée, Rockwell représenta Les Nations Unies comme un espoir pour le futur. Son respect pour cette institution et sa mission lui inspira un travail complexe mettant en scène les membres du Conseil de sécurité des Nations unies, ainsi que 65 personnes représentant les différentes nations du monde. Cette étude prévue à l’origine pour devenir un tableau nommé Les Nations Unies n’aboutira finalement jamais à une peinture sur toile.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">À propos de son travail sur Les Nations Unies, Rockwell disait “comme tout le monde, je me soucie de l’état du monde, et comme tout le monde j’aimerais apporter ma contribution. Et ma seule façon de le faire, c’est à travers ma peinture.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Très perfectionniste, Rockwell consacra beaucoup de temps à rechercher les modèles adéquats et à les photographier afin de représenter avec précision ce qu’il avait en tête. Il chercha les costumes et les accessoires adaptés et disposa avec précision chaque élément de sa composition pour les photographier avant de commencer à peindre sa toile.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">En prenant ces photos comme modèles, Rockwell composa un dessin noir et blanc extrêmement détaillé, réalisé au fusain et au crayon. “J’attache beaucoup d’importance à l’élaboration des esquisses au fusain.” disait-il, “Je pense que beaucoup trop de débutants attendent d’être devant leur toile pour se demander comment aborder certaines difficultés. À mon sens il est préférable de s’y attaquer en faisant d’abord des esquisses.”.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Bien que très investi dans ce travail, il finit par le trouver trop complexe à réaliser. Environ sept ans plus tard, il prit donc la décision de tenter une nouvelle approche avec La Règle d’Or.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Rockwell disait “Un jour, l’idée m’est soudain venue que La Règle d’Or, consistant à dire “Fais aux autres ce que tu aimerais qu’ils te fassent”, était le sujet que je cherchais.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Dans le tableau La Règle d’Or, Rockwell représente sept mères accompagnées de leurs enfants. Celle qui se trouve sur la droite est d’ailleurs sa seconde épouse, Mary Barstow Rockwell, décédée en 1959, deux ans avant que l’œuvre soit publiée. Elle est ici représentée avec son premier petit-fils, Geoffrey Rockwell, qu’elle n’a en réalité jamais connu.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Publié il y a environ 60 ans, La Règle d’Or est l’un des tableaux les plus emblématiques de Norman Rockwell, représentant notre humanité et reflétant les propres opinions de Rockwell, des opinions toujours pertinentes à notre époque.</SPAN></SPAN></DIV></div>
HTMLText_BC309910_A750_DCEB_41E0_72A75F76F829.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Narratrice:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Stephanie Haboush Plunkett</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Directeur Adjoint / Conservateur en Chef – Musée Norman Rockwell</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Cette partie de l'exposition s’intéresse aux petits plaisirs de la vie, sujets particulièrement populaires dans les magazines américains pendant la Grande Dépression, où les gens avaient trop peu de moyens pour se permettre de dépenser de l’argent pour se divertir. Cette magnifique illustration de couverture de 1936 pour le Saturday Evening Post, montre un groupe d'hommes qui se sont réunis dans un salon de coiffure et qui s'amusent en chantant ensemble. Le concept du Quatuor du salon de coiffure et de la chanson amateur en général devient très populaire dans les années 1890 et le restera pendant toute la durée de la Dépression. Ici, Rockwell montre réellement ce qu'il apprécie tant chez les gens, les expressions animées des visages, de nombreuses singularités dans ses personnages, jusqu’aux gestes des mains qui lient les personnages les uns aux autres.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">C'est une superbe scène où est représenté un autre illustrateur célèbre, qui a également dessiné pour le Saturday Evening Post et d'autres magazines. Walter Beach Humphrey se trouve sur le côté droit, le visage à moitié rasé, à moitié recouvert de crème à raser. Il tient dans la main une publication intitulée « Police Gazette », que l’on imaginerait traiter des activités des policiers américains, mais qui en fait était un magazine pour hommes qui publiait des histoires sur le côté sombre de la vie.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">À l’époque où Rockwell a peint ce tableau, en 1936, il vivait à New Rochelle, dans l’État de New York, qui, comptait alors le plus grand nombre d'illustrateurs par habitant que n'importe quelle autre ville des États-Unis. New Rochelle avait l'avantage d'être à 45 minutes de Broadway, et ainsi les artistes pouvaient profiter d'une existence rurale plus bucolique, bien que New Rochelle fut certainement une ville très animée. On pouvait rejoindre rapidement New York en train. Il était donc très facile pour les illustrateurs qui vivaient à New Rochelle de livrer leur travail aux éditeurs.</SPAN></SPAN></DIV></div>
HTMLText_1C1A757A_8EBA_4F7B_41E0_C2A91B0CC671.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Norman Rockwell (1894-1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Freedom From Fear</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">, 1943.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Illustration for </SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">, March, 13, 1943.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Norman Rockwell Museum Collection.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">© 1943 SEPS: Licensed by Curtis Licensing, Indianapolis, IN. All rights reserved.</SPAN></SPAN></DIV></div>
HTMLText_8A2E19E9_A631_7FDE_41B7_20E66FB7B9C9.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Norman Rockwell (1894-1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">, September 26, 1936</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Oil on Canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Collection of Mrs. Louise Holland</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">© 1936 SEPS - Curtis Licensing</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">During the 1930s, Norman Rockwell celebrated life’s simple pleasures in artworks filled with pathos and humor. This work was likely inspired by the professional and amateur barbershop quartets that were popular from the 1890s through the 1930s. Facial expression and hand gestures tell Rockwell’s story, as do details like the straight razor, shaving cup and mug, and well-worn comb. When Rockwell painted this work, he was living in New Rochelle, New York, a hub for noted illustrators. Fellow Post artist, Walter Beach Humphrey, appears on the far right, his face half-covered with shaving cream. In Humphrey’s hand is a copy of </SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>The Police Gazette</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">, an early twentieth century gentleman’s magazine featuring tales about the seamier side of life.</SPAN></SPAN></DIV></div>
HTMLText_2219C5A4_3647_43C6_41AE_03670F4BFFAE.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Norman Rockwell (1894-1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Tear sheet</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">, September 26, 1936</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Norman Rockwell Museum Collection</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">© 1936 SEPS - Curtis Licensing</SPAN></SPAN></DIV></div>
HTMLText_134F3054_365C_C146_41C6_E29F405155F0.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Family Home from Vacation</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">, 1930</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">, September 13, 1930</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Collection of the Grace Family</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">© 1930 SEPS - Curtis Licensing</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Despite the Depression-era downturn, </SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"> and other magazines presented uplifting images and hope for better times. Published almost a year after the crash, Rockwell’s 1930 cover illustration portrays a weary family that has managed to vacation despite challenging times. The box camera at the woman’s feet recorded their adventures, and clues like the pail and shovel, wilted bouquet, deflated balloon, and frog struggling to escape, give us a sense of the family’s experience.</SPAN></SPAN></DIV></div>
HTMLText_E368DC0D_6AFE_9387_41C9_BF17B7B39ECA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>Norman Rockwell (1894–1978)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Golden Rule</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">, 1961</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Cover illustration for </SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">, April 1, 1961 </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Oil on canvas</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">Norman Rockwell Museum Collection, NRACT.1973.010</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">© 1961 SEPS Curtis Licensing. All rights reserved</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><I>Golden Rule</I></SPAN><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"> features a gathering of men, women, and children of different races, religions, and ethnicities. The inscription “Do Unto Others as You Would Have Them Do Unto You” was simple but universal and reflected the artist’s personal philosophy. Rockwell considered himself a citizen of the world and traveled throughout his life. Of the painting, Rockwell said, “I had tried to depict all the peoples of the world gathered together. That is just what I wanted to express about the Golden Rule.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_E369CC12_6AFE_939D_41D9_2EAC892C9934.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>الراوي:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>ستيفاني هابوش بلونكيت</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>نائب مدير / رئيسة أمناء المتحف – متحف نورمان روكويل</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">غلاف جريدة "ساترداي إيفنينغ بوست" لنورمان روكويل بتاريخ 1 أبريل 1961 المُعنون بـ "القاعدة الذهبية" بدأ كرسمٍ في الواقع. سنة 1952 وفي عزّ الحرب الباردة وبعد سنتين من الحرب الكورية، صمّم روكويل صورة لـ "الأمم المتحدة" على أنها أمل العالم للمستقبل. إعجابه بالمنظمة ومهمتها ألهمه لإنجاز عمل معقّد يصوّر أعضاءً من مجلس أمن الأمم المتحدة و 65 شخصا يمثلون بلدان العالم. كانت "الأمم المتحدة" دراسة لعمل فنّي كان يُزمع في الأصل اتمامه في شكل رسم، تمّ البحث فيه وتطويره إلى مرحلة الرسم النهائي، إلّا أنه لم يتم إتمامه على القماش.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">قال روكويل بشأن رسمه "الأمم المتحدة": "كغيري من الناس، أنا قلق بشأن حالة العالم، وكغيري من الناس أودّ أن أساهم بشيء للمساعدة. الطريقة الوحيدة التي يمكنني عبرها المساعدة هي من خلال صوري." ولأنّه يسعى للمثالية في فنّه، لم يدخر روكويل جهدا في انشاء الصور التي تعبّر عن مفاهيمه تماما والبحث عن النماذج المثالية لعمله. بحث عن البدلات والدعائم كما نسّق كل عنصر من التصميم حتي يتمّ تصويره قبل الشروع في وضع الألوان على قماش الرسم.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">مستخدما صوره كمرجع، عمل روكويل مع تفاصيل البنية والقيمة في هذا الرسم الأبيض والأسود ذو التفاصيل الغنية، والذي أنجِز باستخدام قلم وولف والفحم. يقول: "آخذ مخططات الفحم على محمل الجدّ"، مضيفا: "الكثير من المبتدئين، في اعتقادي، ينتظرون إلى غاية الوصول إلى القماش قبل محاولة حلّ الكثير من المشاكل التي تعترضهم. من الأفضل بكثير مجابهة هذه المشاكل مسبقا عبر الدراسات."</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">على الرغم من أنه كان متفانيا تجاه فكرة عمله، إلا أنه وجد في النهاية أنه من المعقّد جدّا تشكيلها كرسم نهائي، وفي الأخير وبعد سبع سنوات، بحث في إمكانية مقاربة جديدة، وهي التي تبناها عندما أخذ "القاعدة الذهبية".</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">قال روكويل: "في أحد الأيام جاءتني فجأة فكرة أنّ القاعدة الذهبية، عامل غيرك كما تريد منهم أنت أن يعاملوك، كانت هي الفكرة التي كنت أبحث عنها."</SPAN></SPAN></DIV></div>
HTMLText_BD3797D6_A75F_D314_41D4_0AF58359081D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>الراوي:</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>ستيفاني هابوش بلونكيت</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';"><B>نائب مدير / رئيسة أمناء المتحف – متحف نورمان روكويل</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">هذا القسم من المعرض يتناول متع الحياة الصغيرة التي كانت مواضيع رائجة بالخصوص في المجلات الأمريكية أثناء فترة الكساد الكبير، أين لم يكن في حوزة الكثير من الناس الوسائل اللازمة لإنفاق الكثير من المال على الترفيه. الذي نراه هنا في رسم غلاف جريدة "ساترداي إيفنينغ بوست" سنة 1936 هو مجموعة من الرجال الذين اجتمعوا في محلّ للحلاقة وهم يقضون وقتا ممتعا في الغناء سوية. أصبحت فكرة رباعيّ محلّ الحلاقة وغناء الهواة عموما رائجة جدّا في تسعينيات القرن التاسع عشر واستمرت أثناء فترة الكساد. هنا، يتسنّى لروكويل ابراز أكثر الأشياء التي يستمتع بها بشأن الناس: تعبيرات الوجه المتحركة إلى جانب الكثير من الخصوصيات الرائعة في شخصياته، وحتى حركات اليد التي تربط الشخصيات ببعضها. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">أنه مشهد رائع يتضمّن رساما مهما آخرا في الحقيقة، وقد كان يرسم لجريد الـ "بوست" ومجلات أخرى. يُمكن رؤية "والتر بيتش هامفري" على الجانب الأيمن، وجهه نصف حليق والنصف الآخر مغطى بكريمة الحلاقة. يمسك بمنشور معنون بـ "بوليس غازيتي"، والذي قد نظنّ أنه يخبرنا بنشاطات الشرطة الأمريكية، لكنها في الحقيقة مجلّة خاصة بالرجال النبلاء وتحتوي على قصص تتناول الجانب المظلم للحياة.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:16px;font-family:'Lato';">عندما أنجز روكويل هذا الرسم سنة 1936، كان يعيش في نيو روشيل بنيويورك، والتي كان بها في ذلك الوقت أكبر عدد من الرسامين بالنسبة للفرد الواحد في البلد بأكمله. كانت نيو روشيل تتميز بأنها تبعد مسافة 45 دقيقة فقط عن برودواي، لهذا كان في وسع الفنانين التمتع بالمزيد من الوجود الريفي، على الرغم من أنّ نيو روشيل كانت لها حصتها من الحركة أيضا. كانت رحلة قصيرة بالقطار كفيلة بربطهم بنيويورك، وعليه كان بمقدور الرسامين الذين يعيشون هناك تقديم أعمالهم لناشريهم بكل سهولة.</SPAN></SPAN></DIV></div>
HTMLText_EB70F07E_6C97_4EDE_41CA_FE10B7BE6E3A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:30px;font-family:'Merriweather';">Norman Rockwell’s Creative Process</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:30px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';">In the summer of 1942, when he was contemplating the Four Freedoms, Norman Rockwell was at the peak of his career and one of the most famous imagemakers in America. Though he struggled for seven months with how Roosevelt’s ideas could most e=ectively be portrayed, he resolved to root the universal, symbolic images in his own experiences and surroundings, using as models his neighbors in Arlington, Vermont.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';">As was his complex, customary process, the artist’s thumbnail drawings and large scale charcoal sketches, no longer extant, were followed by preliminary color studies in oil. </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Freedom from Want</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"> and </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Freedom from Fear</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"> were clearly conceptualized in his mind from the start, but </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Freedom of Speech</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"> and </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Freedom of Worship</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"> presented greater challenges. For each painting, he carefully choreographed the expressions and poses of each of his models, working closely with his studio assistant, Gene Pelham, to photograph them for future reference. </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Freedom of Worship</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"> was initially set in a barber shop with people of different faiths and races chatting amiably and waiting their turn. Rockwell ultimately rejected the notion as stereo-typical. For </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Freedom of Speech</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';">, he experimented with several different vantage points, including two that engulfed the speaker in the crowd. In the final work, the speaker stands heads and shoulders above the observers as the clear center of attention. Fortunately, Rockwell’s </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Four Freedoms</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"> escaped destruction in a fire that destroyed his studio shortly after they were delivered to </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';">. His reference photographs and most related artworks did not survive the blaze.</SPAN></SPAN></DIV></div>
HTMLText_E0688CD3_6C9D_F62F_41AE_96274A1E1A79.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:30px;font-family:'Merriweather';">Norman Rockwell’s Creative Process</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:30px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';">In the summer of 1942, when he was contemplating the Four Freedoms, Norman Rockwell was at the peak of his career and one of the most famous imagemakers in America. Though he struggled for seven months with how Roosevelt’s ideas could most e=ectively be portrayed, he resolved to root the universal, symbolic images in his own experiences and surroundings, using as models his neighbors in Arlington, Vermont.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';">As was his complex, customary process, the artist’s thumbnail drawings and large scale charcoal sketches, no longer extant, were followed by preliminary color studies in oil. </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Freedom from Want</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"> and </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Freedom from Fear</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"> were clearly conceptualized in his mind from the start, but </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Freedom of Speech</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"> and </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Freedom of Worship</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"> presented greater challenges. For each painting, he carefully choreographed the expressions and poses of each of his models, working closely with his studio assistant, Gene Pelham, to photograph them for future reference. </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Freedom of Worship</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"> was initially set in a barber shop with people of different faiths and races chatting amiably and waiting their turn. Rockwell ultimately rejected the notion as stereo-typical. For </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Freedom of Speech</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';">, he experimented with several different vantage points, including two that engulfed the speaker in the crowd. In the final work, the speaker stands heads and shoulders above the observers as the clear center of attention. Fortunately, Rockwell’s </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Four Freedoms</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"> escaped destruction in a fire that destroyed his studio shortly after they were delivered to </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';">. His reference photographs and most related artworks did not survive the blaze.</SPAN></SPAN></DIV></div>
HTMLText_FE326C85_A924_B0CD_41E1_13E4041FA202.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:30px;font-family:'Merriweather';">Norman Rockwell’s Creative Process</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:30px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';">In the summer of 1942, when he was contemplating the Four Freedoms, Norman Rockwell was at the peak of his career and one of the most famous imagemakers in America. Though he struggled for seven months with how Roosevelt’s ideas could most e=ectively be portrayed, he resolved to root the universal, symbolic images in his own experiences and surroundings, using as models his neighbors in Arlington, Vermont.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';">As was his complex, customary process, the artist’s thumbnail drawings and large scale charcoal sketches, no longer extant, were followed by preliminary color studies in oil. </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Freedom from Want</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"> and </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Freedom from Fear</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"> were clearly conceptualized in his mind from the start, but </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Freedom of Speech</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"> and </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Freedom of Worship</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"> presented greater challenges. For each painting, he carefully choreographed the expressions and poses of each of his models, working closely with his studio assistant, Gene Pelham, to photograph them for future reference. </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Freedom of Worship</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"> was initially set in a barber shop with people of different faiths and races chatting amiably and waiting their turn. Rockwell ultimately rejected the notion as stereo-typical. For </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Freedom of Speech</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';">, he experimented with several different vantage points, including two that engulfed the speaker in the crowd. In the final work, the speaker stands heads and shoulders above the observers as the clear center of attention. Fortunately, Rockwell’s </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Four Freedoms</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"> escaped destruction in a fire that destroyed his studio shortly after they were delivered to </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';">. His reference photographs and most related artworks did not survive the blaze.</SPAN></SPAN></DIV></div>
HTMLText_EB66E1BC_6C8D_4E66_41D0_03485A99389E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:30px;font-family:'Merriweather';">Norman Rockwell’s Creative Process</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:30px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';">In the summer of 1942, when he was contemplating the Four Freedoms, Norman Rockwell was at the peak of his career and one of the most famous imagemakers in America. Though he struggled for seven months with how Roosevelt’s ideas could most e=ectively be portrayed, he resolved to root the universal, symbolic images in his own experiences and surroundings, using as models his neighbors in Arlington, Vermont.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';">As was his complex, customary process, the artist’s thumbnail drawings and large scale charcoal sketches, no longer extant, were followed by preliminary color studies in oil. </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Freedom from Want</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"> and </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Freedom from Fear</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"> were clearly conceptualized in his mind from the start, but </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Freedom of Speech</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"> and </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Freedom of Worship</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"> presented greater challenges. For each painting, he carefully choreographed the expressions and poses of each of his models, working closely with his studio assistant, Gene Pelham, to photograph them for future reference. </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Freedom of Worship</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"> was initially set in a barber shop with people of different faiths and races chatting amiably and waiting their turn. Rockwell ultimately rejected the notion as stereo-typical. For </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Freedom of Speech</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';">, he experimented with several different vantage points, including two that engulfed the speaker in the crowd. In the final work, the speaker stands heads and shoulders above the observers as the clear center of attention. Fortunately, Rockwell’s </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Four Freedoms</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"> escaped destruction in a fire that destroyed his studio shortly after they were delivered to </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';">. His reference photographs and most related artworks did not survive the blaze.</SPAN></SPAN></DIV></div>
HTMLText_1C06C989_48F7_3EDF_41BC_B7BDB65C54D4.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:30px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#25247b;font-size:30px;font-family:'Merriweather';">Norman Rockwell’s Creative Process</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:30px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';">In the summer of 1942, when he was contemplating the Four Freedoms, Norman Rockwell was at the peak of his career and one of the most famous imagemakers in America. Though he struggled for seven months with how Roosevelt’s ideas could most e=ectively be portrayed, he resolved to root the universal, symbolic images in his own experiences and surroundings, using as models his neighbors in Arlington, Vermont.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';">As was his complex, customary process, the artist’s thumbnail drawings and large scale charcoal sketches, no longer extant, were followed by preliminary color studies in oil. </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Freedom from Want</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"> and </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Freedom from Fear</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"> were clearly conceptualized in his mind from the start, but </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Freedom of Speech</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"> and </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Freedom of Worship</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"> presented greater challenges. For each painting, he carefully choreographed the expressions and poses of each of his models, working closely with his studio assistant, Gene Pelham, to photograph them for future reference. </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Freedom of Worship</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"> was initially set in a barber shop with people of different faiths and races chatting amiably and waiting their turn. Rockwell ultimately rejected the notion as stereo-typical. For </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Freedom of Speech</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';">, he experimented with several different vantage points, including two that engulfed the speaker in the crowd. In the final work, the speaker stands heads and shoulders above the observers as the clear center of attention. Fortunately, Rockwell’s </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>Four Freedoms</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"> escaped destruction in a fire that destroyed his studio shortly after they were delivered to </SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';"><I>The Saturday Evening Post</I></SPAN><SPAN STYLE="color:#6d6e71;font-size:18px;font-family:'Lato';">. His reference photographs and most related artworks did not survive the blaze.</SPAN></SPAN></DIV></div>
HTMLText_A135BBD1_DA16_94AF_41EE_024EA76B77A8.html = <div style="text-align:left; color:#000; "><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
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## Tour

### Description
tour.description = American Life Before World War II

### Title
tour.name = Imagining Freedom